Attacks on Statues Associated with Social Injustice and Militarism: New Zealand As a Case Study
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kate Sheppard House a Public Asset Explore Our Most Important Movement and Their Relevance Today
SUMMER 2019 CANTERBURY Kate Sheppard House in Christchurch. (CREDIT: FRANK VISSER/HERITAGE NEW ZEALAND POUHERE TAONGA) Heritage New Zealand Pouhere “To be given the responsibility to manage Kate Sheppard Taonga is delighted to be this nationally and internationally significant property is a great honour,” Heritage managing Kate Sheppard House New Zealand Pouhere Taonga Board Chair, House a public in Christchurch, as announced by Marian Hobbs, said at the event. Greater Christchurch Regeneration “Where we are today is a physical connection asset Minister, Megan Woods, at a to a person and movement that only a fabulous event on 19 September, heritage place can provide.” Suffrage Day. This Category 1-listed Christchurch home was where Kate Sheppard and suffragist CONTINUED OVER > heritage.org.nz 1 supporters spent much time working towards New Zealand becoming the first self-governing country in the world to grant women the vote. It was here that the Contents 270-metre petition was pasted together before being presented to Parliament. Together, Heritage New Zealand Pouhere Taonga and the University of Canterbury have an exciting opportunity to be able to open it 1 CANTERBURY 12 TOHU WHENUA for a range of future use options, particularly highlighting Kate Sheppard, the suffrage Kate Sheppard House a public asset Explore our most important movement and their relevance today. landmarks with Tohu Whenua 2 CONTENTS Kate Sheppard House joins 43 other 13 MID-CANTERBURY properties Heritage New Zealand Pouhere 3 EDITORIAL More than just an office Taonga cares for nationwide on behalf of Heritage New Zealand Chief the public. Other properties include Old Executive Andrew Coleman 14/15 WAIKATO Government Buildings in Wellington, the Kerikeri Mission Station complex in Northland Recognition for Kīngitanga and the birthplace of our frozen meat industry, 4/5 FEATURE INTERVIEW heartland Jess Armstrong: Heritage, history, Totara Estate near Ōamaru. -
Dougal Austin
Te Hei Tiki A Cultural Continuum DOUGAL AUSTIN TeHeiTiki_TXT_KB6.indd 2-3 29/04/19 8:20 PM He kupu whakataki Introduction 9 01/ Ngā whakamāramatanga Use and meaning 15 02/ Ngā momo me ngā āhua Types and shapes 27 03/ Te pūtakenga mai Physical origins 49 04/ Ngā kōrero kairangi Exalted histories 93 Contents 05/ Ngā tohu ā-iwi Tribal styles 117 06/ Ngā tai whakaawe External versus local influence 139 07/ Ka whiti ka pūmau, 1750–1900 Change and continuity, 1750–1900 153 08/ Te whānako toi taketake, ngā tau 1890–ināianei Cultural appropriation, 1890s–present 185 09/ Te hei tiki me te Māori, 1900–ināianei Māori and hei tiki, 1900–present 199 He kupu whakakapi Epilogue 258 Appendices, Notes, Glossary, Select bibliography, Image credits, Acknowledgements, Index 263 TeHeiTiki_TXT_KB6.indd 6-7 29/04/19 8:20 PM He kupu whakataki Introduction 9 TeHeiTiki_TXT_KB6.indd 8-9 29/04/19 8:20 PM āori personal adornments take a wide variety of forms, all treasured greatly, but without a doubt Mthe human-figure pendants called hei tiki are the most highly esteemed and culturally iconic. This book celebrates the long history of hei tiki and their enduring cultural potency for the Māori people of Aotearoa. Today, these prized pendants are enjoying a resurgence in popularity, part of the late twentieth- to early twenty-first- century revitalisation of Māori culture, which continues to progress from strength to strength. In many ways the story of hei tiki mirrors the changing fortunes of a people, throughout times of prosperity, struggle, adaptation and resilience. -
Brass Bands of the World a Historical Directory
Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................ -
THAT BLOODY WOMAN by Luke Di Somma and Gregory Cooper in Association with the Court Theatre Thanks to Our Supporters
Vol. 2 No. 6 June 2016 THAT BLOODY WOMAN by Luke Di Somma and Gregory Cooper In association with The Court Theatre thaNKS TO OUR SUppORTERS S IPAL NC I R FUNDER P NG ti NERS T EN R S CORE FUNDER PA RE P sity NER T R VER I FUNDER PA UN Artistic S R Director's Note tE J O R OR A M pp Artistic Director Colin McColl U S t's our great pleasure to present Many thanks to our colleagues the Auckland premiere of That at The Court Theatre Christchurch S Bloody Woman by Luke Di Somma for joining us as presenting partners IA NER T I and Gregory Cooper. of That Bloody Woman. The show will R MED PA When I saw That Bloody Woman in play an eagerly awaited return season its first showing at the Christchurch in Christchurch after this Auckland Arts Festival last year I knew season. Thanks, too, to our fabulous S NG immediately I had to find a way cast, band and creative team. Director