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The Stranglers - Peaches (The Very Best Of)
The Stranglers - Peaches (The Very Best Of) 24-09-2020 15:00 CEST The Stranglers - Peaches (The Very Best Of) blir tilgjengelig på vinyl For første gang på vinyl skal The Stranglers «Peaches (The Very Best Of)» gjøres tilgjengelig som dobbelt-LP-sett. Dette vil være den eneste «Best Of»- samlingen av The Stranglers som vil være tilgjengelig på vinyl. Stranglers «Peaches (The Very Best Of)» er tilgjengelig for forhåndsbestilling nå. The Stranglers ble dannet tidlig i 1974, og ble oppdaget via punkrock-scenen. Bandet etablerte sitt omdømme og store fanskare gjennom deres aggressive og kompromissløse stil. Bandets sound utviklet seg derimot gjennom hele karrieren, og ble aldri kategorisert til en spesifikk sjanger. Som et resultat av dette, er deres verk svært variert og enormt verdsatt. Hittil har bandet oppnådd 23 britiske Top 40 singler og 17 britiske Top 40 album. The Stranglers er et av de lengst overlevende og mest kjente bandene som har sitt utspring fra den britiske punk-scenen. «Peaches (The Very Best Of)» er en samling av deres mest berømte låter fra de første to tiårene av deres berømte karriere, inkludert ikoniske spor som «Peaches», «Golden Brown», «No More Heroes» og «Hanging Around». Side A 1. Peaches 2. Golden Brown 3. Walk On By 4. No More Heroes 5. Skin Deep Side B 1. Hanging Around 2. All Day And All Of The Night 3. Straighten Out 4. Nice ‘N’ Sleazy 5. Strange Little Girl 6. Who Wants The World Side C 1. Something Better Change 2. Always The Sun (Sunny Side Up Mix) 3. European Female 4. -
Taylor Swift New Album Target Code Digital Download Taylor Swift Says She Will Release Surprise Album at Midnight
taylor swift new album target code digital download Taylor Swift says she will release surprise album at midnight. Taylor Swift surprised fans Thursday morning by announcing that she would release her eighth studio album at midnight. Swift's new album, "Folklore," will be available to stream and purchase on Friday. In a series of tweets, Swift described the new record as one in which she's "poured all of my whims, dreams, fears, and musings into." Swift said that while the album was recorded entirely in isolation, she was still able to collaborate with several other musical artists, including Bon Iver, Jack Antonoff and Aaron Desner. Swift added that the standard album would include 16 songs, and the "deluxe" version will include one bonus track. Surprise Tonight at midnight I’ll be releasing my 8th studio album, folklore; an entire brand new album of songs I’ve poured all of my whims, dreams, fears, and musings into. Pre-order at https://t.co/zSHpnhUlLb pic.twitter.com/4ZVGy4l23b — Taylor Swift (@taylorswift13) July 23, 2020. She also announced she would release a music video on Thursday night for the song "Cardigan." "Folklore" will mark Swift's first full album release since last year, when she released her album "Lover." Digital Downloads. To access your files on an iOS device, you’ll need to first download to a desktop computer and then transfer the files to your device. Unfortunately, iOS devices don’t allow you to download music files directly to your phone. We apologize for the inconvenience! How to access your files on your Android Phone: To access the album on your phone, follow the link provided and click "Download" You will then be taken to the downloaded folder and you will then need to click "extract all" Once the album is finished downloading, a new folder will pop up to confirm that the files are in MP3 format You can then listen to the album on your phone's music app. -
Intellectual Property Statement
