Five Times August Redefines Indie Label
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Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
KZSU Chart for the Week Ending 13 May 2007 MAIN
KZSU chart for the week ending 13 May 2007 MAIN # ARTIST ALBUM (LABEL) 1. THES ONE Lifestyle Marketing (Tres) 2. MODEST MOUSE We Were Dead Before The Ship Even Sank (Epic) 3. SISTER VANILLA Little Pop Rock (Chemikal Underground Ltd.) 4. MR GEOFFREY & JD FRANZKE Get A Room (Extreme) 5. MOCHIPET Girls Love Breakcore (Daly City) 6. GOLDFRAPP Ride A White Horse Ep (Mute) 7. COLL Eccentric Soul: Twinight's Lunar Rotation (Numero Group) 8. KK RAMPAGE A Toast In Angel's Blood (Rampage) 9. FUNKSTöRUNG Appendix (!K7) 10. BEATBEAT WHISPER Beatbeat Whisper (Self Release) 11. ALBUM LEAF, THE Into The Blue Again (Sub Pop) 12. GIRLS IN A COMA Girls In A Coma (Self Release) 13. CANSEI DE SER SEXY Css (Sub Pop) 14. COLL Public Safety (Maximum Rock-N-Roll) 15. COLL Messthetics #102: D.I.Y. 78-81 London Ii (Hyped 2 Death) 16. EL-P I'll Sleep When You're Dead (Def Jux) 17. LAAN, ANA Oregano (Random) 18. ZUKIE, TAPPA Escape From Hell (Trojan) 19. BROTHER ALI Undisputed Truth, The (Rhymesayers Ent) 20. WOGGLES, THE Rock And Roll Backlash (Wicked Cool) 21. MANDELL, ELENI Miracle Of Five (Zedtone) 22. ONE AM RADIO, THE This Too Will Pass (Dangerbird) 23. PERSEPHONE'S BEES Notes From The Underworld (Columbia) 24. LADY & BIRD Lady & Bird (Fanatic Promotions) 25. MENOMENA Friend And Foe (Barsuk) 26. VENETIAN SNARES Pink + Green (Sublight) 27. PARTYLINE Zombie Terrorist (Retard Disco) 28. VERT Some Beans & An Octopus (Sonig) 29. HEADS, THE Under The Stress Of A Headlong Dive (Alternative Tentacles) 30. MARLEY, STEPHEN Mind Control (Tuff Gong International) 31. -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse, -
A Full List of New Indie Albums 2019 Indie Is Not a Genre
indieisnotagenre.com A full list of new Indie Albums 2019 Indie is not a genre Date Artist Album Label 11 Jan Red Rum Club Matador Mom+Pop 11 Jan Friska Viljor Broken Crying Bob 11 Jan Minor Majority Napkin Poetry self-released 18 Jan De Staat Bubble Gum Caroline 18 Jan Steve Mason About The Light Domino 18 Jan Alice Merton Mint Modern Sky UK 18 Jan The Twilight Sad It Won't Be Like This All The Time Rock Action 18 Jan Sharon Van Etten Remind Me Tomorrow Jagjaguwar 25 Jan Balthazar Fever PIAS 25 Jan Blood Red Shoes Get Tragic Jazz Life 25 Jan Júníus Meyvant Across The Borders Record 25 Jan Keuning Prismism Pretty Faithful 25 Jan Mozes and the Firstborn Dadcore Burger 25 Jan Press Club Late Teens (UK Release) Hassle 25 Jan Sunflower Bean King of the Dudes Mom+Pop 1 indieisnotagenre.com 25 Jan The Yacht Club The Last Words That You Said To Me Beth Shalom Have Kept Me Here And Safe 25 Jan Toy Happy In The Hollow Tough Love 1 Feb Andy Burrows & Matt Reasons To Stay Alive Caroline Haig 1 Feb Calva Louise Rhinoceros Modern Sky UK 1 Feb Girlpool What Chaos Is Imaginary Anti- 1 Feb Highasakite Uranium Heart Propeller 1 Feb Joseph J. Jones Built On Broken Bones Vol. 2 Caroline 1 Feb Jungstötter Love Is PIAS 1 Feb Rustin Man Drift Code Domino 1 Feb Tiny Ruins Olympic Girls Marathon Artists / Milk 1 Feb White Lies Five PIAS 8 Feb Chain Wallet No Ritual Jansen 8 Feb Health Vol. -
Thom Monahan Selected Producer, Mixer, Engineer & Musician Credits
THOM MONAHAN SELECTED PRODUCER, MIXER, ENGINEER & MUSICIAN CREDITS: Bedouine Bedouine (Spacebomb) M Mary Epworth Elytral (Sunday Best) M Eyelids Or (O Genesis) M Omar Velasco "Va (Fuerza Natural)" M Dave Depper Emotional Freedom Technique (Tender Loving Empire) M LIV "Wings of Love" (Ingrid) E Astropol Life of Pause (Captured Tracks) Co-P E Donkeys Midnight Palms (Easy Sound) P E M Peter Bjorn and John Breakin' Point (Cobalt) P E Psychic Ills Forthcoming Album (Sacred Bones) M Buxton Half A Native (New West) P E M Mary Epworth Forthcoming Album (Hand of Glory) P E M Blake Hazard Forthcoming Album P E