ti NER T to bring the show to Auckland Kip Chapman, set designer Rachael R POR P audiences. It is such a good Walker, costume designer Lisa Holmes PA U S night at the theatre: great music, and lighting designer Brendan Albrey outrageously well sung, provocative have all relished the opportunity Q Theatre lyrics and feisty characters. The to upscale the production from its S SKYCITY Theatre inspired idea to present the story intimate Spiegeltent setting to the big NER T Herald Theatre of Kate Sheppard and her flock (in SKYCITY stage, as have our amazingly R PA Selwyn College Theatre, Kohimarama their struggles to secure the vote for talented cast and musicians, led by 2016 VENUE The Civic women in NZ) as a punk rock opera Esther Stephens as an inspired Kate projects the story out of its colonial Sheppard. -
Pastoralist and Maoris, Frederick Weld
Pastoralist and Maoris FREDERICK WELD AT WHAREKAKA TRAVELLERS motoring into present-day Martinborough and taking time to observe the countryside traversed by the main road may pause to read an Historic Places Trust sign some ten kilometres south of the township. The placard marks the site of Wharekaka, the first sheep station to be established in the Wairarapa valley and the first of three properties belong- ing to one of the most successful pastoral partnerships in early New Zealand history. This article seeks to examine one of the least well docu- mented aspects of early pastoralism in the Wairarapa, the nature of rela- tions between the squatters and the local Maori people, the Ngati Kahungungu. by focussing in some detail on Frederick Weld's experiences and reactions during his first year in the valley. The study is important, first, for the insight it gives into a relatively neglected area of cultural contact in early New Zealand history. Second, the experiences and atti- tudes formulated during the first year in the valley help to explain the native policy pursued by Weld when minister of native affairs and premier, and the origin of the 'self-reliant' defence policy which marked his premiership in 1864-65. Weld was a most unlikely pioneer. Born into a prominent West Country Catholic family, twenty-year-old Frederick had arrived in Port Nicholson on St George's Day 1844 with a modest sum of gold sovereigns, and New Zealand Company land orders for one town and one hundred country acres in the settlement. In outward appearance this genteel and devout 'handsome blue-eyed aristocrat',1 with his long brown curling hair, slim build and history of delicate health, seemed singularly ill-fitted for the rigours of any kind of rough pioneering life. -
Māori Land and Land Tenure in New Zealand: 150 Years of the Māori Land Court
77 MĀORI LAND AND LAND TENURE IN NEW ZEALAND: 150 YEARS OF THE MĀORI LAND COURT R P Boast* This is a general historical survey of New Zealand's Native/Māori Land Court written for those without a specialist background in Māori land law or New Zealand legal history. The Court was established in its present form in 1865, and is still in operation today as the Māori Land Court. This Court is one of the most important judicial institutions in New Zealand and is the subject of an extensive literature, nearly all of it very critical. There have been many changes to Māori land law in New Zealand since 1865, but the Māori Land Court, responsible for investigating titles, partitioning land blocks, and various other functions (some of which have later been transferred to other bodies) has always been a central part of the Māori land system. The article assesses the extent to which shifts in ideologies relating to land tenure, indigenous cultures, and customary law affected the development of the law in New Zealand. The article concludes with a brief discussion of the current Māori Land Bill, which had as one of its main goals a significant reduction of the powers of the Māori Land Court. Recent political developments in New Zealand, to some extent caused by the government's and the New Zealand Māori Party's support for the 2017 Bill, have meant that the Bill will not be enacted in its 2017 form. Current developments show once again the importance of Māori land issues in New Zealand political life. -
New Zealand Experience: the Twaty of Waitangi
