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The Human Condition
Winter 2008-09 The Human Condition and Our Time Here on Earth Winter 2008-09 Volume 7, Issue 2 The College of Liberal Arts at The University of Texas at Austin publishes Life and Letters for its community of scholars, alumni and friends. Editor Christian Clarke Cásarez Life&Letters Associate Editor Jennifer McAndrew Art Director 2 Dave Holston Message from the Dean Children and Family Psychology and Pro Bene Meritis Mental Health Donna Coffelt Evolution and Ancestry 13 29 Bringing Up Baby: 21 Song of Solomon: Designers 3 Researchers Delve into The Aging of America A Life Full of Joy Anne-Charlotte Patterson the Psychological World and Philosophy Michele Myette TB Today: Anthropologist of Children Discovers Oldest Case of In Treatment: The Birth of Re-emerging Disease Psychotherapy in America 31 Sociologist Investigates David Oshinsky’s America Staff Writers United States’ Hight Infant Psychology as Commodity Tracy Mueller ‘Beautiful’ Bones: Lucy Mortality Rate the Famous Fossil Why It’s Time for Scientists Should the Mississippi Jessica Sinn to Market for the Masses Files Have Been Reopened? Salem: Scientists Unearth Love and Relationships Intern Earliest Child Skeleton Humanities 16 33 Scott Fulford 5 The Language of Love: 23 Dr. Denton Cooley Deep Roots? New DNA From Diaries to Online English Takes the Stage Takes Innovation Contributing Writers Tests May Reveal Your Chats, Writing about Your as Presidential Priority to Heart Vive Griffith Ancestry, But Researchers Relationship May Help it Last Pam Losefsky Urge Caution When Behind -
By Receipt of This Document Via Email, I Acknowledge I Have Received the 2020 - 2021 University of Illinois Student-Athlete Handbook
By receipt of this document via email, I acknowledge I have received the 2020 - 2021 University of Illinois Student-Athlete Handbook. I understand I am responsible for reading, understanding, and adhering to the information contained within this handbook pertaining to rules, regulations, policies, and procedures. UNIVERSITY OF ILLINOIS DIVISION OF INTERCOLLEGIATE ATHLETICS STUDENT-ATHLETE HANDBOOK August 2020 Dear Fighting Illini Student-Athletes: It gives me great pleasure to welcome you to campus for the 2020-2021 year! A special greeting to our new arrivals; it is our expectation that your years at the University of Illinois will transform your lives and position you for success and happiness following graduation. To all of you, newcomers and returners alike, I challenge you to embrace the opportunity in front of you. Leave your mark on the unique and storied tradition of Fighting Illini Athletics. Seize the moment to contribute to our athletic program’s rich history. We are all part of the Fighting Illini Family. Together, let’s do something special. The intercollegiate athletics program at the University of Illinois serves many purposes to a variety of different stakeholders, including student-athletes, staff, the campus, our community, our state, University alumni, fans and ticketholders, donors, business partners, and many others. In service to all these people and organizations, we have developed a concise mission statement, which defines, in broad terms, our reason for being. This mission statement is as powerful in its simplicity and scope as it is straightforward in its recital: Unify. Develop. Inspire. Achieve. It is a privilege, and not a right, to be associated with our program. -
Motown Pop and Southern Soul
