Environment and Planning D: Society and Space 1999, volume 17, pages 283 305 Hearing places, making spaces: sonorous geographies, ephemeral rhythms, and the Blackburn warehouse parties J Ingham Department of Cultural Studies, University of East London, Longbrklgc Road, Dagenham, Essex RM8 2AS, England; e-mail:
[email protected] M Purvis, D B Clarke School of Geography, University of Leeds, Leeds LS2 9JTf England; e-mails: martin@geog,leeds.ac.uk;
[email protected] Abstract. In this paper we provide a consideration of sound and space. Much of the early literature on this topic, we argue, failed to conceptualise sound adequately. More recent literature has begun to explore more carefully the nature of sound and the aural sensing of the environment in its social, political, economic, and cultural contexts. Here we contribute to this exploration not solely by offering a theoretical consideration of sound but also by providing a detailed analysis of the ways in which one particular place, over a particular period of time, became involved in a new set of relations centred on sound. The place in question is Blackburn in Lancashire, England, where, in the late 1980s and early 1990s, 'warehouse parties* revolving around 'acid house* music and the drug Ecstasy (*E*) had a major impact on the town, in all manner of ways. By offering an empirical study as well as a more theoretical discussion on the relations between sound and space, we hope to demonstrate the significance of these relations to themes that have traditionally been regarded as central to geo graphical enquiry. "I heard the news today, oh boy four thousand holes in Blackburn, Lancashire" (Lennon and McCartney, 1967) "Look at the holes, if you can" (Dcrrida, 1986, page 210) Introduction In the autumn of 1933 J B Priestley visited the Lancashire cotton centre of Blackburn.