Announcement Concerning Implementation of MBO and Recommendation to Tender
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Roland Announces V-160Hd Streaming Video Switcher
Press Release FOR IMMEDIATE RELEASE ROLAND ANNOUNCES V-160HD STREAMING VIDEO SWITCHER Professional Hybrid Event Switcher with Eight HDMI and Eight SDI Inputs, USB-C Streaming, 40-Channel Audio Mixing, Powerful New Automation Features, and More Los Angeles, CA, June 15, 2021 — Roland’s Professional A/V division announces the V- 160HD Streaming Video Switcher, the latest addition to the company’s respected V-series lineup of multichannel HD video switching products and the first with built-in streaming capabilities. Perfectly tailored for modern hybrid production, the V-160HD allows users to connect with live audiences in Full HD with comprehensive HDMI and SDI I/O and simultaneously stream to any popular web platform via USB-C. The V-160HD also features an eight-layer video effects engine, a 40-channel digital audio mixer, and integrated PTZ camera control, plus next-generation cue management and live show automation tools that make tough production tasks simple. Compact, portable, and easy to operate, the V-160HD combines the reliable hardware features needed to flawlessly execute live productions with the livestreaming capabilities found in computer-based systems. While software workflows are fine for online-only events, the V-160HD delivers the pro essentials to handle both the in-person and web streaming components of a live hybrid event, complete with the ability to tailor the content for each audience. With its extensive connectivity and powerful real-time processing, the V-160HD is ready to take on nearly any production. Eight HDMI sources and eight SDI sources can be mixed in Full HD, even with mismatched frame rates and color spaces. -
Musical Instruments Business Make Waves 1
STRATEGIES BY BUSINESS STRATEGIES BY BUSINESS ■ MUSICAL INSTRUMENTS BUSINESS MAKE WAVES 1 . 0 By enhancing our developmental capabilities in terms of Business Strategies of the New Medium-Term Management Plan hard and soft technologies and strengthening our brand power, we will achieve overwhelmingly high levels of profit. Business Vision Receive the highest possible evaluation from an even greater number of customers Realize overwhelmingly high levels of profitability by enhancing our brand power Teruhiko Tsurumi Targets for Fiscal 2022 (Based on IFRS) Operating Offcer Executive General Manager of Revenue: ¥297.0 billion (6.3% growth compared with fiscal 2019) Musical Instruments Business Unit Core operating profit: ¥49.0 billion (20.1% growth compared with fiscal 2019) Business Overview Review of NEXT STAGE 12 ■ Improvement in the promotion of value that fts the life stage of each customer through In the musical instruments business, which represents our core Over the course of the previous medium-term management plan, ■ Shift toward making direct connections with digital marketing our customers on a global basis due to the ■ Signifcant improvement in product development for pursuing the essence of musical business, we possess numerous core technologies related to NEXT STAGE 12, we achieved our target of improving our operat- acceleration of digitalization, dramatic changes instruments due to the progression of digital technologies and AI; enhancement of sound and music that have been cultivated over our long history. In ing income ratio from 11% in fscal 2016 to over 15% by the end in approach to brand recognition and consumer Opportunities manufacturing effciency through IoT behavior, etc. -
Roland Corporation U.S. Welcomes Home a Soldier