UNIT 7 (P. 222-235) CHAPTER 6: MOTOWN POP AND SOUTHERN SOUL Intro Until early 60’s, many African-Americans blocks from mainstream success by white covers o Majority of African-American recording artists signed to independent labels, and recordings’ popularity could be easily eclipsed by major label versions British invasion bands took much of early inspiration from African-American popular music By 1965, situation in youth-music market had significantly improved for black artists wanting mainstream hits Among most important developments was music that came from Motown Records (independent company; most important era of success parallels that of the Beatles) and the emergence of southern soul from Memphis American rock press that emerged in mid-60’s often cast Motown as black pop music that made too many concessions to white sensibilities – selling out its “blackness” to make money in white market; while southern soul portrayed as music that makes no excuses for its blackness, staying closer to origins in black culture o Perception of racial authenticity after music accepted into white mainstream o Crossover so prevalent; December ’63 – January ’65, Billboard stopped tracking R&B charts separately Berry Gordy, Jr. and Black Music for White Audiences Go Where the Money Is: White Kids and Disposable Income Berry Gordy, Jr.: professional boxer in Detroit area, worked for father’s construction company, owned a record store, and worked on Ford assembly line; spent a lot of time in Detroit’s jazz clubs – jazz = not key to success in music -
Dancing in the Street”--Martha and the Vandellas (1964) Added to the National Registry: 2005 Essay by Cary O’Dell
“Dancing in the Street”--Martha and the Vandellas (1964) Added to the National Registry: 2005 Essay by Cary O’Dell Martha and the Vandellas Erudite music critic Dave Marsh has called it, “As pure a product of its day as anything Dylan or the Beatles ever imagined.” The song is “Dancing in the Street,” written by William Stevenson, Marvin Gaye, and Ivy Jo Hunter and recorded by Martha and the Vandellas in 1964. Since its release in July of ’64 (it would reach #2 on the Billboard pop chart by September), the song has gone on to become one of Gordy/Motown and pop music’s most definitive works and a powerful anthem, sometimes in spite of itself. The Martha of Martha and the Vandellas is Martha Reeves. She was born in Alabama in 1941 and raised in Detroit. She began singing with her friends Annette Beard and Rosalind Ashford, as the Del-Phi’s, while still in high school. They cut their first records in 1960. But stardom was not, at that time, in the cards. Not long after, however, and after Reeves briefly pursed a solo career, Reeves became the secretary to Mickey Stevenson, an exec at Detroit’s renowned Motown Records. Legend has it that, one day, label founder Berry Gordy, Jr. needed some backup singers for a session then in progress. Knowing of Reeves’ recording ambitions, he called her and her friends, Beard and Ashford, into the studio. The trio of ladies would end up singing back-up on two Marvin Gaye records, “Stubborn Kind of Fellow” and “Hitch Hike.” Under the moniker Martha and the Vandellas (a hybrid of Detroit’s Van Dyke Street and singer Della Reese’s first name), the revived group also quickly recorded their own single, “I’ll Have to Let Him Go.” Liking the end results, Gordy signed the group to their own contract in September 1962. -
John J. Mccloy Papers 1897-1989 (Bulk 1940-1979) Finding Aid MA.00035
John J. McCloy Papers 1897-1989 (bulk 1940-1979) Finding Aid MA.00035 home | help | about | search Home >> Amherst College Archives & Special Collections >> John J. McCloy Papers 1897-1989 (bulk 1940-1979) Finding Aid MA.00035 John J. McCloy (AC 1916) Papers, 1897-1989 (Bulk: 1940-1979) 59.5 Linear feet (52 records cartons, 28 flat boxes, 1 scroll box, 2 map case drawers) Collection number: MA.00035 Abstract: The John J. McCloy Papers span the years 1897-1989, with the bulk of the material falling into the period 1940-1979. The roughly 60 linear feet of material cover the breadth of McCloy's activities, from lawyer to banker to government official to negotiator to behind-the-scenes adviser. The papers include working papers, correspondence, memoranda, speeches, scrapbooks, photographs, legal documents, printed material, and memorabilia. The collection includes very little personal or family-related material. Terms of Access and Use: Restrictions on access: In general, there is no restriction on access to the John J. McCloy Papers for research use. Selected items may be restricted to protect the privacy rights of individuals or for other legal reasons. Particularly fragile items may have been replaced with copies. Material from other collections, which may be found in the McCloy Papers, cannot be duplicated. Restrictions on use: All copyrights held by John J. McCloy or his heirs were transferred to Amherst College along with the papers. It is the responsibility of the researcher to identify and satisfy the holders of other copyrights. Requests for permission to publish material from the papers should be directed to the Archivist of the College. -
