Guide Indian Movie Songs
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KSEEB Class 8 English Textbook Third Language
Government of Karnataka ENGLISH THIRD LANGUAGE (REVISED) published ©KTBS8re EIGHTHbe STANDARD to NotKARNATAKA TEXTBOOK SOCIETY (R) 100 Feet Ring Road, Banashankari, 3rd stage Bengaluru-85 I Text Book Committee Chairperson Dr. S. Vijayalakshmi, Prinicipal, R.V. Teachers College, Jayanagar 2nd Block, Bengaluru. Text Book Committee Members 1. Smt. H. Sudhamani, Rtd. Principal, J.P. Nagar, Bengaluru 2. Smt. B.L. Meera, Rtd. Teacher, Vidyaranyapura, Bengaluru 3. Smt. K. Umadevi, Asst. Teacher, R.V. Girls High School, Jayanagar, 2nd Block,B’lore 4. Kumari Shayla, Asst. Teachers, G.H.S., Sarakki, Bengaluru 5. Sri Shyla Lali, Artist, Drawing Teacher, Government High School, Bajaguli, Udupi Scrutinizer Sri. G.M. Ramakrishna, Rtd. Professor, Surathkal, Mangaluru Editorial Board Members 1. Prof. G. Rajgopal, Department of ESL Studiespublished The English and Foreign Languages University, Hyderabad 2. Prof. Victor,©KTBS Principal Nitte First reGrade College, Yalahanka Chief Co-ordinator Sri G.S.Mudambadithaya, Curriculum Rivision and Text book be preparation, Text Book Society,Bengaluru Chief Advisorsto Sri Narasimhaiah, Managing DirectorKarnataka Text Book Society, Bengaluru Smt. C.Nagamani, Deputy Director , Karnataka Text Book Society, Not Bengaluru Programme Co- ordinator : Smt. Sowmya N. S, Asst. Director, Karnataka Text Book Society, Bengaluru II PREFACE The Textbook Society, Karnataka has been engaged in producing new textbooks according to the new syllabi prepared which in turn are designed based on NCF – 2005 since June 2010. Textbooks are prepared in 11 languages; seven of them serve as the media of instruction. From standard 1 to 4 there is the EVS and 5th to 10th there are three core subjects namely mathematics, science and social science. -
Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
Jodhaa Akbar
JODHAA AKBAR ein Film von Ashutosh Gowariker Indien 2008 ▪ 213 Min. ▪ 35mm ▪ Farbe ▪ OmU KINO START: 22. Mai 2008 www.jodhaaakbar.com polyfilm Verleih Margaretenstrasse 78 1050 Wien Tel.:+43-1-581 39 00-20 www:polyfilm.at [email protected] Pressebetreuung: Allesandra Thiele Tel.:+43-1-581 39 00-14 oder0676-3983813 Credits ...................................................2 Kurzinhalt...............................................3 Pressenotiz ............................................3 Historischer Hintergrund ........................3 Regisseur Ashutosh Gowariker..............4 Komponist A.R. Rahman .......................5 Darsteller ...............................................6 Pressestimmen ......................................9 .......................................................................................Credits JODHAA AKBAR Originaltitel: JODHAA AKBAR Indien 2008 · 213 Minuten · OmU · 35mm · FSK ab 12 beantragt Offizielle Homepage: www.jodhaaakbar.com Regie ................................................Ashutosh Gowariker Drehbuch..........................................Ashutosh Gowariker, Haidar Ali Produzenten .....................................Ronnie Screwvala and Ashutosh Gowariker Musik ................................................A. R. Rahman Lyrics ................................................Javed Akhtar Kamera.............................................Kiiran Deohans Ausführende Produzentin.................Sunita Gowariker Koproduzenten .................................Zarina Mehta, Deven Khote -
Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
Fusion Without Confusion Raga Basics Indian
Fusion Without Confusion Raga Basics Indian Rhythm Basics Solkattu, also known as konnakol is the art of performing percussion syllables vocally. It comes from the Carnatic music tradition of South India and is mostly used in conjunction with instrumental music and dance instruction, although it has been widely adopted throughout the world as a modern composition and performance tool. Similarly, the music of North India has its own system of rhythm vocalization that is based on Bols, which are the vocalization of specific sounds that correspond to specific sounds that are made on the drums of North India, most notably the Tabla drums. Like in the south, the bols are used in musical