M Wild Nothing Life of Pause (Captured Tracks) P E Horse Thief Fear In Bliss (Bella Union) P E M Fruit Bats Forthcoming Album (Easy Sound) P E M Dylan Pratt Forthcoming Album (Razor & Tie) P E M Vetiver Complete Strangers (Easy Sound) Co-P E M Chris Robinson Brotherhood The Phosphorescent Harvest (Arrow/Megaforce) P E M Horse Thief Fear in Bliss (Bella Union) P E M EDJ EDJ (Easy Sound) P E M The Donkeys Ride the Black Wave (Easy Sound) M Nina Persson Animal Heart (The End) M Medicine Home Everywhere (Captured Tracks) M Vashti Bunyan Heartleap (DiChristina) E Night Moves Colored Emotions (Domino) P E M Geppetto and the Whales Heads of Woe (Parlophone) P E M He's My Brother, She's My Sister Nobody Dances in this Town (Park the Van) P E M Iggy Pop & Zig Zags If I'm in Luck I Might Get Picked Up (Light in the Attic) M Beachwood Sparks The Tarnished Gold (Sub Pop) P E M Chris Robinson Brotherhood Big Moon Ritual (Silver Arrow/Megaforce) P E M Chris -
Rock 'N' Roll Camp for Girls and Feminist Quests for Equity, Community, and Cultural Production
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 7-31-2006 I'm Not Loud Enough to be Heard: Rock 'n' Roll Camp for Girls and Feminist Quests for Equity, Community, and Cultural Production Stacey Lynn Singer Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Singer, Stacey Lynn, "I'm Not Loud Enough to be Heard: Rock 'n' Roll Camp for Girls and Feminist Quests for Equity, Community, and Cultural Production." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/wsi_theses/2 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. I’M NOT LOUD ENOUGH TO BE HEARD: ROCK ‘N’ ROLL CAMP FOR GIRLS AND FEMINIST QUESTS FOR EQUITY, COMMUNITY, AND CULTURAL PRODUCTION By STACEY LYNN SINGER Under the Direction of Susan Talburt ABSTRACT Because of what I perceive to be important contributions to female youth empowerment and the construction of culture and community, I chose to conduct a qualitative case study that explores the methods utilized in the performance of Rock ‘n’ Roll Camp for Girls, as well as the experiences of camp administrators, participants, and volunteers, in order to identify feminist constructs, aims, and outcomes of Rock ‘n’ Roll Camp for Girls. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992. -
Tokyo Joe Song List
Tokyo Joe Song List Lips of an Angel – Hinder Champagne Supernova – Oasis Wonderwall – Oasis Santeria – Sublime * F - F Far Away – Nickelback Little Red Corvette – Prince - starts on G Purple Rain – Prince - Bb Home Sweet Home - Motley Crue The Gambler – Kenny Rogers Two Princes – The Spin Doctors Shimmer – Fuel *Jessie’s Girl – Rick Springfield - D *Blister in the Sun – Violent Femmes - G Jenny Jenny – Tommy TuTone - F#m Sugar, We’re Going Down – Fall Out Boy She Hates Me – Puddle of Mudd Long Haired Country Boy – Charlie Daniels New Age Girl – Dead Eye Dick Crazy Bitch – Buck Cherry - B Country Boy Can Survive – Hank Jr. Inside Out – Eve 6 *My Own Worst Enemy – Lit - F Breakdown – Tom Petty *Mary Jane’s Last Dance – Tom Petty - Am *Kryptonite – 3 Doors Down Here Without You - 3 Doors Down *Play that Funky Music – Wild Cherry - E Should I Stay or Should I Go – The Clash - D Jumper – Third Eye Blind *Semi-Charmed Life – Third Eye Blind - G How’s it Gonna Be – Third Eye Blind Slide – Goo Goo Dolls If You Could Only See – Tonic *3AM - Matchbox 20 * A Drops of Jupiter – Train You May Be Right – Billy Joel Piano Man - Billy Joel Only the Good Die Young – Billy Joel Interstate Love Song – Stone Temple Pilots - E Big Empty – Stone Temple Pilots I Want You to Want Me – Cheap Trick - A *You Give Love a Bad Name - Bon Jovi * C Hurts so Good – John Cougar - A *Wanted Dead or Alive – Bon Jovi This Love – Maroon 5 Come Together – The Beatles I Alone – Live Lightning Crashes - Live Southern Cross – Crosby Stills and Nash Far Behind – Candlebox - G -
Catalogue a ‐ Z
Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.