C019 039 025 All.Pdf
----~------------------------ - This document is from the collections at the Dole Archives, University of Kansas http://dolearchives.ku.edu REMARKS OF SENATOR BOB DOLE INTERNATIONAL PLATFORM ASSOCIATION MAYFLOWER HOTEL, WASHINGTON, D.c. WEDNESDAY, AUGUST 7, 1985 THANKS VERY MUCH, DAN, FOR THAT GENEROUS INTRODUCTION. LET ME BEGIN BY EXPRESSING MY GRATITUDE FOR THIS AWARD. BEFORE I CAME OVER HERE, I DID A LITTLE RESEARCH INTO THEODORE ROOSEVELT'S CAREER, ESPECIALLY AS A PLATFORM ORATOR. FOR INSTANCE, WHEN HE WAS SHOT IN THE CHEST DURING THE 1912 BULL MOOSE CAMPAIGN, HE INSISTED ON DELIVERING A TWO-HOUR SPEECH BEFORE GOING TO THE HOSPITAL. AFTERWARDS, THE DOCTORS FOUND THAT IT WAS THE FOLDED UP MANUSCRIPT -- ABOUT 80 PAGES LONG -- WHICH SLOWED THE BULLET BEFORE IT COULD DO MORTAL DAMAGE. SO THERE YOU HAVE AT LEAST ONE EXAMPLE OF WHERE LONGWINDEDNESS SAVED SOMEONE'S LIFE. FROM MY OWN EXPERIENCE, IT'S MORE LIKELY TO SHORTEN LIFE. Page 1 of 58 This document is from the collections at the Dole Archives, University of Kansas http://dolearchives.ku.edu - 2 - WHY DO WE REMEMBER ROOSEVELT WITH SO MUCH AFFECTION? CERTAINLY, FEW MEN IN THE HISTORY OF THE REPUBLIC EVER ENJOYED THEIR TIME IN POWER MORE. FEW GAVE OFF A MORE EFFORTLESS IMPRESSION OF COMMAND. FEW CONVEYED WITH SUCH ELOQUENCE THE COMBINATION OF PERSONAL VALUES AND A NATIONAL VISION. IT WAS, AFTER ALL, THEODORE ROOSEVELT WHO INSISTED ON THE PRESIDENCY AS THE GREAT "BULLY PULPIT" OF POPULAR DEMOCRACY. AND FEW MEN, BEFORE OR SINCE, HAVE OCCUPIED THAT PULPIT WITH SUCH GUSTO. AS A REPUBLICAN, I ALSO THINK OF ROOSEVELT AS, IN MANY WAYS, THE FATHER OF MY PARTY IN THE 20TH CENTURY. -
Biographical Description for the Historymakers® Video Oral History with Rosalind Ashford Holmes
Biographical Description for The HistoryMakers® Video Oral History with Rosalind Ashford Holmes PERSON Holmes, Rosalind, 1943- Alternative Names: Rosalind Ashford Holmes; Rosalind Ashford; Life Dates: September 2, 1943- Place of Birth: Detroit, Michigan, USA Residence: Detroit, MI Occupations: Motown Singer; Motown Singer Biographical Note Motown singer Rosalind Holmes was born on September 2, 1943, to John and Mary Ashford in Detroit, Michigan, although her parents separated when she was very young. As a child, Holmes sang in church choirs and learned how to dance in local centers, and in high school, she sang in her glee club and mixed choir. In 1957, Ashford auditioned for and mixed choir. In 1957, Ashford auditioned for Edward “Pops” Larkins at the local YWCA in Detroit. Larkins was in search of a new girl group to compliment his already established male group. Rosalind, along with Annette Beard, Gloria Williams, and Martha Reeves, became The Del-Phi’s; they performed at the YMCA, YWCA, high school functions, teas, lawn parties and private events. In 1961, The Del-Phi’s released “I’ll Let You Know” on the Chess Records label subsidiary Checkmate. The record was unpopular, and two follow up records also failed to bring attention to the group. In 1962, Williams left the group, and the remaining trio became Marvin Gaye’s background singers on singles like “Stubborn Kind of Fellow” and “Hitch Hike.” In September of that same year, Motown president Berry Gordy signed Reeves and her background singing partners to the label as Martha and the Vandellas. Just one year later, "Come and Get These Memories" became the Vandellas’ first hit single, reaching number six on the Billboard R&B Singles Chart. -