training, as well as composition and performance. In addition, solkattu sounds are often referred to as bols, and the practice of reciting bols in the north is sometimes referred to as solkattu, so the distinction between the two practices is blurred a bit. The exercises and compositions we will discuss contain bols that are found in both North and South India, however they come from the tradition of the North Indian tabla drums. Furthermore, the theoretical aspect of the compositions is distinctly from the Hindustani, (north Indian) tradition. Hence, for the purpose of this presentation, the use of the term Solkattu refers to the broader, more general practice of Indian rhythmic language. South Indian Percussion Mridangam Dolak Kanjira Gattam North Indian Percussion Tabla Baya (a.k.a. Tabla) Pakhawaj Indian Rhythm Terms Tal (also tala, taal, or taala) – The Indian system of rhythm. Tal literally means "clap". -
Volume-13-Skipper-1568-Songs.Pdf
HINDI 1568 Song No. Song Name Singer Album Song In 14131 Aa Aa Bhi Ja Lata Mangeshkar Tesri Kasam Volume-6 14039 Aa Dance Karen Thora Romance AshaKare Bhonsle Mohammed Rafi Khandan Volume-5 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Volume-3 14040 Aa Hosh Mein Sun Suresh Wadkar Vidhaata Volume-9 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Volume-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Volume-3 13615 Aa Mere Humjoli Aa Lata Mangeshkar Mohammed RafJeene Ki Raah Volume-6 13616 Aa Meri Jaan Lata Mangeshkar Chandni Volume-6 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Volume-3 13617 Aadmi Zindagi Mohd Aziz Vishwatma Volume-9 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Volume-3 14344 Aah Ko Chahiye Ghulam Ali Rooh E Ghazal Ghulam AliVolume-12 14132 Aah Ko Chajiye Jagjit Singh Mirza Ghalib Volume-9 13618 Aai Baharon Ki Sham Mohammed Rafi Wapas Volume-4 14133 Aai Karke Singaar Lata Mangeshkar Do Anjaane Volume-6 13619 Aaina Hai Mera Chehra Lata Mangeshkar Asha Bhonsle SuAaina Volume-6 13620 Aaina Mujhse Meri Talat Aziz Suraj Sanim Daddy Volume-9 14506 Aaiye Barishon Ka Mausam Pankaj Udhas Chandi Jaisa Rang Hai TeraVolume-12 14043 Aaiye Huzoor Aaiye Na Asha Bhonsle Karmayogi Volume-5 14345 Aaj Ek Ajnabi Se Ashok Khosla Mulaqat Ashok Khosla Volume-12 14346 Aaj Hum Bichade Hai Jagjit Singh Love Is Blind Volume-12 12404 Aaj Is Darja Pila Do Ki Mohammed Rafi Vaasana Volume-4 14436 Aaj Kal Shauqe Deedar Hai Asha Bhosle Mohammed Rafi Leader Volume-5 14044 Aaj -
War on Terror Partnership and Growing/Mounting/Increasing
Journal of Indian Studies Vol. 5, No. 1, January – June, 2019, pp. 119 – 130 Pakistan in the Bollywood Movies: A Discourse Analysis Nauman Sial International Islamic University, Islamabad, Pakistan. Yasar Arafat International Islamic University, Islamabad, Pakistan. Abid Zafar International Islamic University, Islamabad, Pakistan. ABSTRACT Pakistan and India had been the rival nations after the partition of Sub-continent in 1947. Both countries have fought many wars against each other including the 1948 Kashmir war, 1965 war, 1971 war and the Kargil war in 1999. But yet the relations remain on the conflicting peak. Indian government has always used the Hindi language cinema i.e. Bollywood as their main weapon. This research is being carried out to analyze the image of Pakistan that is being presented in the Bollywood Movies after the attacks on the Indian city Mumbai on November 26, 2008. Also, how the image of Pakistanis, the military forces/intelligence agencies and the religious groups of Pakistan are being shown in the Bollywood movies. Three films have been selected in this research which portrayed the image of Pakistan. Discourse analysis has been used as a research design for this study. The dialogues of all the movies have been analysed and interpreted which show that movies have portrayed a negative image of Pakistan, its people and also its military/intelligence agencies and religious groups. The five filters of propaganda model by Herman and Chomsky have also been observed and proved in this research work. Key Words: Film, Propaganda, Bollywood, A Propaganda Model, Inter-Services Intelligence (ISI), Research and Analysis Wing (RAW) Introduction Film or movie is an art that has borrowed itself from the other arts i.e. -
Why Is Kodi So Popular?
