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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Shine on You Crazy Diamond
SHINE ON YOU CRAZY DIAMOND (PART I-V) As recorded by Pink Floyd (From the 1975 Album WISH YOU WERE HERE) Words and Music by Roger Waters, Richard Wright and David Gilmour XII X XI X C 12 fr. Gm7 10 fr. E 11 fr. D 10 fr. Cm Gm xxx xxx xxx` xxx xxx xxx A (Part I) 1st Guitar solo = 44 = 44 P P 18 V V V V V V 1 eV V V V V V V VeV V 12 j u j V u j j k I 8 Gtr I Full[[[[ 1/4[[[[[[[Full Full [[[[[[[[[[Full Full T 18 M(18) 1818M M(18) M M 151717 1717 (17) 17(17)1517 A 17 B O P 22 V V V V V V V eV V V V V V V V V V V V V V V V V I u u k k 3 V k k j [[[Full Full 1 1/2 [[[[[[[[[1 1/2 1 1/2 T M M 1/2 [[[[[ M M M 17 17 17 (17) (17)(17) 14 15 14 14 A 17 15 15 15 17(17) 17 17(17)15 17 17 B O 17 H P O V V V V V V V eV V eV V 25 V V V V V V V V 3 u u eV V I j k k u j j k klV 1 1/2 Full [[[[[[[[[[[[[Full Full Full Full 15 18 18 18 (18) T M [ M18 18 M (18) 18 M M [[[ [ 17 17(17)15 A 17(17)15 17 17 15 B O 17 O sl. -
• Average Cafe Spend Per Visitor £2.33
DUNDEE CITY COUNCIL REPORT TO: Leisure, Arts and Communities Committee - 25 April 2011 REPORT ON: Dundee Industrial Heritage Ltd - Revenue Support 2011-2012 REPORT BY: Director of Leisure and Communities REPORT NO: 98-2011 1.0 PURPOSE OF REPORT 1.1 To submit to the Committee a request for renewal of Revenue Grant funding to Dundee Industrial Heritage Ltd for the year 2011-2012. 2.0 RECOMMENDATIONS It is recommended that the Committee: 2.1 remits the Director of Leisure & Communities, on behalf of Dundee City Council, to enter into a one year Service Level Agreement with Dundee Industrial Heritage Ltd, subject to on-going monitoring and evaluation as to its efficiency, economy and effectiveness. 2.2 remits the Director of Leisure and Communities to keep these arrangements under review and amend as appropriate. 2.3 approves the Revenue Grant Funding amounting to £63,000 per the period 1 April 2011 - 31 March 2012. 3.0 FINANCIAL IMPLICATIONS 3.1 The funding recommended is £63,000 from the Leisure and Communities Department 2011-2012 Revenue Budget as shown in the budget at Appendix 1. 3.2 The terms and conditions of Revenue Grant funding will be contained within a Service Level Agreement for 2011-2012 between Dundee City Council and Dundee Industrial Heritage Ltd. 4.0 MAIN TEXT 4.1 Dundee Industrial Heritage Limited (DIH) operates two of Dundee’s premier tourist attractions – Discovery Point and Verdant Works. It is a charitable company, the trading body of Dundee Heritage Trust. The Trust is the only independent charity in Scotland operating two five star rated museums 4.2 Review of the year 2010-2011 • Over 190,000 visits to the Trust’s venues. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
The Sound of an Album Cover: Probabilistic Multimedia and IR
The Sound of an Album Cover: Probabilistic Multimedia and IR Eric Brochu Nando de Freitas Kejie Bao Department of Computer Science Department of Computer Science Department of Computer Science University of British Columbia University of British Columbia University of British Columbia Vancouver, BC, Canada Vancouver, BC, Canada Vancouver, BC, Canada [email protected] [email protected] [email protected] Abstract We present a novel, flexible, statistical approach to modeling music, images and text jointly. The technique is based on multi-modal mixture mod- els and efficient computation using online EM. The learned models can be used to browse mul- timedia databases, to query on a multimedia database using any combination of music, im- ages and text (lyrics and other contextual infor- mation), to annotate documents with music and images, and to find documents in a database sim- ilar to input text, music and/or graphics files. 1 INTRODUCTION An essential part of human psychology is the ability to Figure 1: The CD cover art for “Singles” by The Smiths. identify music, text, images or other information based on Using this image as input, our querying method returns associations provided by contextual information of differ- the songs “How Soon is Now?” and “Bigmouth Strikes ent media. Think no further than a well-chosen image on Again” – also by The Smiths – by probabilistically cluster- a book cover, which can instantly establish for the reader ing the query image, finding database images with similar the contents of the book, or how the lyrics to a familiar histograms, and returning songs associated with those im- song can instantly bring the song’s melody to mind. -