Las Caras Del Soul: Géneros Musicales E Imaginarios Dinámicos1
ARTÍCULOS CIC. Cuadernos de Información y Comunicación ISSN: 1135-7991 http://dx.doi.org/10.5209/ciyc.69514 Las caras del soul: géneros musicales e imaginarios dinámicos1 Josep Pedro2; Begoña Gutiérrez-Martínez3 Evaluado: 20/05/2020 / Aceptado: 28/05/2020 Resumen. En este artículo estudiamos los géneros discursivos a partir de su relación con la música popu- lar. Desde una perspectiva pragmática, abordamos la evolución histórica del soul en relación al movimien- to afroamericano por los derechos civiles. Con el objetivo de examinar las transformaciones del género y su imaginario entre las décadas de 1960 y 1970, realizamos un análisis socio-semiótico a partir de dos ejemplos paradigmáticos: la canción “Dancing in the Street” (Martha Reeves & The Vandellas, 1964) y el disco What’s Going On (Marvin Gaye, 1971). Estas obras concretan y figurativizan un imaginario dinámi- co que cambia en relación con la experiencia social y política de la comunidad afroamericana en EE.UU. Asistimos a la puesta en escena de las caras del soul: una alegre y esperanzada; otra herida y melancólica. Palabras clave: género; música popular; imaginario; soul; cultura afroamericana. [en] Faces of Soul: Music Genres and Dynamic Imaginaries Abstract. In this paper we study discourse genres based on their relationship with popular music. From a pragmatic perspective, we approach the historical evolution of soul in relation to the African-Amer- ican civil rights movement. In order to examine the transformations of this music genre and its imagi- nary, we undertake a socio-semiotic analysis based on two paradigmatic examples: the song “Dancing in the Street” (Martha Reeves & The Vandellas, 1964) and the album What’s Going On (Marvin Gaye, 1971). -
2014 Track & Field Schedule
2014 TRACK & FIELD SCHEDULE IINDOORNDOOR SSEASONEASON Date Meet Location Jan. 24-25 at NAU Invitational Flagstaff , Ariz. Jan. 31-Feb. 2 at UW Invitational Seattle, Wash. Feb. 1 at New Mexico Team Invitational Albuquerque, N.M. Feb. 7-8 at Texas A&M Aggie Invitational College Station, Texas Feb. 14-15 at Don Kirby Elite Invitational Albuquerque, N.M. at Husky Classic Seattle, Wash. Feb. 28-March 1 at MPSF Championships Seattle, Wash. March 14-15 at NCAA Championships Albuquerque, N.M. OOUTDOORUTDOOR SSEASONEASON Date Meet Location March 22 Washington State ** Drake Stadium March 26-29 at 87th Clyde Littlefi eld Texas Relays Austin, Texas April 4-5 at Stanford Invitational Austin, TX April 5 at Battle on the Bayou Baton Rouge, La. April 12 Rafer Johnson/Jackie Joyner-Kersee Invitational** Drake Stadium April 17-19 at Mt. SAC Relays Walnut, Calif. May 4 USC ** Drake Stadium May 10-11 at Pac-12 Multi-Event Championships Pullman, Wash. May 17-18 at Pac-12 Championships Pullman, Wash. May 29-31 at NCAA Preliminary Round Fayetteville, Ark. June 7 Jim Bush Invitational ** Drake Stadium June 11-14 at NCAA Championships Eugene, Ore. ** denotes UCLA home meet TABLE OF CONTENTS/QUICK FACTS QUICK FACTS TABLE OF CONTENTS Location .............................................................................J.D. Morgan Center, GENERAL INFORMATION ......................................325 Westwood Plaza, Los Angeles, Calif., 90095 2014 Schedule .........................Inside Front Cover Athletics Phone ......................................................................(310) -
Operation Focus