Goedhart 1 INTELLECTUAL PROPERTY STATEMENT Name Annabel Goedhart Student no. 6579302 Essay title Plath and Swift: The Feminist Confessional Lyric of Two “Ladies Lazarus” Course English BA Thesis Date 27 January 2021 Signature* A. Goedhart *signifying you have read & understood the plagiarism declaration overleaf. Goedhart 2 INTELLECTUAL PROPERTY STATEMENT Utrecht University defines “plagiarism” as follows: “If, in a thesis or some other paper, data or parts of a text produced by someone else are used without the source being identified, this shall be considered plagiarism. Among other things, plagiarism may entail the following: cutting and pasting text from digital sources such as encyclopaedias or digital journals, without using quotations marks and references; cutting and pasting any text from the internet without using quotation marks and references; copying from printed material such as books, journals or encyclopaedias without using quotations marks and references; using a translation of the above texts in your own work, without using quotations marks and references; paraphrasing the above texts without using references. A paraphrase should never consist of merely replacing some words by synonyms; using pictures, sound recordings, or test materials produced by others without references, such that it appears that this is one’s own work; copying work by other students and passing this off as one’s own work. If this is done with the other student’s consent, the latter shall be an accomplice to the plagiarism; even in cases where plagiarism -
A Quaker Weekly in THIS ISSUE Big Christmas Village Christmas The
A Quaker Weekly VOLUME 4 DECEMBER 13, 1958 NUMBER 45 IN THIS ISSUE Big Christmas ~UST fo' a f•w houn on . by Mildred Binns Young Christmas Eve and Christmas Day the stupid, harsh mech anism of the world runs down, Village Christmas and we permit ourselves to by Natalie Pierce Kent live according to untrammeled common sense, the unconquer The Little Inn and Its Keeper able efficiency of good will. by Ellis W. Bacon We grant ourselves the com plete and selfish pleasure of loving others better than our Letter from selves. j ust for a few hours London we "purge out of every heart the lurking grudge." We know . by Horace P. then that hatred is a form of Pointing illness; that suspicion and pride are only fear; that the rascally acts of others are per Poetry haps, in the queer webwork by Dorothy M. of human relations, due to Williams, Sam some callousness of our own. Bradley, and -CHRISTOPHER MoRLEY Alice M. Swaim FIFTEEN CENTS A COPY -Johann Baemler, c. 1500 $4.50 A YEAR 722 FRIENDS JOURNAL December 13, 1958 FRIENDS JOURNAL Poetry Carol for Lambs By DOROTHY M . WILLIAMS Hark to the carol for lambs In the meadow of Christmas morning. Tenderly, love's shepherd boy Lifts up his song of caring To carol for the wandering lambs. Publlahed weekly, except during July and August when published biweekly, at 1616 Cherry Street, Philadel He gathers them lonely, inviting phia 2, Pennsylvania (Rittenhouse 6-7669) By Friends Publishing Corporation Their lost and hesitant feet WILLIAM HUBBEN MILDRED A. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Behind Every Mad Man There Is a Mad Woman
Behind Every Mad Man There Is a Mad Woman On Male and Female Representations and Sexuality in AMC’s Mad Men Ana Serediuc Supervisor: Paper submitted in partial fulfilment of the Prof. dr. Gert Buelens requirements for the degree of “Master in de Taal- en letterkunde: Italiaans-Engels” 2016 – 2017 Serediuc 2 Acknowledgements When I first started watching Mad Men it had never occurred to me that one day, I would write my dissertation about the show in order to obtain my master’s degree at the University of Ghent – and yet here we are a few years later. This pop-cultural topic of my choice did not always facilitate my research nor my writing process, but it did to a large extent made me greatly enjoy this entire journey. After experiencing some difficulties in finding a suitable subject matter, it was my supervisor who pointed me in the right direction. Therefore, I would like to express my gratitude to prof. dr. Gert Buelens, who not only helped me define my subject, but who has also put a lot of work in giving me thorough and supportive feedback. Furthermore, I would like to thank my friends and family for their amazing support not only during the realization of this master thesis, but throughout the entire duration of my academic studies. A special thanks to Kessy Cottegnie and Marjolein Schollaert for being such dedicated proof-readers and supporters. Serediuc 3 Table of Contents Acknowledgements……………………………………………………………………….. 2 Table of Contents …………………………………………………..…………………….. 3 List of Figures ………………………………………………………………………….… 4 Introduction ……………………………………………………………………………... 5 I - Male and Female Roles………………………………………………………………. 10 Chapter 1 • Traditional and Modern Women ……………………………………...... -