FOR IMMEDIATE RELEASE Press Contact: Company Contact: Robert Clyne Rebecca Eaddy President Marketing Communications Mgr. Clyne Media, Inc. Roland Corporation U.S. (615) 662-1616 (323) 890-3718 [email protected] [email protected] ROLAND CORPORATION U.S. WELCOMES HOME A SOLDIER Los Angeles, CA, October 21, 2015 — The staff at Roland Corporation U.S. participated in a special surprise homecoming at their headquarters in Los Angeles. Mary Ann Sherman from Roland’s Sales Administration Department was treated to a memorable day when her daughter, U.S. Army Specialist Kim Sherman, completed her service a few months early and arrived home ahead of schedule. As far as her mother knew, Kim was not due home until later this year. Roland caught wind of the early homecoming and planned something special to surprise Mary Ann. Her co-workers organized a party and decorated Roland’s video studio to give it a patriotic touch for this special day. Roland Corporation U.S. officers, directors and employees celebrated and posed in photos with Mary Ann and Kim, for a homecoming none of them will ever forget. “Our employees are our extended family, so we wanted to create a special memory for Mary Ann and give her daughter a warm ‘Welcome Home’ from our team,” noted Jay Wanamaker, President & CEO of Roland Corporation U.S. --------- About Roland Corporation Roland Corporation is a leading manufacturer and distributor of electronic musical instruments, including keyboards and synthesizers, guitar products, electronic percussion, digital recording equipment, amplifiers, audio processors, and multimedia products. With more than 40 years of musical instrument development, Roland sets the standard in music technology for the world to follow. -
MIDI に関する技術系統化調査 1 Systematized Survey of MIDI and Related Technologies
MIDI に関する技術系統化調査 1 Systematized Survey of MIDI and Related Technologies 井土 秀樹 Hideki Izuchi ■ 要旨 MIDI(Musical Instrument Digital Interface)は、日本の MIDI 規格協議会(現 AMEI:一般社団法人 音楽電子事業協会)と国際団体の MMA(MIDI Manufacturers Association)により制定された電子楽器の 演奏データを機器間でデジタル転送するための共通規格である。 1981 年 6 月シカゴで開催された NAMM ショーで、共通インターフェースの可能性に関して、最初の呼 びかけを行ったのがローランド創業者の梯郁太郎である。この呼びかけに応じ、最初の規格案を提案したのが Dave Smith(Sequential Circuits Inc. 社長)であった。両者は MIDI の制定に尽力し、MIDI 規格がその後 の音楽産業の発展に貢献したことが評価され、MIDI 制定から 30 周年を迎える 2013 年第 55 回グラミー賞 にて、連名でテクニカル・グラミー・アワードを受賞している。 MIDI を使って、異なる電子楽器同士がメーカーの枠を超えて同時に鳴らせるようになった。またコンピュー ターと電子楽器をつなぐことが可能となり、コンピューター上で演奏データを作成し、MIDI を通じて電子楽 器を自動演奏させることが可能となった。机の上で音楽の最終形まで制作可能になったことから「Desk Top Music」と呼ばれ、音楽制作の現場を大きく変えることになった。 また 1990 年代大手パソコン通信ホストによりアマチュア・ミュージシャンによる MIDI データの流通が隆 盛を極めた。このような MIDI データの流通には GS 音源、XG 音源と呼ばれたデファクトスタンダードな音色 配置と、SMF(Standard MIDI File)と呼ばれた MIDI データを記憶する共通ファイル・フォーマットの存在 が貢献した。 1992 年通信カラオケの誕生によって MIDI は楽器業界以外にも活躍の場を得ることになる。MIDI データを 使った通信カラオケシステムは、従来のディスクメディアによるカラオケシステムより、新曲の制作・配信が圧 倒的に速く、内蔵曲数の制限も少なく、ランニングコストも安価になったことから、カラオケの低価格・大衆化 を大きく前進させた。また 1999 年 2 月の i モード・サービス開始などにより、コンテンツ・プロバイダのメ ニューサイトで着信メロディーの演奏データを課金のうえダウンロードするのが一般的となり、携帯電話向けコ ンテンツビジネスが急速に拡大した。着信メロディーの演奏データの実体は Standard MIDI File(SMF)で あり、MIDI データが携帯端末の世界でも活用された。 MIDI は演奏データ情報に留まらず、クロック情報、タイムコード情報なども扱えるためレコーディング・ス タジオの制作プロセスを大きく変革した。さらに MIDI の RP(推奨実施例)として MIDI Machine Control、 MIDI Show Control、MIDI Visual Control 等も制定され、マルチトラックレコーダーの機器制御、照明機 器の制御、映像機器の制御にも MIDI が使われるようになった。 1999 年には MIDI を USB ケーブルの中に通すことが可能となり、また 2015 年には Bluetooth Low Energy(BLE)が規格化され、 2016 -
Roland Announces V-60HD and XS-62S Ver.3.0 Updates Featuring Multiple PTZ Support for Video
Press Release FOR IMMEDIATE RELEASE Roland Announces V-60HD and XS-62S Ver.3.0 Updates Featuring Multiple PTZ Support for Video Enhanced stills-capture workflow, expanded control with additional frame-rate support, and more offered through Roland’s free update Los Angeles, California, April 7, 2020 — Roland, a leading manufacturer of professional audio, video and electronic musical instrument gear, apps and cloud-based software, today announces the forthcoming Ver.3.0 updates for two of their most popular HD video switcher models, the Roland V-60HD and XS-62S. The updates will offer workflow enhancements and expanded control for both switchers, like the newly added multiple PTZ (Pan-Tilt-Zoom) support and several new tools for professionals looking to simplify the creation of premium-quality streaming broadcasts and live event productions. When PTZ cameras are called into action, users can take control using Roland V-60HD and XS- 62S video switchers and powerful RCS (remote control software). With Roland’s new Ver.3.0 updates, users can now seamlessly integrate these Roland switchers with JVC, Panasonic, Sony, PTZOptics, Avonic, and any VISCA-compatible professional PTZ cameras to streamline workflow without the need for a dedicated separate controller. For projects that would benefit from an engaging, gaming-like experience, the new update gives users the option of adding in a USB gamepad to easily control a team of PTZ cameras, allowing instincts to guide the way as cameras pan, tilt and zoom effortlessly on the action. The Ver.3.0 updates for V-60HD and XS-62S make capturing stills directly from PGM possible and adds frame-rate support on SDI inputs for 60p, 30p, 24p and 23.98p sources. -
Owner's Manual for the Digital Device
To resize thickness, move all items on the front cover and center registration marks to left or right / / Owner’s Manual Owner’s Manual 04017912 ’06-03-3N *04017912-03* To resize thickness, move all items on the front cover and center registration marks to left or right. KR117_115_r_e.book 3 ページ 2006年2月27日 月曜日 午前11時55分 Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS,” “USING THE UNIT SAFELY” (p. 4, 5), and “IMPORTANT NOTES” (p. 6, 7). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. CAUTION The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the RISK OF ELECTRIC SHOCK DO NOT OPEN presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR constitute a risk of electric shock to persons. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, The exclamation point within an equilateral triangle is DO NOT REMOVE COVER (OR BACK). intended to alert the user to the presence of important NO USER-SERVICEABLE PARTS INSIDE. operating and maintenance (servicing) instructions in the literature accompanying the product. -
Synthesizer-Guide 2018
Synthesizer 1 Guide 2018 Guide Nr. 9 Guide Nr. Synthesizer Sonnenstraße 15 Tel: 0049/(0)89/55146-116 D-80331 München www.hieber-lindberg.de www.hieber-lindberg.de [email protected] www.hieber-lindberg.de [email protected] Vorwort Novation PEAK Seite 4 Liebe Synthesizer-Freunde! 2 8-stimmiger Hybrid-Synthesizer 3 Jedes Jahr scheint ein neuer, überraschender Höhepunkt im Synthesizer-Sektor Roland SH-01A Seite 8 erreicht. Überraschend insofern, als man eine Sättigung des Marktes annehmen Analoger Klassiker im Boutique Format könnte. Gibt es nicht schon genug monophone Analogsynthesizer? (Nein.) Sind neue Eurorack-Module überhaupt noch möglich? (Ja.) Und was ist mit den poly- Arturia MatrixBrute Seite 10 phonen Analogen, sind diese endlich mal auf der Überholspur unterwegs? (Korg Paraphoner Analog-Synthesizer steigt zu DSI in den Poly-Ring: Die Überholspur ist eröffnet.) Hätte man als Musi- ker die nötigen Zeitressourcen, würde man umgehend (!) einen MatrixBrute samt Korg Prologue Seite 14 einiger der neuen Eurorack-Module ins Studio holen, dazu noch einen Peak und 8- bzw. 16-stimmiger Analog-Synthesizer einen Prologue. Dann Türe zu und genüssliches Klang-Forschen - für mindestens Roland/Studio Electronics SE-02 Seite 16 drei Jahre (oder mehr). Das Potenzial dazu hätten alle genannten Instrumente. Monophoner Analog-Synthesizer Doch natürlich sieht das wahre Leben anders aus. Hier heißt es Entscheidungen Hieber Lindberg Shop Seite 19 treffen - für dieses oder für jenes Instrument. Neuer „Polyphonic Eurorack Syn- Preisliste Synthesizer / Modularsysteme / Module thesizer“ von Doepfer gefällig, zusammen mit Vermonas randomRHYTHM- und twinCussion-Modul - alles im Arturia RackBrute-System verbunden mit dem Mini- Hieber Lindberg News Seite 26 Brute 2? Klingt nicht schlecht. -
Hamamatsu Monitoring Report 2014-2018