Roberto Sanchez, MBA, CISSP Vice President of Intelligence CWAG Presidential Initiative May 2018 www.groupsense.io 1 Why is Kodi So Popular? • Open source, large community • Single interface, collaborative, ease‐of‐use • Illegal free content viewing (videos, music, podcasts, movies, tv shows, photos) • Netflix • Amazon Prime Video • Hulu • Sling TV • HBO Now • iTunes • Spotify Premium Source: Twitter, Sinister.ly Forum 2 Third-Party Add-ons PPV Movies TV Shows Music 3 Which Is The Legitimate Application? Source: Closed Sources 4 Third-Party Add-ons (Tor-enabled Marketplace) Source: Dream Market Forum 5 Exposed Kodi Devices in the U.S. (Current as of April 25, 2018) • 6% of North American households have devices with add‐ons giving access to unlicensed content • Default username: “Kodi” and default password: “blank” • Security Risks • Malicious add‐ons • Man‐in‐the‐Middle (MiTM) attacks • Lack of encryption • Lack of strong authentication methods • Exposure of IP address and habits to ISP/authorities • Unauthorized content viewing Source: Shodan 6 Example of Publicly Exposed Kodi Kodi Chorus 2 Web Interface Kodi Services Settings Kodi Library Source: Closed Sources 7 Infection Chain Infection Vectors Privacy & Security Risks Add‐ons Malware Privacy Concerns Consumer Kodi Device Man‐in‐the‐Middle (MiTM) Financial Losses Weak or Missing Configurations ISP & LE Monitoring This graphic depicts a typical chain of infection when individual consumers install the Kodi application onto their devices from smart tvs to laptops to smartphones. During the installation process, there are a number of default settings unless explicitly changed by the consumer, which most often does not happen, that exposes their systems to a multitude of privacy and security risks such as unauthorized content viewing and unencrypted communications. -
Yaari Dosti: Young Men Redefine Masculinity a Training Manual
A ‘real man’…….. l is not Gud (feminine; homosexual) l Y has sex only with women aari Dost l leads the physical fighting l always needs to prove that he is a real Young Men Redefine i man. — Y Masculinity oung Men Redefine Masculinity OR l establishes relationship based on equity, intimacy and respect rather than sexual conquest l takes responsibility towards partner and provides care to children l shares responsibility for sexual and reproductive health is- sues with partner l does not support or use violence against partners Adapted from Programme H—Working with Young Men Series Yaari-Dosti-English 1 8/28/06 3:06:27 PM Yaari Dosti: Young Men Redefine Masculinity A Training Manual Population Council, New Delhi CORO for Literacy, Mumbai MAMTA, New Delhi Instituto Promundo, Rio de Janerio Programme H Alliance Yaari Dosti is an adaptation of Program H: Working with Young Men Series, originally developed by Instituto Promundo, ECOS (Brazil), Instituto PAPAI (Brazil) and Salud y Genero (Mexico). In India the