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1 the ERROL BUDDLE STORY (PART TWO) by Eric
THE ERROL BUDDLE STORY (PART TWO) by Eric Myers ______________________________________________________________ [The following appeared in two editions of Jazz Magazine, January/February, 1983 and May/June 1983.] At the conclusion of The Errol Buddle Story (Part One), Buddle was in the United States in 1954, leading his own quintet at Klein’s jazz club, Detroit. Other than Buddle the group included Barry Harris (piano), Pepper Adams (baritone sax), Major Holley (bass), and Elvin Jones (drums). On Saturday nights, Billy Mitchell (tenor sax) was booked for a three-way battle of the saxes. NOW READ ON… e used to get a lot of people sitting in at Klein’s,” Errol remembers , “Stan Getz used to come in some times. An unknown bass player, a young guy, used to “W come in and stand up in front of the bandstand, almost begging to sit in. His name was Paul Chambers [who later made historic recordings with Miles Davis.] I think he’d only been playing several months at that time.” Buddle remembers meeting Miles Davis himself when the trumpeter was at the Blue Bird Lounge, one of Detroit’s jazz clubs. Miles invited Errol and Don Varella up to his room, where the two Australians were fascinated to see about 40 paperbacks — all Westerns — lining the mantelpiece. They asked Miles why he liked cowboy stories. He replied: “Man, I love horses”, and explained that his father had bred horses on a ranch in the South. This was shortly before Miles Davis, in a supreme act of self-will, kicked the heroin habit. “Miles told us how he was really hooked on drugs”, says Errol, “that he didn’t dig heroin, and wanted to get off it.” One night Buddle had a choice between hearing the Stan Kenton band with Zoot Sims on tenor, or Charlie Parker, who was in Detroit for one night playing at a black dance. -
National Library of Australia Annual Report 2008-2009
ANNUAL REPORT 2008-2009 NATIONAL LIBRARY OF AUSTRALIA ANNUAL REPORT 2008–2009 NATIONAL LIBRARY OF AUSTRALIA Published by the National Library of Australia Parkes Place West Parkes Canberra ACT 2600 ABN: 28 346 858 075 Telephone: (02) 6262 1111 TTY: 1800 026 372 Facsimile: (02) 6257 1703 Website: www.nla.gov.au Annual report: www.nla.gov.au/policy/annual.html © National Library of Australia 2009 National Library of Australia Annual report / National Library of Australia. — 8th (1967/68) — Canberra: NLA, 1968– — v.; 25 cm. Annual. Continues: National Library of Australia. Council. Annual report of the Council = ISSN 0069-0082. Report year ends 30 June. ISSN 0313-1971 = Annual report — National Library of Australia. 1. National Library of Australia –– Periodicals. 027.594 Coordinated and produced by the Executive and Public Programs Division, National Library of Australia Printed by Paragon Printers Australasia, Canberra Cover image: Craig Mackenzie (b.1969) The podium of the National Library of Australia, 2009 The Library building was opened in August 1968 and this year celebrated its 40th anniversary. The Library now holds more than 10 million items in its collections and is visited annually by some 550 000 people. NATIONAL LIBRARY 01 AuSTRALIA CANBERRA ACT 2600 AUSTRALIA TEL +61 262621111 FAX +61 2 6257 1703 The Hon. Peter Garrett AM, MP TTY 1800 026 372 Minister for the Environment, Heritage and the Arts www.nla.gov.au ABN 28 346 858 075 Parliament House CANBERRA ACT 2600 Dear Minister The Council of the National Library of Australia has pleasure in submitting to you, for presentation to each House of Parliament, its forty-ninth annual report covering the period 1 July 2008 to 30 June 2009. -
Jcg Dec 2014
