Conjuring Spirits: a Manual of Goetic and Enochian Sorcery

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Conjuring Spirits: A Manual of Goetic and Enochian Sorcery. 2010. Michael Osiris Snuffin Mastering the Art of Ritual Magick. 2008. 200 pages. This edition is the first in a series of three volumes that present a complete technical manual for the mastery of ritual magick. Frater Barrabbas. ISBN:1905713207. Foundation. Incantations Vampyre Virtues; The Red Veils. Self-Help. 150 pages. ISBN:0615537774. Father Sebastiaan Van Houten, Father Sebastiaan. Sep 1, 2011. Vampyre Virtues "The Red Veils" is the first book in history dedicated to furthering and defining "Vampyre Culture," written to inspire and challenge the reader through a Goetic Evocation. Steve Savedow. The Magician's Workbook. 208 pages. ISBN:1573531111. Body, Mind & Spirit. Jan 1, 1996 The Plant Spirit Familiar. Christopher Penczak, author of the award- winning Temple of Witchcraft series and the Three Rays of Witchcraft, takes readers on a journey into the green world of plant spirits. Green Totems, Teachers and Healers on the Path of the Witch. Apr 1, 2011. ISBN:0982774311. Christopher Penczak. Body, Mind & Spirit. 308 pages The Writings of Austin Osman Spare: Anathema of Zos, the Book of Pleasure, and the Focus of Life. Religion. Austin Osman Spare. 78 pages. This edition collects three books written by the famous artist and occult author: " Anathema of Zos: The Sermon to the Hypocrites, The Book of Pleasure: The Psychology of. ISBN:1617430390. 2010 Meditation Kit. Body, Mind & Spirit. This kit offers easy-to-use daily tools to support personal spiritual practice. Ideal for both long-term personal use and gift-giving, Meditation Kit includes a brass bell, an. Traditional Tools to Awaken the Soul. Mandala Publishing. 2006. 28 pages. ISBN:1932771948 Curses, Hexes and Crossing. Renowned Daemonolatress S. Connolly explores the taboo topic of Execration Magick from a unique "darker path" perspective. This book covers cursing from Ancient Egypt to modern. Body, Mind & Spirit. A Magician's Guide to Execration Magick. Apr 14, 2011. S. Connolly. 162 pages. ISBN:1461074657 Sigillum Diaboli. Sigillum Diaboli is a complete guide to Daemonolatry-based sigil divination using both Dukant and Goetic sigil sets. The book includes information on how to make your sigil. Dec 1, 2012. Body, Mind & Spirit. 126 pages. S. Connolly. ISBN:1481196170.

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Practical Sigil Magic.Pdf
Other Books by the Author Kursus der praktischen Magie (A course of Practical magic) Secrets of Western Sex Magic: Magical Energy and Gnostic Trance High Magick: Theory and Practice Secrets of the German Sex Magicians: A Practical Handbook for Men and Women Contents Introduction..............................................ix Chapter 1: Austin Osman Spare and His Theory of Sigils.....1 Chapter 2: Fuller Exploration of the Word Method..........15 Chapter 3: The Magical Trance / Activating the Sigils.....29 Chapter 4: The Pictorial Method...........................43 Chapter 5: The Mantrical Spell Method.....................55 Activating/Internalization of Mantrical Sigils ● Words of Power ● Activating/Internalizing Words of Power Chapter 6: The Alphabet of Desire.........................63 The Alphabet of Desire as a Structuring Prin— ciple ● The Alphabet of Desire as a Mirror of the Psyche Chapter 7: Working with Atavistic Nostalgia...............85 Chapter 8: But How Does It Work?..........................95 Sherwin's Model ● Model A ● Model B Chapter 9: Constructing Sigils with Planetary Cameas.....105 The Magical Cameas of the Planets (“Tables”) and the Seals and Sigils of the Planetary Powers, Intelligences and Demons Conclusion...............................................123 Glossary.................................................125 Comments.................................................129 Bibliography.............................................133 INTRODUCTION Sigil Magic, Particularly the system developed by the English painter and sorcerer Austin Osman Spare, is one of the most efficient and economical disciplines of magic. For the most part, it can be performed without complicated rituals, needs hardly any paraphernalia, is independent of philosophical and dogmatic premises and, due to its simplicity, can be learned easily and quickly. Most important of all, none of the magical techniques we know of today is more efficient and will give even beginners the immediate chance to convince themselves of its power and their own abilities.
