Town of Cary Parks at a Glance

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Town of Cary Parks At a Glance BOND PARK Senior Center Community Cary Parkway Center M a High House Road u r y O ’ Field D e 7 l Ropes l P Me l Course tro r Pa r D rk D & Picnic k Field r DURHAM COUNTY a 6 P Shelter d WAKE COUNTY Sertoma n Field o 5 Amphitheatre B Field 1 OKelly Chapel Field Rd I-540 Boat 4 Field Bond Field 2 MORRISVILLE House 3 NC Hwy 55 Lake The Hive Lazy Daze Pkwy Playground Davis Dr C wy Mc rimm Pk I-40 on Aviation New Hope Church Road Trailhead Park North Cary Park M Rd y Carpenter Fire Station orris vill w e Ca k Veteran’s Freedom Park rpe P Mills Park nte n r Rd o t s Louis Stephens Dr Carpenter Park e NC-540 W R e Church Rd Yates e ris d Mor ville Pkwy NW Cary Pkwy y C Level Store Cary Tennis Park Chapel Hill Rd r e ek R Rd ope Sc Sk8-Cary d Green H h I-40 n o e o Green Hope Elementary Park Godbold Park l d re R G USA Baseball d. Herb Young Community Center R NTC rd na ay Page-Walker Arts & History Center Thomas Brooks Park M Sears Farm Road Park NW The Cary Theater CHATHAM COUNTY Fred G. Bond Metro Park Cary Dog Park WakeMed Soccer Park Urban Park High House Rd Lexie Lane Park Church Rd d t R N Harrison Ave Wes Downtown Park el Davis Dr Heater Park v NC Hwy 55 Green Le Kay Struffolino Park White Oak Park Cary Arts Center Green Level Green Dorothy Park Dunham Park Cary Towne Blvd RALEIGH Rose Street Park Walnut St Walnut Street Park Annie Jones Park Lions Park Davis Drive Park Old Apex Rd MacDonald Woods Park Dillard Dr SW Cary Pkwy Walnut St Kildaire Farm Rd Farm Kildaire Marla Dorrel Park Lake Pine Dr US Hwy 64 Tryon Rd US Hwy 1/64 Piney Plains Rd APEX Koka Booth Amphitheatre Ritter Park Holly Springs Rd Lochmere Dr US Hwy 1 Hemlock Bluffs Nature Preserve Stevens Nature Center MAYNARD ROAD LOOP Penny Rd Jack Smith Park Reedy Creek Rd Godbold Park Kildaire Farm Rd NW Cary Pkwy NE Maynard Rd Evans Rd Herb Young Community Center NW Maynard Rd Page-Walker Arts & History Center N Harrison Ave E Chatham St Town Hall Campus Chapel Hill Rd Lexie Lane Park Urban Park W Chatham St The Cary Theater WakeMed Soccer Park High House Rd Heater Park Downtown Park Middle Creek Park Cary Arts Center Kay Struffolino Park Dorothy Park Dunham Park Rose Street Park Cary Towne Blvd HOLLY SPRINGS W Chatham St Kildaire Rd Farm Walnut St SE MaynardLions Rd Park Old Apex Rd Walnut Street Park Annie Jones Park SE Cary Pkwy Lake Pine Dr NC Hwy 1/64 WS2020_Final.indb 166 11/5/19 10:53 AM.