adaptation was compiled and produced by Population Council, CORO (Mumbai) and other collaborative partners. This training manual aims to promote gender equity and addresses masculinity as a strategy for the prevention of HIV infection. The Manual is based on operations research that was undertaken in Mumbai and Uttar Pradesh to develop educational activities targeted to young men. For additional copies of this manual, please contact: Population Council 142, Golf Links New Delhi 110003 Tel: +91 11 41743410-11 Fax: +91 11 41743412 Email : [email protected] Website: www.popcouncil.org/horizons South & East Asia Regional Office Zone 5A, India Habitat Centre Lodi Road New Delhi 110003 Tel: +91 11 24642901/02 Fax: +91 11 24642903 Email: [email protected] The Population Council, an international, nonprofit, nongovernmental organization, seeks to improve the well-being and reproductive health of current and future generations around the world and to help achieve a humane, equitable, and sustainable balance between people and resources. -
SR NO First Name Middle Name Last Name Address Pincode Folio
SR NO First Name Middle Name Last Name Address Pincode Folio Amount 1 A SPRAKASH REDDY 25 A D REGIMENT C/O 56 APO AMBALA CANTT 133001 0000IN30047642435822 22.50 2 A THYAGRAJ 19 JAYA CHEDANAGAR CHEMBUR MUMBAI 400089 0000000000VQA0017773 135.00 3 A SRINIVAS FLAT NO 305 BUILDING NO 30 VSNL STAFF QTRS OSHIWARA JOGESHWARI MUMBAI 400102 0000IN30047641828243 1,800.00 4 A PURUSHOTHAM C/O SREE KRISHNA MURTY & SON MEDICAL STORES 9 10 32 D S TEMPLE STREET WARANGAL AP 506002 0000IN30102220028476 90.00 5 A VASUNDHARA 29-19-70 II FLR DORNAKAL ROAD VIJAYAWADA 520002 0000000000VQA0034395 405.00 6 A H SRINIVAS H NO 2-220, NEAR S B H, MADHURANAGAR, KAKINADA, 533004 0000IN30226910944446 112.50 7 A R BASHEER D. NO. 10-24-1038 JUMMA MASJID ROAD, BUNDER MANGALORE 575001 0000000000VQA0032687 135.00 8 A NATARAJAN ANUGRAHA 9 SUBADRAL STREET TRIPLICANE CHENNAI 600005 0000000000VQA0042317 135.00 9 A GAYATHRI BHASKARAAN 48/B16 GIRIAPPA ROAD T NAGAR CHENNAI 600017 0000000000VQA0041978 135.00 10 A VATSALA BHASKARAN 48/B16 GIRIAPPA ROAD T NAGAR CHENNAI 600017 0000000000VQA0041977 135.00 11 A DHEENADAYALAN 14 AND 15 BALASUBRAMANI STREET GAJAVINAYAGA CITY, VENKATAPURAM CHENNAI, TAMILNADU 600053 0000IN30154914678295 1,350.00 12 A AYINAN NO 34 JEEVANANDAM STREET VINAYAKAPURAM AMBATTUR CHENNAI 600053 0000000000VQA0042517 135.00 13 A RAJASHANMUGA SUNDARAM NO 5 THELUNGU STREET ORATHANADU POST AND TK THANJAVUR 614625 0000IN30177414782892 180.00 14 A PALANICHAMY 1 / 28B ANNA COLONY KONAR CHATRAM MALLIYAMPATTU POST TRICHY 620102 0000IN30108022454737 112.50 15 A Vasanthi W/o G -
FY2018-19.Pdf