Jordan’s Crossing gazette edition 79 • december 2014 a magazine for Bundanoon and southern Villages Former lives Life journeys, twists and turns 16–17 22 34–35 37 45 In the History Summer Tick alert for 87th footsteps on our sport Bundanoon birthday of the Incas doorstep for CWA Bundanoon Pharmacy has recently joined PharmaSave Australia, a buying group with a membership of approximately 200 independently owned pharmacies. Our membership gives us the buying power to providep our customers with great value and a vast range of products. Look out for our next catalogue in your mailbox, in-store or online at www.pharmasave.com.au. �xpect to �nd great prices on genuine designer perfumes, vitamins and all of your everyday pharmacy needs. ThisT year is all about increasing value to our customers, the catalogue adds to our price match guarantee and we have more exciting news to be revealed soon. PharmaSave Bundanoon Pharmacy Trading Hours Mon-Fri: 9am - 5pm Sat: 9am - 12pm 9 Railway Avenue, Bundanoon NSW 2578 Telephone: 02 4883 6220 SOUTHERN HIGHLANDS MODELS,update HOBBIES & GAMES CENTRE “If we don’t have what you need we can get it.” • NSW Lotteries • Newspapers & magazines • Cards & Wrap • Second-hand books • Stationery • Confectionery • Drinks & Milk • Dry Cleaning Agent now for KITES RC MODELS JIGSAWS HORNBY & SCALEXTRIC WORKING STEAM ENGINES AIRFIX & REVELL & MODELS We would like to wish all our customers a Merry Christmas from all the staff here at your local Newsagency. 7 RAILWAY AVENUE, BUNDANOON NSW 2578 1491117 Just Catz Boarding Zenta Gabrielle Zebergs Just Catz is a small boutique boarding cattery situated on NOW our quiet rural property 10 mins off the Hume Highway at OPEN beautiful Badgerys Lookout. -
Australian & International Photography
Australian & International Photography Collectors’ List No. 178, 2015 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Email: [email protected] Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY 19th Century Photography Established 1977 1. Hill and Adamson Address: 103a Anzac Parade, Kensington (Sydney) NSW (Scot t ish, David 1802-1870; Robert 1821-1848). Pres by Postal: PO Box 93, Kensington NSW 2033, Australia tery Group 24, c1845. Salt Phone: +61 2 9663 4848 • Mobile: 0411 755 887 paper photo graph, 14.4 x 19.6cm. Old stain to upper Email: [email protected] • Website: joseflebovicgallery.com right corner. Open: Mon. to Sat. by appointment or by chance. ABN 15 800 737 094 $12,500 Illustrated in Stevenson, David Member: Aust. Art & Antique Dealers Assoc. • Aust. & New Zealand Assoc. of Octa vius Hill and Robert Adam son, Antiquarian Booksellers • International Vintage Poster Dealers Assoc. • Assoc. of 1981, p183, with the caption “The International Photography Art Dealers • International Fine Print Dealers Assoc. reporters’ table - Skene standing, W. Robertson, J.R. Fyfe, John Johnstone, John MacDonald and COLLECTORS’ LIST No. 178, 2015 Rev Andrew Cameron.” Australian & International 2. Hill and Adamson (Scottish, David 1802- Photography 1870; Robert 1821-1848). Unknown Man #31, c1845. Salt paper photograph, 19.6 x 14.4cm. On exhibition from Wed., 5 August to Sat., 26 September. $11,000 Illustrated in Stevenson, David Octavius Hill and Robert All items will be illustrated on our website from 15 August. Adamson, 1981, p119. Prices are in Australian dollars and include GST. Exchange rates as at time of printing: AUD $1.00 = USD $0.74¢; UK £0.47p © Licence by VISCOPY AUSTRALIA 2015 LRN 5523 Compiled by Josef & Jeanne Lebovic, Dimity Kasz, Takeaki Totsuka, Lenka Miklos Cover: Lining Up, c1936. -
Education Kit
Education Kit Contents About this resource .................................................................................................................................. 3 From the Curator ...................................................................................................................................... 4 Judges .......................................................................................................................................................... 5 Artist case studies ...................................................................................................................................... 6 Leon Lester ............................................................................................................................................. 7 Julia Flanagan ........................................................................................................................................ 15 Talitha Hanna ....................................................................................................................................... 25 Simon Collins........................................................................................................................................ 33 Sally West .............................................................................................................................................. 43 Merran Esson ....................................................................................................................................... -