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Bulletin of the American Canal Society
AmericanCanals Bulletin of the American Canal Society www.AmericanCanals.org Vol. XLII No. 4 Dedicated to Historic Canal Research, Preservation, and Parks Fall 2013 From the President By David G. Barber Elsewhere in this issue is an article about a threat to an existing, watered section of the James River and Kanawha Canal in Richmond, VA from a concert amphitheatre. This section of the canal has been watered since its navigational use. The article says that the watered canal and a section to the west have been proposed for restoration for twenty-five years. I think that this illustrates the problem of proposed restorations that don’t happen. Eventually, The Pride of Baltimore II is one of the vessels that will attend the Old City someone one will see the unused Seaport Festival in Philadelphia on October 11-13, 2013. Story on p. 3. space and come up with other ideas that aren’t as good. We all also thinking of two sections feel that watered canals are a good of the Blackstone Canal that thing. It’s a known fact that INSIDE I am involved with. So please people like to be near water and don’t feel that I’m picking on Old City Seaport Festival p. 3 relax near water. But, our efforts others. Folks elsewhere at to preserve and restore watered Controversy in Richmond, p. 4 Camillus, New York; Delphi, canals have to be seen as moving Indiana; Lebanon, Pennsyl- Whitewater Canal mural, p. 5 forward. When the proposals vania; Great Falls, Maryland; remain in perpetual idle, they will ACS Sales, p.
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Mccormac Amphitheater Feasibility Study MGT- 611 Fall 2014-Capstone Project
McCormac Amphitheater Feasibility Study MGT- 611 Fall 2014-Capstone Project Prepared by: Mean Alkhanaizan, Khaled Alomary, Rachel Breslin, Carol Goolsby, Tim Hatcher, Sherrie Humbertson, Juan Perez, & Abdulaziz Shalhoob McCormac Amphitheater – Feasibility Study Contents Executive Summary ....................................................................................................................................... 2 Market Analysis ............................................................................................................................................. 4 Physical Suitability....................................................................................................................................... 10 Financial Analysis ........................................................................................................................................ 14 Overall Summary ......................................................................................................................................... 15 Considerations and Recommendations ...................................................................................................... 16 Works Cited ................................................................................................................................................. 17 Appendix A – Needs Survey Data Summary ............................................................................................... 18 Appendix B – Industry Comparable and Local Competitors ......................................................................
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Red Rocks Bridge Replacement Plan Staff Report 2021.02.06
Community Planning and Development Denver Landmark Preservation 201 West Colfax, Dept. 205 Denver, CO 80202 p: 720.865.2709 f: 720.865.3050 www.denvergov.org/preservation STAFF BRIEF This document is the staff’s comparison of the Secretary of the Interiors Standards for Rehabilitation, Design Guidelines for Denver Landmark Structures and Districts, the Landmark Preservation Ordinance (Chapter 30, Revised Municipal Code) and other applicable adopted area guidelines as applied to the proposed application. It is intended to provide guidance during the commission’s deliberation of the proposed application. Guidelines are available at www.denvergov.org/preservation Project: #2021-COA-045 LPC Meeting: February 16, 2021 Address: 18300 West Alameda Parkway Staff: Brittany Bryant Historic Dist/DLM: Red Rocks Amphitheatre Year structure built: C. 1946-1954 Applicant: Jacobs Engineering Group, Inc. | Denver Arts & Venues Project Scope Under Review: Phase I: Mass, Form, & Context for the South Pedestrian Bridge Replacement Plan Staff Summary: The applicant, Jacobs Engineering Group, Inc., and property owner, the City & County of Denver – Denver Arts & Venues, is requesting to replace the South Pedestrian Bridge, a structural architectural feature of the Red Rocks Amphitheatre and Park. The existing bridge needs to be demolished due to its deteriorated state and concerns over life safety issues. The applicant is proposing to replace the existing structure with a new structure that respects the character defining features of the existing bridge structure and to provide maximum life safety. The new structure will consist of two bridge structures, a lower and upper section that extends around the eastern side of Ship Rock, cutting through Ship Rock to the southeast entrance of the Amphitheatre.
