The Tape Recorder Centre—The Country's Leading Specialists in Tape Elizabethan Recording

Total Page:16

File Type:pdf, Size:1020Kb

The Tape Recorder Centre—The Country's Leading Specialists in Tape Elizabethan Recording the TAPE PRICE 116 APRILVol. 4 1962No. 3 RECORDER INCORPORATING "SOUND AND CINE" IN THIS NUMBER e Frequency and Wavelength in Tape Recording • Our Readers Write • Tape Recorder Service • Details of New Products e The Calibration and Use of Test Tapes • Equipment Reviewed e Sound and Cine e These Dealers offer Good Service e Tape Recorder Workbench • Audio Festival Details e News from the World of Tape Wkdt4 pam eked-Li-cue dlt.tit&eas? Yes, indeed, you may well ask "Why do people continue to pay 81 guineas for a Ferrograph when they can buy aTape Recorder for less than half this price?" We venture to suggest that those who choose the Ferrograph do so for several sound reasons. Firstly, there are those who have learned from past —and perhaps bitter—experience that low price invariably means alow standard of performance. How can it be otherwise when price is the manufacturer's main objective? Then there are those who take pride in the ownership of a product that has achieved aworld wide reputation for its excellence —that stands alone for its outstanding performance. And finally there are those—and this may apply to the majority—who take the trouble to assess the claims ."1-eos, 461111:9e---, and counter-claims of competitive makes in their quest for 111111 1gro, the truth. To these we say that at no time have we ever indulged in extravagant claims for the Ferrograph. Instead we have always preferred to state the simple facts and let the instrument speak for itself. And here let us pay agrateful tribute to Ferrograph users who are always so ready to praise our Tape Recorder and demonstrate it to their friends. Let it be sufficient for us to say that among regular users of the Ferrograph are Broadcasting and Television organisations, H.M. Services, leading personalities in the world of music and drama, educational authorities, explorers and news commentators, and record manufacturing companies. Surely no higher tribute can be paid to Ferrograph quality than the recognition that with so many the final choice depends, not upon price, but upon the more lasting qualities of performance and reputation. Series 4A For conventional Monaural Re- Series 420 cording and Playback. Model 4AIN (3¡/7+ i.p.s.) 81 GNS For Monaural and Stereo recording and playback, with Model 4,111-1 (71115 i.p.s.) 86 GNS monitoring, re-recording Series 4S from one track to the other, As above but in addition fitted introduction of echo effects with stereo head to permit play- and many other advanced back of pre-recorded stereo tapes features. Requires power through external hi-fi amplifiers amplifiers and external loud- and loudspeakers. speakers. INTERNATIONAL AUDIO FESTIVAL Model 4S/N (3¡/7¡ i.p.s.) 88 GNS I10 GNS ROOM 247, BOOTH 61 Model 4S/H (705 i.p.s.) 93 GNS Three Independent Motors •Synchronous Capstan Motor •Recording Level Meter •Brief Stop •Interchangeable Plug-in-Heads Switched Speed Change with Compensated Correction Network •Separate Tone Controls •High Fidelity 2+ Watts Output Stage •Uses 8+" Tape Spools •Gear Driven Turns Counter •Automatic Switch cuts Motors at end of Spool •Endless Loop Cassette (Optional Extra) //eceele a,ea,4 llefe eap THE FERROGRAPH COMPANY LTD. 84 , BLACKFRIARS ROAD, LONDON, S.E.I Telephone: WATerloo !98I E E E Err: r • • ! e 7 •••••miel• mma• E — a- «d 3 --"-"=-"4 - a ---- _--a »MUM ••••••• DON'T BUY A TAPE RECORDER!!! At least not before carefully considering whom to purchase it from. What can we offer you that makes us so confident you will