Schedule: "Through the Looking Glass," MSA/ACMC/Indigenous Symposium At the Western Australian Academy of Performing Arts, , 6-9 December 2018

Thursday 6th December 08:00 REGISTRATIONS OPEN: Spiegeltent 08:30 WELCOME: Music Auditorium PLENARY: Music Auditorium Clint Bracknell with Wirlomin Noongar Language and Stories Inc., The Fringe or the Heart of Things? Australian Musicology and Aboriginal Song Chair: Aaron Corn

10:00 MORNING TEA BREAK: Spiegeltent 10:30 PARALLEL 1.1 A (ACMC): 10.131 B (MSA): 3.201 C: (MSA) 1.110 (Music Auditorium) D (MSA): 1.225 E (Indigenous): 3.101 Performance and AI The Politics of Australian Music Music and Image; Music and Mimesis The Mechanics of Music Performance Agency and Methodologies Chair: Lindsay Vickery Chair: Kerry Murphy Chair: Alan Davison Chair: Louise Devenish Chair: Aaron Corn Ryan Martin, Digital Monkeys: How an Internet-Based John Carmody, That 'Great' War Never Ended: The Battle over Sarah Kirby, The Actual Museum of Musical Works: Exhibiting Jacinta Dennett, Essential Gesture: A Performer’s Analysis of a Amanda Harris, Linda Barwick, Jakelin Troy, and Matt Poll, Performance Can Reflect the Development of Rules in Society the War Memorial Carillon at the University of Sydney in the Music at International Exhibitions in Nineteenth-Century Visceral Approach to Helen Gifford’s Fable (1967) for Solo Reclaiming the Power of Performance under Assimilation in 1920s Britain Harp South-East Kai Ren Teo, Balamurali B.T, Teck Seng Ng, Jer-Ming Chen, Julia Szuster, An Inconvenient Truth: The University of Arabella Teniswood-Harvey, Images of Australian Musicians: Matthew Allen, The Belt's Got Soul: An Investigation into the Kathryn Wells, Jazz Swing Gum Leaf: Embedding a Deeper Exploring Dízi Performance Parameters with Machine Learning Adelaide's Elder Conservatorium in WWI and Beyond Diversity, Identity, Status, Class Vocal Characteristics of R&B/Soul Singing and the Production Meaning Below the Mirrors of Vaudeville of the ‘Belt Voice’ within this Style ACMC Concert No.1: Mimesis and Cymatics (Enright) Mara Davis, “Isn’t It Nice To Know That There’s A Beach?”: Robin Ryan, 'Beneath the Slender Gums He Sleeps': Mirroring Simon Thielke, Modern Classical Guitar Technique and the Michael Walsh, Layers of Meaning: The (Im)possibility of --Cissi Tsang, Water Study Ordinary Spirituality in Eddie Perfect’s Songs from the Middle Australian Environments in the Open-Air Carolling Movement Associated Application of the Right Hand Translating Aboriginal Song Texts --Jean-Michel Maujean, Aguardente --Ryan Burge, I am Sitting in a Simulacra Anthony Linden Jones, Australia and New Zealand, a Mirror Matt Styles, Luke Hopper, and Jessica Watson, Saxophone Jeremy Rose, Nyilipidgi: Exploring New Collaborative Pair?: Post-colonial Engagement with Indigenous Music Injury Prevention and Rehabilitation Archetypes in the Wilfred Brothers and Paul Grabowsky

12:30 LUNCH: Spiegeltent 01:15 CONCERT: Spiegeltent Ripple Effect Band 02:00 PARALLEL 1.2 A (ACMC): 10.131 B (MSA): 3.201 C (MSA): 1.110 (Music Auditorium) D (Indigenous): 3.101 NIME; History & Issues Panel Session: Computer-Aided Musicology: From First Panel Session: Music, Longing, and Belonging The Sacred Chair: Stuart James Principles (ab initio) to Analysis Chair: Hugh de Ferranti Chair: Aaron Corn Chair: Kimi Coaldrake