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HERODIAN ENTERTAINMENT STRUCTURES Joseph Patrich Josephus Concludes the Description of the Dedication Feast of Caesarea, Held In
HERODIAN ENTERTAINMENT STRUCTURES Joseph Patrich Abstract Entertainment structures constituted a signiﬁ cant part of the Herodian building projects in Herod’s kingdom and beyond, serving his internal and external political interests. They were an important means for disseminating Greco-Roman culture, and enhancing Herod’s reputation as patron of arts and agonistics. According to Josephus, theatres were built in Jerusalem, Jericho, Caesarea, Sidon and Damascus; amphithe- atres/hippodromes in Jerusalem, Jericho, and Caesarea. Gymnasia were constructed only outside his realm, in Tripolis, Damascus and Ptolemais, and in Cos he set a yearly endowment for the gymnasiarch. In year 12 BCE, as a reward for his muniﬁ cence in providing funds for the Olympic Games, Herod was awarded the title of perpetual president (agônothetês) of the games. In the private sphere his palaces were provided with swimming pools ( Jericho, Hyrcania, Masada), and sailing pools ( Jericho, Herodium). The remains of Herodian theatres and amphitheatres are examined here. Those at Caesarea (both inaugurated in year 10 BCE) still survive. Other extant structures, like the stadium at Samaria/Sebaste, or the Herodium course, not mentioned by Josephus, are attributed to him by archaeologists. The theatre of Caesarea, stone-built, was of the Roman type; that built earlier in Jerusalem (before 28 BCE), is believed to have been a wooden structure, following the practice prevalent at Rome at that time. Herod’s stone-built “amphitheatre” at Caesarea was a multi-purpose entertainment stadium. It was provided with starting-gates (carceres) to accommodate chariot races (hippika), in addition to the regular athletics ( gymnika). Hence the term hippo-stadium has been coined to designate this type of stadium.
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Quantifying the Popularity of Amphitheatre Spectacles In
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Fort Wayne Riverfront Phase 1 Park Foundation Pavilion
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Hastings Park - PNE Master Plan Program: Amphitheatre Renewal
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NIMES ARENA Nimes, Gard, France 1989
» LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » photographer»:G.Fessy » NAC-01-ESS-LIN-Internal»view»of»the»Nimes»arena © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » image:»LIN » NAC-02-ESS-LIN-UrbanStructure around»the» © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » image:»LIN » NAC-03-ESS-LIN-Cross»ection»of»the»Nimes»arena»and»Construction»of»the»lens»for»the»roof» © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » image:»LIN » NAC-04-ESS-LIN-Floor»plan»of»the»roof»structure © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » image:»LIN » NAC-05-ESS-LIN-Floor»plan»of»the»roof»structure » » » » © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » photographer»:G.Fessy » NAC-06-ESS-Transparency»through»the»structure © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » photographer»:G.Fessy » NAC-07-ESS-LIN-Installation»of»the»canopy»over»the»arena © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » photographer»:G.Fessy » NAC-08-ESS-LIN-Detail»of»the»connecting»plate» » » © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » photographer»:G.Fessy » NAC-09-ESS-LIN-Process»of»inflation»of»the»pneumatic»membrane © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » photographer»:G.Fessy » NAC-10-ESS-LIN-Internal»View»after»installation © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 » » » photographer»:G.Fessy » NAC-11-ESS-LIN-New»roof»amidst»the»surroundings © LIN 2012 » LIN »Press»download NIMES ARENA Nimes, Gard, France 1989 ROMAN ARENA In December 1988 the ancient arena of Nîmes is for the first time covered with temporary roofing – a lens-shaped pneumatic form commissioned for winter-season use.