without the slightest hesitation purchase a tape recorder from one of our Showrooms? As Britain's leading Tape recorder specialists we offer you our exclusive and unique TWO YEARS FREE SERVICING GUARANTEE which ensures that every new tape recorder over £35 purchased from us is serviced absolutely FREE for two whole years. You cannot obtain this unique Guarantee anywhere else and the amazing thing is that you do not have to pay a penny extra for it! Why buy elsewhere when you can obtain a Guarantee which ensures two whole years of worry-free, trouble-free and above all cost-free servicing. Our enthusiastic and experienced Staff will be happy to SPECIALISTS IN assist you select from our wonderful range a recorder and accessories to suit your individual requirements and pocket. All equipment available on our easy FERROGRAPH, VORTEXION, BRENELL, no fuss Hire Purchase Terms over 9-24 months. REFLECTOGRAPH, GRUNDIG, REPS, AMPEX, SONY, OPTOCORD, ETC. ETC * OVER 250 NEW & LOW-PRICED S/HAND RECORDERS ON DISPLAY * * GENEROUS PART EXCHANGES * CASH & HP TERMS OVER 9-24 MTHS * * HOME DEMONSTRATIONS * FREE DELIVERY * FREE PAMPHLETS etc * SHOWROOMS CITY 228 BISHOPSGATE, E.C.2 (Opposite Liverpool Street Station) BIS 2609 Open Mon.-Fri. 9 a.m.-6 p.m. Closed Sat. Open Sun. 9 a.m.-2.30 p.m. STRATFORD 2 MARYLAND STATION, E.15 (adj. Maryland Station) (E. Ham and Stratford open all day Saturday) MAR 5879 EAST HAM 205 HIGH ST. NTH., E.6 (opp. E. Ham Station) GRA 6543 CITY & ESSEX TAPE RECORDER CENTRES 9J Visit the HEATHKIT GRAND HOTEL DEMONSTRATION Southampton Row, London, W.C.1 AUDIO FAIR WEEK April 26-29 Full ronge of kits will be shown DAYSTRO r TO ALL MUSIC LOVERS AND HI-FI ENTHUSIASTS No electronic or soldering experience is necessary to build any iiireideTA-IS Heathkit model: our simple, well illustrated manual guides you step by step. A FREE CATALOGUE of the full range, and detailed specifications of any item, will be gladly sent without obligation on your part, on request. TAPE AMPLIFIER UNITS 'COTSWOLD' SPEAKER SYSTEM STEREO CONTROL UNIT Models TA-1M and TA-IS This is an acoustically designed enclosure 26' X 23' X Model USC-I The monophonic version (TA-IM) can be modi- 14' housing a 12' bass speaker with 2' speech coil, Push-button selection, accurately matched fied to the stereo version (TA-IS) by modification elliptical middle speaker, and a pressure unit to cover ganged controls to 1dB. Negative feedback kit (TA-1C). Special features include the the full frequency range of 30-20,000 c/s. Capable of rumble and variable low-pass filters. Printed provision of a bias level control; easy-to-read doing justice to the finest programme source, its polar circuit boards. Accepts inputs from most tape thermometer-type recording level indicators; distribution makes it ideal for really Hi -Fi Stereo. heads and any stereo or mono pick-up. £18.18.6 large printed circuit boards. Both models have Delivered complete with speakers, cross-over unit, identical presentation. TA -1 M C18.2.6 level control, Tygan grille cloth, etc. All parts pre- TRANSISTOR PORTABLE TA-Is £23.6.0 TA-1C £6.10.0 cut and drilled for easy assembly and left "in the RADIO Model UXR-I white" veneered for finish to personal taste. Presented in elegant real TRUVOX TD-1 Mk. 6 Assembled weight 61 lb. f21.19.0 hide case with gold relief. TAPE DECK. Some of the Can be assembled in 4 to 6 facilities of this Mono/Stereo hours. Pre-aligned I.F. HI-FI EQUIPMENT CABINETS Tape Deck are: record; transformers, printed circuit playback; fast-forward; fast A range of equipment cabinets is now available to and a 7 in. X 4 in. high-flux meet the differing needs of enthusiasts. All reverse; dual braking; two speaker. £14.18.6 UXR-I TRUVOX Mk 