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The Choreographer Lar Lubovitch, Who Has Been Making Dances for 50 Years, Is Known for His Musicality
The choreographer Lar Lubovitch, who has been making dances for 50 years, is known for his musicality. CreditGeorge Etheredge for The New York Times Lar Lubovitch: His Palette? All Arms and Legs. Mr. Lubovitch, who’s been a choreographer for 50 years, talks about his work and learning from the best: Graham, Limón and the stage of a nightclub. By MARINA HARSSAPRIL 13, 2018 The choreographer Lar Lubovitch didn’t discover dance until college, where he had gone in hopes of becoming a painter. The impulse to fill a canvas hasn’t left him. When he describes making a dance, he does so not only in kinetic terms but through the prism of painting: “I’m reacting to the effect the music has on me and making that visual by painting the space and the time that the music is occupying,” he said recently over lunch at a cafe near his Chelsea apartment He has been painting with bodies for 50 years now, a milestone that he is celebrating with a weeklong run at the Joyce, beginning April 17. The dances on view date back to his “Brahms Symphony,” from 1985, a work he considers a watershed in his career. It vividly embodies the two qualities for which he has come to be known: lush musicality and unabashed emotionalism. (It will be performed by dancers from George Mason University, for whom he restaged it earlier this year.) For his own company, he has created a new dance, “Something About Night,” which contains passages from previous works, many of them forgotten. -
February 12 – 16, 2016
February 12 – 16, 2016 danceFilms.org | Filmlinc.org ta b l e o F CONTENTS DA N C E O N CAMERA F E S T I VA L Inaugurated in 1971, and co-presented with Dance Films Association and the Film Society of Lincoln Center since 1996 (now celebrating the 20th anniversary of this esteemed partnership), the annual festival is the most anticipated and widely attended dance film event in New York City. Each year artists, filmmakers and hundreds of film lovers come together to experience the latest in groundbreaking, thought-provoking, and mesmerizing cinema. This year’s festival celebrates everything from ballet and contemporary dance to the high-flying world of trapeze. ta b l e o F CONTENTS about dance Films association 4 Welcome 6 about dance on camera Festival 8 dance in Focus aWards 11 g a l l e ry e x h i b i t 13 Free events 14 special events 16 opening and closing programs 18 main slate 20 Full schedule 26 s h o r t s p r o g r a m s 32 cover: Ted Shawn and His Men Dancers in Kinetic Molpai, ca. 1935 courtesy of Jacob’s Pillow Dance festival archives this Page: The Dance Goodbye ron steinman back cover: Feelings are Facts: The Life of Yvonne Rainer courtesy estate of warner JePson ABOUT DANCE dance Films association dance Films association and dance on camera board oF directors Festival staFF Greg Vander Veer Nancy Allison Donna Rubin Interim Executive Director President Virginia Brooks Liz Wolff Co-Curator Dance on Camera Festival Paul Galando Brian Cummings Joanna Ney Co-Curator Dance on Camera Festival Vice President and Chair of Ron -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
A Dance “Festival Within a Festival” at the Fringe
A dance “festival within a festival” at The Fringe www.bookingdance.com SEE 7 DYNAMIC DANCE COMPANIES FROM AMERICA IN ONE SHOW WED, AUG 12 - SUN, AUG 16 Cover and inside cover photo:Lois Greenfield WORLD PREMIERES ABOUT BOOKING DANCE FESTIVALS ALL COMPANIES DEBUTING IN EDINBURGH FOR THE FIRST TIME The Booking DANCE FESTIVAL is the brainchild of Producer Jodi Kaplan, born with the intention of creating a cultural exchange between performing artists and international communities. The Festival occurs Welcome! annually at different locations around the globe, continually bridging dance artists and audiences worldwide. It is the long-term vision of Booking DANCE FESTIVAL to return annually to the Edinburgh Fringe for a full Booking DANCE FESTIVAL Edinburgh 2009 is the first dance “festival within a festival” three week run while additionally producing showcases in a third-world country every two years and the presented by Producer Jodi Kaplan / BookingDance at the Edinburgh Fringe. summer Olympics every four years. Booking DANCE FESTIVAL Edinburgh 2009 is a continuation of a cultural exchange between performing You will see seven of the best USA Dance Companies performing at The Fringe for the first time. artists and communities on a global scale. Last summer, coinciding with the Beijing Olympics, Jodi Kaplan Ranging stylistically from classical modern to traditional dance from around the globe, this & Associates produced Booking DANCE FESTIVAL Beijing 2008 as the first of its international productions. diverse program showcases seven innovative -
