Auction Results
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Conversation with Brandi Carlile by Frank Goodman (7/2007
A Conversation with Brandi Carlile by Frank Goodman (7/2007. Puremusic.com) Raw talent vs. expensive packaging is always a pleasant surprise in the entertainment business. Brandi Carlile is the very rare exception to the rule; she and her band made their own EP, piece by piece with their own money, and Columbia ended up buying it and putting it out. Rolling Stone chose her as one of the 10 Artists to Watch in 2005. The subsequent Columbia full length debut CD contained new versions of a number of the songs from the EP. Relentless gigging leading up to the EP and through the debut had already moved her through various styles with her running twin partners, the Hanseroth Brothers. Tim and Phil had had a hard rock band called The Fighting Machinists, and they bring that honed edge to the BC sound. She is not only a vocalist that can literally do it all, the band itself moves fluidly and convincingly from flat out country right through edgy pop radio rock. She's the only artist you can see on CMT whose main cited influences are Elton John, k.d. lang, Jeff Buckley, and Radiohead. One hears all the time now about how acts getting tunes on Grey's Anatomy can practically launch their career, but in BC's case, there was a Grey's episode that actually debuted a version of the video for Brandi's big song "The Story." Overall, no less than four of her songs have been used in the show. She's hot, super talented, and a driven workaholic. -
Aarhus Convention 122 Absurdocene 146 Accountability 7, 12, 16
Index Aarhus Convention 122 Annan, Kofi 85 Absurdocene 146 Antarctica 38–9, 250–251 accountability 7, 12, 16–17, 23, 30, 44, Anthropocene 93–5, 145–8, 185, 186, 245 201 prosecutorial 42 avoiding Faustian 150–151 speciesism 235 humanity and technology in 148–50 activism, shallow 101 anthropocentrism 92, 96–7, 98, 136, 158, Acton, Lord 88 164, 165, 186–7, 235–6, 238, 242, Adams, J.L. 203, 259 245 Addams, Jane 258 Appiah, K.A. 61, 62 advertising 185, 269 Aquinas, Thomas 193, 195 Africa 87, 88, 220 Arab Charter on Humans Rights 122 African Charter on Human and Arab Spring 119 People’s Rights 122 Arctic Council 112 see also individual countries Arendt, H. 6, 26, 95, 96, 203, 205, 206, Agenda 21 39, 110, 111 212, 259 Agenda 2030 281 Argow, W. 255 Alley, R. 74 Aristotelianism 165, 191–2 Amnesty International 101 Aristotle 193, 247 Angus, I. 93–4 artificial intelligence (AI) 145, 148, 251 animals 82–3, 85, 87, 88, 91, 231–4, Asia 88 250–251 see also individual countries commodity value 170 assembly, freedom of 68 Earth systems science 94 assent/consent combination 162, 165, ecocentrism 97, 234–6 166 alternatives to axiological Aung Sang Suu Kyi 6 236–8 austerity 133, 218 human diet 188 Australia 150, 239 intrinsic value of 225, 236, 237, 240, authoritarianism 12, 209 241, 243, 244, 245 authority, exchange and persuasion remaking our covenant with 242–5 systems 130–132, 135, 139 rewilding with compassion 238–41 autocratic governments 118, 247, 248 rights of 15, 25, 230, 238, 243–4 Avatar 223 welfare 243–4 293 Peter Burdon, Klaus Bosselmann and Kirsten Engel - 9781786430878 Downloaded from Elgar Online at 09/26/2021 12:17:04PM via free access 294 The crisis in global ethics and the future of global governance Bacon, Francis 183, 188 Cambodia 192 Bakken, P. -
A Case Study of Kurt Donald Cobain
CORE Metadata, citation and similar papers at core.ac.uk Provided by South East Academic Libraries System (SEALS) A CASE STUDY OF KURT DONALD COBAIN By Candice Belinda Pieterse Submitted in partial fulfilment of the requirements for the degree Magister Artium in Counselling Psychology in the Faculty of Health Sciences at the Nelson Mandela Metropolitan University December 2009 Supervisor: Prof. J.G. Howcroft Co-Supervisor: Dr. L. Stroud i DECLARATION BY THE STUDENT I, Candice Belinda Pieterse, Student Number 204009308, for the qualification Magister Artium in Counselling Psychology, hereby declares that: In accordance with the Rule G4.6.3, the above-mentioned treatise is my own work and has not previously been submitted for assessment to another University or for another qualification. Signature: …………………………………. Date: …………………………………. ii ACKNOWLEDGEMENTS There are several individuals that I would like to acknowledge and thank for all their support, encouragement and guidance whilst completing the study: Professor Howcroft and Doctor Stroud, as supervisors of the study, for all their help, guidance and support. As I was in Bloemfontein, they were still available to meet all my needs and concerns, and contribute to the quality of the study. My parents and Michelle Wilmot for all their support, encouragement and financial help, allowing me to further my academic career and allowing me to meet all my needs regarding the completion of the study. The participants and friends who were willing to take time out of their schedules and contribute to the nature of this study. Konesh Pillay, my friend and colleague, for her continuous support and liaison regarding the completion of this study. -