WDR 4 TOP 444 Lieblingshits Platzierung 2020
WDR 4 TOP 444 Lieblingshits Platzierung 2020 Platz Titel Interpret 1 Bohemian Rhapsody Queen 2 Music John Miles 3 Hotel California Eagles 4 Stairway to heaven Led Zeppelin 5 San Francisco Scott McKenzie 6 Dancing queen Abba 7 Wish you were here Pink Floyd 8 Child in time Deep Purple 9 (I can't get no) Satisfaction Rolling Stones 10 The sound of silence Simon & Garfunkel 11 In the air tonight Phil Collins 12 Imagine John Lennon 13 Yesterday The Beatles 14 Movie star Harpo 15 99 Luftballons Nena 16 Hey Jude The Beatles 17 Lady in black Uriah Heep 18 Smoke on the water Deep Purple 19 In the ghetto Elvis Presley 20 Bridge over troubled water Simon & Garfunkel 21 Let it be The Beatles 22 Brothers in arms Dire Straits 23 Nights in white satin Moody Blues 24 Another brick in the wall Pink Floyd 25 The House Of The Rising Sun The Animals 26 Take on me A-ha 27 A whiter shade of pale Procol Harum 28 Africa Toto 29 Sultans of swing Dire Straits 30 Radar love Golden Earring 31 Griechischer Wein Udo Jürgens 32 Waterloo Abba 33 Marmor, Stein und Eisen bricht Drafi Deutscher 34 Verdamp lang her BAP 35 Summer of '69 Bryan Adams TOP 444 wdr4.de © WDR 2020 1 WDR 4 TOP 444 Lieblingshits Platzierung 2020 Platz Titel Interpret 36 Highway to hell AC/DC 37 Hymn Barclay James Harvest 38 Sailing Rod Stewart 39 Paint it black Rolling Stones 40 Heroes David Bowie 41 Radio Gaga Queen 42 Purple rain Prince 43 Samba pa ti Santana 44 Billie Jean Michael Jackson 45 Whole lotta love Led Zeppelin 46 Major Tom (Völlig losgelöst) Peter Schilling 47 Stand by me Ben E. -
Mídia, Texto Cultural E Objeto De Memória Rock Album Cover
Capa de disco de rock: mídia, texto cultural e objeto de memória Rock album cover: media, cultural text and object of memory Portada del disco de rock: medio de comunicación, texto cultural y objeto de memoria 636 Herom Vargas70 Resumo Neste artigo, pretendo refletir sobre três aspectos que caracterizam as capas de disco, em especial as do rock britânico e brasileiro entre final dos anos 1960 e início dos 1970: como mídia – em suas imagens e representações e na própria materialidade de objeto; como texto cultural – que articula dimensões semióticas em vários níveis; e como objeto de memória – por traduzir elementos do passado para o presente e seus respectivos processos comunicacionais. Por meio de tais aspectos, busco compreender essa embalagem, cuja função básica é a mediação entre artista, sua música, a gravadora e o ouvinte, sempre atravessado pelas marcas do consumo. Como bases teóricas, serão usadas a semiótica da cultura, a teoria das materialidades na comunicação e os estudos de memória. Palavras-chave capa de disco; rock; mídia; texto cultural; objeto de memória Abstract 7070 Universidade Metodista de São Paulo – UMESP, Brasil [email protected] In this article, I intend to reflect on three aspects that characterize album covers, especially those of British and Brazilian rock between the late 1960s and early 1970s: as media – in their images and representations and in the materiality of the object itself; as a cultural text – which articulates semiotic dimensions at various levels; and as object of memory – by translating elements from the past into the present and their respective communicational processes. Through such aspects, I 637 seek to understand this packaging, whose basic function is the mediation between artist, his music, the label and the listener, always crossed by the brands of consumption. -
Joy Division and Cultural Collaborators in Popular Music Briana E