Jean-Michel Maujean, The Integration of Cymatics with Kimi Coaldrake, Computer-Aided Musicology: Demystifying the Karl Neuenfeldt, Australian Pearling Songs: Entertainment, Philip Matthias and Toby Whaleboat, Sacred Songs from the Audio/Visual Composition Using the Hydrowoofer Sound of the Japanese Koto from First Principles History, and Community Eastern Torres Strait Islands Roger Dean, Deep Improviser: Turning a Machine Learning Iran Sanadzadeh, Computer-Aided Musicology: Understanding Hugh de Ferranti, Japanese Communities and Intercultural Diana James and Inawinytji Williamson, Kungkarangkalpa Partner against Mimesis the Resonances of the Japanese Koto using Finite-Element Experience through Music In Pre-war Australia Imma: Song and Dance Alive with the Power of Tjukurpa Analysis Jonathan Maltman and Lindsay Vickery, The Foundations of David Blackwell, Computer-Aided Musicology: The Use of Takako Inoue, Musical Activities among South Indians around Ros Dunlop, Songs from the Ancestors: Have a Care, They May Speech Melody Composition and the Dawn of the Digital Music Statistical Analysis and Machine Learning in the Analysis of Tokyo be Lulik Era Grant Green's Improvisational Style 03:30 AFTERNOON TEA BREAK: Spiegeltent 04:00 PARALLEL 1.3 A (ACMC): Enright B (MSA): 3.201 C (MSA): 1.225 D (MSA): 3.101 E (MSA): 1.139 ACMC Concert No.2: Spatial Music Music on Film Historical Performance and Pedagogy Music Reception Studies of the Early 20th Century Hermeneutics --Daniel Blinkhorn, Kibuyu Chair: Helen Rusak Chair: Daniel Leech-Wilkinson Chair: Sarah Collins Chair: Sam Girling --David Hirst, Imaginação de vise --Michael Terren, Siliceous Alison Bartlett, Creative Liberties: Imagining Percy Grainger in Linda Barcan, Pauline Viardot as Salonniѐre Michael Burden, Ninette de Valois, Robert Helpmann, and Maurice Windleburn, The Interior-Exterior of Mike Hammer in Film, Fiction, and Poetry Constant Lambert London’s ‘Purcell’ Ballets of 1930s London John Zorn's Spillane (1987) Victoria Rogers, The Celluloid Piano: At the Movies with Eileen Jonathan Paget, What The Method Books Reveal: The Silent Carina Nandlal, Vaudeville, Masks, and Mythology: Horses in Kathryn Roberts Parker, Affective Song in Shakespeare's Love's Joyce Revolution in American Guitar Playing, 1825-1925 the 1917 Ballet 'Parade' Labour's Lost ICTM ANZ Committee: 1.140 James Wierzbicki, How Frankenstein’s Monster Became a Zoltán Szabó, Bach Reworked: The Nineteenth-Century Angharad Davis, 'Objects May Be Less Thrilling than They Gender and Diversity Study Group (5.00-6.00pm) (5.00-6.00pm) Music Lover Reception History of the String Solos Appear': Spectacle, Sensation, and the Failure of Ballet Chair, John Phillips Chair, Brigitta Scarfe Mécanique

Michael Halliwell, Giovanni Lives: Kasper Holten's Opera Film, Stewart Smith, Performing the Organ Works of J.S. Bach in Juan Nineteenth-Century England 06:00 RECEPTION: WAAPA Foyer Sound Installation (Courtyard): Jesse Austin-Stewart, 8x5 Speaker Array 06:30 CONCERT: Music Auditorium Tom O'Halloran and Niran Disaka, New Directions in Jazz (with Ben Vanderwal and Zac Grafton) 07:30 CONCERT: Enright Manuella Blackburn, The Music of Manuella Blackburn (with Tristen Parr and Louise Devenish)

Page 1 of 4 As of 1/12/2018 (subject to change) Friday 7th December 08:00 MSA National Committee Meeting: 1.139 (8.00-9.00am) 08:30 REGISTRATIONS OPEN: Spiegeltent 09:00 PARALLEL 2.1 A (ACMC) B (MSA): 3.201 C (MSA): 1.110 (Music Auditorium) D (MSA): 1.225 E (Indigenous): 3.101 Notation: Part One (10.131) Subversions Rethinking HIP Practice-Led Research in Music Creativity and Repatriation Chair: Manuella Blackburn Chair: Michael Halliwell Chair: Jonathan Paget Chair: Matt Styles Chair: Clint Bracknell

