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MJC Media Guide
2021 MEDIA GUIDE 2021 PIMLICO/LAUREL MEDIA GUIDE Table of Contents Staff Directory & Bios . 2-4 Maryland Jockey Club History . 5-22 2020 In Review . 23-27 Trainers . 28-54 Jockeys . 55-74 Graded Stakes Races . 75-92 Maryland Million . 91-92 Credits Racing Dates Editor LAUREL PARK . January 1 - March 21 David Joseph LAUREL PARK . April 8 - May 2 Phil Janack PIMLICO . May 6 - May 31 LAUREL PARK . .. June 4 - August 22 Contributors Clayton Beck LAUREL PARK . .. September 10 - December 31 Photographs Jim McCue Special Events Jim Duley BLACK-EYED SUSAN DAY . Friday, May 14, 2021 Matt Ryb PREAKNESS DAY . Saturday, May 15, 2021 (Cover photo) MARYLAND MILLION DAY . Saturday, October 23, 2021 Racing dates are subject to change . Media Relations Contacts 301-725-0400 Statistics and charts provided by Equibase and The Daily David Joseph, x5461 Racing Form . Copyright © 2017 Vice President of Communications/Media reproduced with permission of copyright owners . Dave Rodman, Track Announcer x5530 Keith Feustle, Handicapper x5541 Jim McCue, Track Photographer x5529 Mission Statement The Maryland Jockey Club is dedicated to presenting the great sport of Thoroughbred racing as the centerpiece of a high-quality entertainment experience providing fun and excitement in an inviting and friendly atmosphere for people of all ages . 1 THE MARYLAND JOCKEY CLUB Laurel Racing Assoc. Inc. • P.O. Box 130 •Laurel, Maryland 20725 301-725-0400 • www.laurelpark.com EXECUTIVE OFFICIALS STATE OF MARYLAND Sal Sinatra President and General Manager Lawrence J. Hogan, Jr., Governor Douglas J. Illig Senior Vice President and Chief Financial Officer Tim Luzius Senior Vice President and Assistant General Manager Boyd K. -
A Film Analysis: Seabiscuit: an American Legend
Suzanne Gehring Film and Culture 1010 Marty Nabham November 24, 2008 A Film Analysis: Seabiscuit: An American Legend “If your dream was big enough and you had the guts to follow it, there was truly a fortune to be made.” - David McCullough Through literal and symbolic representation, the film Seabiscuit portrays an ongoing theme of hope in times of struggle. The movie is time-specific to the Great Depression and is a story of a few broken-down people and an equally broken-down horse who join forces in order to overcome the odds with hope. On a wider scope, such hope is symbolic of a hope that Americans searched for in order to survive during a pivotal time of devastation. The film uniquely represents the events of the era through a documentary style which consistently is in direct correlation with the main storyline throughout the movie. Specific examples of devastation on a smaller scope in the film include Charles Howard‟s (played by Jeff Bridges) loss of family through the death of his son; Red Pollard‟s (played by Tobey Maguire) suggested abandonment by his family and, later, his injury while riding; Seabiscuit‟s injury while racing, all of which are representations of overcoming the odds through hope as each of these situations are resolved. Throughout each situation, the existence of hope is suggested through the unlikely relationships between each of these characters. Specifically, the character of Tom Smith (played by Chris Cooper) is suggested to be the „glue‟ which holds each of these relationships together, as he is, in a way, the person to form each relationship. -
Seabiscuit Transcript
Seabiscuit Transcript Video transcript for SHARE. Seabiscuit This training is Identifying Symptoms: The Seabiscuit Case Study We’re about to watch a segment out of Seabiscuit and what we're going to do is we are going to treat this segment as a case study. So your job is to identify the person who has had a traumatic event and then also look at what symptoms they may have experienced and what were the reactions of the people around them. Seabiscuit dialog The first time he saw Seabiscuit, the colt was walking through the fog at five in the morning. Smith would say later that the horse looked right through him, as if to say “What the hell are you looking at? Who do you think you are?” He was a small horse, barely 15 hands. He was hurting too. There was a limp in his walk, a wheezing when he breathed. Smith didn’t pay attention to that. He was looking the horse in the eye. He was the son of Hardtack sired by the mighty Man-of-War, but the breeding did little to impress anyone at Claiborne Farm. “Get rid of him.” At six months he was shipped off the same as the legendary trainer of Sonny Fitzsimmons who, overtime, developed a similar opinion of him. “Is that a race horse or a lead pony?” The judgment wasn’t helped by his gentle nature. Where his sire had been a fierce almost violent competitor, Seabiscuit took to sleeping for huge chunks of the day, enjoyed lolling for hours under the bows of the Juniper trees. -