HAMAMATSU MONITORING REPORT 2014-2018 Hamamatsu UNESCO Creative City of Music November 2018 1 EXECUTIVE SUMMARY Hamamatsu is a Creative City that has created a richly unique culture which prides itself of its world-class entrepreneurs and industrial technologies. The city has developed as the “City of Industry” and the “City of Music” where the locals have inherited diverse traditional cultures, and also takes advantage of its amassed talent and technology in community building. Hamamatsu has shown the diversity and potential of music in a way that can only be done by a city where headquarters of world-renowned musical instruments makers such as Yamaha, Kawai and Roland can be found. In the midst of promoting Hamamatsu locally and internationally as the hub for the musical instrument industry and as a city that continues to build the community through cultural arts as well as promote projects to draw out the potential power of music, Hamamatsu became a member of the UNESCO Creative Cities Network (UCCN) in the field of music in December 2014. In the four years since joining the UCCN, the city has promoted strategic projects based on the five basic policies of international activities established as contributions to UCCN in addition to Hamamatsu’s longstanding initiatives in providing opportunities for local residents to experience the wonders and enjoyment of music as well as initiatives in exchanges based on music and fostering musical talent. 1. Promotion of International Exchange through International Musical Events 2. Realization of Cross-cultural Understanding and Cultural Diversity through Music 3. Exchange and Nurturing of Musical Talents at an International Level 4. -
VS-Series Compatibility Guide
® R VS-Series Compatibility Guide Current Operating Systems VS-840 v1.05/1.02 VS-1680 v2.024/2.5 VS-840EX v2.05 VS-1880 v1.015/1.5 VS-840GX v2.52 VS-1824 v1.501 VS-880 v3.205 VS-2000 v2.005 VS-880EX v2.014 VS-2400 v1.504 VSR-880 v1.032 VS-2480 v2.505 This document lists the compatible external drives for Roland’s VS-series line of digital studio workstations. For more information go to www.RolandUS.com or call us at 323-890-3740. VS-2480 SCSI to IDE Bridge Manufacturer Model Capacity Storage Record/Playback Acard Tech ARS 2000 120GB Yes No Compatible CD Mechanisms Manufacturer Model Storage Record/Playback Plextor PX-W4220 Yes No Plextor PX-W8220T/S Yes No Plextor PX-W124TS Yes No Plextor PX-W1210TS Yes No TEAC CD-W512SB Yes No Removable Media Drives Manufacturer Model Capacity Storage Record/Playback Song Vault Song-Vault DVD 4.3GB Yes No External (SCSI) Hard Drives Manufacturer Model Capacity Storage Record/Playback Song Vault Song Vault 120GB Yes No Song Vault Song Vault Pro 120GB Yes No ASC VirDIS * Variable Yes No * VirDIS (Virtual Disk) is a new product that connects any VS Recorder with a SCSI port to a PC-compatible computer. You can use this product for virtual HD backup and recovery to your computer, virtual CD backup, and even virtual CD for Audio disc recording. For more info, go to www.VirtualSCSI.com. Legacy Products (VS-880/880EX/890/1680/1880/1824/VSR-880) The VS-880, VS-880EX and VSR-880 can format a compatible drive in either 512MB or 1GB partitions. -
OPA ROLAND Documento D'offerta Roland Corporation 26 09
Documento di Offerta pubblica di acquisto ai sensi dell’art.102 e ss. del D. Lgs n.58 del 24 febbraio 1998 SU NUMERO MASSIMO 9.555.000 AZIONI ORDINARIE DI Offerente ROLAND CORPORATION CORRISPETTIVO UNITARIO OFFERTO: euro 1,40 per ogni azione ordinaria DURATA DELL’OFFERTA CONCORDATA CON BORSA ITALIANA S.p.A. dal 30 settembre al 29 ottobre 2003 inclusi, DALLE ORE 8:00 alle 17:35 (salvo proroga) CONSULENTE FINANZIARIO DELL’OFFERENTE E INTERMEDIARIO INCARICATO DELLA RACCOLTA DELLE ADESIONI SUL MERCATO TELEMATICO AZIONARIO ORGANIZZATO E GESTITO DA BORSA ITALIANA S.p.A. Settembre 2003 L'adempimento di pubblicazione del documento informativo non comporta alcun giudizio della Consob sull'opportunità dell'adesione e sul merito dei dati e delle notizie contenute nel presente documento. INDICE PREMESSE........................................................................................................................................5 A. AVVERTENZE...................................................................................................................7 A.1 CONDIZIONI D’EFFICACIA......................................................................................................7 A.2 AZIONI PROPRIE ....................................................................................................................9 A.3 COMUNICATO DELL’EMITTENTE............................................................................................9 A.4 OFFERTA RESIDUALE.............................................................................................................9 -