Cat Hope, Ryan Ross Smith, and Justin Yang, Sol Le Witt in Laura Biemmi, 'Woman's Work' in Opera: Taking a Marxist- Tim White, Drumming Up The Sun King: Three Hundred Years Sally Blackwood, Project Faust Opera/Ballet: A Critical Aaron Corn, The Aboriginal Artists' Agency: A Formative Animated Notation: A Study of Compositions by Smith, Yang, Feminist Approach to Shostakovich’s Lady Macbeth of the of Innovation Analysis of the Auteur Creation Force Within the Australian Indigenous Performing Arts and Hope Mtsensk District (1934) and Berg’s Lulu (1937) Industry Louise Devenish, Shuffle Over: Aleatoric Electronic Scores for Damien Ricketson, Trauma and the Voice: Terror, Opera, and Megan Barbetti, Style or Spirit: Historically Informed Lyndall Adams and Emma Jayakumar, Visualising Creative Howard Morphy, Moving Performances: Manikay in America Percussion Notation Representing both Sound and Gesture Feminism with The Howling Girls Performance in Cadenzas for Mozart's Flute Concerto in G Research: Insights from a Practice-led Composition Project Major Aaron Wyatt, Lindsay Vickery, and Stuart James, Introducing Paul Smith, A Queerdom of Our Own: New Opera Comes Out Imogen Morris, Too Many is Almost Enough: Practitioner's Adrian Kelly, Maximising Practice: Journaling Methods for Rita Metzenrath, Song-Recording, Repatriation, and Musical the Decibel ScorePlayer 'Canvas Mode' of the Closet Influence on the Historical Narratives of Extant Recorders Musicians Creativity: The Case of Yothu Yindi's 'Treaty' Sam Girling, From Persia to the Cherokee: Representations of Aidan Deasy, The Lute: Anatomized and Transposed. Two Calista Yeoh and Myfany Turpin, Scales and Sounds in Arrwek the So-called 'Other' in British Domestic Music at the Turn of Manuscripts of Pier Francesco Valentini (ca.1570-1654) Songs the Nineteenth Century 11:00 MORNING TEA BREAK: Spiegeltent 11:30 PLENARY: 3.201 Sally Treloyn, Rona Googninda Charles, and John Nyunjuma Divilli, Applied Ethnomusicology and its Discontents: ‘Making Junba Good’ in the Kimberley Chair: Clint Bracknell

12:30 LUNCH: Spiegeltent 01:15 CONCERT: Music Auditorium Ros Dunlop, Audio-Visual Works of Martin Wesley-Smith: Musical Protagonist for the East Timorese and West Papuans 02:00 PARALLEL 2.2 A (ACMC): 10.131 B (MSA): 3.201 C (MSA): 1.110 (Music Auditorium) D (Indigenous): 3.101 Performance and the Voice; Speculative Mimesis Panel Session: Female Musical Voices in Private and Public Panel Session: ICTM Part 1: The Politics of Music Revival Roundtable: Revitalising the Thabi Song Tradition of the Chair: Lindsay Vickery Spheres Chair: Brigitta Scarfe Pilbara Chair: Cecilia Sun Chair: Reuben Brown Donna Hewitt, Reflections upon Composing for and Julia Nicholls, Orchestration and Construction of Gender Jürgen Schöpf, Women’s Gong Playing and Emic Musicology Andrew Dowding, David Stock, and Hilda Flan, Hearing Performing with Gestural Controllers Identity in Recordings of King/Goffin’s 'Will You Love Me of Tangsa Moshaung in Northeast India: A Spy Glass to the Histories: Tjabi song traditions of the West Pilbara Tomorrow' Past? Donna Hewitt and Mary Mainsbridge, #Me Two: Approaches Kate Milligan, Escaping the Identity Prison: Intersectionality Katherine Ki Tak Wong, Introducing Traditional Cantonese Patrick Churnside and David Walker, Bingkawarni: Cultural to Collaboration; Merging Two Performers and their Gesture and Multiplicity of Voice in Cat Hope’s Speechless (2017) Opera into the Education System in Hong Kong Special Exchange and the Revitalisation of Tjabi Capture Systems, Voices, and Movement Administrative Region (HKSAR) Michael Terren, Siliceous: Speculative Mimesis and the Grain Louise Devenish and Cecilia Sun, Transgressing Domesticity Ellan Alethia Lincoln-Hyde, Chinese Youth and the of the Digital Audio Workstation in Kate Neals’ Never Tilt Your Chair Back (2017) ‘Rejuvenation’ of Traditional Chinese Music under President Xi Jinping and Premier Li Keqiang 03:30 AFTERNOON TEA BREAK: Spiegeltent 04:00 PARALLEL 2.3 A (ACMC): Enright B (MSA): 3.201 C (MSA): 1.139 D (MSA): 1.225 E (Indigenous): 3.101 ACMC Concert No.3: NIME (Enright) Panel Session: Music and Political Liberalism Music-Making in Colonial Australia Explorations of Early Music Reclamation and Representation --Roger Dean, Digging Deep Chair: Sarah Collins Chair: Victoria Rogers Chair: Allan Badley Chair: Aaron Corn --Donna Hewitt and Mary Mainsbridge, #Me Two Michael Hooper, 'Dear Cornelius' or 'The Limits of Music' Helen Mitchell and Neal Peres da Costa, Transforming Anthony Abouhamad, Sensing Closure: Exploring Tonality Peter Williams, Exploring the Origins of Australian Aboriginal --Marcus Jackson, Wet Dream II Historical Performance through Experiential Learning and Cadence in Eighteenth-century Salzburg Song and Dance Revitalisation in New South Wales --Barry Moon, Hex for Six Guitars with Electronics David Larkin, Progressive Politics and Musical Revolutions: John Ralph, Reflections of Home and a Mirror to the Future: Denis Collins, Fashioning Canon to Find Fame? Responses to Jesse Hodgetts, Traditional Australian Aboriginal Languages the Zukunftsmusik Movement as a Mirror of Society? An Exploration of the Music of the Swan River Colony Ockeghem’s Missa Prolacionum in Willaert’s Missa Mente and Song Forms from Original Speakers and Singers in Pioneers tota Western New South Wales

ACMA AGM: 1.219 Sarah Collins, Utility, Edmond Gurney, and the Pleasures of Helen Rusak, Follow Yvette: Music to Accompany the Murder Carol Williams, Through Johannes de Grocheio’s Looking- Melinda Sawers, How Music Education can Engage with (5.00-6.00pm) Musical Formalism of a Remittance Man at a 1920’s Ball Glass: The Music of the Parisian 1270s Aboriginal and Torres Strait Islander Histories and Cultures as a Cross-curriculum Priority Opera Study Group (5.30-6.00pm) Andrew Snedden, Letter and Spirit: Cultural Exegesis as Chair, David Larkin Methodology in Nineteenth-Century Historically Inspired Performance (HIP) 06:00 CONCERT: Ampitheatre Twilight Indigenous Performance 07:00 RECEPTION: WAAPA Foyer Sound Installation (Courtyard): Rodrigo Kendrick, Production//Re-production 07:30 CONCERT: Music Auditorium Geoffrey Lancaster, Historic Piano Showcase (with James Huntingford and Nick Williams)

Page 2 of 4 As of 1/12/2018 (subject to change) Saturday 8th December 08:30 REGISTRATIONS OPEN: Spiegeltent 09:00 PLENARY: Music Auditorium Geoffrey Lancaster, Through the Lens of Esoteric Thought: Joseph Haydn's The Seven Last Words of Christ on the Cross Chair: David Tunley 10:00 MORNING TEA BREAK: Spiegeltent 10:30 PARALLEL 3.1 A (ACMC) B (MSA): 1.139 C (MSA): 1.110 (Music Auditorium) D (MSA): 1.225 E (Indigenous): Jazz Studio Notation: Part Two (10.131) Innovative Compositional Practice Overcoming Barriers to Music Learning Music and Political Engagement Roundtable: Solutions to Managing Records of Public Song Chair: Louise Devenish Chair: Natalie Williams Chair: Nicholas Bannan Chair: David Larkin Traditions; Chair: Linda Barwick