«Destry Rides Again»
«Destry Rides Again» In the film's pre-credits opening sequence, a sign reading "WELCOME TO BOTTLENECK" is shot up. Bullets smash a whiskey bottle next to the sign and another one that is tied and hanging from the sign. [A real bottleneck is left swaying.] The camera pans right across a 'Boot-Hill' cemetery and scenes of the brawling, wild frontier town of Bottleneck, characterized by fist fights and lawlessness. The credits play, accompanied by Frank Skinner's thrilling stagecoach music, ending with a view of the LAST CHANCE SALOON. There is complete mayhem in the wicked town - raucous riders shoot their guns into the sky and gallop on horseback into the gambling bar through swinging doors. In a series of economical shots in the film's first few minutes, most of the major characters in the cast are introduced or glimpsed. A crane takes the camera up above the front porch into a dissolve through the lighted windows on the second floor, where a crooked card game is in progress. The saloon's owner is gambler and slick rogue Kent (Brian Donlevy) - his face obscured by his tilted hat, setting up a rancher/farmer named Lem Claggett (Tom Fadden) in a poker game. Kent deals himself out of the next hand after losing - a calculated move, and wanders around on the upper interior hallway of the saloon - his steely-eyed dominance and control of the saloon are evident. He hits the agitated bartender Loupgerou (Billy Gilbert) on the back of the head with a half-eaten apple, signaling him to notify his star attraction to join him upstairs. -
Unlikely Transfusions: Wise Blood and the Grapes of Wrath John D
Unlikely Transfusions: Wise Blood and The Grapes of Wrath John D. Seelye Steinbeck Studies, Volume 15, Number 1, Spring 2004, pp. 41-45 (Article) Published by The Martha Heasley Cox Center for Steinbeck Studies DOI: https://doi.org/10.1353/stn.2004.0022 For additional information about this article https://muse.jhu.edu/article/172420 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] UNLIKELY TRANSFUSIONS: WISE BLOOD AND THE GRAPES OF WRATH JOHN SEELYE THE LIST OF AMERICAN AUTHORS whose novels are in- debted for situations and materials (and popularity) to the novels and stories of John Steinbeck is impressive, from Ernest Hemingway’s The Old Man and the Sea to Marjorie Kinnan Rawlings’s The Yearling and Mary O’Hara’s My Friend Flicka. I would like to add Flannery O’Connor’s Wise Blood, a text clearly inspired by the surreal ironies of Nathaniel West and one that would seem to be whole worlds apart from the re- alistic, empathetic zone created by Steinbeck. Indeed, I had been teaching both Wise Blood and Of Mice and Men in an un- dergraduate course on the novella for a year or two before the possibility of a connection became clear, not with the story of Lennie and George but with the much more ambitious epic of the Joad family. Tom Joad’s return home from a stretch in prison for manslaughter is a memorable beginning for Steinbeck’s novel, starting with his angry response to a truck driver’s curiosity and ending as he stands in front of the Joad house, abandoned in the wake of the great dust storms of the Depression years in Okla- homa. -
1930 Congress! on Al Record-House 8683
1930 CONGRESS! ON AL RECORD-HOUSE 8683 CLASS 6 NEBRASKA Donald F. Bigelow. William J. Grace. Herbert M. Hanson, Clay Center. Thomas D. Davis. Stanley Hawks. Andrew E. Stanley, Loomis. Samuel S. Dickson. Stewart E. McMillin. NEW HAMPSHIRE Harold D. Finley. Walter T. Prendergast. Walter A. Foote. Gaston Smith. Harriet A. Reynolds, Kingston. Bernard Gotlieb. Gilbert R. Wilson. NEW YORK CLASS 7 Albert C. Stanton, Atlanta. Maurice W. Altaffer. Harvey Lee Milbourne. Harry L. Carhart, Coeymans. Paul Bowerman. Hugh S. Miller. DeWitt C. Talmage, East Hampton. Paul H. Foster. Julian L. Pinkerton. Clarence F. Dilcher, Elba. Bernard F. Hale. Leland L. Smith. John A. Rapelye, Flushing. John F. Huddleston. Edward B. Thomas. Clarence M. Herrington, Johnsonville. Car] D. Meinhardt. Emma P. Taylor, Mexico. Mason