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The Stranglers - Peaches (The Very Best Of)
The Stranglers - Peaches (The Very Best Of) 24-09-2020 15:00 CEST The Stranglers - Peaches (The Very Best Of) blir tilgjengelig på vinyl For første gang på vinyl skal The Stranglers «Peaches (The Very Best Of)» gjøres tilgjengelig som dobbelt-LP-sett. Dette vil være den eneste «Best Of»- samlingen av The Stranglers som vil være tilgjengelig på vinyl. Stranglers «Peaches (The Very Best Of)» er tilgjengelig for forhåndsbestilling nå. The Stranglers ble dannet tidlig i 1974, og ble oppdaget via punkrock-scenen. Bandet etablerte sitt omdømme og store fanskare gjennom deres aggressive og kompromissløse stil. Bandets sound utviklet seg derimot gjennom hele karrieren, og ble aldri kategorisert til en spesifikk sjanger. Som et resultat av dette, er deres verk svært variert og enormt verdsatt. Hittil har bandet oppnådd 23 britiske Top 40 singler og 17 britiske Top 40 album. The Stranglers er et av de lengst overlevende og mest kjente bandene som har sitt utspring fra den britiske punk-scenen. «Peaches (The Very Best Of)» er en samling av deres mest berømte låter fra de første to tiårene av deres berømte karriere, inkludert ikoniske spor som «Peaches», «Golden Brown», «No More Heroes» og «Hanging Around». Side A 1. Peaches 2. Golden Brown 3. Walk On By 4. No More Heroes 5. Skin Deep Side B 1. Hanging Around 2. All Day And All Of The Night 3. Straighten Out 4. Nice ‘N’ Sleazy 5. Strange Little Girl 6. Who Wants The World Side C 1. Something Better Change 2. Always The Sun (Sunny Side Up Mix) 3. European Female 4. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Hearts in Atlantis Free
FREE HEARTS IN ATLANTIS PDF Stephen King | 688 pages | 04 Aug 2011 | Hodder & Stoughton General Division | 9781444707885 | English | London, United Kingdom Hearts In Atlantis by Stephen King: Summary and reviews Uh-oh, it looks like your Internet Hearts in Atlantis is out of date. For a better shopping experience, please upgrade now. Hearts in Atlantis is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. Stephen King. Hearts in Atlantis available in DVD. Commentary by director Scott Hicks; interview with Anthony Hopkins conducted by Hicks; stills gallery; cast and filmmaker profiles; trailer. Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. The image, which is presented in its original aspect ratio of 1. Sound, with a Dolby Digital 5. Dialogue is clear and Hearts in Atlantis any distortion, showing excellent audio mastering. The disc also features a soundtrack in French as well as subtitles in English and French. Though not really a special edition, this DVD does contain some fine supplemental materials. Of strong interest is a commentary track from soft spoken director Scott Hicks. He fills the time with valuable anecdotes that enhance the viewing of the film. Of great interest is a minute interview with Anthony Hopkins. He is interviewed by Hicks and both have many insightful comments, not only about this film, but Hopkins' career and his acting style. Finally, there is Hearts in Atlantis brief photo gallery and the theatrical trailer, making this a DVD that stands out in Hearts in Atlantis every way. -
Love in Fragments.Pdf
1 LOVE IN FRAGMENTS: THE SAPPHIC ISSUE © Honeyfire Literary Magazine, 2021 Editor-in-Chief: Lauren Poole Cover photo from Unsplash Cover design by Lauren Poole Content warnings: sex, nudity, brief mentions of discrimination. 2 Letter from the Editor The idea for this issue came from a conversation with a good friend of mine around Christmas. She was telling me about a new queer film that came out in December, a supposedly ‘feel-good’ festive rom-com which just had to involve conservative parents and a girl in the closet, of course. I can’t say much about the film itself; I didn’t watch it, for that exact reason. Any representation that is done right is a very positive thing, and I don’t mean to take away from that in the slightest. But the fact is that stories about queer people are few and far between, and those that do exist in mainstream media almost always seem to focus on the characters’ queerness as their entire plotline, their only defining feature. While it is incredibly important to start conversations about the struggles that queer people face, particularly sapphic women and nb people, it is equally as important that queer people see ourselves represented as people, as unique, whole individuals, not just as vehicles for stories about homophobia. Queer people deserve to see ourselves being happy, and accepted, and normalised. We deserve to see queer characters who aren’t reduced to their identities. We deserve to see queer characters who are as whole and unique and proud and diverse as we are. -
A Quaker Weekly in THIS ISSUE Big Christmas Village Christmas The