Ryan Smith, Animated Notation Workshop Cissi Tsang, Layered Histories: Using Facets of the Landscape Anthea Skinner, Disability Music in Australia: Education, Josten Myburgh, West Coast Underground: Documenting Rupert Manmurulu, David Manmurulu, Jenny Manmurulu, as Compositional Elements to Reflect Lived Experience Therapy, and Culture Emergent Alterities in Perth’s Exploratory Music Scene Linda Barwick, Isabel O’Keefe, and Jamie Milpurr, West Arnhem Song Project Azariah Felton and Lindsay Vickery, Exploring the Interaction Simon Perry and Denis Collins, Undergraduate Musicianship Paul Hopwood, 'Meow Meow Live!' as a Model for a Nick Thieberger, Jared Kuvent, and Reuben Brown, West between Postminimalist Music and Contemporary Dance and the Keyboard Lab: Issues in Researching and Evaluating Politically Engaged Musical Encounter Pilbara Song Project a Pilot Project ACMC Concert No.4: Tone List Explorations (Enright) Steph Youssef, Understanding Sound: An Exploration of Raymond Yong, Technique Retraining for the Professional Nicky Gluch, Tracks and Stations: The Radio Presenter as Pete O’Connor, Andrea Emberly, and Sally Treloyn, -- Josten Myburgh, The Silver Morning Shifts their Birds from Maths and Hearing in Order to Create New Log Scales in Pianist: The Process of Applying the Taubman Approach to Musicologist Kimberley Song Project Tree to Tree Music Practice and Concert Preparation -- Simon Charles, Murrindini Sam McAuliffe, Performing Place, Creating Place Amanda Krause, Samantha Dieckmann, and Jane Davidson, Ros Dunlop, Music as a Medium Advocating for Change: The Bert Crowfoot and Mary Ingraham, Digitizing the Ancestors --Cat Hope and Stuart James, Their Lives are Stripped of What Would it Take to Re-Engage in Music Activity? Audio-Visual Pieces of Martin Wesley-Smith —a Musical Meaning Protagonist for the East Timorese and West Papuans -- Lindsay Vickery, Takadanobaba

12:30 LUNCH: Spiegeltent 01:30 PARALLEL 3.2 A (ACMC): 10.131 B (MSA): 1.110 (Music Auditorium) C (MSA): 1.225 D (Indigenous): Jazz Studio Production & Synthesis Panel Session: ICTM Part II, Musial Style as Sonic Metaphor Panel Session: Australian Music and Art Research Group & The Linking and Revitalising Power of Song Chair: Michael Terren Chair: Jürgen Schöpf National RIdIM Centre: Music as Metaphor in Late Medieval Chair: Sally Treloyn and Early Modern Art Chair: Arabella Teniswood-Harvey