6tracks, side by side. £29.15,0 accurately machined for ease of assembly and left With TA-IS £52.1.0 With TA-1M £46.17.6 "in the white" for finish to personal taste. Designed for the maximum operating convenience or for 4-wave TRANSISTORISED PORTABLE RADIO Model Rsve-I where room space is an overriding consideration, Using 7latest type transistors COLLARO "STUDIO" this range holds at least one model to meet your and three diodes chis highly TAPE DECK. Operating requirements. Why not send for full details? sensitive set is specially speeds: 1; in., 31 in. and £11.5.6 to £17.18.6 designed for Short and 4 in. p.s. Wow and flutter THE MALVERN' Medium wavebands (250-500, iffl 4,, not greater than 0.15% at 90-200, 18-50 and 11-18 m.). STUDIO in. p.s. £17.10.0 HI-F1 FM TUNER Model FM-4U In leather case fitted with With TA-1S £35.14.0 With TA-1M £30.10.0 For your convenience, this model is available as retractable whip aerial. two separately sold units: the Tuning Unit, Model £22.10.0 RSW-I "MOHICAN" GENERAL COVERAGE FMT-4U (3.5.0 inc. PT.), with IF output of 10,7 RECEIVER Model GC-IU. Fully transistor- Mc/s and the Amplifier Unit, Model FMA-4U HEATHKIT ELECTRONIC WORK- ised. 4 piezo-electric transfilters. — o overcome (C11.11.0). Built-in power supply; 7 valves. SHOPS KIT, Model EW-I. This new kit the problems of alignment, etc. the R.F. "front Total ... E14.16.0 FM-4U will help your boy to understand electronics, end" is supplied as a pre-assembled and pre. by making at least 20 exciting experiments, aligned unit. E38.15.0 HI-F1 STEREO 6-WATT AMPLIFIER Model including Transistor Radios, Intercom Sets, S-33. Attractively styled, completely self- Burglar Alarm, Electric Eye, etc. £7.18.0 GOLDRING-LENCO TRANSCRIPTION contained. Printed circuit makes it easy to build. RECORD PLAYER Model G.L.58. Fitted Only 0.3% distortion at 4 W/chal. 20 dB N.F.B.; POWER AMPLIFIER I2-WATT Model with the G.60 pick-up arm, it has infinitely sensitivity 200 mV.
Recommended publications
  • Warburton, John Henry. (2010). Picture Radio
    ! ∀# ∃ !∃%& ∋ ! (()(∗( Picture Radio: Will pictures, with the change to digital, transform radio? John Henry Warburton Master of Philosophy Southampton Solent University Faculty of Media, Arts and Society July 2010 Tutor Mike Richards 3 of 3 Picture Radio: Will pictures, with the change to digital, transform radio? By John Henry Warburton Abstract This work looking at radio over the last 80 years and digital radio today will consider picture radio, one way that the recently introduced DAB1 terrestrial digital radio could be used. Chapter one considers the radio history including early picture radio and television, plus shows how radio has come from the crystal set, with one pair of headphones, to the mains powered wireless with built in speakers. These radios became the main family entertainment in the home until television takes over that role in the mid 1950s. Then radio changed to a portable medium with the coming of transistor radios, to become the personal entertainment medium it is today. Chapter two and three considers the new terrestrial digital mediums of DAB and DRM2 plus how it works, what it is capable of plus a look at some of the other digital radio platforms. Chapter four examines how sound is perceived by the listener and that radio broadcasters will need to understand the relationship between sound and vision. We receive sound and then make pictures in the mind but to make sense of sound we need codes to know what it is and make sense of it. Chapter five will critically examine the issues of commercial success in radio and where pictures could help improve the radio experience as there are some things that radio is restricted to as a sound only medium.