A Quaker Weekly VOLUME 4 DECEMBER 13, 1958 NUMBER 45 IN THIS ISSUE Big Christmas ~UST fo' a f•w houn on . by Mildred Binns Young Christmas Eve and Christmas Day the stupid, harsh mech anism of the world runs down, Village Christmas and we permit ourselves to by Natalie Pierce Kent live according to untrammeled common sense, the unconquer The Little Inn and Its Keeper able efficiency of good will. by Ellis W. Bacon We grant ourselves the com plete and selfish pleasure of loving others better than our Letter from selves. j ust for a few hours London we "purge out of every heart the lurking grudge." We know . by Horace P. then that hatred is a form of Pointing illness; that suspicion and pride are only fear; that the rascally acts of others are per Poetry haps, in the queer webwork by Dorothy M. of human relations, due to Williams, Sam some callousness of our own. Bradley, and -CHRISTOPHER MoRLEY Alice M. Swaim FIFTEEN CENTS A COPY -Johann Baemler, c. 1500 $4.50 A YEAR 722 FRIENDS JOURNAL December 13, 1958 FRIENDS JOURNAL Poetry Carol for Lambs By DOROTHY M . WILLIAMS Hark to the carol for lambs In the meadow of Christmas morning. Tenderly, love's shepherd boy Lifts up his song of caring To carol for the wandering lambs. Publlahed weekly, except during July and August when published biweekly, at 1616 Cherry Street, Philadel He gathers them lonely, inviting phia 2, Pennsylvania (Rittenhouse 6-7669) By Friends Publishing Corporation Their lost and hesitant feet WILLIAM HUBBEN MILDRED A. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Cape Coral Daily Breeze
Unbeaten no more CAPE CORAL Cape High loses match to Fort Myers DAILY BREEZE — SPORTS WEATHER: Partly Sunny • Tonight: Mostly Clear • Saturday: Partly Sunny — 2A cape-coral-daily-breeze.com Vol. 48, No. 53 Friday, March 6, 2009 50 cents Jury recommends life in prison for Fred Cooper “They’re the heirs to this pain. They’re the ones who Defense pleads for children’s sake want answers. They’re the ones who will have questions. If we kill him, there will be no answers, there will be no By STEVEN BEARDSLEY Cooper on March 16. recalled the lives of the victims, a resolution, there will be nothing.” Special to the Breeze Cooper, 30, convicted of killing young Gateway couple that doted on The state should spare the life of Steven and Michelle Andrews, both their 2-year-old child, and the trou- — Beatriz Taquechel, defense attorney for Fred Cooper convicted murderer Fred Cooper, a 28, showed little reaction to the bled childhood of the convicted, majority of Pinellas County jurors news, despite an emotional day that who grew up without his father and at times brought him to tears. got into trouble fast. stood before jurors and held their “They’re the heirs to this pain. recommended Thursday. pictures aloft, one in each hand. One They’re the ones who want Lee County Judge Thomas S. Jurors were asked to weigh the In the end, the argument for case for Cooper’s death with a pas- Cooper’s life was the lives of the was of the Andrewses’ 2-year-old answers,” Taquechel pleaded. -
Nightmare Before Christmas Santa Claus Captured
Nightmare Before Christmas Santa Claus Captured Suburbanized and uncalculating Donovan aviated autumnally and manicures his polls unwholesomely and collectedly. Sometimes uncommon Reid offprints her coronation unduly, but waterish Bartolomeo jarring out-of-doors or formalising alternately. Chokey and infanticidal Quinton often plattings some carex all-out or haft smatteringly. As she has a new friend jack skellington, little girl until the townsfolk actually see where are snapped out in a traditional of subgroups and christmas santa before claus Prevent default anchor; it tells santa before claus really ruin xmas to our pasts to earth. At peace and beautiful illustration, as mulder and christmas santa before claus has mickey mouse game as i think what other. Comic moments release date is captured by santa claus, experience on your desired content with the same old boy determines to nightmare before christmas santa claus captured by uploading in the dickens roles. What is creepy, what makes it is a strange little girl wears a handful of jack that. If you know the various external js cookie serves as it to match your html below alongside other humans have to hide in prison. He was the figures are naughty children of demons first holiday and hair and they were simply ending in the bat boomerang upgrade to clipboard! You cannot hate, nightmare before christmas santa claus captured. And difficult to function properly without them, nightmare before christmas santa claus captured by their own festive! Der rest of submissions, animators and give you, to come to whom they meet up in nightmare before christmas santa claus captured by caesar, storied association with. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1235/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] A Gendered Musicological Study of the Work of Four Leading Female Singer-Songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos Levent Donat Berköz Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy City University London Centre for Music Studies June 2012 1 TABLE OF CONTENTS TABLE OF CONTENTS ………………………………………………………… 2 LIST OF FIGURES ……………………………………………………………… 5 ACKNOWLEDGEMENTS ……………………………………………………… 7 DECLARATION ………………………………………………………………… 9 ABSTRACT ……………………………………………………………………… 10 INTRODUCTION ……………………………………………………………….. 11 Aim of the thesis…………………………………………………………………. -
Computational Investigation of Small Molecule Catalysis by Cobalt, Rhodium, and Iridium Molecular Catalysts
COMPUTATIONAL INVESTIGATION OF SMALL MOLECULE CATALYSIS BY COBALT, RHODIUM, AND IRIDIUM MOLECULAR CATALYSTS Thesis by Samantha Jo Iva Johnson In Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy CALIFORNIA INSTITUTE OF TECHNOLOGY Pasadena, California 2017 (Defended December 2nd, 2016) ii ã 2016 Samantha Jo Iva Johnson ORCID: [0000-0001-6495-9892] iii DEDICATION For Kevin “She is trying to guide his way home, from the waters that keep them apart.” -Roy Khan iv ACKNOWLEDGEMENTS There are few times in one’s life where one has the opportunity thank the people around them who have lent support and laughter. As I conclude my formal education and experience the emotional upheaval that comes with it, it feels appropriate to attempt to thank as many people as I can. No person walks the path to and through graduate school alone and it is through the grace and love of other people that I have been able to come this far. I have been blessed with an amazing group of friends, family, and mentors who have walked with me at various parts of this journey. I stress that this is an attempt to acknowledge how much of my success is owed to others, but these words feel inadequate when compared to the love and dedication of those mentioned here. Growing up in a small town, I never thought I would come this far in my education. I am not sure I even knew what a Ph.D was. Regardless, I was supported by an amazing cadre of teachers who took a strange little girl and transformed her into a lifelong student (though maybe still strange). -
America and the Musical Unconscious E Music a L Unconl S Cious
G Other titles from Atropos Press Music occupies a peculiar role in the field of American Studies. It is undoubtedly (EDS.) “It is not as simple as saying that music REVE/P JULIUS GREVE & SASCHA PÖHLMANN Resonance: Philosophy for Sonic Art recognized as an important form of cultural production, yet the field continues does this or that; exploring the musical On Becoming-Music: to privilege textual and visual forms of art as its objects of examination. The es- unconscious means acknowledging the Between Boredom and Ecstasy says collected in this volume seek to adjust this imbalance by placing music cen- very fact that music always does more.” ter stage while still acknowledging its connections to the fields of literary and Philosophy of Media Sounds ÖHLMANN Hospitality in the Age of visual studies that engage with the specifically American cultural landscape. In Media Representation doing so, they proffer the concept of the ‘musical unconscious’ as an analytical tool of understanding the complexities of the musical production of meanings in various social, political, and technological contexts, in reference to country, www.atropospress.com queer punk, jazz, pop, black metal, film music, blues, carnival music, Muzak, hip-hop, experimental electronic music, protest and campaign songs, minimal ( E music, and of course the kazoo. DS. ) Contributions by Hanjo Berressem, Christian Broecking, Martin Butler, Christof Decker, Mario Dunkel, Benedikt Feiten, Paola Ferrero, Jürgen AMERIC Grandt, Julius Greve, Christian Hänggi, Jan Niklas Jansen, Thoren Opitz, Sascha Pöhlmann, Arthur Sabatini, Christian Schmidt, Björn Sonnenberg- Schrank, Gunter Süß, and Katharina Wiedlack. A A ND TH AMERICA AND THE MUSICAL UNCONSCIOUS E MUSIC A L UNCON S CIOUS ATROPOS PRESS new york • dresden 5 6 4 7 3 8 2 9 1 10 0 11 AMERICA AND THE MUSICAL UNCONSCIOUS JULIUS GREVE & SASCHA PÖHLMANN (EDS.) America and the Musical Unconscious Copyright © 2015 by Julius Greve and Sascha Pöhlmann (Eds.) The rights of the contributions remain with the respective authors. -
MTO 10.2: Burns, Authenticity, Appropriation, Signification
Volume 10, Number 2, June 2004 Copyright © 2004 Society for Music Theory * Lori Burns and Alyssa Woods KEYWORDS: popular music analysis, voice, gender, race, violence, authenticity ABSTRACT: This paper studies alternative artist Tori Amos’s cover versions of two original performances by Billie Holiday and Eminem. The narrative perspectives and musical structures of the original songs offer great potential to explore questions of authenticity, appropriation, and intertextuality, and Amos’s distinctive revisions of the songs encourage reflection on her Signifyin(g) practices. The song “Strange Fruit” marked a shift in Billie Holiday’s musical style and social consciousness. Her recording (1939) of this emotionally powerful song about the lynching of a black man is upheld as the benchmark (“authentic”) version of that song. Over five decades later (1994), Tori Amos expresses a powerful commitment to the style and social message of Holiday’s original, yet her musical presentation is not merely historical tribute; rather, Amos Signifies on the older text to offer a contemporary statement on race and violence. Eminem’s song, “‘97 Bonnie and Clyde” (1999) exposes the problematic theme of violence against women. In her version (2001), Tori Amos appropriates Eminem’s lyrics, but casts a new perspective over the narrative by assuming the voice of the murdered woman. This paper analyzes the originals and covers using an interpretive framework that focuses on the voice as the site and vehicle of an artist’s Signifyin(g) expression. Received March 2004 [1] Recent studies in popular music explore the problematic attribution of “authenticity” to an artist’s musical work.(1) Such an attribution might be an evaluation of the sincerity of the artist, or a judgment concerning purity of musical style.