Western University Scholarship@Western Electronic Thesis and Dissertation Repository August 2016 Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music Briana E. Morley The University of Western Ontario Supervisor Dr. Keir Keightley The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the requirements for the degree in Master of Arts © Briana E. Morley 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Music Commons Recommended Citation Morley, Briana E., "Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music" (2016). Electronic Thesis and Dissertation Repository. 3991. https://ir.lib.uwo.ca/etd/3991 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. Abstract There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the personal history of lead singer Ian Curtis. However, when evaluating the construction of Joy Division’s public image, the contributions of several other important figures must be addressed. This thesis shifts focus onto the peripheral figures who played key roles in the construction and perpetuation of Joy Division’s image. The roles of graphic designer Peter Saville, of television presenter and Factory Records founder Tony Wilson, and of photographers Kevin Cummins and Anton Corbijn will stand as examples in this discussion of cultural intermediaries and collaborators in popular music. -
The Beatles in Context Edited by Kenneth Womack Frontmatter More Information
Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information THE BEATLES IN CONTEXT Since their first performances in 1960, the Beatles’ cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from Dance Halls to Abbey Road Studios and the digital age, the band’s impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles’ fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band’s complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore the Beatles’ lives and work and understand their cultural legacy, focusing on the people and places central to the Beatles’ careers, the visual media that contributed to their enduring success, and the culture and politics of their time. kenneth womack is Dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University, where he also serves as Professor of English. He is the author or editor of numerous books, including Long and Winding Roads (2007), Cambridge Companion to the Beatles (2009), and The Beatles Encyclopedia (2014). More recently, he is the author of a two-volume biography of Beatles producer George Martin, including Maximum Volume: The Life of Beatles Producer George Martin (The Early Years, 1926–1966) and Sound Pictures: The Life of Beatles Producer George Martin (The Later Years, 1966–2016). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information composers in context Understanding and appreciation of musical works is greatly enhanced by knowledge of the context within which their composers lived and worked. -
Pink Floyd 1) Kazalo 2) Uvod
Pink Floyd 1) Kazalo 2) Uvod...................................................................................................................................................4 Pink Floyd je bila britanska rock skupina in sodi med najpomembnejše predstavnike psihadeličnega rocka. S svojo glasbo so pomembno vplivali na razvoj današnjega rocka. Najuspešnejši so bili v 70-ih in 80-ih.letih. Zadnji album so izdali leta 1994, zadnjič pa so nastopili leta 2005 v Londonu.................4 3) Dosežki in razvoj skupine....................................................................................................................5 a. Skupino Pink Floyd so leta 1964 ustanovili Syd Barrett, Roger Waters, Nick Manson in Richard Wright. Leta 1968 je zaradi zasvojenosti z drogo Syda Barretta zamenjal David Gilmour. Roger Waters je odšel leta 1985...................................................................................................................................5 b. 1964 do 1968..................................................................................................................................6 