Effect and Limit of the Government Role in Spurring Technology Spillover — a Case of R&D Consortia by the Japanese Governm
Technovation 24 (2004) 403–420 www.elsevier.com/locate/technovation Effect and limit of the government role in spurring technology spillover — a case of R&D consortia by the Japanese government C. Watanabe a,∗, M. Kishioka b, A. Nagamatsu a a Tokyo Institute of Technology, Department of Industrial Engineering and Management, 2-12-10 Ookayama, Meguro-Ku, Tokyo 152-8522, Japan b Kishioka Research Associates, 3-20-17-302, Minamino, Namekawa-cho, Saitama 355-0814, Techno Research Institute, 2-11-9, Kitaaoyama, Minato-ku, Tokyo 107-0061 Japan Abstract Why should rivals cooperate? This is the fundamental question posed by R&D consortia. The answer to this question provides a reasonable elucidation of the inside of the black box which enabled Japan to achieve the high-technology miracle in the 1980s.One reasonable answer to the question can be a virtuous cycle spurring technology spillover among participants, and also between consortia and economy as a whole.Prompted by this postulate, this paper attempts to analyze the effect and limit of the role of the government in spurring technology spillover through an emprical analysis of R&D consortia initiated by the Japanese Government over the last four decades. 2003 Elsevier Ltd. All rights reserved. Keywords: R&D consortia; Technology spillover; MITI’s industrial technology policy; Translog cost function 1. Introduction Ministry of International Trade & Industry’s (MITI)1 National R&D Program projects by (i) encouraging The workshop report on “R&D Consortia and US– broad involvement of cross-sectoral industry in these Japan Collaboration” organized by the US National projects, (ii) stimulating cross-sectoral technology spill- Research Council (NRC) published in 1991 (NRC, 1990) over and inter-technology stimulation, (iii) inducing vig- triggered its report by raising a question, “Why should orous industry activity in the broad area of industrial R& rivals cooperate?”. -
Transectorial Innovation, Location Dynamics and Knowledge Formation in the Japanese Electronic Musical Instrument Industry
TRANSECTORIAL INNOVATION, LOCATION DYNAMICS AND KNOWLEDGE FORMATION IN THE JAPANESE ELECTRONIC MUSICAL INSTRUMENT INDUSTRY Timothy W. Reiffenstein M.A., Simon Fraser University 1999 B.A., McGill University 1994 DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Department of Geography O Timothy W. Reiffenstein 2004 SIMON FRASER UNIVERSITY July 2004 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Timothy W. Reiffenstein Degree: Doctor of Philosophy Title of Thesis: TRANSECTORIAL INNOVATION, LOCATION DYNAMICS AND KNOWLEDGE FORMATION IN TKE JAPANESE ELECTRONIC MUSICAL INSTRUMENT INDUSTRY Examining Committee: Chair: R.A. Clapp, Associate Professor R. Hayter, Professor Senior Supervisor N.K. Blomley, Professor, Committee Member G. Barnes, Professor Geography Department, University of British Columbia Committee Member D. Edgington, Associate Professor Geography Department, University of British Columbia Committee Member W. Gill, Associate Professor Geography Department, Simon Fraser University Internal Examiner J.W. Harrington, Jr., Professor Department of Geography, University of Washington External Examiner Date Approved: July 29. 2004 Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request fiom the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further agreed that permission for multiple copying of this work for scholarly purposes may be granted by either the author or the Dean of Graduate Studies.