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CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Sibelius the Tempest: Incidental Music/Finlandia/Karelia Suite - Intermezzo & Alla Marcia/Scenes Historiques/Festivo Mp3, Flac, Wma
Sibelius The Tempest: Incidental Music/Finlandia/Karelia Suite - Intermezzo & Alla Marcia/Scenes Historiques/Festivo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: The Tempest: Incidental Music/Finlandia/Karelia Suite - Intermezzo & Alla Marcia/Scenes Historiques/Festivo Country: Europe Released: 1990 Style: Romantic MP3 version RAR size: 1802 mb FLAC version RAR size: 1394 mb WMA version RAR size: 1218 mb Rating: 4.8 Votes: 236 Other Formats: MIDI AIFF DMF RA MP3 DTS MP2 Tracklist Hide Credits The Tempest: Incidental Music Op. 109b & C Orchestra – The Royal Philharmonic Orchestra 1 Caliban's Song 1:21 2 The Oak Tree 2:45 3 Humoresque 1:07 4 Canon 1:32 5 Scene 1:29 6 Berceuse 2:30 7 Chorus Of The Winds 3:24 8 Intermezzo 2:21 9 Dance of the Nymphs 2:11 10 Prospero 1:51 11 Second Song 1:00 12 Miranda 2:23 13 The Naiads 1:11 14 The Tempest 4:06 Festivo, Op. 25, No. 3 (from Scenes Historiques, 1) 15 7:45 Orchestra – The Royal Philharmonic Orchestra Scenes Historiques, 2 Engineer – Arthur ClarkOrchestra – The Royal Philharmonic Orchestra 16 The Chase, Op. 66 No. 1 6:34 17 Love Song, Op. 66 No. 2 4:56 18 At The Drawbridge, Op. No. 3 6:48 Karelia Suite Orchestra – BBC Symphony Orchestra 19 Intermezzo, Op. 11 No. 1 3:00 20 Alla Marcia, Op. 11 No. 3 4:32 Finlandia-Symphonic Poem Op. 26 21 Engineer – Arthur Clark*Orchestra – The London 8:54 Philharmonic OrchestraProducer – Walter Legge Credits Composed By – Jean Sibelius Conductor – Sir Thomas Beecham Cover – John Marsh Design Associates Remastered By [Digitally Remastered By] – John Holland Notes Tracks 1-14 - The copyright in these sound recordings is owned by CBS Records Inc, p)1956. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Sibelius Society
UNITED KINGDOM SIBELIUS SOCIETY www.sibeliussociety.info NEWSLETTER No. 84 ISSN 1-473-4206 United Kingdom Sibelius Society Newsletter - Issue 84 (January 2019) - CONTENTS - Page 1. Editorial ........................................................................................... 4 2. An Honour for our President by S H P Steadman ..................... 5 3. The Music of What isby Angela Burton ...................................... 7 4. The Seventh Symphonyby Edward Clark ................................... 11 5. Two forthcoming Society concerts by Edward Clark ............... 12 6. Delights and Revelations from Maestro Records by Edward Clark ............................................................................ 13 7. Music You Might Like by Simon Coombs .................................... 20 8. Desert Island Sibelius by Peter Frankland .................................. 25 9. Eugene Ormandy by David Lowe ................................................. 34 10. The Third Symphony and an enduring friendship by Edward Clark ............................................................................. 38 11. Interesting Sibelians on Record by Edward Clark ...................... 42 12. Concert Reviews ............................................................................. 47 13. The Power and the Gloryby Edward Clark ................................ 47 14. A debut Concert by Edward Clark ............................................... 51 15. Music from WW1 by Edward Clark ............................................ 53 16. A -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Fri, Feb 05, 2021 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 31:51 Humperdinck Moorish Rhapsody Czecho-Slovak Radio 00509 Marco Polo 8.223369 489103023363 Symphony/Fischer-Die 0 skau 00:34:2102:08 Schumann Traumerei Alexis Weissenberg 07843 Virgin 234865 509992348652 Classics 2 00:37:2921:34 White, Joseph Violin Concerto in F sharp Barton Pine/Encore 04328 Cedille 035 735131903523 minor Chamber Orchestra/Hege 01:00:23 08:32 Strauss, R. Waltzes from Der Chicago 00458 RCA 5721 07863557212 Rosenkavalier Symphony/Reiner 01:10:0542:05 Berlioz Harold in Italy, Op. 16 Imai/London 02693 Philips 442 290 028944229028 Symphony/Davis 01:53:20 05:30 Thomas Connais-tu le pays from Von Stade/London 05873 Sony 89370 696998937024 Mignon Philharmonic/Pritchard Classical 02:00:2013:27 Vivaldi Cello Sonata No. 4 in B flat, RV Anner Bylsma 05188 Sony 51350 074645135021 45 02:15:17 27:48 Respighi Church Windows Cincinnati 08438 Telarc 80356 089408035623 Symphony/Lopez-Cob os 02:44:3514:08 Beethoven Piano Sonata No. 9 in E, Op. John O'Conor 05592 Telarc 80293 089408029325 14 No. 1 03:00:1307:50 Balakirev Islamey, an Oriental Fantasy USSR 05750 Melodiya 34165 743213416526 Symphony/Svetlanov 03:09:0308:02 Debussy 3rd mvt (Andantino) from String Ysaye Quartet 09850 Decca 478 3691 028947836919 Quartet in G minor, Op. 10 03:18:1540:32 Dvorak Cello Concerto in B minor, Op. Ma/NY 03691 Sony 67173 074646717325 104 Philharmonic/Masur 04:00:1712:51 Alfven Swedish Rhapsody No. -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Thu, Jun 21, 2018 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 13:08 Handel Harp Concerto in B flat, Op. 4 Holliger/I Musici 01757 Philips 422 288 028942228825 No. 6 00:15:5317:11 Alfven The Prodigal Son Royal Opera Orchestra 00145 Swedish 1003 N/A Stockholm/Alfvén Society 00:34:34 24:28 Debussy La Mer (The Sea) London 00420 EMI 47028 n/a Symphony/Previn 01:00:3214:26 Stravinsky Three movements for piano ~ Khatia Buniatishvili DownloadSony 88875170 888751700321 Petrushka Classical 032 01:16:28 36:48 Svendsen String Octet in A, Op. 3 Academy Chamber 04231 Chandos 9258 095115925829 Ensemble 01:54:3105:56 Martucci Novelletta, Op. 82 Rome Symphony/La 11496 Naxos 8.570932 747313093274 Vecchia 02:01:57 15:44 Bach, J.C.F. Sonata in G for Violin, Viola London Baroque 03981 Harmonia 901587 794881358427 and Piano Mundi 02:18:5610:49 Wagner Siegfried's Rhine Journey ~ Royal Promenade 02063 Quintessen 2002 015095200228 Gotterdammerung Orchestra/Gehardt ce 02:31:15 29:20 Herrmann Suite ~ 5 Fingers Moscow 07646 Marco Polo 8.225168 636943516829 Symphony/Stromberg 03:02:0512:55 Haydn Piano Sonata No. 35 in A flat Emanuel Ax 06244 Sony 89363 n/a 03:16:1515:56 Blasius Suite No. 1 in B flat for Winds Mozzafiato 04185 Sony 68263 074646826324 03:33:41 26:05 Mozart Violin Concerto No. 5 in A, K. Tenenbaum/Czech 05482 ESS.A.Y 1071 090998107126 219 "Turkish" Phil Chamber/Kapp 04:01:1608:47 Schubert Overture in C for String St. -
Verdehr Trio Verdehr Trio
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 2-22-1991 Concert: Verdehr Trio Verdehr Trio Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Verdehr Trio, "Concert: Verdehr Trio" (1991). All Concert & Recital Programs. 5582. https://digitalcommons.ithaca.edu/music_programs/5582 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College ITHACA School of Music ITHACA COLLEGE CONCERTS 1990-91 VERDEHR TRIO Walter Verdehr, violin Elsa Ludewig-Verdehr, clarinet Gary Kirkpatrick, piano CREATURES OF PROMETHEUS, op. 43 Ludwig van Beethoven No. 14 Andante and Allegretto (1770-1827) EIGHT PIECES FOR CLARINET, VIOLA AND PIANO, op. 83 Max Bruch (1838-1920) transcribed by Elsa Ludewig-Verdehr VI. Nachtgesang: Andante con moto (Nocturn) IV. Allegro agitato A TRIO SETTING (19<JO) Gwither SchQller (b. 1925) Fast and Explosive Slow and Dreamy Allegretto; Scherzando e Leggiero IN1ERMISSION SONATA A TRE (1982) KarelHusa (b.1921) Con intensita Con sensitivita Con velocita SLAVONIC DANCES Antonin Dvofak (1841-1904) Tempo di Menuetto, op. 46, no. 2 Allegretto grazioso, op. 72, no. 2 Presto, op. 46, no. 8 Walter Ford Hall Auditorium Friday, February 22, 1991 8:15 p.m. PROGRAM NOTES Ludwig van Beethoven. Creatures of Prometheus, op. 43 The Andante and Allegretto, op. 43, no. 14 by Beethoven is taken from the ballet Creatures of Prometheus, op. 43. Written in 1800-1801, it was Beethoven's introduction to the Viennese stage and the first performance was given in the Burgtheater in Vienna on March 28, 1801. -
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Ilkley Concert Club www.concertclub.ilkley.org SCHUBERT ENSEMBLE King’s Hall Wednesday 14th March 2018 Grove Music 10 The Grove, Ilkley, West Yorkshire LS29 9EG Tel: 01943 817301 [email protected] Open Monday – Saturday, 9 – 5.30 Grove Music, in the basement of The Grove Bookshop, has a great selection of classical CDs including the very latest new releases, as well as jazz, folk, rock, DVDs and sheet music. We will happily order CDs and sheet music available in the UK. Grove Music is also the best place to find out what is going on musically in the Ilkley area. Whether you’re looking for a piano teacher, a concert to go to, or a choir to join, you should find the answer here. Ilkley Computers Middleton Garage Your Local Computer Service Centre Skipton Road, Ilkley LS29 9EX Telephone: 01943 608733 A small, friendly, local business dedicated to providing a range of quality computer services for home PC users and small businesses. HONDA SALES We can help with the following: & SERVICE PC Repair PC Upgrade A SPECIALITY Personal Training Broadband FREE Pickup and Delivery Networks Virus and Spyware Removal Website: Tel: 01943 604470 www.andrewgreenexclusivecars.co.uk E-mail: [email protected] Web Site: www.ilkleycomputers.co.uk Verity PAUL VERITY OPTICIANS Providing all your family with first-quality Eyecare on The Grove, Ilkley. Opened in 1991, we have established a unique blend of personal service, clinical excellence and top quality optical products including contact lenses. We are VARILUX lens specialists and stock frames by Ray-Ban, Calvin Klein, Persol and Lindberg. -
Masterpieces Celebrating the Human Journey Music by Barber, Bruch, Ravel, Prokofiev and Piazzolla
Masterpieces Celebrating the Human Journey Music by Barber, Bruch, Ravel, Prokofiev and Piazzolla Aude Castagna, Concert director and cello Vlada Volkova, piano; Jeff Gallagher, clarinet Shannon Delaney and Brian Johnston, violins Eleanor Angel, viola The Music Nostalgia: Prokofiev, Overture on Hebrew Themes (1919) Sergei Prokofiev wrote the Overture on Hebrew Themes, Op. 34, in 1919, during a trip to the United States. The piece was commissioned by a Russian sextet, the Zimro Ensemble, sponsored by the Russian Zionist Organization and was written for the unusual combination of clarinet, string quartet, and piano. The members had just arrived in America from the Far East on a world tour and gave Prokofiev a notebook of Jewish folksongs. The melodies Prokofiev chose have never been traced to any authentic sources and may have been actually composed by the ensemble’s clarinetist in the Jewish style. Its structure follows the form of a fairly conventional overture. It is in the key of C minor. The first theme, un poco allegro, has a jumpy and festive rhythm, unmistakably evoking klezmer music by alternating low and high registers and using repeated swelling and tapering of volume. The second theme, piu mosso, is a nostalgic cantabile theme introduced by the cello and then passed to the first violin. Dreams of Love: Eight Pieces for Clarinet, Cello, & Piano, (1910) Op. 83 by Max Bruch Numbers 1, 2,5, 6 and 7. Max Bruch (1838-1920) received his earliest music instruction from his mother, a noted singer and pianist. He was widely known and respected in his day as a composer, conductor, and teacher. -
Josephson 2017.3425 Words
Reconciling Opposites: On the Compositional Genesis of Sibelius’s Scènes historiques II and The Oceanides Nors S. Josephson Sibelius’s Scènes historiques II, Op. 66, were conceived as a sequel to Scènes historiques I, Op. 25, which had been completed in September 1911 as a revision of Nos. 2, 5 and 4 (or Tableaux 1, 4 and 3) from the earlier Press Celebrations Music of 1899. Furthermore, Scènes historiques II also echo certain aspects of Sibelius’s Karelia Suite, Op. 11, notably the E flat major fanfares of the well-known Intermezzo (composed in 1893). Significantly, Sibelius had written to Breitkopf & Härtel at the end of 1909 – in response to his publisher’s entreaties – that ‘it would be easy to make a suite in the Carelia style’ (‘eine Suite in Style Carelia sich gut machen lässt’[1]). The actual music of Sibelius’s Scènes historiques II was composed between 28th May 1909 (the day he mentioned in his diary that the first movement [Die Jagd] was being planned) and March/April1912.[2] On 1st July 1911 he refers to both an overture (likely the future Die Jagd with its subtitle, Ouvertüre) and a suite – two works that are again listed in his entries for 9th and 11th January 1912 (there worded Suite symphonique). Not until 20th January 1912 does Die Jagd become synonymous with the above-mentioned overture (‘for a limited characteristic orchestra’ with bass clarinet and horns). Sibelius worked especially hard on Die Jagd between 16th December 1911 and 19th February 1912. From his entries on 4th and 15th February we learn that he extensively revised the hunting fanfares in Die Jagd – which are frequently related to sketches for Sibelius’s Cassazione, Op. -
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Symphony No. 2 in D major, Op. 43 Jean Sibelius hanks to benefactions arranged by Axel four tone poems based on characters from TCarpelan, a Finnish man-about-the-arts Dante’s Divine Comedy . But once Sibelius re - and the eventual dedicatee of this work, Jean turned to Finland that June, he began to rec - Sibelius and his family were able to undertake ognize that what was forming out of his a trip to Italy from February to April 1901. So sketches was instead a full-fledged sym - it was that much of the Second Symphony phony — one that would end up exhibiting was sketched in the Italian cities of Florence an extraordinary degree of unity among its and, especially, Rapallo, where Sibelius sections. With his goal now clarified, Sibelius rented a composing studio apart from the worked assiduously through the summer and home in which his family was lodging. fall and reached a provisional completion of Aspects of the piece had already begun to his symphony in November 1901. Then he form in his mind almost two years earlier, al - had second thoughts, revised the piece pro - though at that point Sibelius seems to have foundly, and definitively concluded the Sec - assumed that his sketches would end up in ond Symphony in January 1902. various separate compositions rather than in The work’s premiere, two months later, a single unified symphony. Even in Rapallo marked a signal success, as did three sold-out he was focused on writing a tone poem. He performances during the ensuing week. The reported that on February 11, 1901, he enter - conductor Robert Kajanus, who would be - tained a fantasy that the villa in which his come a distinguished interpreter of Sibelius’s studio was located was the fanciful palace of works, was in attendance, and he insisted Don Juan and that he himself was the that the Helsinki audiences had understood amorous, amoral protagonist of that legend.