Christmas Timeline Challenge ___ 1
Christmas Timeline Challenge ___ 1. God first promised to send a Savior a. 1954 AD ___ 2. Irving Berlin’s White Christmas premiered b. 1946 AD ___ 3. The first Christmas card was sold c. 1892 AD ___ 4. Charles Dickens wrote A Christmas Carol d. 1843 AD ___ 5. It’s a Wonderful Life was released e. 1843 AD ___ 6. Handel’s Messiah was first presented f. 1823 AD ___ 7. First Hanukkah festival was observed g. 1776 AD ___ 8. Wise men visited the Christ child h. 1742 AD ___ 9. Michelangelo completed The Holy Family i. 1518 AD ___ 10. Isaiah foretold the virgin birth j. 1504 AD ___ 11. Angels announced Christ’s birth to the shepherds k. 1495 AD ___ 12. The Nutcracker premiered l. circa 300 AD ___ 13. Washington crossed the Delaware on Christmas Eve m.circa 4 BC ___ 14. Leonardo da Vinci painted The Madonna in the Grotto n. circa 4 BC ___ 15. Micah prophesied that Christ would be born in Bethlehem o. circa 4 BC ___ 16. Caesar Augustus called for a census to be taken p. circa 6 BC ___ 17. “A Visit from St. Nicholas” was published anonymously q. 165 BC ___ 18. Raphael painted The Sistine Madonna r. circa 700 BC ___ 19. David’s Psalms referred to the coming Messiah s. circa 700 BC ___ 20. St. Nicholas served as a bishop in Asia Minor t. circa 1000 BC ___ 21. Jesus was born in a stable in Bethlehem u. 4000 BC or earlier C 2012 www.flandersfamily.info Christmas Timeline Challenge ___ 1. -
I Want My MTV”: Music Video and the Transformation of the Sights, Sounds and Business of Popular Music
General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 98T Course Title “I Want My MTV”: Music Video and the Transformation of The Sights, Sounds and Business of Popular Music 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This seminar will trace the historical ‘phenomenon” known as MTV (Music Television) from its premiere in 1981 to its move away from the music video in the late 1990s. The goal of this course is to analyze the critical relationships between music and image in representative videos that premiered on MTV, and to interpret them within a ‘postmodern’ historical and cultural context. 3. "List faculty member(s) who will serve as instructor (give academic rank): Joanna Love-Tulloch, teaching fellow; Dr. Robert Fink, faculty mentor 4. Indicate when do you anticipate teaching this course over the next three years: 2010-2011 Winter Spring X Enrollment Enrollment 5. GE Course Units 5 Proposed Number of Units: Page 1 of 3 6. Please present concise arguments for the GE principles applicable to this course. -
A Denial the Death of Kurt Cobain the Seattle Police Department
A Denial The Death of Kurt Cobain The Seattle Police Department Substandard Investigation & The Repercussions to Justice by Bree Donovan A Capstone Submitted to The Graduate School-Camden Rutgers, The State University, New Jersey in partial fulfillment of the requirements for the degree of Masters of Arts in Liberal Studies Under the direction of Dr. Joseph C. Schiavo and approved by _________________________________ Capstone Director _________________________________ Program Director Camden, New Jersey, December 2014 i Abstract Kurt Cobain (1967-1994) musician, artist songwriter, and founder of The Rock and Roll Hall of Fame band, Nirvana, was dubbed, “the voice of a generation”; a moniker he wore like his faded cardigan sweater, but with more than some distain. Cobain‟s journey to the top of the Billboard charts was much more Dickensian than many of the generations of fans may realize. During his all too short life, Cobain struggled with physical illness, poverty, undiagnosed depression, a broken family, and the crippling isolation and loneliness brought on by drug addiction. Cobain may have shunned the idea of fame and fortune but like many struggling young musicians (who would become his peers) coming up in the blue collar, working class suburbs of Aberdeen and Tacoma Washington State, being on the cover of Rolling Stone magazine wasn‟t a nightmare image. Cobain, with his unkempt blond hair, polarizing blue eyes, and fragile appearance is a modern-punk-rock Jesus; a model example of the modern-day hero. The musician- a reluctant hero at best, but one who took a dark, frightening journey into another realm, to emerge stronger, clearer headed and changing the trajectory of his life. -
Django Reinhardt