October 2020 New York City Center
NEW YORK CITY CENTER OCTOBER 2020 NEW YORK CITY CENTER SUPPORT CITY CENTER AND Page 9 DOUBLE YOUR IMPACT! OCTOBER 2020 3 Program Thanks to City Center Board Co-Chair Richard Witten and 9 City Center Turns the Lights Back On for the his wife and Board member Lisa, every contribution you 2020 Fall for Dance Festival by Reanne Rodrigues make to City Center from now until November 1 will be 30 Upcoming Events matched up to $100,000. Be a part of City Center’s historic moment as we turn the lights back on to bring you the first digitalFall for Dance Festival. Please consider making a donation today to help us expand opportunities for artists and get them back on stage where they belong. $200,000 hangs in the balance—give today to double your impact and ensure that City Center can continue to serve our artists and our beloved community for years to come. Page 9 Page 9 Page 30 donate now: text: become a member: Cover: Ballet Hispánico’s Shelby Colona; photo by Rachel Neville Photography NYCityCenter.org/ FallForDance NYCityCenter.org/ JOIN US ONLINE Donate to 443-21 Membership @NYCITYCENTER Ballet Hispánico performs 18+1 Excerpts; photo by Christopher Duggan Photography #FallForDance @NYCITYCENTER 2 ARLENE SHULER PRESIDENT & CEO NEW YORK STANFORD MAKISHI VP, PROGRAMMING CITY CENTER 2020 Wednesday, October 21, 2020 PROGRAM 1 BALLET HISPÁNICO Eduardo Vilaro, Artistic Director & CEO Ashley Bouder, Tiler Peck, and Brittany Pollack Ballet Hispánico 18+1 Excerpts Calvin Royal III New York Premiere Dormeshia Jamar Roberts Choreography by GUSTAVO RAMÍREZ -
The Portland Ballet Dances a Fairytale Holiday
Contact: Cynthia Kirk [email protected] 503-330-1886 The Portland Ballet Dances a Fairytale Holiday Double Bill Includes World Premiere of John Clifford’s Tales from Mother Goose and His Wildly Popular The Enchanted Toyshop Portland State University Orchestra Plays Ravel and Rossini/Respighi’s Music Live at All Six Performances 5-Dollar-First-Show Presents Generous Holiday Gift to Portlanders The Portland Ballet Presents the World Premiere of John Clifford’s Tales from Mother Goose (2014) with his The Enchanted Toyshop (2003) in partnership with Portland State University Orchestra Performances Open Rehearsal F/Sa/Su, Nov 28/29/30, 1 & 5 PM Led by Artistic Director Nancy Davis Lincoln Hall, 1620 SW Park at Market TPB Studio Runtime: 100 minutes w/intermission 6250 SW Capitol Highway Tickets: F/Nov 28, 1 PM $5 Sa, Nov 1, 3-4 PM All other performances: Free: Reservation/Ticket Not Required Tickets: $15, youth; $35, adults Information: theportlandballet.org $90, family pack (2 youth, 2 503.452.8448 adults); additional youth, $10 PSU Box Office, pdx.edu/boxoffice/tickets 503.725.3307 Limited Arts Card and Arts for All tickets Information: 503.452.8448 For 13 years, THE PORTLAND BALLET (Nancy Davis, artistic director)—the metro area’s premiere youth ballet company—has presented a holiday production to delight the entire family. Taking place over Thanksgiving weekend, the production offers a refreshing change from most holiday fare: it’s not the Nutcracker and it takes place before the December performance rush. In addition, it is danced by THE PORTLAND BALLET’s superbly trained young dancers with an immediate connection to a family audience. -
Dance, American Dance
DA CONSTAANTLYN EVOLVINGCE TRADITION AD CONSTAANTLY NEVOLVINGCE TRADITION BY OCTAVIO ROCA here is no time like the Michael Smuin’s jazzy abandon, in present to look at the future of Broadway’s newfound love of dance, American dance. So much in every daring bit of performance art keeps coming, so much is left that tries to redefine what dance is behind, and the uncertainty and what it is not. American dancers Tand immense promise of all that lies today represent the finest, most ahead tell us that the young century exciting, and most diverse aspects of is witnessing a watershed in our country’s cultural riches. American dance history. Candid The phenomenal aspect of dance is shots of American artists on the that it takes two to give meaning to move reveal a wide-open landscape the phenomenon. The meaning of a of dance, from classical to modern dance arises not in a vacuum but in to postmodern and beyond. public, in real life, in the magical Each of our dance traditions moment when an audience witnesses carries a distinctive flavor, and each a performance. What makes demands attention: the living American dance unique is not just its legacies of George Balanchine and A poster advertises the appearance of New distinctive, multicultural mix of Antony Tudor, the ever-surprising York City Ballet as part of Festival Verdi influences, but also the distinctively 2001 in Parma, Italy. genius of Merce Cunningham, the American mix of its audiences. That all-American exuberance of Paul Taylor, the social mix is even more of a melting pot as the new commitment of Bill T. -