Tracy Redhead, The Emerging Role of the Dynamic Music John Napier, From Observation to Entrainment: Inter- Suzanne Wijsman, 'And All the People Saw the Voices': Jodie Kell, Rachel Thomas, Tara Rostron, Rona Lawrence, and Producer community Engagement in Temple Festivals in a South Sound and Image in Hebrew Illuminated Manuscripts of the Marita Wilton, The Ripple Effect: Musical Innovation Indian Village Late Middle Ages amongst Women in Maningrida Scott Stickland, Rukshan Athauda, and Nathan Scott, A Matthew Horsley, The Politics of Musical Style: Identity, Denis Collins, Metaphors of Music and Musica in Albrecht Lou Bennett, Soverign Language Repatriation (SLR): Framework for Real-Time Online Collaboration in Sound Community, and Solidarity amongst Irish Traveller Pipers Dürer’s Melencolia I Retrieving, Reclaiming, and Regenerating Dja Dja Wurrung Production of the Jaara through Song Brigitta Scarfe, The Derby Sound: How 6DBY Larrkardi Radio Jason Stoessel, Musical Canons in Passignano’s Musical Myfany Turpin, Clint Bracknell, Shaune Angeles, and Felicity Facilitates a Democratic Aesthetic in Derby, Western Angels and Kircher’s Musurgia universalis: The Intersection Meakins, Wanji-wanji: The Past and Future of an Aboriginal Australia of Art and Science in Early Seventeenth-Century Rome Travelling Song 03:00 AFTERNOON TEA BREAK: Spiegeltent Book Launch: Myfany Turpin and Felicity Meakins, with photographs by Brenda L. Croft, Songs of the Station Wajarra as Sung by Ronnie Wavehill Wirrpnga, Topxy Dodd Ngarnjal, and Dandy Danbayarri at Kalkaringi 03:30 PARALLEL 3.3 A (ACMC) B: (MSA) 1.139 C (MSA): 1.10 (Music Auditorium) D: (MSA) 1.225 E (MSA): Jazz Studio ACMC Concert No.5: Animated Notation (Decibel) (Enright) Deconstructions 20th-Century Experimentalism Music of the Long 19th Century Intersection and Representation --Stuart James, Noise in the Clouds Chair: James Wierzbicki Chair: Michael Hooper Chair: David Symons Chair: Jeffrey Brukman --Peter McNamara, Amplitude Jonty Coy, Scandal, Class Boundaries, and the Parisian Kylie Constantine, 'As if a New Self Could Be Founded on Philip Shields, Through the Looking Glass of a Symphonic Matt Styles, Saxology: Recasting Cross-Genre Music for the --Jos Mulder, Stolen Goods (Stocketus) Virtuoso: Demystifying the Monikers of Michel Blavet's Sound': Identity and Vocal Plurality in Milton Babbitt's Poem by Malipiero: A Young Italian 'Turk' and Dante’s Saxophone --Lindsay Vickery, Thalweg Sonatas Op. 2 (1732) Philomel Heroic Journey --Ryan Smith, Study No. 55 Leighton Triplow, Orpheus Unleashed: Character Realisation Natalie Williams, Twentieth-Century Counterpoint: Defining Anne-Marie Forbes and Heather Monkhouse, Reflections of Melissa Fitzgerald, Bridging the Great Divide: Exploring in Purcell’s Domestic Secular Songs Contemporary Interpretations of Contrapuntal Design Scottish Nationalism in Glasgow Orchestral Programs 1893- Postmodernism in the Guitar Works of Nigel Westlake 1913 Composing with Technology (10.131) Milos Zatkalik, C, F-sharp, and E-flat: The Tragic, the Jamie Oehlers, Developing a Median Melodic Tension Rating Nigel Nettheim, Searching for Compositional 'Fingerprints' Mitchell Mollison, Histories, Meanings, and Representations Chair: Donna Hewitt Sublime, and the Oppressed (With C-Sharp as Nemesis) Tool for Jazz Analysis of Tari Melinting and its Talo accompaniment in Lampung, Peter McNamara, Contrasting Approache: The Continued Indonesia Relevance of Pre-recorded Live Electronic Music

David Hirst, Hacking Music Notation in 'Max' with Bach and Adam Pinto, Through a Glass Darkly: Source and Process in Talisha Goh, The Microtonal Works of Elsie Hamilton as a Cage the Music of Reflection of the Anthroposophical Movement

05:30 PLENARY: Music Auditorium Daniel Leech-Wilkinson, Jam Tomorrow? Chair: Michael Burden

06:30 BREAK: Travel to CBD 07:00 CONFERENCE DINNER The George , 216 St Georges Tce Perth

Page 3 of 4 As of 1/12/2018 (subject to change) Sunday 9th December 08:00 REGISTRATIONS OPEN: Spiegeltent 08:30 PARALLEL 4.1 A (ACMC): 10.131 B (MSA): 1.139 C (MSA): 1.110 (Music Auditorium) D (MSA): 1.225 E (Indigenous): 3.101 Spatial Music, Synthesis, and Gaming Performance and Reception Histories Romantic HIP and Beyond Popular Music Studies Community Activities Chair: Stuart James Chair: Jula Szuster Chair: Geoffrey Lancaster Chair: James Wierzbicki Chair: Aaron Corn Daniel Pitman, Sounds in Space: A Folio for Analogue, Digital, Goetz Richter, A Performer's Aesthetic: The Mystery of Alma Jasmine Middleton, Reimagining Historical Sound: A Olivia Lucas, 'Reverse-Engineering What Makes it Tick': Brydie-Leigh Bartleet, Creative Barkly: Mapping Creative and Binaural Synthesis Moodie Performer's Journey in Applying Nineteenth-Century Moshing, Analysis and the Music of Meshuggah Practices in One of Australia's Remote Desert Regions Performance Practice to Tchaikovsky's Violin Concerto (1878)

