8Mm, Photax Silent, B&W and Colour. Extracts from Commercial Films As

Total Page：16

File Type：pdf, Size：1020Kb

8mm, Photax Silent, b&w and colour. Extracts from commercial films as well as other scenes starring Ronald Colman and Shelley Winters, Text Williams in Prairie Pirates and Charles Chaplin and Albert Austin in One am Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.219 Movie Mad, Tarzan’s Hidden Jungle, The Sun Bather, The Range Busters, World Feather Weight Boxing Championship, The Tramp The L-KO Company c.1918 380 feet 8mm, Photax Silent, b&w. Extracts from commercial films and TV programmes including and starring Gale Henty in Movie Mad, Lex Barker in Tarzans Hidden Jungle, Ray ‘Crash’ Corrigan, John ‘Dusty’ King and Max ‘Alibi’ Terhune in The Range Busters, Howard Winstone v Mitsuri Seki boxing, Charles Chaplin on the farm with Paddy McGuire in The Tramp and animal scenes Supplied by C. W. Cramp Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.220 When Comedy was King, Keystone, Clash by Night, Tit for Tat, Cops, Midnight Mischief Hal Roach Studios 1920s c.350 feet 8mm Silent b&w. Extracts from commercial films, TV commercials, horse racing and nude from striphouse, films star Charley Chase in the opening from When Comedy was King, Charles Chaplin in Keystone, Barbara Standwyck, Robert Ryan, Marilyn Monroe and Robert Douglas in Clash by Night, Stan Laurel, Oliver Hardy and Chalie Hall in Tit for Tat, Buster Keaton in The Great Stone Face from Cops and glamour finale in Midnight Mischief Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.221 Arabina Nights, Dogs Life, Nose for News, 4 Ballets of BB, With Love and Hisses Universal Pictures 1940s 300 feet 8mm, Boots, Auto-Load Silent, b&w and colour. Extracts from commercial films starring Albert Austin in A Dogs Life, Joe Cook in Nose for News, Bridget Bardot in 4 Ballets of BB and Stan Laurel, Oliver Hardy and James Finlayson in With .

Copy Link

Recommended publications

Comedies Produced by Hal Roach, It Presents Their Funniest and Most Famous Comedies 640-02-0040, 16Mm
,r, ~ Winter 1973-4 ., WEEP 'v,i •._~~ H .,,1$>-~on The Eastin-Phelan Corporation Davenport, Iowa 52808 orld's largest ,election of ·· t ings to snow" l i tc,;Bl ackhawk's Guarantee BERTH MARKS THE PRINCE OF PEP (1929) (1925) We want you to be satisfied with (abridged!_ what you buy from Blackhawk starring STAN LAUREL and OLIVER HARDY starring RICHARD TALMADGE if, after receiving an item you Stan and Ollie are a "big time" vaudeville team enroute from one theatre to another are disappointed in any way, re ,n the upper berth of an open section Pullman. While the space is confined, the laughs with Brindley Shaw, Nola Luxford, Joe Harrjngton are not, and this one has some great moments. turn it to us transportation pre A fashionable physician, Dr. James Leland caught his secretary stealing drugs and in paid. in ,ts original condition, SOUND VERSIONS the ensuing struggle, lost his memory from a blow on the head. Shortly after, a mys• and within ten days after you 830-02-1100, Standard 8mm., magnetic sound, 375-feet, 14-ozs . $24.98 terious figure known only as The Black X stepped forth to fight the war on crime ar.d receive it, and we 'll allow you drug peddlers. 880--02-1100, Super 8, magnetic sound, 400-feet, 14-ozs ....... $26.98 It's all here-the fabulous Richard Talmadge in one of his amaz,ng adventure feats. full credit on some other pur 640-02-1100, 16mm., optical sound, 750-feet, 3-lbs . ....... .. $44.98 A professional abridgement from a 5-reel feature of 1925, Blackhawk's version of The chase.