Turner. William V. Horne, Mohegan Lake. CLASS 8 LeRoy Powell, Mount Vernon. Knox Alexander. George F. Kennan. Dana J. Duggan, Niagara University. Vinton Chapin. Gordon P. Merriam. Henry C. Windeknecht, Rensselaer. Prescott Childs. Samuel Reber, jr. NORTH DAKOTA Lewis Clark. Joseph C. Satterthwaite. William M. Gwynn. S. Walter Washington. Ole T. Nelson, Stanley. OHIO PATENT 0:F.FICE Frank Petrus Edinburg to be examiner in chief. Bolivar C. Reber, Loveland. Fred Me'rriam Hopkins to be Assist!lnt Commissioner of Pat Solomon J. Goldsmith, Painesville. ents. OKLA.HOMA. Paul Preston Pierce to be examiner in chief. William C. Yates, Comanche. Elonzo Tell Morgan to be examiner in chief. "' Ben F. Ridge, Duncan. COLLECTORS OF CUSTOMS SOUTH OAROLINA Jeannette A. Hyde, district No. 32, Honolulu, Hawaii. Paul F. W. Waller, Myers. Robert B. Morris, distl'ict No. -
The 1927 Geneva Naval Disarmament Conference: a Study in Failure Edward Adolph Goedeken Iowa State University, [email protected]
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1978 The 1927 Geneva Naval Disarmament Conference: a study in failure Edward Adolph Goedeken Iowa State University, [email protected] Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Diplomatic History Commons, and the Military History Commons Recommended Citation Goedeken, Edward Adolph, "The 1927 Geneva Naval Disarmament Conference: a study in failure" (1978). Retrospective Theses and Dissertations. 16657. https://lib.dr.iastate.edu/rtd/16657 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. ISa /978 GS~I ~/O The 1927 Geneva Naval Disarmament Conference: A study' in failure by Edward Adolph Goedeken A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major: History Signatures have been redacted for privacy Iowa State University Ames, Iowa 1978 ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iii THE CONFERENCE PRELIMINARIES 1 THE CONFERENCE BEGINS 34 THE CRUISER CONTROVERSY 58 THE CONFERENCE COLLAPSES 78 THE REPERCUSSIONS OF THE FAILURE AT GENEVA 104 BIBLIOGRAPHICAL ESSAY 139 WORKS CITED 148 iii ACKNOWLEDGMENTS The writer thanks Professors Richard N. Kottman, John M. Dobson, and Donald F. Hadwiger for their patience and guidance during this project. The staffs of the Public Record Office, the British Library, and the Herbert Hoover Presidential Library provided valuable assistance. -
Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*. -
Table of Contents Meet-At-A-Glance
Santa Anita Park 2017 Spring Media Guide Table of Contents Meet-At-A-Glance . 2 The Gold Cup at Santa Anita . 28-29 Information Resources . 3 Honeymoon Stakes . 30-31 Santa Anita Spring Attendance and Handle . 4 Kona Gold Stakes . 31 Santa Anita Spring Opening Day Statistics . 4 Landaluce Stakes . 32-33 Michael Wrona Biography . 4 Lazaro Barrera Stakes . 33 Santa Anita Spring Meet Attendance . 5 Lennyfrommalibu Stakes . 33 Santa Anita Spring 2016 Meet Handle, Payoffs & Top Five Days . 5 Los Angeles Stakes . 34-35 Santa Anita Spring Meet Annual Media Poll . 6 Melair Stakes . 36 Santa Anita Track Records . 7 Monrovia Stakes . 36 Leaders at Previous Santa Anita Spring Meets . 8 Precisionist Stakes . 37-38 Santa Anita 2016 Spring Meet Standings . 9 San Carlos Stakes . 38-39 Roster of Santa Anita Jockeys . 10 San Juan Capistrano Stakes . 40-41 Roster of Santa Anita Trainers . 11 Santa Anita Juvenile . 42-43 2016 Santa Anita Spring Meet Stakes Winners . 12 Santa Barbara Stakes . 44-45 2016 Santa Anita Spring Meet Longest Priced Stakes Winners . 12 Senorita Stakes . 46 Stakes Histories . 13 Shoemaker Mile . 47-48 Adoration Stakes . 14-15 Snow Chief Stakes . 49 Affirmed Stakes . 15 Summertime Oaks . 50-51 American Stakes . 16-17 Thor's Echo Stakes . 51 Beholder Mile . 18-19 Thunder Road Stakes . 51 Californian Stakes . 20-21 Wilshire Stakes . 52 Charles Whittingham Stakes . 22 Satellite Wagering Directory . 53 Crystal Water Stakes . 23 Los Angeles Turf Inc . Club Officers/Administration . 54-55 Daytona Stakes . 23 Visitors Guide/Map of Los Angeles Freeways . 56 Desert Stormer Stakes . 24 Local Hotels and Restaurants . -
Timeline for World War II — Japan
