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Allen EAGER: Jon EARDLEY: Charles EARLAND

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This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Allen EAGER: "Brothers And Other Mothers" Allen Eager -ts; Ed Finckel -p; Bob Carter -b; Max Roach -d; recorded March 22, 1946 in New York 24904 RAMPAGE 3.04 Savoy SJL2210 24905 VOT'S DOT 3.00 --- 24906 BOBBY HATCH 3.08 --- 24907 SYMPHONY SID'S IDEA 2.50 --- Allen Eager -ts; Terry Gibbs -vib; Duke Jordan -p; Curley Russell -b; Max Roach -d; recorded July 15, 1947 in New York 24908 ALL NIGHT ALL FRANTIC 2.38 --- 24909 DONALD JAY 2.32 --- 24910 MEESKITE 2.58 --- 24911 AND THAT'S FOR SURE 2.52 --- Doug Mettome -tp; Allen Eager -ts; George Wallington -p; Leonard Gaskin -b; Stan Levey -d; recorded November 06, 1947 in New York 24920 NIGHTMARE ALLEN #2 2.28 Savoy SJL2236 24921 NIGHTMARE ALLEN #5 2.28 --- 24922 CHURCH MOUSE #3 2.46 --- 24923 CHURCH MOUSE #4 2.44 --- 24924 JANE'S BOUNCE #4 3.26 --- 24925 JANE'S BOUNCE #5 2.46 --- 24926 UNMEDITATED #3 2.32 --- 24927 UNMEDITATED #4 3.10 --- "Al Haig Meets The Master Saxes Vol 2" Allen Eager -ts; Al Haig -p; Clyde Lombardi -b; Charlie Perry -d; recorded Summer 1948 in New York 37025 POGO STICK 2.42 Spotlite SPJ140 37026 ALLEY TALK 2.50 --- 37027 THE WAY YOU LOOK TONIGHT 2.58 --- ------------------------------------------ Jon EARDLEY: "The Jon Eardley Seven" Jon Eardley -tp; Milt Gold -tb; Phil Woods -as; Zoot Sims -ts; George Syran -p; Teddy Kotick -b; Nick Stabulas -d; recorded January 13, 1956 in New York 18106 FOR LEAP YEAR 4.51 Prest PRLP7033 18107 THERE'S NO YOU 5.42 --- 18108 ON THE MINUTE 7.55 --- 18109 LADDERS 5.11 --- 18110 KOO KOO 5.44 --- 18111 EARD'S WORD 5.09 --- "Stablemates" Jon Eardley -tp,flh; Art Themen -ts; Al Haig -p; Daryl Runswick -b; Allan Ganley -d; recorded September 16, 1977 in London 99069 TANGERINE 5.11 Spotlite SPJ11 99070 SPEAK LOW 8.37 --- 99071 ROUND MIDNIGHT (at out) 7.54 --- 99072 EMBRACEABLE YOU 7.12 --- 99073 DON'T BLAME ME 6.46 --- 99074 LOVE WALKED IN 6.57 --- ------------------------------------------ Charles EARLAND: "Black Talk" Virgil Jones -tp; Houston Person -ts; Charles Earland -o; Melvin Sparks -g; Leo Morris -d; Buddy Caldwell -cga; recorded December 15, 1969 in New York Leo Morris aka Idris Muhammad 84482 BLACK TALK 7.54 Prest PRLP7758 84483 THE MIGHTY BURNER 3.08 --- 84484 HERE COMES CHARLIE 8.21 --- 84485 AQUARIUS 8.05 --- 84486 MORE TODAY THAN YESTERDAY 11.13 --- "Black Drops" Virgil Jones -tp; Clayton Pruden -tb; Jimmy Heath -ts,fl,ss; Charles Earland -o; Maynard Parker -g; Jimmy Turner -d; recorded June 01, 1970 in New York 81276 LAZY BIRD 7.18 Prest PR7815 81277 LETHA 7.23 --- 81278 BUCK GREEN 7.18 --- 81279 DON'T SAY GOODBYE 7.10 --- 81280 SING A SIMPLE SONG 5.45 --- 81281 RAINDROPS KEEP FALLING ON MY HEAD 3.48 --- "Living Black!" Gary Chandler -tp; Grover