[Show full text]
Stan and Ollie'
'Stan and Ollie' A Screenplay By Jeff Pope Stan and Ollie - Goldenrod Revisions 20.04.17 1 BLACK. UNDER THIS this we hear a conversation. HARDY (V.O.) ... so Madelyn turned up. LAUREL (V.O.) Madelyn turned up? HARDY (V.O.) Completely out of the blue. Haven’t seen her in fifteen years... 1INT. DRESSING ROOM/ROACH LOT/STUDIO - DAY 1 Oliver HARDY leans against the door to a dressing room, worried expression, talking to his friend Stan LAUREL. Both are in their late-40s, (at the peak of their movie careers), but to begin with we have no real clue as to who they are, where they are or what they do. They are just two guys in cheap suits talking to each other. HARDY lights up a cigarette as he talks. HARDY There she was, all gussied up on the front door step. And that’s something I never thought I’d see again. LAUREL picks up a boot (the right one) with a large hole in the sole. Using a knife he levers off the heel. LAUREL What’d she want? HARDY Twenty thousand bucks. LAUREL Twenty thousand? HARDY Fifteen years of back alimony. I ** said ‘what alimony? When we broke ** up I gave you whatever money I had ** and you took the car.’ We both ** agreed that was that. LAUREL Jeez even Mae wasn’t after that much - and she wanted me to pay for a chauffeur. It’s because our faces ** are plastered all over town. ** Probably some lawyer’s bright idea. ** LAUREL levers off the other heel.
[Show full text]
Noel Drewe Collection Film 178D5
Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37.
[Show full text]
B~~ the Movies Come to Hopewell
IRVING B~~ ~ I 3 HOURS FOR A NICl{EL --~v=---~-~ BERUN•SNYDfR i i MUSIC PUBLISHERS :4NI> TIIEAT~E IIV/LOINC 8 th \AO\';,\l .,, H !"!S1'. N Y~ -,,.___ . ....- Vie Hopewell Centennial wishes to thank Trap Rock Industries, Inc., for sponsoring t/ais evening's entertainment, The Movies Come to Hopewell and Historic Hopewell House April 26, 1991, Hopewell Borough Hall for their generous contribution. Program A Pair of Tights 1928 / 2 reels Edgar Kennedy, Stu Erwin, Anita Garvin, and Marion Byron Director: Hal Yates, Hal Roach Comedies/ MGM . Kennedy and Irwin get involved with some unwilling dates, and their afternoon is capped off with an attempted visit to an ice cream parlor. Kennedy's famed "slow bum" is much in evidence here, and watch for one of silent film's classic "looks" when a pompous middle-aged woman inadvertently sits on a carelessly placed ice aeamcone. The Cure 1917 / 2 reels Charlie Chaplin, Edna Purviance, Henry Bergman, Albert Austin Director: Oiarles Chaplin. Mutual C-omedies Welcome Chaplin chccb in at a health spa in a half-hearted attempt to "dry out", but is resistant to talting their "water cure." Things liven up when the trunkload of liquor he's smuggled in is discovered by the In honor ofHopewell's history as the area's employees. This lesser known Olaplin short has numerous amusing entertainment mecca in the early 1900's, the bits, including a memorable encounter with the spa's masseur. Hopewell Centennial is pleased to present "The Movies Come to Hopewel~ "an evening of silent film comedies compiled by Hopewell resident and film aficionado, Tom Reeder.
[Show full text]
The Cine-Kodak News; Vol. 8, No. 8;
MAY JUNE 1932 Happy Days for them will last forever ... if you make their gift a Cine-Kodak UNE WEDDINGS ... commencements. J What gift could be more fitting, more welcome than a Cine-Kodak? Unusual ... Useful. The means whereby the honey- mooners or graduate can capture happy days for all time. Model K, illustrated above, is recognized everywhere as a movie-making instrument that performs superbly. One could wish for nothing finer. Because of an interchangeable requires no focusing. It's light in weight lens feature it makes Kodacolor, telephoto ... so simple to operate that good pictures and wide angle movies as well as black and are assured from the start. white. Half speed at the press of a button. Any Cine-Kodak dealer will gladly Two finders. With the ultra-fast f.1.9 lens, show you these cameras. Many dealers Model K costs $150; with f.3.5 lens, $110. offer easy terms. Prices include carrying case. Another popular Cine-Kodak is the $75 EASTMAN KODAK CO MPANY Model "M." Equipped with an f.3.5 lens it ROCHESTER , NEW YORK MAY -JUNE 1932 C IN E -KO DA K Publ is hed Bi·M o nth ly in the inte resls o f Amateur Motion Pictures by the NEWS Eastman Kodak Company, Roch es ter, N Y, V olum e 8 . N um ber 8 CATCH-AS-CATCH-CAN MOVIE MAKING That's how I make movies- but not how I show them . by R. F. D A Y IFTHERE is any premeditated scheme of things behind my movie-making activity, I am unaware of it.
