Fall 2020 Newsletter Volume XXIV • Number 1
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Religious Studies 181B Political Islam and the Response of Iranian
Religious Studies 181B Political Islam and the Response of Iranian Cinema Fall 2012 Wednesdays 5‐7:50 PM HSSB 3001E PROFESSOR JANET AFARY Office: HSSB 3047 Office Hours; Wednesday 2:00‐3:00 PM E‐Mail: [email protected] Assistant: Shayan Samsami E‐Mail: [email protected] Course Description Artistic Iranian Cinema has been influenced by the French New Wave and Italian neorealist styles but has its own distinctly Iranian style of visual poetry and symbolic lanGuaGe, brinGinG to mind the delicate patterns and intricacies of much older Iranian art forms, the Persian carpet and Sufi mystical poems. The many subtleties of Iranian Cinema has also stemmed from the filmmakers’ need to circumvent the harsh censorship rules of the state and the financial limitations imposed on independent filmmakers. Despite these limitations, post‐revolutionary Iranian Cinema has been a reGular feature at major film festivals around the Globe. The minimalist Art Cinema of Iran often blurs the borders between documentary and fiction films. Directors employ non‐professional actors. Male and female directors and actors darinGly explore the themes of Gender inequality and sexual exploitation of women in their work, even thouGh censorship laws forbid female and male actors from touchinG one another. In the process, filmmakers have created aesthetically sublime metaphors that bypass the censors and directly communicate with a universal audience. This course is an introduction to contemporary Iranian cinema and its interaction with Political Islam. Special attention will be paid to how Iranian Realism has 1 developed a more tolerant discourse on Islam, culture, Gender, and ethnicity for Iran and the Iranian plateau, with films about Iran, AfGhanistan, and Central Asia. -
Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Wallace Stegner Miscellaneous Papers
http://oac.cdlib.org/findaid/ark:/13030/c8zk5jjr No online items Guide to the Wallace Stegner miscellaneous papers Jenny Johnson Stanford University. Libraries.Department of Special Collections and University Archives Stanford, California February 2014 Copyright © 2015 The Board of Trustees of the Leland Stanford Junior University. All rights reserved. Guide to the Wallace Stegner SC1188 1 miscellaneous papers Overview Call Number: SC1188 Creator: Stegner, Wallace Earle, 1909-1993 Title: Wallace Stegner miscellaneous papers Dates: circa 1944-1992 Physical Description: 0.5 Linear feet (1 box) Summary: Papers include miscellaneous files about Stanford University, the Wallace Stegner Fellowship in the Stanford University Creative Writing Program, and research and writings about Bernard De Voto. Language(s): The materials are in English. Repository: Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, CA 94305-6064 Email: [email protected] Phone: (650) 725-1022 URL: http://library.stanford.edu/spc This collection was given by Mary Stegner to Stanford University, Special Collections in June, 1999. Information about Access The materials are open for research use. Audio-visual materials are not available in original format, and must be reformatted to a digital use copy. Ownership & Copyright All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94305-6064. Consent is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner, heir(s) or assigns. -
Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran
Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran by Golbarg Rekabtalaei A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Near and Middle Eastern Civilizations University of Toronto © Copyright by Golbarg Rekabtalaei 2015 Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran Golbarg Rekabtalaei Doctor of Philosophy Near and Middle Eastern Civilizations University of Toronto 2015 Abstract Cinematic Modernity explores the ―genesis amnesia‖ that informs the conventional scholarly accounts of Iranian cinema history. Critiquing a ―homogeneous historical time,‖ this dissertation investigates cinematic temporality autonomous from (and in relation to) political and social temporalities in modern Iran. Grounding the emergence of cinema in Iran within a previously neglected cosmopolitan urban social formation, it demonstrates how the intermingling of diverse Russian, Georgian, Armenian, Azerbaijani, French and British communities in interwar Tehran, facilitated the formation of a cosmopolitan cinematic culture in the early twentieth century. In the 1930s, such globally-informed and aspiring citizens took part in the making of a cinema that was simultaneously cosmopolitan and Persian-national, i.e. cosmo-national. This dissertation explains how in the late 1940s, after a decade long hiatus in Iranian feature-film productions—when cinemas were dominated by Russian, British, and German films—Iranian filmmakers and critics actualised their aspirations for a sovereign national cinema in the form a sustained commercial industry; this cinema staged the moral compromises of everyday life and negotiation of conflicting allegiances to families and social networks in a rapidly changing Iran—albeit in entertaining forms. While critiqued for ―imitating‖ European commercial films, this cinema—known as ―Film-Farsi‖ (Persian-Language)–was highly ii informed by lived experiences of Iranians and international commercial motion pictures. -