New Zealand Experience: The Twaty Of Waitangi Alan Ward The main point The main point I wish to advance in this paper is that no matter how finely worded a treaty might be, it will not be effective unless there is a broad political consensus to make it effective. Professor Brij La1 has shown in his paper that despite the meticulous care and widespread consulta- tion that underlay the making of the 1997 Fijian constitution, it was abro- gated by force by sections of Fijian society who were not fundamentally in sympathy with it. Much the same can be argued in respect of the Treaty of Waitangi in New Zealand. When proposals for a treaty with the Aboriginal people began to be mooted in the 1970s it was commonly argued in Australia (as indeed it still is) that the situation of Maori in New Zealand was markedly better than that of Aborigines in Australia, because Maori had the benefit of a treaty their chiefs signed with the British in 1840, the Treaty of Waitangi. In contrast, many New Zealanders, including many Maori, were quite cynical, in the light of their experience, about what a treaty might achieve for Aborigines. As recently as 1983, the New Zealand Maori Council, the senior Maori representative body, established (like ATSIC) under an act of parliament, stated as follows: "In the treatment and handling of Maori claims the Treaty of Waitangi has been sadly denigrated. Unlike many other countries where treaties and the facts of prior occupation have been regarded by the Courts as proper sources of domestic law resulting in a body of court laws on treaty and indigenous rights, the New Zealand courts have consistently denied that the Treaty fo Waitangi forms part of our domestic law or that such sources of law could exist. -
KIWI BIBLE HEROES Te Pahi
KIWI BIBLE HEROES Te Pahi Te Pahi was one of the most powerful chiefs in the Bay of Islands at the turn of the 19th century. His principal pa was on Te Puna, an Island situated between Rangihoua and Moturoa. He had several wives, five sons and three daughters. Having heard great reports of Governor Phillip King on Norfolk Island, Te Pahi set sail in 1805 with his four sons to meet him. The ship’s master treated Te Pahi and his family poorly during the trip and on arrival decided to retain one of his sons as payments for the journey. To make matters worse, Te Pahi discovered that King had now become the Governor of New South Wales and was no longer on Norfolk Island. Captain Piper, who was now the authority on Norfolk Island, used his powers to rescue Te Pahi and his sons and treated them kindly until the arrival of the Buffalo. Te Pahi and his sons continued their journey to Sydney on the Buffalo in their quest to meet King. In Sydney they were taken to King’s residence where they presented him with gifts from New Zealand. During their stay in Sydney, Te Pahi attended the church at Parramatta conducted by Samuel Marsden. Te Pahi had long conversations with Marsden about spiritual Sources: matters and showed particular interest in the Christian http://www.teara.govt.nz/en/biographies/1t53/te-pahi accessed May 21, 2014 God. Marsden became impressed with the chief’s Keith Newman, Bible and Treaty, Penguin, 2010 Harris, George Prideaux Robert, 1775-1840 :Tippahee a New Zealand chief / strong, clear mind. -
“The Defection of Women”: the New Zealand Contagious Diseases Act Repeal Campaign and Transnational Feminist Dialogue in the Late Nineteenth Century
1 “The Defection of Women”: the New Zealand Contagious Diseases Act Repeal Campaign and Transnational Feminist Dialogue in the Late Nineteenth Century James Keating (UNSW) [email protected] Author accepted manuscript of ‘“The Defection of Women”: the New Zealand Contagious Diseases Act Repeal Campaign and Transnational Feminist Dialogue in the Late Nineteenth Century,’ Women’s History Review 25, no. 2 (2016): 187–206. 2 Abstract: Over the past decade, historians have situated feminist reformers’ efforts to dismantle the British imperial contagious diseases apparatus at the heart of the transnational turn in women’s history. New Zealand was an early emulator of British prostitution regulations, which provoked an organised repeal campaign in the 1880s, yet the colony is seldom considered in these debates. Tracing the dialogue concerning the repeal of contagious diseases legislation between British and New Zealand feminists in the 1890s, this article reaffirms the salience of political developments in the settler colonies for metropolitan reformers. A close reading of these interactions, catalysed by the Auckland Women’s Liberal League’s endorsement of the Act in 1895, reveals recently enfranchised New Zealand women’s desire to act as model citizens for the benefit of metropolitan suffragists. Furthermore, it highlights the asymmetries that remained characteristic of the relationship between British feminists and their enfranchised Antipodean counterparts. 3 ‘The Defection of Women’: the New Zealand Contagious Diseases Act repeal campaign and transnational feminist dialogue in the late nineteenth century Despairing of the faltering imperial campaign to abolish state-regulated prostitution, in 1895 the British social purity activist Josephine Butler decried the tendency for women’s organisations to advocate regulation. -
MUSC 2011.04.21 Cbandorchprog