Brian Dunlop Is One of Australia's Leading Figurative and Still-Life Painters
BRIAN DUNLOP Born 1938, Sydney, New South Wales, Australia 1954-59 Studied at the National Art School, Sydney 1962 Travelled mainly through southern Europe 1965-68 Painted in Rome, Skyros, Majorca, Morocco and London 1969-74 Part-time teaching at East Sydney Technical College 1970-73 Lived and painted in Ebenezer, New South Wales 1972-75 Part-time teaching at N.S.W. University, School of Architecture 1973-80 Painted in Sydney 1975-79 Part-time teaching at Alexander Mackie College, Sydney 1980-81 Artist-in Residence, University of Melbourne 1982-83 Lived and worked in Tuscany 1984 Lived and painted in Melbourne and Port Fairy, Victoria 1995 Travelled in Turkey 1997 Travelled in Turkey 1998 Travelled in New Zealand 1999-00 Lived and painted in Port Fairy, Victoria 2000 Travelled in Turkey and Europe 2001 Travelled in New Zealand 2002 Travelled in Turkey and Europe 2003 Travelled in the United States 2004 Travelled in New Zealand and Turkey 2005 Lived and painted near Port Fairy Victoria 2009 Died Melbourne, Australia SELECTED SOLO EXHIBITIONS 2010 ‘The Memorial Exhibition’, Eva Breuer Art Dealer, Sydney 2009 ‘Orphic paintings 2009’ Eva Breuer Art Dealer, Sydney 2005 Australian Galleries, Melbourne Wishart Gallery, Port Fairy 2004 Eva Breuer Art Dealer, Sydney Chapman Gallery, Canberra 2003 Eva Breuer Art Dealer, Sydney 2001 Eva Breuer Art Dealer, Sydney 1999 Eva Breuer Art Dealer, Sydney 1998 Eva Breuer Art Dealer, Sydney Axia Modern Art, Melbourne 1997 Survey portrait exhibition (Waverley, Warrnambool, Castlemaine & Hamilton Galleries) -
Human Kind Transforming Identity in British and Australian Portraits 1700-1914
HUMAN KIND TRANSFORMING IDENTITY IN BRITISH AND AUSTRALIAN PORTRAITS 1700-1914 International Conference on Portraiture University of Melbourne and National Gallery of Victoria Conference Programme Thursday 8 September – Sunday 11 September 2016 Biographies of Speakers and Abstracts of their Papers [In chronological order: Speaker, title of paper, organisation, bio, abstract of paper] Speakers: Leonard Bell, University of Auckland, Who was John Rutherford? John Dempsey’s Portrait of the ‘Tattooed Englishman’ c.1829 Bio: Dr Leonard (Len) Bell is an Associate Professor in Art History, School of Humanities, The University of Auckland. His writings on cross-cultural interactions and the visual arts in New Zealand, Australia and the Pacific have been published in books and periodicals in New Zealand, Australia, Britain, USA, Germany, the Czech Republic and Japan. His books include The Maori in European Art: A Survey of the Representation of the Maori from the Time of Captain Cook to the Present Day (1980), Colonial Constructs: European Images of Maori 1840–1914 (1992), In Transit: Questions of Home and Belonging in New Zealand Art (2007), Marti Friedlander (2009 & 2010), From Prague to Auckland: The Photographs of Frank Hofmann (1916-89), (2011), and Jewish Lives in New Zealand: A History (2012: co-editor & principal writer). His essays have appeared in Julie Codell & Dianne Sachko Macleod (eds), Orientalism Transformed: The Impact of the Colonies on British Art (1998), Alex Calder, Jonathan Lamb & Bridget Orr (eds), Voyages and Beaches: Pacific Encounters 1769-1840 (1999), Nicholas Thomas & Diane Losche (eds), Double Vision: Art Histories and Colonial Histories in the Pacific (1999), Felix Driver & Luciana Martins (eds), Tropical Visions in an Age of Empire (2005), Annie Coombes (ed), Rethinking Settler Colonialism: History and Memory in Australia, Canada, Aotearoa/New Zealand and South Africa (2006) and Tim Barringer, Geoff Quilley & Douglas Fordham (eds), Art and the British Empire (2007). -