    [Show full text]
  • BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973)
    [Show full text]
  • Nostalgia BT LP Converter All-In-One TX-103 Manual English 08-2017
    Technaxx® * User Manual Nostalgia Bluetooth All-in-One Record Converter TX-103 The manufacturer Technaxx Deutschland GmbH & Co.KG hereby declares that this device, to which this user manual belongs, complies with the essential requirements of the standards referred to the Directive RED 2014/53/EU. The Declaration of Conformity you find here: www.technaxx.de/ (in bar at the bottom “Konformitätserklärung”). Before using the device the first time, read the user manual carefully. Service phone No. for technical support: 01805 012643 (14 cent/minute from German fixed-line and 42 cent/minute from mobile networks). Free Email: [email protected] Keep this user manual for future reference or product sharing carefully. Do the same with the original accessories for this product. In case of warranty, please contact the dealer or the store where you bought this product. Warranty 2 years Features Digitizing vinyl records/cassette/CD/radio or AUX–IN to USB or SD card up to 32GB Music playback & recording via Bluetooth 2.0 Playback of MP3/WMA music files from USB/CD/SD/Bluetooth devices Recording of MP3 music files on USB or SD card up to 32GB No computer/notebook required RCA output for connection to HiFi systems Record player with automatic/manual stop & 3 speeds: 33, 45, 78rpm Built-in stereo loudspeakers Built-in cassette & CD players Built-in FM/AM radio 3.5mm AUX–IN & 3.5mm headphone jack High quality nostalgia design with functional handling 1 Contents Features..............................................................................................................................1
    [Show full text]
  • Knightsbridge 4-In-1 Music Centre KB111 Customer Helpline 0845
    Knightsbridge 4‐in‐1 Music Centre KB111 Customer Helpline 0845 555 4440 Please keep these instructions in a safe place for future reference. Table of Contents IMPORTANT SAFETY INSTRUCTIONS FOR AUDIO PRODUCTS ........................................................... 3 PRODUCT OVERVIEW ........................................................................................................................ 5 SETUP / BASIC OPERATION ................................................................................................................ 8 REMOTE CONTROL ............................................................................................................................ 9 REMOTE CONTROL BUTTON FUNCTIONS ....................................................................................... 10 LISTENING TO A VINYL RECORD ...................................................................................................... 11 LISTENING TO THE RADIO ............................................................................................................... 11 LISTENING TO A CD ......................................................................................................................... 12 LISTENING TO A TAPE ...................................................................................................................... 15 LISTENING TO AN EXTERNAL AUDIO DEVICE (AUX MODE) ............................................................. 15 RECORDING TO A CD‐R/CD‐RW ......................................................................................................
    [Show full text]
  • Wooden Music Centre with Recordable Cd Player
    MODEL: ITVS-750 WOODEN MUSIC CENTRE WITH RECORDABLE CD PLAYER IMPORTANT SAFETY INSTRUCTIONS ....................................................................................................... 2 PRODUCT OVERVIEW ................................................................................................................................ 3 SETUP / BASIC OPERATION ....................................................................................................................... 6 REMOTE CONTROL .................................................................................................................................... 6 LISTENING TO A VINYL RECORD ............................................................................................................... 7 LISTENING TO A CD .................................................................................................................................... 8 LISTENING TO THE RADIO ....................................................................................................................... 10 LISTENING TO AN EXTERNAL AUDIO DEVICE (AUX MODE) ................................................................. 10 LISTENING TO A CASSETTE TAPE........................................................................................................... 11 RECORDING TO A CD-R / CD-RW ............................................................................................................ 11 MAINTENANCE / PROPER HANDLING....................................................................................................
    [Show full text]
  • RVW Final Feb 06 21/2/06 12:44 PM Page 1
    RVW Final Feb 06 21/2/06 12:44 PM Page 1 Journal of the No.35 February 2006 In this issue... James Day on Englishness page 3 RVWSociety Tony Williams on Whitman page 7 Simona Pakenham writes for the Journal To all Members: page 11 Em Marshall on Holst Can you help? page 14 Six pages of CD and DVD reviews Our f irst r ecording v enture – the rar e songs of Vaughan Williams – has r eached a Page 22 critical point such that we no w need at least 100 members to each support us with a £100 subscription. Could you help us? and more . The project The rare songs will fill two CDs. We begin with Songs from the Operas and this includes ten songs from Hugh the Drover, arranged by the composer for voice and piano. These are world premiere recordings in this arrangement and are all quite lo vely. Our second CD covers the CHAIRMAN Early Years and includes man y songs ne ver previously recorded. These two CDs will be Stephen Connock MBE recorded in 2006-07 and issued separately thereafter. 65 Marathon House 200 Marylebone Road There is much wonderful music here, so rare and yet of such quality!The overall project will London NW1 5PL cost around £25,000 using the f inest singers and state of the art recording. We do not want Tel: 01728 454820 to compromise on quality – thus our need for members’support to drive the project forward. Fax: 01728 454873 [email protected] The Subscriptions’ benefits Both CDs will cost over £25,000.