The Whitney and Betty Macmillan Center for Inter- National and Area Studies at Yale, Please Call 203.432.3410, Or Visit
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut The Whitney and Betty MacMillan Center for International and Area Studies at Yale 2017–2018 The MacMillan Center The MacMillan 2017–2018 BULLETIN OF YALE UNIVERSITY Series 113 Number 16 September 10, 2017 BULLETIN OF YALE UNIVERSITY Series 113 Number 16 September 10, 2017 (USPS 078- The University is committed to basing judgments concerning the admission, education, 500) is published seventeen times a year (one time in May and October; three times in and employment of individuals upon their qualifications and abilities and a∞rmatively June and September; four times in July; five times in August) by Yale University, 2 Whit- seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- ney Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. -
Quarterly News·Letter
the Quarterly news·letter volume lxxix · number 2 · spring 2014 A Brief Editorial Manifesto by Peter Rutledge Koch What is Fine Printing Anyway? by Peter Rutledge Koch Forthcoming from the Publications Committee by Jennifer Sime Report from the Toronto Book Fair by Bruce Whiteman Review by Crispin Elsted Like a Moth to a Flame by Bo Wreden Southern California Sightings by Carolee Campbell News from the Library by Henry Snyder News & Notes Letter to the Editor New Members published for its members by the book club of california the book club of california is a non-profit membership corporation founded in 1912. A Brief Editorial Manifesto Based on One It supports the art of fine printing related to the history and literature of California and the Hundred Years of Tradition With a Few Minor western states of America through research, publishing, public programs, and exhibitions. Suggestions To Account for Changes in Our The Club is limited to 1,250 members, and membership in the Club is open to all. Annual renewals are due by January 1 of every year. Memberships are: Regular, $95; Sustaining, $150; Patron, Perception of Fine Printing in the Real West $250; Sponsor, $500; Benefactor, $1,000; Apprentice, $35; and Student, $25. All members by Peter Rutledge Koch receive the Quarterly News-Letter and, except for Apprentice and Student members, the current keepsake. All members have the privilege—but not the obligation—of buying Club publications, which are limited, as a rule, to one copy per member. All members may purchase extra copies of keepsakes or QN-Ls, when available. -
University of Calicut Board of Studies (Ug) In
[Type text] UNIVERSITY OF CALICUT BOARD OF STUDIES (UG) IN JOURNALISM Restructured Curriculum and Syllabi as per CBCSSUG Regulations 2019 (2019 Admission Onwards) PART I B.A. Journalism and Mass Communication PART II Complementary Courses in 1. Journalism, 2. Electronic Media 3. Mass Communication (for BA West Asian Studies) 4. Complementary Courses in Media Practices for B.A LRP Programmes in Visual Communication, Multimedia, and Film and Television for Non-Journalism UG Programmes [Type text] GENERAL SCHEME OF THE PROGRAMME Sl No Course No of Courses Credits 1 Common Courses (English) 6 22 2 Common Courses (Additional Language) 4 16 3 Core Courses 15 61 4 Project (Linked to Core Courses) 1 2 5 Complementary Courses 2 16 6 Open Courses 1 3 Total 120 Audit course 4 16 Extra Credit Course 1 4 Total 140 [Type text] PART I B.A. JOURNALISM AND MASS COMMUNICATION Distribution of Courses A - Common Courses B - Core Courses C - Complementary Courses D - Open Courses Ability Enhancement Course/Audit Course Extra Credit Activities [Type text] A. Common Courses Sl. No. Code Title Semester 1 A01 Common English Course I I 2 A02 Common English Course II I 3 A03 Common English Course III II 4 A04 Common English Course IV II 5 A05 Common English Course V III 6 A06 Common English Course VI IV 7 A07 Additional language Course I I 8 A08 Additional language Course II II 9 A09 Additional language Course III III 10 A10 Additional language Course IV IV Total Credit 38 [Type text] B. Core Courses Sl. No. Code Title Contact hrs Credit Semester 11 JOU1B01 Fundamentals -
U.O.No. 8782/2019/Admn Dated, Calicut University.P.O, 04.07.2019 Biju George K Assistant Registrar Forwarded / by Order Section
File Ref.No.20980/GA - IV - B3/2015/Admn UNIVERSITY OF CALICUT Abstract General and Academic- Faculty of Journalism- Syllabus of BA Journalism and Mass Communication Programme under CBCSS UG Regulations 2019 with effect from 2019 Admission onwards - Implemented- Orders Issued. G & A - IV - B U.O.No. 8782/2019/Admn Dated, Calicut University.P.O, 04.07.2019 Read:-1. U.O.No. 4368/2019/Admn Dated 23.03.2019 2. Minutes of the meeting of the Board of Studies in Journalism UG held on 27.05.2019 3. Minutes of the meeting of the Faculty of Journalsim held on 18.06.2019 ( item no.8) ORDER The Regulations for Choice Based Credit and Semester System for Under Graduate (UG)Curriculum- 2019 (CBCSS UG Regulations 2019) for all UG Programmes under CBCSS-Regular and SDE/Private Registration with effect from 2019 Admission has been implemented vide paper read first above. The meeting of the Board of Studies in Journalism UG held on 27.05.2019 resolved to recommend to approve the syllabus of BA Journalism and Mass Communication in tune with CBCSS UG Regulation w.e.f 2019 Admission onwards, vide paper read second above. The meeting of the Faculty of Journalism held on 18.06.2019 approved the minutes of the meeting of the Board of Studies in Journalism UG held on 27.05.2019, vide paper read third above. Under these circumstances, considering the urgency, the Vice Chancellor has accorded sanction to implement the Scheme and Syllabus of BA Journalism and Mass Communication Programme in accordance with the new CBCSS UG Regulations 2019, in the University with effect from 2019 Admission onwards, subject to ratification by the Academic Council. -