[Show full text]
Funny Stuff: Silent Comedies and Cartoons
Funny Stuff Silent Comedies and Cartoons Saturday, July 16, 2011 Grand Ilusion Cinema The Sprocket Society Seattle, WA About Two-Reeler Comedies In the 20 years before 1914, shorts were the show. And even decades after the feature film came along, shorts were a standard – and expected – part of every movie screening. At first movies were limited to the very short lengths of film that would fit in the camera, less than 1 or 2 minutes. Folks quickly figured out you could glue different shots together, and that you could then string those along to tell a longer story. But it would be some years before movies became more than a series of theatrically-staged tableaux and slice-of-life “actualities,” all filmed proscenium style. In the earliest days, exhibitors bought film prints outright and would craft programs from them. They’d often go on the road, touring their movie shows with accompanying lectures and music. There were even traveling tent shows. Soon the vaudeville houses also started showing shorts, which fit perfectly into their variety programming format. By 1905, the Nickelodeon era was in full swing in the US, made possible by moving to a rental distribution model instead of outright sales. Thousands of storefront screening rooms proliferated like mayflies all over the country, and in some cities they lined both sides of whole blocks. Your nickel got you about 30 minutes of mixed reels, with a new show usually every day. Folks would often go from one theater to another, right down the row. The profit was made in the high turnover, and audiences loved it.
[Show full text]
March 2016 Caring for Your Achilles Heel Can Reduce Injury
March 2016 Caring for Your Achilles Heel Can Reduce InjuryA MONTHLY NEWSLETTER TO INFORM AND ENTERTAIN OUR CUSTOMERS Hello! We are pleased to send you this monthly issue of Foot Athletes are typically those who suffer the most from Achilles Prints. It is our way of saying heel injuries but that doesn’t mean that those who aren’t that you are important to us and athletes can’t be injured as well – in fact, by doing something we truly value your business. as simple as climbing a ladder a your home. Please feel free to pass this newsletter on to friends and It’s true – the Achilles tendon is the longest and strongest neighbors. Enjoy! tendon in the body but it’s important to remember that even though it’s the strongest tendon, it’s still exposed to wear and tear every day. When injuries happen, it puts stress on the tendon and can Monthly Joke cause tendonitis which will lead to tears. If the condition goes untreated, it can lead to worsened conditions and even rupture None So Blind? of the tendon itself. A priest, a doctor, and an Anyone who is on their feet for extended periods of time during any given day is engineer were playing golf one subject to Achilles heel injury. Symptoms of inflammation can include pain, stiffness morning and found themselves and tenderness in the area. These symptoms will typically be worse in the morning behind a very slow foursome. and improve as motion increases throughout the day. By the time they finished their If you experience any of the symptoms that come with tendonitis of your Achilles heel, round they were irritated enough you will need to see a podiatrist for a thorough examination and treatment.
[Show full text]
Download PDF of TPTV Highlights July 26Th To
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 26th July 2021 FREESAT 306 | VIRGIN 445 Alf’s Button Afloat on Talking Pictures TV Bud Flanagan, Chesney Allen, Jimmy Nervo and Alastair Sim star in this 1938 Crazy Gang comedy directed by Marcel Varnel. The Crazy Gang go to sea, where one of them discovers a button on his uniform is made from the metal of Aladdin’s lamp. With Teddy Knox, Charlie Naughton, Jimmy Gold, Wally Patch, Peter Gawthorne, Agnes Lauchlan, Glennis Lorimer, James Carney, Wilson Coleman, J.H. Roberts, Bruce Winston and Richard Cooper. Airs: Sunday 1st August 10am. Monday 26th July 10am Wednesday 28th July 7:45am Another Time, Another Place (1958) Going a Bundle: Venice (1974-76) War Drama. Director: Lewis Allen. One of a series of programmes for Stars: Lana Turner, Sean Connery and children presented in a light-hearted Glynis Johns. A U.S. journalist has a way, featuring Harry Fowler and wartime affair with a British reporter. James Villiers on voyages of discovery. Unseen since the original broadcast. Monday 26th July 6:45pm Soapbox Derby (1957) Wednesday 28th July 10:30am Action. Director: D’Arcy Conyers. Stars: Loser Takes All (1956) Michael Crawford, Keith Davis and Comedy. Director: Ken Annakin. Malcolm Kirby. A group of boys Stars: Glynis Johns, Rossano Brazzi and compete in the Soap Box Derby, Robert Morley. When Bertrand finds despite sabotage from their rivals. an accounting error at a London firm, the boss sends him to Monte Carlo. Monday 26th July 9pm House of Strangers (1949) Wednesday 28th July 12:15pm Thriller.