Council for American Private Education 13017 Wisteria Drive #457 Germantown, MD 20874 301-916-8460 (tel) 301-916-8485 (fax) [email protected] www.capenet.org Focus n Operatio Focus Background Information on Key Members of Congress PRIVATE EDUCATION : Good for Students Good for Families Good for America Voice of America’s Private Schools Operation Focus CAPE and its member organizations are working to encourage the private school community across the country to communicate with key members of Congress about legislative issues of concern to religious and independent schools. The program is called “Operation Focus” because it focuses on specific lawmakers and enlists the help of specific constituents within their states or districts. Lawmakers Operation Focus identifies key legislators who fill leadership posts in the House or Senate, or who serve on the following committees significant for education: • Appropriations Subcommittee on Labor, Health and Human Services, Education, and Related Agencies (House and Senate) • Education and Labor Committee (House) • Health, Education, Labor, and Pensions (HELP) (Senate) • Ways and Means Committee (House) Constituents Operation Focus seeks to enlist the help of influential persons who can communicate with lawmakers about the legislative priorities of the private school community. Such persons might include education and religious leaders; community and business leaders; contributors to political campaigns; board members, administrators, parents, and teachers in schools within the particular state or Congressional district. About This Document The biographical sketches of lawmakers in this document are intended to provide private school leaders with background information that may be helpful in identifying persons well suited to contact legislators. The sketches should also give the identified contacts valuable information to help them connect with the legislator in question. -
Detroit Blues Women Michael Duggan Murphy Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2011 Detroit blues women Michael Duggan Murphy Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the African American Studies Commons, Music Commons, and the United States History Commons Recommended Citation Murphy, Michael Duggan, "Detroit blues women" (2011). Wayne State University Dissertations. Paper 286. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. DETROIT BLUES WOMEN by MICHAEL DUGGAN MURPHY DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: HISTORY Approved by: ____________________________________ Advisor Date ____________________________________ ____________________________________ ____________________________________ DEDICATION “Detroit Blues Women” is dedicated to all the women in Detroit who have kept the blues alive, to the many friends, teachers and musicians who have inspired me throughout my life, and especially to the wonderful and amazing family that has kept me alive. Many thanks to Lee, Frank, Tom, Terry, Kim, Allison, Brendan, John, Dianne, Frankie, Tommy, Kathy, Joe, Molly, Tom, Ann, Michael, Dennis, Nancy, Mary, Gerry, Charles, Noranne, Eugene, Maegan, Rebecca, Tim, Debby, Michael Dermot and Angela. ii ACKNOWLEDGMENTS I would first like to thank my advisor and committee chair John J. Bukowczyk for his friendship, his editing skills, and his invaluable guidance through all stages of this dissertation. Throughout my graduate career, Dr. Bukowczyk has been generous mentor with a great deal of insight into the workings of the University and the world at large. -
Remarks at the National Collegiate Athletic Association Award Luncheon” of the President’S Speeches and Statements: Reading Copies at the Gerald R
The original documents are located in Box 4, folder “1/7/75 - Remarks at the National Collegiate Athletic Association Award Luncheon” of the President’s Speeches and Statements: Reading Copies at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 4 of President's Speeches and Statements: Reading Copies at the Gerald R. Ford Presidential Library • REMARKS AT NATIONAL COLLEGIATE ATHLETIC ASSOCIATION'S 1975 AWARDS LUNCHEON TUESDAY 6 JANUARY 71 1975 " ~. MAY I THANK YOU MOST SINCERELY FOR THIS AWARD --AND FOR THE GOOD WILL AND GOOD WI SHES THAT IT REPRESENTS. IT WILL ALWAYS OCCUPY AN HONORED POSITION IN MY OFFICE, \N MY LIFE, AND IN MY MEMORIES. f"F~=-~· , - 2 - I WANT YOU TO KNOW,THAT I FEEL VERY MUCH AT HOME HERE TODAY BECAUSE -\IF YOU STOP TO THINK ABOUT IT -\THE ATHLETIC DIRECTOR OF ANY COLLEGE AND THE PRESIDENT OF THE UNITED STATES~ HAVE A GREAT DEAL IN COMMON. WE BOTH NEED THE TALENT AND COOPERATION OF OTHERS TO SUCCEED.