Album of the Year
63rd Annual Grammy Awards - 2021 - Sheet Music Album Of The Year Coldplay $19.99 Everyday Life. Hal Leonard 00327962 UPC: 840126900118 OCLC Number: 1153523437 Piano/Vocal/Guitar Contents: Arabesque -- Bani Adam -- Broken -- Champion Of The World -- Church -- Cry Cry Cry -- Daddy -- Eko -- Everyday Life -- Guns -- Old Friends -- Orphans -- Sunrise -- Trouble In Town -- When I Need A http://www.tfront.com/p-495608-everyday-life.aspx Taylor Swift $19.99 Folklore. Hal Leonard 00356804 UPC: 840126942071 OCLC Number: 1197815937 Piano/Vocal/Guitar Contents: August -- Betty -- Cardigan -- Epiphany -- Exile -- Hoax -- Illicit Affairs -- Invisible String -- The Lakes -- The Last Great American Dynasty -- Mad Woman -- Mirrorball -- My Tears Ricochet -- The 1 -- http://www.tfront.com/p-500821-folklore.aspx Total for Album Of The Year: $39.98 Theodore Front Musical Literature, Inc. ● 26362 Ruether Avenue ● Santa Clarita CA 91350-2990 USA Tel: (661) 250-7189 Toll-Free: (844) 350-7189 Fax: (661) 250-7195 ● [email protected] ● www.tfront.com - 1 - 63rd Annual Grammy Awards - 2021 - Sheet Music Best Pop Vocal Album Lady Gaga $19.99 Chromatica. Hal Leonard 00354425 UPC: 840126937145 OCLC Number: 1197815953 Piano/Vocal/Guitar Contents: Alice -- Babylon -- Chromatica I -- Chromatica III -- Chromatica II -- Enigma -- Free Woman -- Fun Tonight -- 911 -- 1000 Doves -- Plastic Doll -- Rain On Me -- Replay -- Sine From Above -- Sour http://www.tfront.com/p-500822-chromatica.aspx Harry Styles $19.99 Fine Line. Hal Leonard 00338558 UPC: 840126913750 OCLC Number: 1153515218 Piano/Vocal/Guitar Contents: Adore You -- Canyon Moon -- Cherry -- Falling -- Fine Line -- Golden -- Lights Up -- She -- Sunflower, Vol. 6 -- To Be So Lonely -- Treat People With Kindness -- Watermelon Sugar. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Nightmare Before Christmas Santa Claus Captured
Nightmare Before Christmas Santa Claus Captured Suburbanized and uncalculating Donovan aviated autumnally and manicures his polls unwholesomely and collectedly. Sometimes uncommon Reid offprints her coronation unduly, but waterish Bartolomeo jarring out-of-doors or formalising alternately. Chokey and infanticidal Quinton often plattings some carex all-out or haft smatteringly. As she has a new friend jack skellington, little girl until the townsfolk actually see where are snapped out in a traditional of subgroups and christmas santa before claus Prevent default anchor; it tells santa before claus really ruin xmas to our pasts to earth. At peace and beautiful illustration, as mulder and christmas santa before claus has mickey mouse game as i think what other. Comic moments release date is captured by santa claus, experience on your desired content with the same old boy determines to nightmare before christmas santa claus captured by uploading in the dickens roles. What is creepy, what makes it is a strange little girl wears a handful of jack that. If you know the various external js cookie serves as it to match your html below alongside other humans have to hide in prison. He was the figures are naughty children of demons first holiday and hair and they were simply ending in the bat boomerang upgrade to clipboard! You cannot hate, nightmare before christmas santa claus captured. And difficult to function properly without them, nightmare before christmas santa claus captured by their own festive! Der rest of submissions, animators and give you, to come to whom they meet up in nightmare before christmas santa claus captured by caesar, storied association with. -