Unit 5: Crisis and Change Lesson F: The Failure of Democracy and Return of War Student Resource: Timeline for World War II — Japan Timeline for World War II — Japan Pre-1920: • 1853: American Commodore Matthew Perry arrived in Tokyo harbor and forced the Japanese to allow trade with U.S. merchants with threat of military action. • 1858: Western nations forced Japan to sign the Unequal Treaties. These articles established export and import tariffs and the concept of "extraterritoriality" (i.e., Japan held no jurisdiction over foreign criminals in its land. Their trials were to be conducted by foreign judges under their own nation's laws). Japan had no power to change these terms. • 1868: Japan, in an effort to modernize and prevent future Western dominance, ousted the Tokugawa Shogunate and adopted a new Meiji Emperor. The next few decades saw rapid and successful industrialization during the Meiji Restoration. • 1899: With newly gained power from recent industrialization, Japan successfully renegotiated aspects of the Unequal Treaties. • 1899–1901: The Boxer Rebellion led China to a humiliating defeat by the Eight-Nation Alliance of Western powers including the United States and Japan, ceding more territory, and dealing one of the final blows to the struggling Qing Dynasty. • 1904–1905: The Russo-Japanese War began with a surprise attack and ended by an eventual Japanese victory over Imperial Russia. The Japanese took control of Korea. • 1914: During World War I, Japan and other Allies seized German colonial possessions. • 1919: Japan, as a member of the victorious Allies during World War I, gained a mandate over various Pacific islands previously part of the German colonial empire. -
Titanicclifton BARBARA at 2:15
The Passing THE EVENING STAR, Washington, D. C. A-7 Show Cupid Plays a Major Role SATt’RDAT, MAT 23. 1983 By tha AuocioUd Pratt Evelyn is the first of the HOLLYWOOD. movieland crowd to return with Dupont's Man on Tightrope Evelyn Keyes, movieland’s the 18-month tax-free sack glamorous vagabond, is back money. Wayne, after 22 months abroad, of of course, Drama of Human Courage and is the movies’ No. 1 box- finds herself having a gossip Films of More Than Routine Merit office star. Both are news- By Jay Carmody column romance with John “DESTRY RIDES AGAIN,”in the Old West with Marlene Dietrich. Wayne. worthy. So some enterprising When the Brumbach circus crashed through the Iron Curtain press agent for a night club “HANS CHRISTIAN ANDERSEN,” Danny Kaye as the famed into the freedom of West Berlin in 1950, it proved that reality In “It’s the most amazing linked the two in an apparent tale-teller. our time surely is stranger and more dramatic than fiction. thing.’’ says Evelyn, “because move to get publicity for his “HIGH NOON,” with Gary Cooper’s Academy award-winning It was an escape of precisely the right size and flavor to I have only seen John Wayne case. performance. dramatize perfectly man’s unquenchable thirst for liberty and the In person once and that was Evelyn got started on the “PETER PAN,” Disney, the master. In masterful form. guile and courage he will employ to earn it. Here was the case some years ago. If you ever tax-free hegira accidentally. -
The Good Movie Club List
THE GOOD MOVIE CLUB LIST - THE EARLIEST DAYS- (1902) Le Voyage dans la Lune (1903) The Great Train Robbery (1918) The Blue Bird (1919) Broken Blossoms - THE 1920'S- (1920) Das Cabinet des Dr. Caligari (1920) Nosferatu (1921) Orphans of the Storm (1923) Our Hospitality (1924) Sherlock Jr. (1924) The Thief of Bagdad (1925) Battleship Potemkin (1925) The Gold Rush (1926) Die Abenteuer des Prinzen Achmed (1927) The General (1927) Metropolis (1929) Pandora's Box - THE 1930'S- (1930) Morroco (1931) City Lights (1931) Tabu (1931) Dracula (1931) Frankenstein (1932) Love Me Tonight (1932) Shanghai Express (1932) Trouble in Paradise (1933) King Kong (1933) Footlight Parade (1933) She Done Him Wrong (1933) Duck Soup (1933) Queen Christina (1934) It Happened One Night (1934) The Thin Man (1935) Top Hat (1935) A Night at the Opera (1935) The Bride of Frankenstein (1936) Swing Time (1936) Modern Times (1936) Mr. Deeds Goes to Town (1937) Shall we Dance (1937) The Awful Truth (1938) Bringing Up Baby (1938) The Adventures of Robin Hood (1938) Holiday (1938) The Lady Vanishes (1939) Ninotchka (1939) Dorothy and the Wizard of Oz (1939) Gone with the Wind (1939) Stagecoach (1939) Wuthering Heights (1939) Only Angels have Wings (1939) Destry Rides Again - THE 1940'S- (1940) The Philadelphia Story (1940) The Shop Around the Corner (1940) The Grapes of Wrath (1940) His Girl Friday (1940) Rebecca (1940) The Mortal Storm (1941) The Maltese Falcon (1941) The Lady Eve (1941) Citizen Kane (1941) High Sierra (1941) Sullivan's Travels (1942) Casablanca (1942) Now,