HEIDELBERGCEMENT INDIA LIMITED UNCLAIMED / UNPAID FINAL DIVIDEND FOR 2018-19 AS AT 31.03.2020 DIVIDEND PROPOSED DATE OF DIV_YEAR FOLIO / DPID_CLID NAME_1 ADDRESS SHARES WAR_NO MICR_NO DIVIDEND_DATE AMOUNT (RS) TRANSFER IEPF 2018-19 (FINAL) IN30096610090890 CAPITAL MERCHANTS PRIVATE LIMITED 2778/21 HAMILTON ROAD MORI GATE DELHI-110006 1000 3000.00 4 561 25-SEP-2019 24-OCT-2026 2018-19 (FINAL) D000052 SANYOKTA DEVI B/266-A GREATER KAILASHI NEW DELHI NEW DELHI-110014 540 1620.00 8 565 25-SEP-2019 24-OCT-2026 2018-19 (FINAL) A001878 ANIL KAPUR S-175 PANCHSHILA PARK NEW DELHI NEW DELHI-110017 700 2100.00 10 567 25-SEP-2019 24-OCT-2026 2018-19 (FINAL) S001064 SARLA GOYAL B 53 SOAMI NAGAR NEW DELHI NEW DELHI-110017 600 1800.00 12 569 25-SEP-2019 24-OCT-2026 2018-19 (FINAL) V001419 VIBHA KAPUR S-175 PANCHSHILA PARK NEW DELHI NEW DELHI-110017 700 2100.00 13 570 25-SEP-2019 24-OCT-2026 2018-19 (FINAL) C002513 S CHUGH 607 SHAKUNTALA APARTMENTS 59 NEHRU PLACE NEW DELHI NEW DELHI-110019 600 1800.00 16 573 25-SEP-2019 24-OCT-2026 2018-19 (FINAL) C001490 ARJUN CHOUDHRY (MINOR) B 73 LAJPAT NAGAR 2 NEW DELHI NEW DELHI-110024 550 1650.00 18 575 25-SEP-2019 24-OCT-2026 2018-19 (FINAL) S002835 SWARCH MAHAJAN 610-A POCKET A SARITA VIHAR NEW DELHI NEW DELHI-110044 757 2271.00 20 577 25-SEP-2019 24-OCT-2026 2018-19 (FINAL) IN30096610270678 VANITA JAIN B-227 (FIRST FLOOR) ASHOK VIHAR PHASE-I DELHI-110052 1000 3000.00 22 579 25-SEP-2019 24-OCT-2026 2018-19 (FINAL) B000030 DHARAM PAL BAJAJ C-582,NEW FRIENDS COLONY NEW DELHI NEW DELHI-110065 595 1785.00 26 583 25-SEP-2019 -
1 Fundamentals of Music 000001 4 3 0 2 CC
SEMESTER I Category Course Name Code Credit T H CC – 1 Fundamentals of Music 000001 4 3 0 2 CC – 2 History of Music 000002 4 3 0 2 CC – 3 Technicalities of Ragas & 000003 4 3 0 2 Tala in Indian Music DSE –1 Writing and Transcribe 000004 4 2 0 2 Music GE – 1 Generic Elective ** 4 3 1 0 AECC –1 Communicative English 000005 2 2 0 0 SEC –1 Mentored Seminar – I 000011 1 1 0 0 USC –1 Foreign Language – II 000011/000012/00001 2 2 0 0 (German/ Spanish/ 3 Japanese) Total Credit 25 SEMESTER II CC – 4 Study of Ragas & Tala in 000021 4 3 0 2 Indian Music (Step ii) CC – 5 Laws of Acoustics 000022 4 3 0 2 CC – 6 Rudiments of Western 000023 4 3 0 2 Music DSE – 2 Voice production/Handling 000024 4 2 0 2 of Music Software & Recording tools GE – 2 Generic Elective ** 4 3 1 0 AECC –2 Environmental Science 00000 2 2 0 0 SEC – 2 Mentored Seminar – II 00000 1 1 0 0 USC – 2 Foreign Language – II 000021/000022/00002 2 2 0 0 (German/ Spanish/ 3 Japanese) Total Credit 25 SEMESTER III CC – 7 Introduction to 000001 4 4 0 4 Contemporary Music CC – 8 Study of the Compositions 000002 5 3 0 2 of Tagore and other composers CC – 9 Audio and Sheet Music 000003 2 0 0 2 Discussion & Review CC – 10 Study on Theater Arts 000004 3 0 0 2 CC – 11 Study on Dance Arts 000005 3 4 0 4 DSE – 3 Film Music Appreciation & 000006 3 2 1 0 Review GE – 3 Generic Elective ** 4 3 1 0 SEC – 3 Mentored Seminar – III 000001 1 1 0 0 Total Credit 25 SEMESTER IV CC – 12 Demonstration of Ragas & 000011 4 3 1 0 Tala in Indian Music (Step iii) CC – 13 Mathematics of Music 000012 4 3 1 0 CC – 14 Overview