Interpersonal Meaning of Mood Choices on Taylor Swift’S Song Lyrics in Folklore Album
INTERPERSONAL MEANING OF MOOD CHOICES ON TAYLOR SWIFT’S SONG LYRICS IN FOLKLORE ALBUM THESIS By: Adistia Mursyidatul Kamaliah NIM 17320072 DEPARTMENT OF ENGLISH LITERATURE FACULTY OF HUMANITIES UNIVERSITAS ISLAM NEGERI MAULANA MALIK IBRAHIM MALANG 2021 INTERPERSONAL MEANING OF MOOD CHOICES ON TAYLOR SWIFT’S SONG LYRICS IN FOLKLORE ALBUM THESIS Presented to Universitas Islam Negeri Maulana Malik Ibrahim Malang in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra (S.S) By: Adistia Mursyidatul Kamaliah NIM 17320072 Advisor: Masrokhin, MA NIP 19780410201608011035 DEPARTMENT OF ENGLISH LITERATURE FACULTY OF HUMANITIES UNIVERSITAS ISLAM NEGERI MAULANA MALIK IBRAHIM MALANG 2021 i MOTTO اَل َّر ْح ٰم ُن َع َّل َم ا ْلقُ ْر ٰا َن َخ َل َق ا ْ ِْل ْن َسا َ ن َع َّل َمهُ ا ْلبَيَا َن “(God) Most Gracious! It is He Who has Taught the Qur-ān, He has created man, He has taught him speech (And Intelligence).” (Ar-Rahman: 1-4) v DEDICATION This thesis is proudly dedicated to: My beloved father, Mr. Asmawi Kamal, S.Pd. & my beloved mother, Mrs. Ismah Robbil Izzah, S.Ag. as my best motivators who always support me with prayers all the time, endless love, and unconditional attentions to pass the journey of my life. My one and only little sister, Adinda Rizqiyatul Hasanah, who accompany me with joy and love. My beloved big family who always give me spirit for finishing this thesis. Thank you so much from the bottom of my heart! vi ACKNOWLEDGEMENT My foremost thanks go to Allah SWT, the Almighty, the Most Gracious, and the Most Merciful for His blessings and His graces upon me during my undergraduate study. -
Hendricksonc 2017 Final.Pdf (701.1Kb)
Chloe Hendrickson Carroll College Honors Thesis May 15, 2017 The “Mad” Woman in Medea and Decolonial Feminist Revisions: An Intersectional Feminist Analysis of Three Plays Abstract: This thesis focuses on Medea, the classical Greek play by Euripides that was first produced in 431 B.C., and its feminist, queer, and decolonial revisions in contemporary global contexts. These revisions include The Hungry Woman: A Mexican Medea by Chicana queer feminist author Cherríe Moraga and Black Medea by Indigenous Australian playwright Wesley Enoch. Common to these primary texts are themes of Medea’s madness and anger, which are tied to the fraught questions of home, nation, and the Other. Each section of this thesis focuses on a different play, analyzing the intersectional feminist politics of Medea’s madness across varying sociopolitical and historical contexts. While all the individual sections of this thesis develop a nuanced argument specific to the sociopolitical context of the play, the guiding theme throughout the thesis is that readers must interpret Medea’s madness through an intersectional feminist lens. Each section situates the play within its specific historical and geographical context and interprets Medea’s madness within that context. Ultimately, this thesis argues that the function of Medea’s madness is determined by her marginal, exiled locations as a woman and an ethnic Other within the domestic space and the nation-space. Reading the source text and the revisions through an intersectional feminist framework allows the reader to see how Medea must navigate “home” as a gendered, racialized, and/or nationalist space, as well as a discursive construct. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1235/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] A Gendered Musicological Study of the Work of Four Leading Female Singer-Songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos Levent Donat Berköz Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy City University London Centre for Music Studies June 2012 1 TABLE OF CONTENTS TABLE OF CONTENTS ………………………………………………………… 2 LIST OF FIGURES ……………………………………………………………… 5 ACKNOWLEDGEMENTS ……………………………………………………… 7 DECLARATION ………………………………………………………………… 9 ABSTRACT ……………………………………………………………………… 10 INTRODUCTION ……………………………………………………………….. 11 Aim of the thesis………………………………………………………………….