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The Zoëtic Grimoire of Zos
THE ZOËTIC GRIMOIRE OF ZOS The Formulae of Zos vel Thanatos By Austin Osman Spare First Formula: Of the White Sabbath—as first told me by a Witch ARGUMENT: Actually there is neither a Black nor a White Sabbath: the ethical criterion of all acts is whether they are anti-social or so motivated. Where two or more of a kind of equal maturity and inclination enact for consummation, then, if harm they do it is only to themselves—which I doubt—and far less harmful than the practices of those who mutilate or deny their bodies in the name of a culture or a religion. The latter are invariably prophets or propagators of sterility, whereas the one outward tenet of Witchcraft is silence to "unlike others". The Sabbath is an inverse-reversion for self-seduction, an undoing for a divertive conation. Sex is used as the technique and medium of a magical act. There is not only erotic satisfaction; the sensualist is made detached and controlled until final sublimation; his whole training is submissive and obedient until, by cold amoral passion, he can transmute control and divert him- or herself where desired. The Witch so engaged is old, grotesque, worldly and libidinously learned and is sexually attractive as a corpse; yet she becomes the entire vehicle of consummation. This is necessary to transmute the personal aesthetic culture. Perversion is used only to overcome moral prejudices or conformity; the mind and desire must become amoral, focused and made entirely acceptive so that the life-force is free of inhibitions prior to the control.
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Austin Osman Spare Y Los Comienzos Del Automatismo
Sans Soleil Especial Austin Osman Spare Sans Soleil Especial Austin Osman Spare AUSTIN OSMAN SPARE Y LOS COMIENZOS DEL AUTOMATISMO. Julián Moguillansky (este texto es una versión del publicado en “Nosotros los Brujos”, compilado por Juan Salzano, ed. Santiago Arcos Editor, Buenos Aires, 2008) La historia nos remite a 1924 como el año en que André Breton lanza su Primer Manifiesto del Surrealismo, creando así un movimiento que, por la vía del automatismo, buscaba eclipsar la censura de la conciencia para llegar a una verdad alojada en el inconsciente. Ya el propio manifiesto se encargaba de escribir una suerte de canon que desembocaba necesariamente en sí mismo: Swift, Baudelaire, Sade, Poe, Jarry, Lautréamont, Mallarmé, Nerval, Apollinaire… Sin embargo, también corría el año 1924 cuando en Londres se publica- ba un libro titulado “El anatema de Zos: un sermón a los hipócritas. Un escrito automático de Austin Osman Spare”; texto maldito e insultante que catapultaba a su entonces exitoso autor al absoluto olvido. Lejos de representar una tem- prana irrupción del Surrealismo en Inglaterra, este “Anatema” conformaba el portazo final que el primer surrealista daba al gran público. Es necesario retroceder hacia el año 1886, cuando un 30 de Diciembre en Londres nacía Spare dentro de una familia Metodista, hijo de un policía y un ama de casa. Siendo apenas un niño comienza a tomar clases de dibujo en el Lambeth Art School; luego es aceptado en el Royal College of Art en su adoles- cencia gracias a una beca. Uno de los principales eventos dentro de la temprana juventud de AOS será su encuentro con la enigmática Señora Paterson.
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A Catalog of Books from the Collection of Gerrit Lansing Division
The Swarming Possibilities (Some Occult, Unused) in American Life A Catalog of Books From the Collection of Gerrit Lansing Division Leap and Grey Matter Books Covers The Swarming Possibilities (Some Occult, Unused) in American Life Front / inside back: 1. A Catalog of Books From the Collection of Gerrit Lansing De occulta philosophia libri tres. Heinrich Cornelius Agrippa [1486-1535]. Inside front / back: 68. Causal Mythology. Charles Olson. 72. Projective Verse. Charles Olson. Division Leap and Grey Matter Books Foreword Adam Davis The Immanent Library Catalog Part I The Occult Part II Teddy Roosevelt Rides the Range Reciting Swinburne Part III Charles Olson and His Circle Part IV Poetry and Literature Bibliography Afterword Sam Burton Thanks Forward. The Immanent Library surprise then that a remarkable poet in the first paragraph - works number of poets on this list were on bibliomancy, stichomancy, gay or queer and began from rhapsodomancy, sortes, and many “All the power of magic is founded upon Eros. forbidden ground. A remarkable other subjects. Reading through The work of Magic works is to bring things number of them were connected Gerrit’s library could make one an together through their inherent similarity.” to the city of Boston, and an even exceedingly well-informed heretic, wider number had a relationship yet the power of it was something – Marsilio Ficino, De Amore. to Lansing and his library. greater. Libraries can have their own genius loci, as powerful a “Nunquam sine phantasmate intelligit anima.” Some of this influence is direct sense of place as New York or and visible. Charles Olson’s influ- Alexandria.
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\-WG.~\· B. Uru).Y Professor Philip Armstrong Adviser Comparative Studies Graduate,, Program ABSTRACT
THE WILL TO CHAOS AND A DANCING STAR: ALEISTER CROWLEY, NEO-P AGANISM AND THE TECHNOLOGIES OF THE SELVES THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Joseph A. Marino III * * * * * The Ohio State University 2007 Master's Thesis Committee: Approved by Professor Hugh Urban, Adviser Professor Michael Swartz \-WG.~\· b. Uru).y Professor Philip Armstrong Adviser Comparative Studies Graduate,, Program ABSTRACT Entrenched in Victorian England and raised in a puritanical Christian family, Aleister Crowley delved into Western Esotericism and the study of ritual magic as a means to subvert the stifling environment into which he was bom. Among his chief acts of subversion were his many displays of a very fluid and malleable identity. He played with “selves” like they were merely wardrobes for a day and found himself developing more fully for the breadth of experience that he achieved from such practices. In the wake of Friedrich Nietszche, Crowley looked to the strength of each individual will to deny being identified by traditional systems such as Christianity or “Modernity,” pushing instead for a chaotic presentation of the self that is both wholly opposed to external authority and wholly enthusiastic about play, contradiction and experimentation. Through the lens of Michel Foucault’s “Technologies of the Self' and Judith Butler’s notion of performativity, one can come to see Crowley’s performances (through dress, pseudonyms, literary license and more) as operations that he performs on himself to knowingly affect a change in his identity.
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Outer Gateways
1. Invocation by Hamsa OUTER GATEWAYS Kenneth Grant SCOOB BOOKS PUBLISHING LONDON Copyright © Kenneth Grant 1994 First Published in 1994 by SKOOB BOOKS PUBLISHING Skoob esoterica series lla-17 Sicilian Avenue Southampton Row London WC1A 2QH Series editor: Christopher Johnson All rights reserved ISBN 1 871438 12 8 Printed by Hillman Printers (Frome) Ltd Contents Introduction 1 The Primal Grimoire 2 Tutulu 3 The Unfamiliar Spirit 4 The Double Voice Behind Liber AL 5 The Madhyamaka & Crowley 6 The Fourth Power of the Sphinx 7 Magical Significance of Yezidic Symbolism 8 The Mirroracle 9 Ufologicks & the Rite of Mithra 10 Typhonian Implicits of Arunachala 11 Apects of Dream Control 12 Creative Gematria 13 Wisdom of S'lba 14 Mystical Gnosis of S'lba 15 Magical Formulae of S'lba 16 Qabalahs of S'lba - I 17 Qabalahs of S'lba - II Glossary Bibliography Index Illustrations Plate 1 Invocation by Hamsa frontispiece 2 Cthulhu by H.A.McNeill II 3 The Magician (Frieda Harris / Aleister Crowley) 4 The Chariot (Frieda Harris / Aleister Crowley) 5 The Sabbatic Candlesticks and Satyr 6 Black Eagle by Austin Osman Spare 7 Seal of Zos Kia Cultus by Steffi Grant 8 Desmodus by Kenneth Grant 9 “Thirst” (Steffi Grant / Aleister Crowley) 10 Horus byy H.A.McNeill II 11 Yantra of Kali 12 Formula of Arrivism by Austin Osman Spare 13 The Self’s Vision of Enlightenment by Austin Osman Spare 14 The Arms of Dunwich The Eye of Set The Seal of Aossic 15 Ilyarun by Steffi Grant 16 Evocation by Hamsa 17 Astral Marginalia (Shades of S’lba), by Kenneth Grant Line Illustrations 18 The Yantra of 31 note music (William Coates) 19 The Tree of Life To the memory of RUDOLF FRIEDMANN I can tell you how to find those who will show you the secret gateway that leads inward only, and closes fast behind the neophyte for evermore.
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Austin Osman Spare
AUSTIN OSMAN SPARE In The Viktor Wynd Museum of Curiosities, Fine Art & Natural History May 2017 – September 2017 pg 103 – Introduction by Viktor Wynd pg 105 – Austin Osman Spare by Phil Baker pg 121 – AOS & Eily by Dr.William Wallace pg 131 – Bette Davis Eyes by Stephen Pochin pg 141 – A Letter from Frank Letchford Self Portrait, 1936. 98 99 Self Portrait, c.1910 (Coloured Chalk on paper). Portrait of The Artist & His Wife, March 26th 1912 (coloured chalks & ink on paper). 100 101 INTRODUCTION “Everything said from the angle of a real collector is whimsical” – Walter Benjamin Few artists have captured my imagination so strongly or held it so long as Austin Osman Spare. I first saw his work in James Birch’s & Alastair Brotchie’s homes over a decade ago & owe them a huge debt of gratitude for the introduction. I started buying & selling them shortly afterwards, building up my own collection as I could. I share my life with his work & can not imagine a day without with out one – indeed it would be an unbearable penalty for me - as I sit at my desk & write this I look up & am entranced by The Flower Girl, then to W.B. Smith, then to a sublime Self-Portrait from 1923 & I have just got of the phone from unsuccessfully bidding on another – I am glad I didn’t buy it because I would have struggled to pay what I did bid, but there again I am feeling slightly nauseous with a sense of an unfulfilled longing & what is obtained without pain does not always bring great pleasure.
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Chapter Five ROSALEEN NORTON's MAGICAL PRACTICE
Chapter Five ROSALEEN NORTON’S MAGICAL PRACTICE Details of Norton’s approach to ritual magic can be gleaned from a range of magazine articles published, for the most part, during the 1950s and 1960s, several of them autobiographical, others written by journalists fascinated by Norton’s persona as ‘the Witch of Kings Cross’.1 There is also data from court hearings and police interviews associated with controversial photographs seized by NSW Vice Squad police in 1955 which showed Norton and Greenlees engaged in what were claimed to be ceremonial rites dedicated to Pan. In addition, there is a small amount of television documentary material2 and photographic documentation (both published and unpublished) to supplement the data provided by Norton herself, both in interviews and autobiographical articles.3 Finally, and not insignificantly, copies of extant unpublished letters written by the distinguished musician Eugene Goossens to Rosaleen Norton describe their shared interest in sex magic and paganism and provide important insights into the activities of Norton’s inner magical circle. The various aspects of Norton’s magical practice can be summarised as follows: a) Individual trance-magic episodes during which Norton sought to venture forth on the ‘astral planes’ in a state of mental dissociation induced by self- hypnosis. It was while on these trance journeys that Norton claimed to encounter the ‘god-forms’ of the principal deities in her magical pantheon. b) Sex magic activities with members of her magical coven, based substantially on practices derived from the magical writings of Aleister Crowley. c) Ritual magic invocations and other ceremonial activities which included improvised elements from Kundalini Yoga, Left-Hand Path Tantra and voodoo.
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The Sorceries of Zos 1
THE SORCERIES OF ZOS 1 The Sorceries of Zos By Austin O. Spare Get any book for free on: www.Abika.com Get any book for free on: www.Abika.com THE SORCERIES OF ZOS 2 The Sorceries of Zos Austin O. Spare taken from Cults of the Shadow by Kenneth Grant Sorcery and witchcraft are the degenerate offspring of occult traditions coeval with those described in the second chapter. The popular conception of witchcraft, shaped by the anti-Christian manifestations that occurred in the Middle Ages is so distorted and so inadequate that to try and interpret the symbols of its mysteries, perverted and debased as they are, without reference to the vastly ancient systems from which they derive is like mistaking the tip of an iceberg for its total mass. It has been suggested by some authorities that the original witches sprang from a race of Mongol origin of which the Lapps are the sole surviving remnants. This may or may not be so, but these 'mongols' were not human. They were degenerate survivals of a pre-human phase of our planet's history generally- though mistakenly- classified as Atlantean. The characteristic that distinguished them from the others of their kind was the ability to project consciousness into animal forms, and the power they possessed of reifying thought-forms. The bestiaries of all the races of the earth are littered with the results of their sorceries. They were non-human entities; that is to say they pre-dated the human life- wave on this planet, and their powers- which would today appear unearthly- derived from extra-spatial dimensions.