Something Fishy in Los Trancos Creek? Page 3
Palo Vol. XXIX, Number 51 • Wednesday, April 2, 2008 ■ 50¢ Alto Something fishy in Los Trancos Creek? Page 3 www.PaloAltoOnline.comw w w. P a l o A l t o O n l i n e . c o m Questions arise *over program for lower-income residents Page 17 Photo illustration Photo Talk about the news at Town Square, www.PaloAltoOnline.com ■ Upfront Improvements coming for Oregon Expressway Page 3 ■ Title Pages Tobias Wolff offers realistic, strange new stories Page 15 ■ Sports Stanford women’s basketball advances to Final Four Page 20 apr.com It’s just one click to a complete list of virtually all homes for sale in the Bay Area. PALO ALTO $3,295,000 Best of California living. Four bedrooms, three bath home with formal entry, separate living and dining rooms. Expansive family rooms with access to patio, pool and separate cottage. We bet you’ve never seen this headline in any recent media coverage of the real estate market. Yet it is fact—92.7 percent of all mortgages in the United States are current. What’s more, the “sub-prime mortgage PALO ALTO $1,250,000 crisis” refers to a tiny portion of sub-prime mortgages. Sub-prime mortgages represent only a fraction of all mortgages—and the vast majority of these are current. 6 Percent of U.S. mortgages that are current 92.7% 6 Percent of U.S. mortgages that are sub-prime 13.2% 6 Percent of sub-prime mortgages that are current 76.8% Source: Mortgage Bankers Association, 3Q07 Report Crises may sell newspapers, but at Alain Pinel Realtors, we conduct business based on market realities. -
DOHERTY-DISSERTATION-2015.Pdf (733.0Kb)
State-Funded Fictions: The NEA and the Making of American Literature After 1965 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Doherty, Margaret. 2015. State-Funded Fictions: The NEA and the Making of American Literature After 1965. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467197 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA State-Funded Fictions: The NEA and the Making of American Literature After 1965 A dissertation presented by Margaret O’Connor Doherty to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of English Harvard University Cambridge, MA May 2015 © 2015 Margaret O’Connor Doherty All rights reserved Dissertation Advisor: Professor Louis Menand Margaret O’Connor Doherty State-Funded Fictions: The NEA and the Making of American Literature After 1965 Abstract This dissertation studies the effects of a patronage institution, the National Endowment for the Arts Literature Program, on American literary production in the postwar era. Though American writers had long cultivated informal relationships with government patrons, the National Endowment for the Arts (NEA) reflected a new investment in the aesthetic life of the nation. By awarding grants to citizens without independent resources for work yet to be produced, it changed both the demographics of authorship and the idea of the “professional” writer. -
To View Or Download the 2020 Commencement Program (PDF)
One Hundred and Sixty-Second Annual Commencement 11 A.M. CDT, FRIDAY, JUNE 19, 2020 2982_STUDAFF_CommencementProgram_2020_FRONT.indd 1 6/12/20 12:14 PM UNIVERSITY SEAL AND MOTTO Soon after Northwestern University was founded, its Board of Trustees adopted an official corporate seal. This seal, approved on June 26, 1856, consisted of an open book surrounded by rays of light and circled by the words North western University, Evanston, Illinois. Thirty years later Daniel Bonbright, professor of Latin and a member of Northwestern’s original faculty, redesigned the seal, Whatsoever things are true, retaining the book and light rays and adding two quotations. whatsoever things are honest, On the pages of the open book he placed a Greek quotation from the Gospel of John, chapter 1, verse 14, translating to The Word . whatsoever things are just, full of grace and truth. Circling the book are the first three whatsoever things are pure, words, in Latin, of the University motto: Quaecumque sunt vera whatsoever things are lovely, (What soever things are true). The outer border of the seal carries the name of the University and the date of its founding. This seal, whatsoever things are of good report; which remains Northwestern’s official signature, was approved by if there be any virtue, the Board of Trustees on December 5, 1890. and if there be any praise, The full text of the University motto, adopted on June 17, 1890, is think on these things. from the Epistle of Paul the Apostle to the Philippians, chapter 4, verse 8 (King James Version). 2 2982_STUDAFF_CommencementProgram_2020_FRONT.indd 2 6/12/20 12:14 PM COMMENCEMENT PROGRAM .