Apfelbaum CV
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In Texas, an Artist Plans to Rotate a House 180 Degrees, Joyce Wadler
In Texas, an Artist Plans to Rotate a House 180 Degrees By Joyce Wadler October 6, 2010 Mary Ellen Carroll. Megan Thompson for The New York Times The one-story Houston house that she plans to rotate as a conceptual art project. Kenny Trice Kenny Trice Sometime later this month, Mary Ellen Carroll, a conceptual artist who has been lecturing for the last few years at Rice University’s school of architecture, will oversee the 180-degree rotation of a small one- story house in the Houston suburb of Sharpstown, a once-prosperous postwar planned community that has suffered economic reversals. The project, “prototype 180,” will be streamed live on the Web. When exactly is hard to say — a telephone interview with Ms. Carroll, who was at the house, was interrupted last week when one of the jacks broke. But Ms. Carroll, 48, whose work has been exhibited around the world, including at the Whitney Museum in New York, cheerfully resumed the interview earlier this week. You’ve done a lot of interesting things, including having a stolen car dropped into a sculpture park in upstate New York, where it would look as if it had been abandoned. Yes, the point was, upstate it could be something you could actually encounter. The idea was to take something that could exist and put it where it actually belonged, conceptually. A few years later, they asked me to do another work, and I decided to do the thing in reverse — exhume it and bury it. How did you know the car was really stolen? Because I ended up getting it at a police auction. -
Polly Apfelbaum
POLLY APFELBAUM Education 1978 B.F.A., Tyler School of Art, Elkins Park, PA SUNY Purchase College, Purchase, NY Selected Solo Exhibitions 2017 Summer of Love, Locks Gallery, Phialdelphia, PA The Potential of Women, Alexander Gray, New York, NY Life is not Black and White, Chapelle Saint-Jean, Le Sourn, for L’Art Dans Les Chapelles Chromatic Scale: Prints by Polly Apfelbaum, National Museum of Women in the Arts, Washington, DC 2016 As You Change so Do I / Any Dream Will Do, Luton Town Centre, Luton, UK Atomic Mystic Portraits, Senior & Shopmaker, New York, NY Face Geometry, Naked Eyes, Curated by Kate McNamara, Ben Maltz Gallery, OTIS College of Arts and Design, Los Angeles, CA 2015 Free, 56 Henry, New York, NY Deep Purple, Red Shoes, Be-Part, Platform voor actuele kunst, Waregem, Belgium Zodiac Cosmic Sounds, Center for the Arts at Virginia Tech, Blacksburg, VA 2014 Color Sessions, Frith Street Gallery, London, UK Nevermind: Work from the ‘90s, Worcester Art Museum, Worcester, MA A Handweaver’s Pattern Book, Clifton Benevento, New York, NY Evergreen Blue Shoes, Burlington City Arts, Burlington, VT Color Stations, lumber room, Portland, OR 2013 Second That Emotion, Mumbai Art Room, Mumbai, India 2012 Haunted House: Elizaville, T Space, Milan, NY (cat) Planiverse, Galerie Nacht St. Stephan Rosemarie Schwarzwalder, Vienna, Austria Flatterland: Funkytown, D’Amelio Gallery, New York, NY Flatland: Color Revolt, Hansel und Gretel Picture Garden, New York, NY (cat) 2011 Haunted House, Atelier Amden, Amden, Switzerland Double Nickel’s on the Dime, -
Bellagio Center Voices and Visions
The Rockefeller Foundation invited former Bellagio conference participants and residents—from scientists, economists, and leaders of non-governmental organiza- tions to composers, painters, and authors—to share their memories of and perspectives on their time at the Center, including its impact on their work. Each of these essays begins with biographical details about the contributor, the year(s) of his or her Bellagio visit(s), and the project(s) the contributor was working on there. Some are illustrated Voices and with artwork created at Bellagio. Visions 56 57 Pilar Palaciá Introduction Managing Director, the Rockefeller Foundation Bellagio Center I have often wondered how I could explain what makes Bellagio Or perhaps I should focus on the historical treasures of the such a special place. I could say it is the visiting residents and confer- property: the main Villa, built in 1540, providing a dignified scenario ence participants themselves, the people I have met during my time for special dinners; the Sfondrata, constructed at the end of the 16th here, and their remarkable, diverse projects. The Center hosts people century, offering a place for quiet contemplation by the lake and, from all over the world who are seriously trying to make a differ- with its tranquil beauty, motivating guests to move beyond their own ence, who fight for equity and justice, who are passionate about their expectations and limitations in their work; the Frati, originally built creativity, whose actions are examples to others. Dedicated artists, as a Capuchin monastery in 1610, its austere and intimate nature policymakers, scholars, practitioners, and scientists all come together conveying an unmatched sense of connectedness and shared respon- at Bellagio, creating an exhilarating atmosphere. -
Polly Apfelbaum at Alexander Gray (Contemporary Art Daily)
Contemporary Art Daily October 19th, 2017 Polly Apfelbaum at Alexander Gray Artist: Polly Apfelbaum Venue: Alexander Gray, New York Exhibition Title: The Potential of Women Date: September 7 – October 21, 2017 Images courtesy of Alexander Gray, New York Press Release: Alexander Gray Associates presents Polly Apfelbaum: The Potential of Women, the artist’s first exhibition at the Gallery. The exhibition features all new work, including gouache drawings, hand-woven rugs, and wall-mounted ceramics. The key visual motif comes from the 1963 book, The Potential of Woman, published in conjunction with a symposium of the same name. Apfelbaum draws inspiration from graphic designer Rudolph deHarek’s cover design for The Potential of Woman, which features a flattened, stylized view of a female figure’shead. Her appropriation of this image, chosen as an icon, is consistent with her ongoing interest in applied design and popular culture. Apfelbaum was also fascinated by the book’s provocative and ultimately patronizing message. The book and its related symposium imagined a future in which women might be useful contributors; Apfelbaum instead reflects the desire for a broader appreciation and empowerment of legions of capable women in the present. In the exhibition’s title, Apfelbaum changes the word ‘woman’ to ‘women’ to reinforce an inclusive communal narrative around feminism. In the second floor Gallery, the artist has created an immersive environment, in which she occupies and transforms the entire space with four rugs, painted walls, and dozens of wall- mounted ceramics. Critic Christopher Knight has described her similarly expansive 2016 installation at Otis College of Art as a “secular chapel of abstract art,” an association that Apfelbaum invites. -
POLLY APFELBAUM EDUCATION 1978 BFA, Tyler School of Art
POLLY APFELBAUM EDUCATION 1978 BFA, Tyler School of Art, Elkins Park, PA SUNY Purchase College, Purchase, NY ONE PERSON EXHIBITIONS 2013 Second That Emotion, Mumbai Art Room, Mumbai, India (forthcoming, March 2013) 2012 Haunted House: Elizaville, T Space, Milan, NY (catalogue) Planiverse, Galerie Nächt St. Stephan Rosemarie Schwarzwälder, Vienna, Austria Flatterland: Funkytown, D’Amelio Gallery, New York, NY Flatland: color revolt, Hansel und Gretel Picture Garden, New York, NY (catalogue) 2011 Double Nickels on the Dime, Michael Benevento, Los Angeles, CA Polly Apfelbaum: Haunted House, Amden, Switzerland 2010 Off Colour, D’Amelio Terras, New York, NY Mini-Hollywood, Yellowstone Art Museum, Billings, MT (catalogue) Color Notes, Locks Gallery, Philadelphia, PA 2009 Stax, Inaugural Show, Carlow Visual Center for Contemporary Art, Carlow, Ireland (catalogue) Black Vegas and Fools Gold, Naomi Arin Contemporary Art, Las Vegas, NV Anything Can Happen in a Horse Race, Milton Keynes Gallery, Milton Keynes, UK (catalogue) 2008 Monochromes 2003-2007, Locks Gallery, Philadelphia, PA 2007 Basic Divisions, Lab Grant, Dieu Donne Papermill, New York, NY (brochure) Big Love, Locks Gallery, Philadelphia, PA Love Sculpture, Frith Street, London, England Lovecraft, Solvent Space, Virginia Commonwealth University, Richmond, VA (catalogue) Love Street, Angles Gallery, Santa Monica, CA 2006 Flags of Revolt and Defiance, Print Publishers Spotlight: The Leroy Nieman Center for Print Studies Columbia University; Barbara Krakow Gallery, Boston, MA 2005 Cartoon -
NOZONE | Houston's Mayoral Forum on Land
FOR IMMEDIATE RELEASE CONTACT July 1, 2009 Connie McAllister Communications and Marketing Manager Contemporary Arts Museum Houston 5216 Montrose Blvd., Houston TX 77006 (713)284-8255 [email protected] NOZONE Houstons Mayoral Forum on Land Use Houston, TX—Houstons mayoral candidates will participate in a discussion on land use on Thursday, July 9, 2009, at the Contemporary Arts Museum Houston, 5216 Montrose Boulevard, Houston, TX 77006. Doors will be open to the public starting at 6 p.m., and the 90-minute Mayoral Forum will begin at 7 p.m. The evening will be moderated by conceptual artist and professor Mary Ellen Carroll, who has been conducting research on land use in Houston and other expanding urban centers and recently taught the seminar NOZONE at Rice Universitys School of Architecture. This event is free and open to the public. Carroll will pose five questions to the candidates pertaining to land use in the following areas: Legislation and Policy; Education; Transportation; Quality of Life; and Growth. The inquiries have been conceived by Carroll in collaboration with local experts and the general public, and include a question on education by the noted urban theorist and Harvard Law Professor Gerald Frug. Following the responses, a panel of respondents will then provide comments or raise further questions for the candidates. The following mayoral candidates have confirmed their participation: Peter Brown, Houston City Councilman; TJ Huntley, local businessman; Gene Locke, Partner, Andrews Kurth, LLP; Roy Morales, Trustee, Harris County Department of Education; and Annise Parker, Houston City Controller. Confirmed respondents in the Mayoral Forum include Garnet Coleman, Texas State Representative; Jordan Fruge, SVP, Business Development, Standard Renewable Energy; Robin Holzer, Chair, Citizens Transportation Coalition; Jenny Hyun, Attorney; Hugh Rice Kelly, Attorney; Janet Kohlhase, University of Houston Professor of Urban Economics; John Mixon, University of Houston Law Alumni Professor; and Reid Wilson, Chair, Urban Land Institute. -
AL HELD Education Solo Exhibitions
AL HELD 1928 Born October 12, Brooklyn, New York 2005 Died July 26, Camerata, Italy Education 1948–51 Art Students League, New York 1951–53 Académie de la Grande Chaumière, Paris Solo Exhibitions 2020 Al Held: The Sixties, White Cube, London Al Held: Watercolors, David Klein Gallery, Birmingham, Michigan 2019 Modern Maverick, White Cube, Hong Kong Infinite Choices: Abstract Drawings by Al Held, Joel and Lila Harnett Print Study Center, University of Richmond Museums, Richmond, Virginia 2018 Al Held: Pigment Paintings, Cheim & Read, New York, and concurrently Nathalie Karg Gallery, New York Al Held Luminous Constructs: Paintings and Watercolors from the 1990s, David Klein Gallery, Detroit, Michigan 2016 Al Held: Brushstrokes, India Ink Drawings from 1960, Van Doren Waxter, New York Al Held: Black and White Paintings, 1967–1969, Cheim & Read, New York 2015 Van Doren Waxter, Art Basel-Miami Beach/Kabinett, Miami, Florida Al Held: Particular Paradox, Van Doren Waxter, New York Al Held: Marker Drawings 1972–1973, Van Doren Waxter at ADAA: The Art Show, New York Al Held: Armatures, Cheim & Read at ADAA: The Art Show, New York 2014 Al Held: Scale, Marianne Friedland Gallery, Naples, Florida 2013 Al Held’s Taxi Cab III Series, Gallery 918 of the Lila Acheson Wallace Wing for Modern and Contemporary Art, Metropolitan Museum of Art, New York Al Held: Alphabet Paintings, 1961–1967, Cheim & Read, New York 2012 Al Held: Black and White 1967, Loretta Howard Gallery, New York Al Held: Space, Scale and Time, Marianne Friedland Gallery, Naples, Florida Al Held, Pace Prints 26th Street (project room), New York 2011 Al Held Paintings 1959, Craig F. -
Polly Apfelbaum
POLLY APFELBAUM Born 1955 in Abington, Pennsylvania Lives and works in New York, New York SOLO EXHIBITIONS (selection, museum and public institutions only) 2019 Frequently the Woods are Pink, Jordan Schnitzer Museum of Art Washington State University, Pullman, Washington Mutts and Mugs: Chicken Little was Right! The Sky Is Falling installation, Materia, La Biennale de Québec, Manif d'Art, Québec, Canada 2018 Happiness Runs, Belvedere 21, Vienna, Austria Waiting for the UFOs (a space set between a landscape and a bunch of flowers), Ikon Gallery, Birmingham, United Kingdom; Kemper Museum of Contemporary Art, Kansas City, Missouri (2019) 2017 Chapelle Saint-Jean, Le Sourn, Vallée du Blavet, France Chromatic Scale: Prints by Polly Apfelbaum, National Museum of Women in the Arts, Washington, DC 2016 Any Dream Will Do, a series of new poster-works exclusively for Luton town centre, Luton, United Kingdom Face Geometry, Naked Eyes, curated by Kate McNamara, Ben Maltz Gallery, OTIS College of Arts and Design, Los Angeles, California The Sound of Ceramics, Polly Apfelbaum and Wang Lu, Cohen Gallery at Brown University, Providence, Rhode Island, catalogue 2015 Polly Apfelbaum – Stephen Westfall, The Suburban, Milwaukee, Wisconsin Deep Purple Red Shoes, Be-Part, Waregem, Belgium, catalogue City of Lights, within the series “Threaded”, Center for the Arts at Virginia Tech, Blacksburg, Virginia, brochure 2014 Nevermind. Works from the 90s, Worcester Art Museum - Contemporary Gallery, Worcester, Massachusetts, brochure Evergreen Blueshoes, Burlington -
Jean-Noel Archive.Qxp.Qxp
THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs. -
NOZONE Houston’S Mayoral Forum on Land Use
NOZONE Houston’s Mayoral Forum on Land Use Please find the following information for the Mayoral Forum on Land Use, July 9, 2009 @ 7 pm, at the Contemporary Arts Museum Hous- ton. This evening is being presented by Houston. It’s Worth It. Innovation Territories (it), the Rice Building Institute and the Contempo- rary Arts Museum. JULY 9, 2009—SCHEDULE 6:00 pm Doors open to the public 6:30 pm Candidates arrive and are seated with review of the evening’s proceedings 6:45 pm Final sound check/press corps in place 7:00 pm Welcoming remarks, Bill Arning, Director of the Contemporary Arts Museum Houston Introduction for Mary Ellen Carroll, moderator 7:05 pm Introduction by Mary Ellen Carroll for the Mayoral Candidates and the Respondents The candidates will respond in the following order to each question: (Please note: This order was determined by a random process, and the final question has a different order.) Candidates—confirmed 1. Peter Brown, Houston City Councilman 2. Roy Morales, trustee, Harris County Department of Education 3. Annise Parker, Houston City Controller 4. Gene Locke, partner, Andrews Kurth, LLP 5. TJ Huntley, businessman Respondents—confirmed Jordan Fruge, SVP, Business Development, Standard Renewable Energy Robin Holzer, Chair, Citizen’s Transportation Coalition Jenny Hyun, attorney Hugh Rice Kelly, attorney Janet Kohlhase, Professor of Urban Economics, University of Houston Asmara Tekle-Johnson, Assistant Professor of Law, Texas Southern University Reid Wilson, Chair, Urban Land Institute Candidates will have two minutes to respond to each question. Respondent(s) will have four minutes to respond to the mayoral candidates. -
Mary Ellen Carroll Creates New Connections in New Orleans
World On A Wire: Mary Ellen Carroll Creates New Connections... https://www.artinamericamagazine.com/news-features/intervie... ART IN AMERICA ARTNEWS THE MAGAZINE ANTIQUES MODERN MAGAZINE NEWSLETTERS ART IN AMERICA GUIDE AMH LLC NEWS & FEATURES REVIEWS MAGAZINE NEWSLETTER SUBSCRIBE INTERVIEWS Aug 15, 2013 World On A Wire: Mary Ellen Carroll Creates New Connections in New Orleans by Aimee Walleston In Joseph Conrad’s Heart of Darkness, Marlowe marvels, while positioned on a boat at the mouth of the Thames, that his current locale was once “one of the dark places of the earth.” Our dark places—our instances of unmapped wilderness—take on a different form in 2013. Exchange the Thames for Lake Pontchartrain and the dark places for “TV white space” (the telecom industry’s term for unused broadcast television channels), and one can begin to grasp the nature of Illinois-born, Texas- and New York-based artist Mary Ellen Carroll’s latest endeavor-bringing Super Wi-Fi (a service that travels further and penetrate walls better than traditional 2.4 gigahertz Wi-Fi) to underserviced areas of Greater New Orleans. ADVERTISEMENT Commissioned for Prospect.3 New Orleans (Oct. 25, 2014-Jan. 25, 2015) by artistic director Franklin Sirmans, a curator of contemporary art at the Los Angeles County Museum of Art, the project—under the working title Public Utility 2.0—is still in its planning stages. Its genesis began with a recent visit to New Orleans, where Carroll was struck by the I-10, an elevated highway that travels over the city, like New York City’s Brooklyn-Queens Expressway, and splits areas like Tremé, a Créole and African American community known for its music culture, from other vital areas in the city. -
Polly Apfelbaum Biography
POLLY APFELBAUM BIOGRAPHY BORN 1955, Abington, PA SELECTED SOLO EXHIBITIONS 2019 Polly Apfelbaum: Frequently the Woods are Pink; Jordan Schnitzer Museum of Art, Washington State University; Pullman, WA 2018 Polly Apfelbaum: Happiness Runs; Belvedere 21; Vienna, Austria Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape and a bunch of owers) ; Ikon Gallery; Birmingham, England 2017 Polly Apfelbaum: The Potential of Women; Alexander Gray Associates; New York, NY 2016 Polly Apfelbaum/Dona Nelson: Erasing Tracing Racing Paint; Michael Benevento; Los Angeles, CA 2014 Polly Apfelbaum: A Handweaver's Pattern Book; Clifton Benevento; New York, NY Polly Apfelbaum; Frith Street Gallery; London, England Polly Apfelbaum: Nevermind; Worcester Art Museum; Worcester, MA Polly Apfelbaum: Evergreen Blue Shoes; Burlington Art Center; Burlington, VT Polly Apfelbaum: Color Stations Rome / Portland; Lumber Room; Portland, OR Electric Zinnia Factory: Polly Apfelbaum & Stephen Westfall; Kunstgalerie Bonn; Bonn, Germany For the Love of Gene Davis: Polly Apfelbaum & Dan Cole ; Temple Contemporary; Philadelphia, PA 2013 Polly Apfelbaum: Second That Emotion; Mumbai Art Room; Mumbai, India 2012 Polly Apfelbaum: Planiverse; Galerie Naechst St. Stephan Rosemarie Achwarzwalder; Wien, Austria Polly Apfelbaum: Haunted House; T Space; Rhinebeck, NY Polly Apfelbaum: Flatland: Color Revolt; Hansel & Gretel Picture Garden; New York, NY Polly Apfelbaum: Flatterland: Funkytown; D'Amelio Gallery; New York, NY 2011 Polly Apfelbaum: Double Nickels on the Dime;