Upcoming Events at the University Center for the Arts COLORADO STATE UNIVERSITY SCHOOL OF THE ARTS April 21—23—Theatre: Endgame by Samuel Beckett University Theatre—see website for exact dates and times. Meet Me at the UCA SPRING 2011 CONCERT SEASON April 22—23—Spring Dance Concert Friday at 8 p.m., Saturday at 2 p.m. and 8 p.m., University Dance Theatre Tuesday, April 26 and Wednesday, April 27—Music: University Symphony Orchestra Concert 7:30 p.m., Griffin Concert Hall Thursday, April 28—Creative Writing Reading Series 7:30 p.m., University Art Museum—FREE Friday, April 29—Choral Concert Part I— Special Guests the Brigham Young University Singers 7:30 p.m., Griffin Concert Hall Saturday, April 30—Music: Choral Concert Part II—CSU Choirs 7:30 p.m., Griffin Concert Hall Sunday, May 1—Music: Wind Ensemble and Symphonic Band Concert 2 p.m., Griffin Concert Hall Tuesday, May 3—Music: Voice Area Recital 7:30 p.m., Organ Recital Hall—FREE Thursday, May 6—Creative Writing Reading Series 7:30 p.m., University Art Museum—FREE May 6—7—Dance: Senior Dance Shocase 8 p.m., University Dance Theatre FREE Student Recitals See www.CSUSchooloftheArts.com for Student Recital Schedule Meet Me at the UCA Season “Green” Sponsor event calendar • e-newsletter registration www.CSUSchooloftheArts.com Tickets: (970) 491-ARTS (2787) www.CSUArtsTickets.com Information: (970) 491-5529 Thank you for your continued support CSU Concert Orchestra Steve McNeal, Conductor Friends of the UCA is an initiative launched by the Department of Music, Theatre and Dance to sustain and enhance the quality of education and the performing arts at Colorado State University. -
'New Zealand Wars' Or
The ‘New Zealand Wars’ or ‘Land Wars’?: The Case of the War in Taranaki 1860-61 DAnnY KeenAN Massey University When most New Zealanders reflect on the armed conflicts fought on New Zealand soil during the nineteenth century, the label ‘the New Zealand Wars’ generally springs to mind. Certainly, since the publication of James Belich’s important book, The New Zealand Wars and the Victorian Interpretation of Racial Conflict,1 the label has become securely embedded into the psyche of most New Zealanders, especially those with a more than passing interest in New Zealand’s nineteenth century history. Belich used the term throughout his book, as well as in his later popular television series of the same name. Running through the book, though less discernible in the television series, was the contention that these nineteenth century conflicts constituted a major war of sovereignty, one fought between defensive Maori tribes and an aggressive Crown. These wars were thus not mere storms in teacups; they were ‘bitter and bloody struggles’.2 In the second episode of the television series, Belich stood on the site of Te Kohia Pa, just south of Waitara, a pa shelled by the British Army in March 1860, proclaiming it to be the place where ‘the great civil wars of the 1860s’ began.3 These then were wars where a critical question was asked: who would rule New Zealand? The answer was the Crown, and the British Army ultimately prevailed over Maori and the King Movement in particular; and had done so by 1864. This was achieved despite (or so argues Belich) the skilful military innovations of Maori, especially the modern pa.4 New Zealand was therefore the reason for the war, and New Zealand was the prize. -
Te Ua Haumene Horpapera Tuwhakararo, Te Kooti and Others Who Saw Visions in the Maori Wars of the 1860S
chapter 14 Te Ua Haumene Horpapera Tuwhakararo, Te Kooti and Others who saw Visions in the Maori Wars of the 1860s What Governor Eyre had feared in Jamaica in the early 1860s actually came to pass in New Zealand. Large numbers of Maori evangelists, teachers and assis- tants chose to fight the British army rather than see more of their land seized by white settlers and the colonial government. Some of them claimed the authority of God and the Bible for their cause. Many held denominationally orthodox Sunday services throughout the conflict. Others claimed inspiration from heavenly messengers who commanded them to preach new versions of Christianity. Atrocities and murders carried out by prophets and their acolytes shocked white New Zealanders and called the whole missionary endeavour into question. However, because they were not perceived as an existential chal- lenge to colonial authority, they did not provoke anything like the extreme reactions against indigenous evangelism seen in Jamaica. Causes of the Wars and Maori Christian Involvement Christianity and Maori evangelists are everywhere to be seen during the New Zealand wars that dragged on without a decisive resolution right into the early 1870s. The conflict originated in 1860 over a land dispute in Taranaki on the North Island. Governor Gore Browne had become concerned that the Maori King movement launched in 1858, which aimed to stem the tide of Maori land alienation by establishing a single authority to deal with the British Queen, would become an insuperable obstacle to legitimate land transfers from will- ing Maori sellers to eager colonial buyers.