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Michael Zos Dewitt KIA and CTHULHU Sketches for a Non-Dualistic Model of the Universe
Michael Zos DeWitt KIA AND CTHULHU Sketches for a non-dualistic model of the universe At first I would like to thank my friend Andrea Fogli for his invitation to take part in this symposium and to speak to you on this occasion. I also would like to thank Valentina Mushy from Rome who will support my speech with some music. We both are connected in our hearts by our musical projects, so I’m very happy and proud of this collaboration. Secondly I would like to bring forward an excuse: Being an Austrian my first language is German. In order to be understood I wrote this lecture in English. Then Andrea told me that it would be better if the lecture was held in Italian, so it was translated. Although I am not proficient in Italian I decided to read it by myself, so please regard any bad pronunciation as an integral part of the performance. My idea for this lecture is to give a short summary of my own philosophy and to present two models, or better two stages in the development of one model, describing our experience of reality, or in other words the relation between our individual mind (the ego) and the outer reality (the world). My own step into philosophy was a consequence that came from the practice of magic. When I was a young man, I experimented with the techniques of Austin Osman Spare, a British occult artist, who had developed simple techniques for wish fulfilment by symbolizing subconscious desires1. As these techniques obviously worked, at least in many cases, I asked myself: what is the mechanism that enables such an impact of the individual mind on the events of outer reality? This was my own step into philosophy, yet it is not necessary to connect that question with such obscure practices as magic.
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The Order of Phosphorus
1 The Order of Phosphorus Workbook Grade 0) Void and the Abyss Edited by Frater Akhtya Seker Arimanius – Vox Barathrum Cover Image by Fidus, Luzifer Morgenstern Introduction by Scorpius Nokmet 2 This workbook is meant not to replace any of the fine works of Frater Akhtya Seker Arimanius (Michael Ford), but hopefully enhance those writings, and hopefully make the grade workings a little easier to follow, some will find all the material overwhelming, so this work is meant to be a guide line and not something set in stone. The purpose of the workbook is as follows to be able to have rituals and a check list of suggested items to use during the ritual. So that the initiate does not have to search through all the books when ritual time approaches. For example say you are to do need a ritual from the booklet Sabbatic Sorcery but some of the items for the ritual might be in one of the other books or some other reference material. This workbook will not only give you the ritual and items needed (Checklist), but will also give you page numbers of the booklets that go along with the specific task that you shall perform. That is the main theme of this workbook. This does not mean skipping booklets or any other printed material and is not to be used as a short cut, but to be used as a tool so that you may have a more enjoyable time working with the Void and the Abyss. There will be some who have years of experience that will not even need this workbook or they might enjoy using it as well.
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Austin Osman Spare
RICHARD BISHOP BOOKSELLER fine, rare, and unusual books AUSTIN OSMAN SPARE from AOS to ZOS Catalogue ONE RICHARD BISHOP BOOKSELLER 1235 SE 26th Avenue, #7 Portland, OR 97214 USA 503.704.2376 [email protected] richardbishopbookseller.com Books may be reserved by e-mail or text, or click on ‘link to buy’ or images to purchase direct. TERMS OF SALE: All items subject to prior sale and are guaranteed as described. Any item may be returned for a full refund within 10 days of receipt. Payment can be made by check, money order, credit cards, or paypal. Shipping costs are extra. Institutions may be billed according to their requirements. Catalogue design by Kate Widdows Cover image from item no. 19 Back cover image from item no. 48 AUSTIN OSMAN SPARE: A Brief Sketch “There must be few people in London interested in art who do not know the name of Austin Osman Spare.” — The Art Forum, February, 1908 ustin Osman Spare (1886-1956) was an accomplished English artist and one of the key figures of 20th century occultism. Spare became the golden boy of London’s art scene after one of his works — a bookplate he designed when he was fourteen — was shown at the Royal Academy in 1904. Spare had his first West End exhibition at the Bruton Gallery in 1907. A newspaper article announcing the Aexhibition stated, “The name of Mr. Austin O. Spare will be remembered as that of a youth, who, two years ago, when he had barely reached the age of seventeen, caused a passing sensation by the extraordinary power of his genius for draughtsmanship, as well as by the weirdness and almost insane mysticism of his pictorial inventions.” Spare had already finished two books featuring his illustrations: Earth Inferno (1905), and A Book of Satyrs (1907).
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