Kickarts 2005 Annual Report & Acquittal
2005 Annual Report Creative participants to our 2005 program, thank you. Malachi Aird Davida Allen Gen Anderson Jim Anderson Sue Andrews Frank Antoni Suzanne Archer Art & Australia Aurukun Art Centre Australian Art Print Network Sal Badcock Robyn Baker Elizabeth Barden Lynda Barratt Jack Bell Pauline Benthin Lauren Black Charles Blackman Bonemap Mollie Bosworth G.W. Bot Arthur Boyd Vera Bradley Ken Brinsmead Issac Brown Nicola Bryars Sophie Cadman David Campbell Tom Carment Cobb Archive Artists Andres Caycedo Michael Cermak Deb Clarke Clocked Out Duo John Coburn Kevin Conner Gabrielle Cooney Victoria Copper Helen Couzner Wendy Cowan Ray Crooke Mary Cudmore- Williams Peter Cullin Elisabeth Cummings Anthony Cuthbertson Patricia Davies Lawrence Daws Edwin Deemera Daryl Dickson Geoff Dixon Susan Doherty Maiya Doolette Margot Douglas Barbara Dover Ann Doyle Dragomar Russell Drysdale Brian Dunlop Terry Eager Robert Eakin Anna Eglitis Mark Elliott Darryl Ely Christine Eyres David Fairbairn Danka Fischer Kylie Fisher George Finey Shane Fitzgerald Michael Fitzjames Donald Friend Marina Four Fox Galleries Liz Gallie Mark Gawne Margaret Genever Hayley Gillespie Girrungun Aboriginal Corporation Elaine Godden Julia Golzar Tina Gonsalves Jan Graham Tonia Grant Maree Grenfell Haasch Pty Ltd Jase Harper Geoff Harvey Sue Hayes Nadine Heine Silas Hobson Annie Hogan Anna Holan Colyn Huber Ross Hucks Nicole Hunter Helen Hume I & I Reggae Marianne Irvine Chris Jakku Al James Jumba-Jimba Dominic Johns Jessica Jones Fiona Joseph Michael Johnson Meryn Jones -
Art from Australia: Eight Contemporary Views, Is to Visit Bangkok, Jakarta, Manila, Kuala Lumpur and Singapore in 1990-91
Art from Austrqliq EIGHT CONTEMPORARY VIEWS MICKY ALLAN IOHN DAVIS i, RICHARD DUNN I ANNE FERRAN FIONA HALL IMANTS TILLERS CAROLINE WILLIAMS IOHN YOUNG Curator: Alison Carroll Exhibition touring to Bangkok, Jakarta, Manila, Kuala Lumpur and Singapore: 1990-1991 Australian Exhibitions Touring Agency, 1990 Messoge from the Prime Minister I am delighted that this exhibition, Art from Australia: Eight contemporary views, is to visit Bangkok, Jakarta, Manila, Kuala Lumpur and singapore in 1990-91. It will be the first major exhibition of Australian art to visit South East Asia for many years. I believe very strongly that Australia and our South East Asian neighbours have an enormous amount to share with each other. This exhibition will give a strong indication of contemporary Australian artistic currents and concerns. At the same time, it will demonstrate the depth of Australia's interest in developing contacts with and learning more about the rich and vivid contemporary cultures of our neighbours. I congratulate westpac Banking corporation on sponsoring the exhibition, and the Australia council and the Department of Foreign Affairs and Trade on supporting it. It is my strong hope that Art from Australia will prove to be the first of many new ventures exchanging art and artists between Australia and South East Asia. R J L Hawke 3 Art f rom Austrolio .' . : J economic rules of Adam Smith, and the artistic rules of ^ fi,:li"',1:;"T1,::T,Tffi*,"", Reynolds c A R R o L L loshua were a central and accepted part of the Dreamingoftensofthousandsof new Australian heritage. Unlike South East Asia they years; and the very short two didn't meet serious conflict from the other, different centuries, since 1788, of European settlement, a mere mode of the locally-born people. -
Australian Journal of Biography and History: No