    [Show full text]
  • Mozart Church Sonatas for Organ & Orchestra (Record Two)
    Mozart Church Sonatas For Organ & Orchestra (Record Two) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Church Sonatas For Organ & Orchestra (Record Two) Country: Australia Released: 1967 Style: Classical MP3 version RAR size: 1861 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1431 mb Rating: 4.8 Votes: 982 Other Formats: AAC MP4 AHX VOX RA MOD MPC Tracklist A1 Sonata K.328 In C Major A2 Sonata K.244 In F Major A3 Sonata K.278 In C Major A4 Sonata K.274 In G Major A5 Andante In F Major Fantasia No. 2 In F Minor, K.608 B1a Allegro B1b Andante B1c Final Fantasia No. 1 In F Minor, K.594 B2a Adagio B2b Allegro B2c Adagio Companies, etc. Licensed From – Erato Records Credits Composed By – Mozart* Directed By – Jean-François Paillard Liner Notes – Olivier Alain Orchestra – Orchestre Jean-François Paillard* Organ – Marie-Claire Alain Notes "An ERATO recording, released exclusively in Australia by World Record Club." WRC 1st pressing, featuring a new front cover design. "T4148" on sleeve, "ST-4148" on labels. Different cover to later pressings, and different address combination: 299 Flinders Lane Melbourne 177 Elizabeth St Sydney Newspaper House, 93 Queen St Brisbane 60 Pulteney St Adelaide Barnett's Buildings, Council Ave Perth Other versions Category Artist Title (Format) Label Category Country Year W.A. Mozart* / Marie-Claire Alain, Orchestre Jean- François Paillard* - W.A. Mozart* / L'Oeuvre Pour Marie-Claire Orgue & Orchestre STE 50160 Alain, Orchestre Erato STE 50160 France 1964 Vol. 2 / Quatre Jean-François Sonates D'Eglise - Paillard* Andante KV 616, Deux Fantaisies KV 594 & 608 Pour Orgue Seul (LP) Mozart* - Marie- Claire Alain (Organ) Mozart* - Marie- With The The Jean- Claire Alain Francois Paillard (Organ) With World Record T-4148, Chamber Orchestra* T-4148, The The Jean- Club, World Australia 1967 T4148 - Church Sonatas T4148 Francois Paillard Record Club For Organ & Chamber Orchestra (Record Orchestra* Two) (LP, Album, Mono, Club) Works for Organ and Westminster Wolfgang WST-17091 Orchestra Vol.
    [Show full text]
  • Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
    Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet
    [Show full text]
  • DAB Bluetooth Record-Player TX-137
    Technaxx® * User Manual DAB Bluetooth Record-Player TX-137 The manufacturer Technaxx Deutschland GmbH & Co.KG hereby declares that this device, to which this user manual belongs, complies with the essential requirements of the standards referred to the Directive RED 2014/53/EU. The Declaration of Conformity you find here: www.technaxx.de/ (in bar at the bottom “Konformitätserklärung”). Before using the device the first time, read the user manual carefully. Service phone No. for technical support: 01805 012643 (14 cent/minute from German fixed-line and 42 cent/minute from mobile networks). Free Email: [email protected] Keep this user manual for future reference or product sharing carefully. Do the same with the original accessories for this product. In case of warranty, please contact the dealer or the store where you bought this product. Warranty 2 years Features ⚫ Digitizing vinyl records/cassette/CD/BT or AUX–IN to USB ⚫ Music playback & recording via Bluetooth 5.0 ⚫ Playback of MP3/WMA music files from USB/CD/Bluetooth devices ⚫ Recording of MP3 music files on USB up to 32GB ⚫ No computer/notebook required ⚫ RCA output for connection to HiFi systems ⚫ Record player with automatic/manual stop & 3 speeds: 33, 45, 78rpm ⚫ Built-in stereo loudspeakers ⚫ Built-in cassette & CD players ⚫ Built-in DAB / FM radio ⚫ 3.5mm AUX–IN & 3.5mm headphone jack ⚫ High quality design with functional handling 1 Contents FEATURES ..................................................................................................................................................................................