2015 Full Program (PDF)
2015 Women in Dance Leadership Conference! ! October 29 - November 1, 2015! ! Manship Theatre, Baton Rouge, Louisiana, USA! ! Conference Director - Sandra Shih Parks WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "1 Women in Dance Leadership Conference ! Mission Statement ! ! To investigate, explore, and reflect on women’s leadership by representing innovative and multicultural dance work to celebrate, develop, and promote women’s leadership in dance making, dance related fields, and other! male-dominated professions.! Conference Overview! ! DATE MORNING AFTERNOON EVENING Thursday 10/29/2015 !Registration/Check In! !Reception! Opening Talk -! Kim Jones/Yin Mei Karole Armitage and guests Performance Friday 10/30/2015 Speech - Susan Foster! Panel Discussions! Selected ! ! Choreographers’ Speech - Ann Dils !Master Classes! Concert Paper Presentations Saturday 10/31/2015 Speech - Dima Ghawi! Panel Discussions! ODC Dance Company ! ! ! Performance Speech - Meredith Master Classes! Warner! ! ! Ambassadors of Women Master Classes in Dance Showcase Sunday 11/1/2015 Master Class THODOS Dance Chicago Performance ! ! ! ! WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "2 October 29th 2015! !Location 12 - 4 PM 4:30 PM - 6 PM 6 PM - 7:30 PM 8 PM - 9:30 PM !Main Theatre Kim Jones, Yin Mei ! and guests ! performance ! !Hartley/Vey ! Opening Talk by! !Studio Theatre Karole Armitage !Harley/Vey! !Workshop Theatre !Josef Sternberg ! Conference Room Jones Walker Foyer Registration! ! Conference Check In Reception Program Information! -
Graham 2 2019 New York Season May 30–June 2, 2019
Graham 2 2019 New York Season May 30–June 2, 2019 New York, NY, May 1, 2019 – Graham 2 announces its 2019 New York season featuring works by Martha Graham and a world premiere by guest choreographer Brice Mousset. Performances are May 30–June 2 (Thursday through Saturday at 7pm, and Sunday at 3pm), at the Martha Graham Studio Theater, 55 Bethune Street, 11th floor, in Manhattan. Graham 2 Director Virginie Mécène has selected a program reflecting on the Martha Graham Dance Company’s season theme, The Eve Project, which explores the many facets of womanhood. Performed by Graham 2’s exceedingly talented young dancers, the program provides ways to consider Graham’s complex, multifaceted characters through dances that evoke innocence, seduction, erotic love, empowerment, rejection, resilience, and more. The program will feature Heretic (1929), excerpts from Embattled Garden (1958) and El Penitente (1940), Conversation of Lovers from Acts of Light (1981), Appalachian Spring Suite (1944), the newly revived Secular Games (1962), and a new work by French choreographer Brice Mousset, set to the music of composer Mike Sheridan. The opening night on May 30 will be a special night for Graham 2 alumni. The troupe is now 36 years old, and the performance will include media featuring many generations of Graham 2 dancers. General tickets are $25 in advance, $30 at the door. Students $15 in advance/$20 at the door. Special alumni ticket price: $20 in advance/$25 at the door. Tickets can be purchased online at marthagraham.org/graham2. About choreographer Brice Mousset Brice Mousset is founder, artistic director, and choreographer of OUI DANSE, a New York City project-based dance company. -
Professional Division Graduates, 1999-2014
Professional Division Graduates, 1999-2014 Name Company/College/University Year Heather Aagard Ballet Arizona; Joffrey Ballet 2001 Chelsea Adomaitis Pacific Northwest Ballet 2009 Tristan Alberda Milwaukee Ballet 2000 Maggie Alden Columbia University 2009 Kirsten Allman Louisville Ballet 2009 Garrett Anderson Hubbard Street Dance; Royal Ballet of Flanders; San Francisco Ballet 2001 Jessika Anspach Pacific Northwest Ballet 2004 Isaac Aoki Grand Rapids Ballet 2013 Emma Appel University of California, Berkeley 2011 Robbie-Jean Arbaczewski Central Pennsylvania Youth Ballet 2009 Jacquelyn Arcati Cherylyn Lavagnino Dance; Nevada Ballet; Columbia Univ. School of Law 2005 Thomas Baltrushunas Pennsylvania Ballet; Temple University 2002 Edward Barnes