Contents Preface iii Malcolm Allbrook ARTICLES Chinese women in colonial New South Wales: From absence to presence 3 Kate Bagnall Heroines and their ‘moments of folly’: Reflections on writing the biography of a woman composer 21 Suzanne Robinson Building, celebrating, participating: A Macdougall mini-dynasty in Australia, with some thoughts on multigenerational biography 39 Pat Buckridge ‘Splendid opportunities’: Women traders in postwar Hong Kong and Australia, 1946–1949 63 Jackie Dickenson John Augustus Hux (1826–1864): A colonial goldfields reporter 79 Peter Crabb ‘I am proud of them all & we all have suffered’: World War I, the Australian War Memorial and a family in war and peace 103 Alexandra McKinnon By their words and their deeds, you shall know them: Writing live biographical subjects—A memoir 117 Nichola Garvey REVIEW ARTICLES Margy Burn, ‘Overwhelmed by the archive? Considering the biographies of Germaine Greer’ 139 Josh Black, ‘(Re)making history: Kevin Rudd’s approach to political autobiography and memoir’ 149 BOOK REVIEWS Kim Sterelny review of Billy Griffiths, Deep Time Dreaming: Uncovering Ancient Australia 163 Anne Pender review of Paul Genoni and Tanya Dalziell, Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955–1964 167 Susan Priestley review of Eleanor Robin, Swanston: Merchant Statesman 173 Alexandra McKinnon review of Heather Sheard and Ruth Lee, Women to the Front: The Extraordinary Australian Women Doctors of the Great War 179 Christine Wallace review of Tom D. C. Roberts, Before Rupert: Keith Murdoch and the Birth of a Dynasty and Paul Strangio, Paul ‘t Hart and James Walter, The Pivot of Power: Australian Prime Ministers and Political Leadership, 1949–2016 185 Sophie Scott-Brown review of Georgina Arnott, The Unknown Judith Wright 191 Wilbert W. -
Federal Register/Vol. 64, No. 214/Friday, November 5, 1999
60466 Federal Register / Vol. 64, No. 214 / Friday, November 5, 1999 / Notices MBL Growth Fund, Inc. [File No. 811± applicant made a liquidating Institute, 1650 King Street Suite 600, 3593] distribution to its shareholders based on Alexandria, VA 22314, (703) 684±6100. Summary: Applicant seeks an order net asset value per share. No. expenses David I. Tevelin, declaring that it has ceased to be an were incurred in connection with the Executive Director. investment company. On June 22, 1999, liquidation. [FR Doc. 99±29163 Filed 11±3±99; 1:18 pm] Filing Date: The application was filed applicant made a liquidating BILLING CODE 6820±SC±M distribution to its shareholders based on on July 30, 1999. net asset value per share. Expenses of Applicant's Address: 520 Broad Street, Newark, New Jersey 07102±3111. $4,175 were incurred in connection DEPARTMENT OF TRANSPORTATION with the liquidation and were paid by MBL Variable Contract AccountÐ11 applicant. [File No. 811±5798] National Highway Traffic Safety Filing Dates: The application was Administration filed on July 22, 1999, and amended on Summary: Applicant seeks an order [Docket No. NHTSA±99±6433] September 29, 1999. declaring that it has ceased to be an investment company. On June 30, 1999, Applicant's Address: 520 Broad International Regulatory Street, Newark, New Jersey 07102±3111. applicant made a liquidating distribution to its shareholders based on Harmonization, Motor Vehicle Safety; MBL Variable Contract AccountÐ2 net asset value per share. No expenses Motor Vehicles and Motor Vehicle [File No. 811±2047] were incurred in connection with the Equipment Summary: Applicant seeks an order liquidation. -
An Economic Analysis of the Contemporary Visual Art Market in Australia, 1972-1989
An Economic Analysis of the Contemporary Visual Art Market in Australia, 1972-1989 J D Stanford, B. Econ., ASIA A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy, University of Leicester June, 1996 UMI Number: U086556 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. DiSËürtâtion Publishing UMI U086556 Published by ProQuest LLC 2015. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT: An Economic Analysis of the Contemporary Visual Art Market in Australia, 1972- 1989 J D Stanford The analysis of the market is undertaken in both theoretical and empirical terms. The theoretical analysis finds that the dynamics of the art market are important but are difficult to formalise; the primary market is one where prices are set administratively; the secondary market, auction market, is the one where market-clearing occurs; success in the art market will come only to those artists whose works can command the same price in the secondary market as is set in the primary market; the overall market operates with considerable lags so that it may talce many years before artists’ work appear in the secondary market; and the dealers in the primary market play an important role as intermediaries.