[Show full text]
UCLA FESTIVAL of PRESERVATION
UCLA FESTIVAL of PRESERVATION 2017 UCLA FESTIVAL of PRESERVATION 03.03.17–03.27.17 1 FROM THE DIRECTOR Putting on this year’s Festival of Preservation was unexpectedly challenging due, ences was found in Prague then repatriated to UCLA for this restoration. This in part, to UCLA Film & Television Archive’s move to a new preservation facility may be the first public screening of this film in this country, probably since its in Santa Clarita at the end of 2015. Our Festival nevertheless still represents the original release. Archive's efforts to preserve and restore our national moving image heritage. As in past years, we have put together a mix of classic Hollywood and independent As in past years, we are proud to present new restorations of a number of film features, documentaries, and television work, reflecting the Archive’s many stel- noirs, not just from Hollywood, but also from Latin America. The Argentine lar collections of film and video material. film, Los tallos amargos (Fernando Ayala, 1956), features noirish cinematography and a surrealistic dream sequence straight out of German expressionism, while We open the Festival with Ernst Lubitsch’s Trouble in Paradise (1932), one of the John Alton, the master cameraman of Hollywood noir, shot He Walked by Night most sophisticated and complex adult comedies ever made in the old studio sys- (Alfred L. Werker, Anthony Mann, 1948), a crime drama shot on the streets of Los tem. Lubitsch is, in fact, a master of the double entendre, nowhere more clearly Angeles. John Reinhardt, whose low budget noirs are masterpieces of narrative than in this pre-Code romantic comedy that parodies every other romantic economy, directed another classic, Open Secret (1948).
[Show full text]
TPTV Schedule July 26Th to August 1St Date Time Programme Synopsis Mon 00:10 Heart of the Matter 1953
th st TPTV Schedule July 26 to August 1 Date Time Programme Synopsis Mon 00:10 Heart of the Matter 1953. Drama. Director: George More O'Ferrall. Adapted from the Graham Greene novel. 26 Jul Stars Trevor Howard as an assistant policeman posted in Sierra Leone in WW2. Co-stars Elizabeth Allan & Maria Schell. (SUBTITLES AVAILABLE) Mon 02:15 Street of Shadows 1953.Crime.Director: Richard Vernon.Stars: Cesar Romero, Kay Kendall & Edward 26 Jul (1953) Underdown.A Soho pin-table owner meets Barbara in his club when he finds the body of his former girlfriend in his office. Mon 03:55 Who Goes There! 1952. Comedy. Directed by Anthony Kimmins. Stars Nigel Patrick, Valerie Hobson & Peggy 26 Jul Cummins. A private in the Guards is forced to leave his girlfriend in the empty house of a civil servant. Mon 05:35 Glimpses: Pewter Made in the early 40s. Director: Ronald Haines. This insightful film shows the mining of 26 Jul Pewter in Cornwall, where we follow the Pewter to the craftsmen and finally to the teapot on the table! Mon 06:00 The Dare Devil 1923. Comedy. Director: Del Lord. Starring: Ben Turpin, Harry Gribbon & John J. 26 Jul Richardson. Purely by accident, an aspiring actor ends up performing a stunt perfectly, but cannot perform on command. Mon 06:10 One Jump Ahead 1955. Crime. Director: Charles Saunders. Stars Paul Carpenter, Diane Hart & Jill Adams. A 26 Jul Journalist is on the trail of a killer, attempting to keep 'one jump ahead' of the police in solving the crime Mon 07:30 Captain Boycott 1947.