    [Show full text]
  • R. Strauss Saint-Saëns Brahms
    Early stereo recordings • 1 R. STRAUss Till Eulenspiegel London Symphony Orchestra Norman Del Mar SAINT-SAËNS Cello Concerto No. 1 Paul Tortelier cello Philharmonia Orchestra Herbert Menges BRAHMS Violin Concerto Endre Wolf violin London Symphony Orchestra Walter Goehr First release of the 1954 & 1955 stereo recordings 1 Recording alert buzzer and orchestra tuning [0:33] Johannes BRAHMS (1833-1897) Violin Concerto in D Major, Op. 77 (1878) [40:35] Richard STRAUSS (1864-1949) 6 I. Allegro non troppo [22:01] 2 Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 [14:30] 7 II. Adagio [10:24] (Till Eulenspiegel’s Merry Pranks) (1894-1895) 8 III. Allegro giocoso, ma non troppo vivace — [8:05] Poco più presto London Symphony Orchestra • Norman Del Mar Endre Wolf violin Recorded at No. 1 Studio, Abbey Road, 23 July 1954 London Symphony Orchestra • Walter Goehr First release in any format Producer: unknown Recorded at No. 1 Studio, Abbey Road, 25 and 28 August 1954 Stereo Balance Engineer: unknown First issued on Music-Appreciation Records MAR 15 * (mono LP) Remastered by David Murphy (FHR) Tracks 7-8 first release in stereo; track 6 mono transferred from * Producer: unknown Camille SAINT-SAËNS (1835-1921) Mono Engineer: Neville Boyling Cello Concerto No. 1 in A minor, Op. 33 (1872) [18:33] Stereo Balance Engineer: unknown 3 I. Allegro non troppo — [5:19] Remastered by Jonathan Mayer and David Murphy (FHR) 4 II. Allegretto con moto — [5:53] 5 III. Allegro non troppo [7:20] Total Timing: [74:19] Paul Tortelier cello Transfers by Ted Kendall, apart from track 6 Philharmonia Orchestra • Herbert Menges All source materials used in this issue are from the Archive Recorded at No.
    [Show full text]
  • Sir Colin Davis Discography
    1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1.
    [Show full text]
  • Delius (1862-1934)
    BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) A Discography of CDs & LPs Prepared by Michael Herman Frederick Delius (1862-1934) Born in Bradford to German parents. His family had not destined him for a musical career but due to the persuasion of Edvard Grieg his father allowed him to attend the Leipzig Conservatory where he was a pupil of Hans Sitt and Carl Reinecke. His true musical education, however, came from his exposure to the music of African-American workers in Florida as well as the influences of Grieg, Wagner and the French impressionists. His Concertos and other pieces in classical forms are not his typical works and he is best known for his nature-inspired short orchestral works. He also wrote operas that have yielded orchestral preludes and intermezzos in his most characteristic style. Sir Thomas Beecham was his great champion both during Delius’ lifetime and after his death. Air and Dance for String Orchestra (1915) Norman Del Mar/Bournemouth Symphony Orchestra ( + Elgar: Serenade for Strings, Vaughan Williams: Concerto Grosso and Warlock: Serenade) EMI CDM 565130-2 (1994) (original LP release: HMV ASD 2351) (1968) Vernon Handley/London Philharmonic Orchestra ( + Summer Evening, On Hearing the First Cuckoo in Spring, Summer Night on the River, Vaughan Williams: The Wasps Overture and Serenade to Music) CHANDOS CHAN 10174 (2004) (original CD release: CHANDOS CHAN 8330) (1985) Richard Hickox/Northern Sinfonia ( + Summer Evening, Winter Night, On Hearing the First Cuckoo in Spring, Summer Night on the River, A Song Before Sunrise, La Calinda, Hassan – Intermezzo and Serenade, Fennimore and Gerda – Intermezzo and Irmelin – Prelude) EMI BRITISH COMPOSERS CDM 5 65067 2 (1994) (original CD release: EMI CDC 7 47610 2) (1986) David Lloyd-Jones/English Northern Philharmonia ( + Bridge: Cherry Ripe, Sally in our Alley, Sir Roger de Coverley), Haydn Wood: Fantasy-Concerto, Ireland: The Holy Boy, Vaughan Williams: Charterhouse Suite, Elgar: Sospiri, Warlock: Serenade, G.
    [Show full text]