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An Aesthetic Solution for a Pedestrian Bridge
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44 - Colosseum (Flavian Amphitheater)
44 - Colosseum (Flavian Amphitheater) Rome, Italy. Imperial Rome. 70-80 CE., Stone and concrete Video at Khan Academy: https://www.khanacademy.org/humanities/ap-art-history/ancient- mediterranean-ap/ap-ancient-rome/v/colosseum-amphitheatrum-flavium-c-70-80-c-e-rome it is the largest amphitheatre ever built and is considered one of the greatest works of architecture and engineering. constructed by emperors of the Flavian dynasty could hold, it is estimated, between 50,000 and 80,000 spectators,[6][7] having an average audience of some 65,000 used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology partially ruined because of damage caused by devastating earthquakes and stone-robbers [The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby (in turn, named after the Colossus of Rhodes) – name started around 1000 CE Statue lasted well in the medieval era – changed heads with different emperors Was built “symbolically and precisely at the heart of Rome” Built with jewish ‘booty’ of war along with work from 100,000 jewish prisoners over 9,000 wild animals were killed during the inaugural games The interior of the amphitheater was extensively stripped of stone, which was reused elsewhere, or (in the case of the marble façade) was burned to make quicklime In 1749, Pope Benedict XIV endorsed the view that the Colosseum was a sacred site where early Christians had been martyred - - - However, there is no historical evidence to support Benedict's claim its basic exterior and interior architecture from that of two Roman theatres back to back.
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Verona Arena Or Amphitheatre
Greek and Roman Theatres in Mediterranean area International Seminar Tuesday 11th June | Wednesday 12th June 2019 Palazzo Badoer, Aula Tafuri Giada Cavaggion, Filippo Cecchinato, Leonardo Cosaro, and Francesco Pasinato Verona Arena or Amphitheatre The Arena of Verona is a roman amphitheatre located in piazza Bra in Verona, Italy. It is considered one of the biggest building of roman architecture and also one of the best conserved thanks to the restorations made during the VI century. It is possible to compare the Arena with the Amphitheatre of Pola as they are similar from the stylistic aspect and for the technical ones, too. Today the aspect of the monument is more different from the original one. The Ala is the only piece remained from the original façade, composed by four arches. The ala is necessary a monumental façade: its arches show empty spaces under the cavea, while the huge pillars summarize the internal line of structure. The three overlapped arches gave the idea of the existence of two galleries and a superior colonnade, while architraves completed the arches of the internal galleries. In this way the internal structure finds an esthetical and spatial expression. At the moment there aren’t any statues in the amphitheatre. All the finds are kept at the Archaeological Museum and Lapidario Maffeiano Museum in Verona. There are different opinions regarding the date of construction. Since the Arena is similar to the Amphitheatre of Pola, in act is supposed that they were designed from the same architect. The construction of Amphitheatre of Pola is dated during the Augusteo period, so it is probably that arena was made in the same period.
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Roman Amphitheatres, Theatres and Circuses Introductions to Heritage Assets Summary
Roman Amphitheatres, Theatres and Circuses Introductions to Heritage Assets Summary Historic England’s Introductions to Heritage Assets (IHAs) are accessible, authoritative, illustrated summaries of what we know about specific types of archaeological site, building, landscape or marine asset. Typically they deal with subjects which have previously lacked such a published summary, either because the literature is dauntingly voluminous, or alternatively where little has been written. Most often it is the latter, and many IHAs bring understanding of site or building types which are neglected or little understood. This IHA provides an introduction to Roman amphitheatres, theatres and circuses – the three principal classes of purpose-built entertainment structure in the Roman world, which are all represented in Britain. Amphitheatres are all either oval or elliptical in plan. Roman theatres, such as the Gosbecks Farm site near Colchester, are semi-circular structures. The Roman circus generally consisted of an elongated oval track surrounded by tiers of seating along both its long sides and one, curved, end. Descriptions of the asset type as well as its associations and a brief chronology are included. A list of in-depth sources on the topic is suggested for further reading. This document has been prepared by Tony Wilmott and edited by Joe Flatman and Pete Herring. It is one of a series of 41 documents. This edition published by Historic England October 2018. All images © Historic England unless otherwise stated. Please refer to this document as: Historic England 2018 Roman Amphitheatres, Theatres and Circuses: Introductions to Heritage Assets. Swindon. Historic England. https://www.historicengland.org.uk/listing/selection-criteria/scheduling-selection/ihas- archaeology/ Front cover Detail of reconstruction painting of the London amphitheatre.
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