Washington -ts; Charles Earland -o; Maynard Parker -g; Jessie Kilpatrick -d; Buddy Caldwell -cga; recorded September 17, 1970 in The Key Club, Newark, N.J. 100032 KEY CLUB COOKOUT 9.42 Prest PR10009 100033 MILESTONES 4.37 --- 100034 KILLER JOE 14.31 --- 100035 WESTBOUND NO. 9 8.28 --- 100036 MORE TODAY THAN YESTERDAY 8.26 Prest PRCD-24182-2 100037 MESSAGE FROM A BLACK MAN 10.12 --- "Leaving This Planet" Freddie Hubbard, Eddie Henderson [1]-tp; Dave Hubbard -afl,ss,ts; Joe Henderson -ts; Charles Earland -kbd,o; Patrick Gleeson -kbd; Mark Elf, Eddie Arkin [2], Greg Crockett [3]-g; Brian Blake [4], Harvey Mason [5]-d; Larry Killian -perc; recorded December 1973 and February 1974 in Berkeley and San Francisco, California 873 LEAVING THIS PLANET (1,2,5; Rudy Copeland -vo;) 7.29 Bellaphon BLST6562 874 RED CLAY (3,5) 7.05 --- 875 WARP FACTOR 8 (2,4) 6.18 --- 876 BROWN EYES (1,2,5) 12.50 --- 877 ASTEROID (5) 6.51 --- 878 MASON'S GALAXY (1,2,5) 7.17 --- 879 NO ME ESQUECA (5) 7.41 --- 880 TYNER (1,2,5) 6.03 --- 881 VAN JAY (4) 8.56 --- 882 NEVER ENDING MELODY (2,4) 9.45 --- "Pleasant Afternoon" Bill Hardman -tp; Houston Person -ts; Charles Earland -o; Melvin Sparks -g; Grady Tate -d; Ralph Dorsey -perc; recorded April 19, 1978 in Englewood Cliffs, N.J. 24673 MURILLEY 6.44 Muse MR5201 ------------------------------------------ EARS: Bobby Lewis, George Bean -tp; Cy Touff -btp,ldr; Don Shelton -as,cl; Dick Reynolds -p; John Whitfield -b; Dick Borden -d; recorded July 1982 in Chicago 18096 AMERICA THE BEAUTIFUL 7.35 Aircheck 18097 MOOD INDIGO 7.17 --- 18098 BROADWAY 6.00 --- 18099 ON BROADWAY 4.50 --- 18100 A CHILD IS BORN 8.52 --- 18101 JIVE AT FIVE (AND CLOSING COMMENTS) 1.31 --- Bobby Lewis, George Bean -tp; Cy Touff -btp,ldr; Eric Schneider -as; Dick Reynolds -p; John Whitfield -b; Dick Borden -d; recorded March 05, 1985 in Chicago 18093 GROOVE MERCHANT 8.02 --- 18094 WEST END BLUES 8.03 --- 18095 CANTALOUPE ISLAND 9.49 --- ------------------------------------------ EAST COAST ALL STARS: "Monk's Music" Ray Copeland -tp; Gigi Gryce -as; John Coltrane, Coleman Hawkins -ts; Thelonious Monk -p; Wilbur Ware -b; Art Blakey -d; recorded June 25, 1957 in New York 25460 BLUES FOR TOMORROW (tm out) 13.32 Riv RLP12-243 "Great Ideas of Western Mann" Ray Copeland -tp; Gigi Gryce -as; John Coltrane, Coleman Hawkins -ts; Wilbur Ware -b; Art Blakey -d; recorded July 03, 1957 in Los Angeles 77451 BLUES FOR TOMORROW 13.32 --- ------------------------------------------ EASTERN REBELLION: "Eastern Rebellion" George Coleman -ts; Cedar Walton -p; Sam Jones -b; Billy Higgins -d; recorded December 20, 1975 in New York 61714 MODE FOR JOE 7.46 Timeless SJP101 61715 5/4 THING 7.56 --- ------------------------------------------ EBONY THREE: Ebony Three -vo; Buster Bailey -cl; Sammy Price -p; Richard Fullbright -b; O'Neill Spencer -d; recorded May 25, 1938 in New York 60582 MISSISSIPPI MOAN 2.59 63865 De 7503 ------------------------------------------ Peter ECKLUND: Peter Ecklund Sextet; feat. Peter Ecklund -co; Marty Grosz -g,vo; recorded 1994 72446 SOMEBODY STOLE MY GAL 5.51 Jazzology 246 Peter Ecklund Sextet: no details; recorded 1994 96714 DON' THE NEW LOWDOWN 5.42 --- ------------------------------------------ Billy ECKSTINE: no details; 88240 NO ORCHIDS FOR MY LADY 3.11 Billy Eckstine, Sarah Vaughan: with orchestra conducted by Joe Lippman; 104254 YOU'RE ALL I NEED 3.07 MGM 10690 104255 DEDICATED TO YOU 2.46 --- Billy Eckstine -vo; Dizzy Gillespie, Freddie Webster, Shorty McConnell, Al Killian -tp; Trummy Young, Claude Jones, Howard Scott -tb; Budd Johnson, Jimmy Powell -as; Wardell Gray, Thomas Crump -tb; Rudy Rutherford -bs; Clyde Hart -p; Connie Wainwright -g; Oscar Pettiford -b; Shadow Wilson -d; Gerald Valentine -arr; recorded April 13, 1944 in New York 29160 I GOT A DATE WITH RHYTHM 2.55 29161 GOOD JELLY BLUES 2.53 29162 I STAY IN THE MOOD FOR YOU 2.56 Dizzy Gillespie, Shorty McConnell, Gail Brockman, Boonie Hazel -tp; Gerald Valentine, Taswell Baird, Howard Scott, Chippie Outcalt -tb; John Jackson, Bill Frazier -as; Dexter Gordon, Gene Ammons -ts; Leo Parker -bs; John Malachi -p; Connie Wainwright -g; Tommy Potter -b; Art Blakey - d; recorded September 05, 1944 in New York 63747 I'LL WAIT AND PRAY (Sarah Vaughan -vo;) 2.54 122 De Luxe 2003 Dizzy Gillespie, Shorty McConnell, Gail Brockman, Boonie Hazel -tp; Billy Eckstine -vtb,vo; Gerald Valentine, Taswell Baird, Howard Scott, Chippie Outcalt -tb; John Jackson, Bill Frazier -as; Dexter Gordon, Gene Ammons -ts; Leo Parker -bs; John Malachi -p; Connie Wainwright -g; Tommy Potter -b; Art Blakey -d; recorded December 05, 1944 in New York 7005 BLOWIN' THE BLUES AWAY 2.58 Ember FA2010 7006 OPUS X 2.34 --- Fats Navarro, Shorty McConnell, Gail Brockman, Boonie Hazel -tp; Gerald Valentine, Taswell Baird, Howard Scott, Chips Outcalt -tb; John Jackson, Bill Frazier -as; Budd Johnson, Gene Ammons -ts; Leo Parker -bs; John Malachi -p; Connie Wainwright -g; Tommy Potter -b; Art Blakey - d; Lena Horne, Billy Eckstine -vo; recorded February to March 1945 in Los Angeles, Club Plantation 29164 BLOWING THE BLUES AWAY 2.26 Spotlite LP100 29165 DEED I DO 2.46 --- 29166 TOGETHER 3.41 --- 29167 MEAN TO ME 4.05 --- 29168 WITHOUT A SONG 4.29 --- 29169 MR. CHIPS 3.09 --- 29170 AIR MAIL SPECIAL 4.07 --- 29171 DON'T BLAME ME 3.48 --- 29172 OPUS X 2.32 --- "Mr. B and the Band" Billy Eckstine -tb,vo; Fats Navarro, Shorty McConnell, Gail Brockman, Boonie Hazel -tp; Gerald Valentine, Taswell Baird, Howard Scott, Chippie Outcalt -tb; Sonny Stitt, Budd Johnson -as; Gene Ammons -ts; Leo Parker -bs; John Malachi -p; Connie Wainwright -g; Tommy Potter -b; Art Blakey - d; recorded May 02, 1945 in New York 6962 LONESOME LOVERS BLUES 2.47 Savoy 1C148-61043/44 6963 A COTTAGE FOR SALE 2.48 --- 6964 LAST