Data » Personalities » Django Reinhardt http://romani.uni-graz.at/rombase Django Reinhardt Peter Wagner Today is the 1st of November, 1928, All Saint’s Day, late in the evening. The Reinhardt family shares this holiday with the souls of the deceased, particularly with a young one, only lately deceased, for whom the caravan has been decorated with artificial flowers. Young Django Reinhardt is returning from a concert, most probably preoccupied by an offer by Jack Holton, the English master of symphonic jazz, to move to him to England and play in his orchestra. Fate, however, had decreed otherwise. He lights the candles, and with them the flowers, and immediately the whole caravan catches fire; the family is glad to escape with their lives. For the young, promising musician, this incident is a catastrophe. His left leg is badly burnt, it will later have to be operated on, but what is worse, two fingers of his left hand remain unable to function, which is to lose the basis of existence for a goldsmith or a musician. But not Django Reinhardt. A fanatic love of music had already rooted in him, and a present – a guitar which should support his therapy – makes it break out. Notwithstanding his handicap, an inner need to express himself via music makes him return in all his virtuosity within one and a half years, equipped with additional, original means of expression. His new technique arouses amazement and curiosity with a whole generation of guitarists and musical researchers. It is difficult to judge the role of his handicap in this still significant– mainly among the Roma – school. -
Coming up at the Aquarium Tickets at Dempsey's, Orange Records and Ticketweb.Com • 21+ Upstairs at 226 Broadway in Fargo • Online at Aquariumfargo.Com
COMING UP AT THE AQUARIUM TICKETS AT DEMPSEY'S, ORANGE RECORDS AND TICKETWEB.COM • 21+ UPSTAIRS AT 226 BROADWAY IN FARGO • ONLINE AT AQUARIUMFARGO.COM SIMON JOYNER & THE GHOSTS • THURSDAY, JUNE 6 MAUNO • MONDAY, JUNE 24 Lo-fi folk cited as an influence by Conor Oberst, Idiosyncratic, tumbling indie pop w/ plumslugger, Gillian Welch, Kevin Morby and Beck w/ Parliament Lite and Bryan Stanley (First show! Richard Loewen and Walker Rider • Doors @ 8 Backed by members of Naivety ) • Doors @ 8 MUSCLE BEACH + MCVICKER • FRIDAY, JUNE 7 ROYAL TUSK • THURSDAY, JUNE 27 A double dose of noisy Minneapolis Blue-collar troubadours merging riffy hooks punk rock n roll w/ locals Under Siege, with a thick bottom end and loud-as-hell guitars Plumslugger and HomeState • Doors @ 9 w/ The Dose • Jade Presents event • Doors @ 7 EMO NIGHT • SATURDAY, JUNE 8 MEGAN HAMILTON • FRIDAY, JUNE 28 Drink some drinks, dance, hang out and have Funky house tunes w/ SLiPPERS, Force Induction, some fun singing along to all your favorite early DeziLou, 2Clapz and Alex Malard • Playback 2000s emo jams • No cover • Starts @ 10 Shows + Wicked Good Time event • Doors @ 9 PAPER PARLOR + STOVEPIPES • SUNDAY, JUNE 9 JESSICA VINES + KARI MARIE TRIO • SATURDAY, JUNE 29 Psychedelic blues fusion jam rockers Guitar-driven, poppy, funky, rockin’ R&B + piano comin' in hot from Duluth + local blues rock from members of The Human Element and rock favorites Stovepipes • Doors @ 8 Hardwood Groove among others • Doors @ 8 HIP-HOP + COMEDY NIGHT • FRIDAY, JUNE 14 YATRA + GREEN ALTAR • SUNDAY, JUNE 30 Music by Durow, X3P Suicide, Stan Cass and Stoner, sludge and doom metal from Baltimore and DJ Affilination. -
HA-Bio New 2010
Howard Alden- Jazz Guitarist “He may be the best of his generation,” writes Owen Cordle in JAZZ TIMES. George Kanzler of the NEWARK STAR LEDGER proclaims that he is “the most impressive and creative member of a new generation of jazz guitarists.” And Chip Deffaa of the NEW YORK POST observes that he is “ ...one of the very finest young guitarists working today.” It seems that the only thing regarding Howard Alden on which the critics have debate is whether the remarkable jazz guitarist is one of the best or simply the best. Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Louis Armstrong, Count Basie and Benny Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with vibraphone legend Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Aldenʼs skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
13. Cleveland Jazz Guitarists
13. Cleveland Jazz Guitarists itariSts who grew up in still a teenager. He joined the leveland have been among musicians' union when he was 16. By Gthe most important and most 1940, when he was 17, he was playing acclaimed in jazz history. They all at parties and country clubs around drew their inspiration from the all Cleveland. "I played with band leaders time grand masters of jazz guitar, Clint Noble and Jack Horowitz," he Django Reinhardt and Charlie said, but he had bigger plans. Christian. "In 1941, I went to New York to become famous. My father borrowed Fred Sharp $50 on his life insurance policy and Anyone who was even a casual gave me the money to go. Joe Sharp listener ofjazz in Cleveland from the never had money at all. In New York, 1940s to the '80s probably heard I put in for my union card. You had to guitarist Fred Sharp. He played with stay six months to get your card and I some ofthe biggest names in jazz and went to the union floor every day and was the man Jim Hall credited as his started to get some club dates. The teacher. scale was $7 then for a club date, but In the mid-1930s, when Sharp was most everybody paid $4." growing up in the Glenville area of Courtesy of Fred Sharp When he was still in his teens, Fred Sharp and Babik Reinhardt, Cleveland and listening to music on Sharp remembered he almost starved the 23-year-old son of Sharp's the radio, the guitar, with a few guitar idol Ojango Reinhardt, in trying to become famous in New exceptions, was not a solo jazz voice, Paris in 1967 York.