Tom O'Halloran, A Case for Innovation in Jazz through Kerry Murphy, Henri Kowalski's Travels to America: "He … Nicholas Williams, Performance Practice in Liszt’s Hungarian Benjamin Hillier, Investigating the Australian Sound in Matthew Ward, Intercultural Song for Social Inclusion: A Integration of the Digital/Moving Image Played Notes and Took Them." ( The New Music Review and Rhapsodies: Approaches to Textual Alteration in Liszt's Australian Extreme Metal: A Review of the Literature Report on the Vancouver Street Festival Noongar Song Church Music Review, February, 1928) 'Hungarian-Gypsy National Epic' Project Thomas Studley, Jon Drummond, Nathan Scott, and Keith Julie Waters, The Australian Press Portrayal of Postwar Tommy Seah, Lost in Time: Revealing Approaches to Rubato Gemma Turner, Dangerous Songs (1966) to Dangerous Song MSA Indigenous Think Tank and NRPIPA Steering Nesbitt, Designing for Stochastic Game-Based Composition Migrant Musicians, 1947-53 and Dynamics in Recordings of Russian Pianists at the Turn Blue (2016): From Word-Driven Songs to Songs Without Committee Meeting (9.30-10.30am), Chairs: Aaron Corn and with Max & Unity of the Century Words; Which Tells the Story Better in the World of Climate David Manmurulu Change? Thomas Connell, Game Music: What do we Gain? Jeffrey Brukman, Black South African Experiences of Nathan Fischer, Lagu Gubahanku in John Duarte's Op. 241 Australian Music Study Group Dispossession, Migration, and Translocation Expressed for Guitar Solo (10.00-10.30am) through the Lens of Safika, a Piano Quintet by Bongani Chair: Michael Hooper Ndodana-Breen 10:30 MORNING TEA BREAK: Spiegeltent 11:00 PLENARY: Music Auditorium Manuella Blackburn, Mimesis, Sonic Illusions, and Micromontage Chair: Cat Hope 12:00 LUNCH: Spiegeltent 12:45 PARALLEL 4.2 A (ACMC): 10.131 B (MSA): 1.139 C (MSA): 1.110 (Music Auditorium) D (MSA): 3.101 E (MSA): 1.225 Animated Notation Forum (12.45-1.30pm) Music in Georgian England Jazz and Improvisation Innovative Practice and Pedagoy Postgraduate Students Discussion Chair: Lindsay Vickery Chair: Anne-Marie Forbes Chair: Jamie Oehlers Chair: Linda Barcan (12.45-1.30pm) Chair: Megan Burslem Gillian Dooley, Marianne and Willoughby, Lucy and Colin: John Mackey, Exploring the Application of Pentatonicism for Evan Hopkins, Arranging the Music of Radiohead for the Betrayal, Suffering, Death, and the Poetic Image Layered Chromaticism in Jazz Improvisaton Classical Guitar Allan Badley, Storace's Collection of Original Harpsichord Tom O'Halloran, Developing Approaches to Jazz Jeremy Greig, A Twenty-First-Century Jazz-Inspired Approach Artistic Research in Music Study Group Music as a Harbinger of Modernity Improvisation and Composition via Messiaen’s Vingt regards to the Harmonisation of a Marco Bordogni Eighteenth- (1.30-2.15pm) sur l'enfant-Jésus Century Vocalise for Trombone Chair: Cat Hope Jordan Proctor, Potter's World: Three Piano Sonatas from Kristian Borring, How Do You Hear It? Complex Meter in Ibolya Mikajlo, Lyndall Hendrickson's Perceptions of 1818 Contemporary Jazz Composition and Improvisation Using Lateralization for Teaching and Learning Perception and Cognitive Theory 02:15 MSA AGM: 1.110 (Music Auditorium) ACMC: Field Recording Adventure (Upper Foyer) MSA Awards Ceremony 03:00 CLOSE:

Page 4 of 4 As of 1/12/2018 (subject to change)