NIGHT 3.02 --- 12439 I LOVE THE RHYTHM IN A RIFF 2.50 --- Billy Eckstine -vo; Fats Navarro, Shorty McConnell, Boonie Hazel, Raymond Orr -tp; CHippie Outcalt, Gerald Valentine, Howard Scott, Walter Knox -tb; John Cobbs, Budd Johnson -as; Gene Ammons, Arthur Simmons -ts; Teddy Cypron -bs; Richard Ellington -p; Connie Wainwright -g; Tommy Potter -b; Art Blakey -d; recorded September 1945 in New York 29163 IT AIN'T LIKE THAT NO MORE 2.57 --- 49060 PRISONER OF LOVE 2.52 --- Billy Eckstine -vo; Fats Navarro, Shorty McConnell, Boonie Hazel, Raymond Orr -tp; CHippie Outcalt, Gerald Valentine, Howard Scott, Walter Knox -tb; John Cobbs, Budd Johnson -as; Gene Ammons, Arthur Simmons -ts; Teddy Cypron -bs; Richard Ellington -p; Connie Wainwright -g; Tommy Potter -b; Art Blakey -d; recorded October 1945 in New York 6965 ALL I SING IS BLUES 2.52 --- 6966 LONG LONG JOURNEY 3.06 --- 49061 I'M IN THE MOOD FOR LOVE 2.53 --- 49062 YOU CALL IT MADNESS
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    Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra.
  • The Recordings

    The Recordings

    Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
  • Down Bea MUSIC '65 10Th YEARBOOK $1

    Down Bea MUSIC '65 10Th YEARBOOK $1

    down bea MUSIC '65 10th YEARBOOK $1 The Foundation Blues By Nat Hentoff Jazzmen As Critics By Leonard Feather The Academician Views De Jazz Musician ,By Malcolm E. Bessom The Jazz Musician Views The Academiciau By Marjorie Hyams Ericsson Jazz 1964: Good, Bad, Or Indifferent? Two Views Of The Year By Don DeMicheal And Tom Scanlan Articles by Stanley Dance, Vernon Duke, Don Heckman, George Hoefer, Dan Morgenstern, Pete Welding, and George Wiskirchen, C.S.C., Plus Many Other Features GUITARS Try a Harmony Soon ELECTRIC AT YOUR GUITARS gt AMPLIFIERS Favorite Music Dealer MANDOLINS BANJOS UKULELES Write for FREE full-color catalog •Address: Dept. 0Y5 Copyright 1964. The Harriony Co. Chicago 60632, U.S.A. introduces amajor current in Meateeee titiVe as COLTRANE presents SHEPP Highlighting a release of 12 distinguished new albums, is the brilliant debut A-68 J. J. JOHNSON - PROOF POSITIVE recording of ARCHIE SHEPP, who was discovered and introduced to us by A-69 YUSEF LATEEF LIVE AT PEP'S JOHN COLTRANE. We think you will agree that the young saxophonist's lucid A-70 MILT JACKSON - JAll 'N' SAMBA style and intuitive sense of interpretation will thrust him high on the list of A-71 ARCHIE SHEPP - FOUR FOR TRANE today's most influential jazz spokesmen. A-73 SHIRLEY SCOTT - EVERYBODY LOVES ALOVER A-74 JOHNNY HARTMAN - THE VOICE THAT IS As for COLTRANE himself, the 1964 Downbeat Poll's 1st place Tenor Man has A-75 OLIVER NELSON - MORE BLUES AND THE again produced a performance of unequalled distinction. ABSTRACT TRUTH Other 1st place winners represented by new Impulse albums are long-time favor- A-76 MORE OF THE GREAT LOREZ ALEXANDRIA ites J.J.