[Show full text]
BRATS / 1930 Um Filme De James Parrott TWICE TWO / 1933 Um Filme
CINEMATECA PORTUGUESA-MUSEU DO CINEMA 3 de Outubro de 2020 GÉMEOS E DUPLOS BRATS / 1930 Um filme de James Parrott Argumento: Hal Roach, Stan Laurel, Leo McCarey; diálogos de H.M. Walker; intertítulos de Nat Hoffberg / Imagem (35 mm, preto & branco): George Stevens / Efeitos visuais: Roy Seawright / Cenários e figurinos: não identificados / Música: Marvin Hatler (versão de 1930), Lerby Shield (versão de 1937) / Montagem: Richard C. Currier / Som: Elmer Raguse / Interpretação: Stan Laurel (Stan pai e Stan filho) e Oliver Hardy (Ollie pai e Ollie filho). Produção: Hal Roach para Hal Roach Studios (Los Angeles); distribuição pela Metro Goldwyn- Mayer / Cópia: da Lobster Films (Paris), dcp (transcrito do original em 35 mm), versão original com legendas eletrónicas em português / Duração: 21 minutos / Estreia mundial: Estados Unidos, 22 de Março de 1930 / Estreia em Portugal: data não identificada / Primeira apresentação na Cinemateca. TWICE TWO / 1933 Um filme de James Parrott Argumento: Stan Laurel / Imagem (35 mm, preto & branco) / Art Lloyd / Cenários e figurinos: não identificados / Música: Marvin Harley, Leroy Shield / Montagem: Bert Jordan / Som: James Greene / Interpretação: Stan Laurel, dobrado por Carol Davis no papel feminino (Stan Laurel e Miss Sandy Hardy), Olivier Hardy, dobrado por May Wallace no papel feminino (Ollie Hardy e Miss Fanny Laurel). Produção: Hal Roach para Hal Roach Studios (Los Angeles); distribuição pela Metro Goldwyn- Mayer / Cópia: da Lobster Films (Paris), dcp (transcrito do original em 35 mm), versão original com legendas eletrónicas em português / Duração: 20 minutos / Estreia mundial: Estados Unidos, Fevereiro de 1933 / Estreia em Portugal: data não identificada / Primeira apresentação na Cinemateca. OUR RELATIONS / 1936 Um filme de Harry Lachman Argumento: Richard Connell, Felix Adler, Charles Rogers e Jack Devine, sugerido por uma história (“The Money Box”, 1903), de W.W, Jacobs / Imagem (35 mm, preto & branco): Rudolph Maté / Efeitos visuais: Roy Seawright / Cenários: Arthur I.
[Show full text]
Bonnie Scotland
Bonnie Scotland USA | 1935 | 77 minutes Credits In Brief Director James W. Horne Laurel and Hardy head for Scotland and, after unwittingly enlisting in a Scottish Screenplay Frank Butle, Jeff Moffitt regiment, are posted to Raj-era India. The Lancashire-born Laurel began his career at Glasgow’s Metropole theatre, which his father managed at the time. Music Marvin Hatley, Leroy Shield Photography Art Lloyd Cast Stanley MacLaurel Stan Laurel Ollie Hardy Oliver Hardy Lorna MacLaurel June Lang Allan Douglas William Janney Bonnie Scotland marks a turning point in the career of Stan Laurel and Oliver Hardy because, after four years of mixing an occasional feature film with their output of comedy shorts, the team now turned exclusively to features. Produced by MGM and the pair's mentor, Hal Roach, this eight-reel comedy proved to be Laurel and Hardy's most profitable film to date. The plot has the boys stowing away to Scotland aboard a cattle boat so Stan, the American black sheep of a Scottish clan, may collect an inheritance from his grandfather, the late Angus MacLaurel. To the pair's disappointment, said inheritance turns out to be nothing more than a snuff box and a set of bagpipes. After wandering into a recruiting line, the guys are forced to join the Scottish Army and are shipped off to India. Despite the movie's title, much of the story takes place there, as the boys try to adjust to military life and eventually help a fellow soldier (William Janney) put down an Arab uprising. A separate storyline, which is never resolved, involves Janney's love affair with a pretty girl (June Lang) from the MacLaurel clan and her family's efforts to keep the lovers apart and secure the family fortune.
[Show full text]