Pennsylvania Ballet 2008 Eli Barnes Cincinnati Ballet; Alberta Ballet 2011 Andrew Bartee Ballet BC; Pacific Northwest Ballet; Princess Grace Award Recipient 2008 Reid Bartelme Alberta Ballet; BalletMet; Current: Freelance fashion/costume designer 2001 Taisha Barton-Rowledge Ballet du Capitole, Toulouse, France; Carolina Ballet 2009 Alison Basford Boston Ballet; Pacific Northwest Ballet; Suzanne Farrell Ballet 2002 Marlowe Bassett Napoles Ballet Theatre; LINES Ballet; Metamorphosis (San Francisco) 2002 Reilley Bell Alberta Ballet 2007 Ezra Benjamin Cornish College of the Arts 2003 Christiana Bennett Ballet West (Principal Dancer) 1999 Laurel Benson Ballet West II 2014 Ian Bethany Ballet Austin 2008 Kelsey Bevington Nevada Ballet Theatre; Cincinnati Ballet II 2013 Perry Bevington Nevada Ballet Theatre, -
Zvidance DABKE
presents ZviDance Sunday, July 12-Tuesday, July 14 at 8:00pm Reynolds Industries Theater Performance: 50 minutes, no intermission DABKE (2012) Choreography: Zvi Gotheiner in collaboration with the dancers Original Score by: Scott Killian with Dabke music by Ali El Deek Lighting Design: Mark London Costume Design: Reid Bartelme Assistant Costume Design: Guy Dempster Dancers: Chelsea Ainsworth, Todd Allen, Alex Biegelson, Kuan Hui Chew, Tyner Dumortier, Samantha Harvey, Ying-Ying Shiau, Robert M. Valdez, Jr. Company Manager: Jacob Goodhart Executive Director: Nikki Chalas A few words from Zvi about the creation of DABKE: The idea of creating a contemporary dance piece based on a Middle Eastern folk dance revealed itself in a Lebanese restaurant in Stockholm, Sweden. My Israeli partner and a Lebanese waiter became friendly and were soon dancing the Dabke between tables. While patrons cheered, I remained still, transfixed, all the while envisioning this as material for a new piece. Dabke (translated from Arabic as "stomping of the feet") is a traditional folk dance and is now the national dance of Lebanon, Jordan, Syria, and Palestine. Israelis have their own version. It is a line dance often performed at weddings, holidays, and community celebrations. The dance strongly references solidarity, and traditionally only men participated. The dancers, linked by hands or shoulders, stomp the ground with complex rhythms, emphasizing their connection to the land. While the group keeps rhythm, the leader, called Raas (meaning "head"), improvises on pre-choreographed movement phrases. He also twirls a handkerchief or string of beads known as a Masbha. When I was a child and teenager growing up in a Kibbutz in northern Israel, Friday nights were folk dance nights. -
River North Dance Chicago
Cheryl Mann River North Dance Chicago Frank Chaves, Artistic Director • Gail Kalver, Executive Director The Company: Levizadik Buckins, Taeler Cyrus, Michael Gross, Hank Hunter, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Michael McDonald*, Hayley Meier, Olivia Rehrman, Ahmad Simmons, Jessica Wolfrum *Performing apprentice Artistic & Production Sara Bibik, Assistant to the Artistic Director • Claire Bataille, Ballet Mistress Joshua Paul Weckesser, Production Stage Manager and Technical Director Mari Jo Irbe, Rehearsal Director • Laura Wade, Ballet Mistress Liz Rench, Wardrobe Supervisor Administration Alexis Jaworski, Director of Marketing • Salena Watkins, Business Manager Diana Anton, Education Manager • Paula Petrini Lynch, Development Manager Christopher W. Frerichs, Grant Writer Lisa Kudo, Development and Special Events Assistant PROGRAM The Good Goodbyes Beat Eva (World Premiere) -Intermission- Three Renatus Forbidden Boundaries Thursday, April 4 at 7:30 PM Friday, April 5 at 8 PM Saturday, April 6 at 2 PM & 8 PM Media support for these performances is provided by WHYY. 12/13 Season | 23 PROGRAM The Good Goodbyes Choreography: Frank Chaves Lighting Design: Todd Clark Music: Original composition by Josephine Lee Costume Design: Jordan Ross Dancers: Taeler Cyrus, Michael Gross, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Hayley Meier, Jessica Wolfrum Artistic Director Frank Chaves’ newest work, The Good Goodbyes, is an homage to the relationships forged and nurtured within the dance community. Set to an original piano suite by Josephine Lee, artistic director of the acclaimed Chicago Children’s Choir, this wistful and bittersweet work for seven dancers suggests “the beautiful memories and the wonderful relationships I’ve forged with dancers over the years. I want to celebrate the incredibly intimate, intense, fulfilling and—because of the nature of our profession—often short-lived connections we’ve made, and have bid goodbye along the way,” says Chaves.