Že leta 1964 so Syd Barrett, Roger Waters in David Gilmour igrali mešanico med rockom, jazzom in folkom. Razšli so se ko se je Syd Barrett preselil v London. Kmalu zatem se je v London preselil tudi Roger Waters. Tam je spoznal Nicka Mansona in Ricka Wrighta. Skupaj so ustanovili skupino Sigma 6, ki so jo nato preimenovali v The tea-set, The Architectural Abdabs, The screaming abdabs. Na začetku leta 1966 se jim je pridružil Syd Barrett, ki je skupino preimenoval v The Pink Floyd Sound. Na prvi plošči so se imenovali The Pink Floyd nato pa samo še Pink Floyd. Syd Barrett je za takratni slog določil psihedelični rock. V tem slogu je napisal skoraj vse skladbe na plošči The Piper at the Gates of Dawn. Zaradi psihotropnih substanc se je njegovo duševno stanje še vedno slabšalo, zaradi tega je bilo sodelovanje z njim oteženo. Ostali člani skupine so se odločili za novega člana Davida Gilmourja. -
Radiohead Paranoid Android Reaction
Radiohead paranoid android reaction Continue 1997 studio album RadioheadOK ComputerStudio album RadioheadReleased21 May 1997 (1997-05-21)Recorded4 September 1995 (Lucky) July 1996 - March 1997StudioCanned Applause Didcot, EnglandSt Catherine Court, Bath, EnglandGenreAlternative rockart rockprogressive rockLength53:21LabelParlophoneCapitolProducerNigel GodrichRadiohead chronology The Bends (1995) OK Computer (1995) OK Computer (1995)1997) No Surprises/Running from Demons (1997) Radiohead Studio Album Timeline The Bends (1995) OK Computer (1997) Kid A (2997) 000) Singles with OK Computer Paranoid Android Released: May 26, 1997 Karma Police Released: August 25, 1997 Lucky Released: December 1997 No Surprises Released: 12 January 1998 OK Computer is the third studio album by English rock band Radiohead, released on May 21, 1997 on the subsidiaries of EMIlo Parphone Records and Capitol Records. Radiohead members independently released the album with Nigel Godrich, an arrangement they used for their subsequent albums. In addition to the song Lucky, recorded in 1995, Radiohead recorded OK Computer in Oxfordshire and Bath between 1996 and early 1997, mainly in the historic St Catherine's Court mansion. The band distanced themselves from the guitar, lyrically introspective style of their previous album The Bends. THE abstract texts of OK Computer, densely layered sound and eclectic influences laid the groundwork for Radiohead's later, more experimental works. The album depicts a world fraught with unbridled consumerism, social exclusion, emotional isolation and political malaise; as such, OK Computer is said to have a prophetic understanding of the mood of 21st century life. Unconventional production methods on the album include natural reverb through recording on the stairs, and the lack of audio separation, allowing the instruments not to reconnect separately. -
Human Enhancement Technologies and Our Merger with Machines
Human Enhancement and Technologies Our Merger with Machines Human • Woodrow Barfield and Blodgett-Ford Sayoko Enhancement Technologies and Our Merger with Machines Edited by Woodrow Barfield and Sayoko Blodgett-Ford Printed Edition of the Special Issue Published in Philosophies www.mdpi.com/journal/philosophies Human Enhancement Technologies and Our Merger with Machines Human Enhancement Technologies and Our Merger with Machines Editors Woodrow Barfield Sayoko Blodgett-Ford MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Editors Woodrow Barfield Sayoko Blodgett-Ford Visiting Professor, University of Turin Boston College Law School Affiliate, Whitaker Institute, NUI, Galway USA Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Philosophies (ISSN 2409-9287) (available at: https://www.mdpi.com/journal/philosophies/special issues/human enhancement technologies). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Volume Number, Page Range. ISBN 978-3-0365-0904-4 (Hbk) ISBN 978-3-0365-0905-1 (PDF) Cover image courtesy of N. M. Ford. © 2021 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND.