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Paris, Rouen, Le Havre Von Stein Zu Stahl Paris, Rouen, Le Havre Von Stein zu Stahl Seminarreise Frühlingssemester 2013 Professur Wolfgang Schett ETHZ Eidgenössische Technische Hochschule Zürich 2 TeilnehmerInnen Reisedaten Alvfors Johan Hinreise nach Paris Capt Luca Montag 18.03.13 Cervenka Sabrina 9:00 Treffpunkt Zürich HB Cho Seo Yeon 9:34 Zürich HB Dumont d Ayot Lou 13:37 Paris, Gare de Lyon Hustinx Charlotte Jaberg Nadine Kugelmeier Martin Maillard Lisa Sophie Hinreise nach Rouen, Le Havre Patà Achille Donnerstag 21.03.13 Rechsteiner Yves 08:53 Paris, Gare Saint-Lazare Renggli Karin 10:01 Rouen, Gare Rive Droite Schlatter Lukas Späni Corinne 18:04 Rouen, Gare Rive Droite Studer Reto 18:55 Le Havre Toffel Thomas Umiker Janine von Stokar Sielentz Sylea Rückreise nach Paris Wangler Louis Freitag 22.03.13 Wanner Céline 18:03 Le Havre Zemp Yasmine 20:10 Paris, Gare Saint-Lazare Zimmerli Andreas Organisation Rückreise nach Zürich Urs Jeltsch Freitag 23.03.13 Martin Dubach 18:23 Paris, Gare de Lyon 22:26 Zürich HB Hotels Paris (18.03.-20.03) Hôtel Saint-André-des-Arts 66, rue Saint-André-des-Arts 75006 Paris Tél: +33 (0)1 43 26 96 16 Le Havre (21.03.) Best Western ARThotel 147, rue Louis Brindeau 76600 Le Havre Tél: +33 (0)2 35 22 69 44 Paris (22.03) Timhotel Gare de l’Est 27, rue des Récollets 75010 Paris Tél: +33 (0)1 46 07 07 07 3 Reiseprogramm Montag 18.03.13 Anreise, Paris Nachmittag Auguste Perret: Villa Seurat Henri Sauvage: Immeuble d’habitation avec piscine Abend Palais de Tokyo Dienstag, 19.03.13 Paris Morgen Marcel Lods, Eugene Beaudouin: Cité de la Muette Diener Diener: Musée de la Shoah Nachmittag Auguste Perret: Le Musée des Travaux Publics Henri Sauvage: Studio Building Mittwoch, 20.03.13 Paris Morgen Eduard Albert: Faculté des Sciences de Jussieu Marcel Lods, Eugene Beaudouin: Maison du Peuple Nachmittag Marcel Lods: Maison des Sciences de l’Homme Edouard Albert: Tour Croulebarbe Donnerstag, 21.03.13 Rouen Morgen Marcel Lods: Sotteville-lès-Rouen Nachmittag Marcel Lods: Cité de la Grand-Mare Abend Nachtessen im Bistrot Parisien (39, place de l’Hôtel de Ville, Le Havre) Freitag, 22.03.13 Le Havre Morgen Guy Lagneau, Raymond Audigier: Musée d’art moderne Nachmittag Auguste Perret: visite de la ville d’Auguste Perret (Appartement Témoin, Avenue Foch, Porte Océane, Église Saint Joseph) Samstag, 23.03.13 Paris, Rückreise Morgen Fernand Pouillon: Meudon la Forêt Nachmittag Auguste Perret: Notre-Dame de Raincy 4 5 6 Texte Auguste Perret Biografie 8 Auguste Perret und der klassische Rationalismus 10 Musée des Travaux Publics, Paris 26 Ambivalentes Le Havre 30 Rationalistischer Klassizismus in Frankreich 34 Fernand Pouillon Biografie 9 Rationalistischer Klassizismus in Frankreich 34 Résidence La Parc, Meudon-la-Forêt 56 Henri Sauvage Biografie 8 La piscine des Amiraux 58 Du Studio-building au Vert-Galant, le sensationnel et Ia polémique 65 «Studio Building», Paris 66 Marcel Lods & Eugene Beaudoin Biografien 68 Maison de Peuple in Clichy, Paris 70 Die Cité de la Muette 74 Marcel Lods La Maison des Sciences de l‘Homme, Paris 82 Un prototype d’architecture industrialisée 86 Plan d’aménagement et de reconstruction de Sotteville 92 Sotteville-lès-Rouen 94 Position 1950 96 Diener & Diener Architekten Erinnerung als Komposition 80 Edouard Albert Biografie 69 La Tour Croulebarbe, un tissage structurel 98 La faculté des sciences de Jussieu 104 Louis Arretche L’Église Sainte-Jeanne d’Arc à Rouen 107 Guy Lagneau & Raymond Audigier Le nouveau Musée d’Havre 108 Bibliografie 110 Übersichtspläne Paris 112 Rouen 116 Le Havre 120 7 8 Henri Sauvage Auguste Perret *10.05.1873 Rouen, †21.03.1932 Paris *12.02.1874 Ixelles/Elsene; Belgique, †27.08.1954 Paris Quittant l’atelier de Pascal en 1895, il panicipe au Né à Bruxelles d’un père exilé à Ia suite des événe- renouveau des ans décoratifs, fondant notamment ments de Ia Commune et retourné en 1881 à Paris, une firme de papiers peints, et entame sa carrière où il est entrepreneur. Auguste Perret, après des d‘architecte en 1899 avec Ia villa Majorelle à Nancy, études à l’ENSBA (atelier Guadet, 1892-1896), et avant où inspiration régionaliste et réminiscences médié- d’être dipômé, s’engage dans Ia vie professionnelle. vales se mêlent à l’Art nouveau, puis le théâtre de II construit des immeubles à Paris: rue du Faubourg Loïe Fuller à l’exposition de 1900, en collaboration Saint-Denis (1898), avenue de Wagram (1902), rue avec le sculpteur Pierre Rache. Associé à Charles Sara- Franklin (1903). Avec ses frères Gustave et Claude, zin (1873-1950) à partir de 1900, il construit à Biarritz Auguste Perret prend Ia direction, à Ia mort de son les villas Océana (1903) et Leubas (1907), aux accents père, de l’entreprise de bâtiment, étudie et réalise régionalistes, mais oriente principalement son acti- des constructions utilitaires, le garage de Ia rue Pon- vité vers Ia réalisation d’«habitations hygiéniques thieu (1907), les docks de Casablanca (1916), les ate- à bon marché» et d’immeubles de rapport; il édifie liers Eders (1919) et Marinoni (1919). II participe à Ia ainsi à Paris les immeubles des rues de Trétaigne, concetion et construit le théâtre des Champs-Élysées Ferdinand Flacon et de Ia Cité «L’Argentine» (1903), (1911-1913), qui attire l’attention sur sa maîtrise du des rues Danville et Sévéro (1905), du bd. de I’Hôpital béton armé. II construit ensuite des édifices religieux, (1908), des rues de Chine (1909), Ia Boétie (1911), Vavin l’église du Raincy (1922-1923), l’église de Montmagny (1912). Après Ia guerre l’association avec Sarazin est (1926), la chapelle d’Arcueil (1927), et il donne les pro- rompue et il réalise seul les cinémas Gambetta (1920) jets d’une cathédrale Sainte-Jeanne-d’Arc (non-réa- et Sèvres (1922), l’agrandissement des magasins de Ia lisé, 1926), et d’une église à Carmaux (non-realisé, Samaritaine avec Frantz Jourdain (1926), les maga- 1939). II construit des ateliers d’artistes: Ia villa Cas- sins Decré à Nantes (1931), Ia villa de Bunau-Varilla sandre (1926), la maison Chana Orloff (1926), l’ate- à Orsay (1927); mais les programmes de Iogements lie Braque (1927), et à Paris le théâtre provisoire de sociaux ou d’immeubles de rapport constituent en- l’Exposition de 1925, Ia salle Cortot de l’École normale core l’essentiel d’une production parisienne de valeur de Musique (1929), l’immeuble de Ia rue Raynouard inégale dont se détachent l’immeuble de Ia rue des (1930), Ia Marine nationale (1932), le Mobilier national Amiraux (1922) et le «Studio Building» de Ia rue La (1934), le Musée des Travaux publies (1937). II dirige un Fontaine (1926). atelier extérieur à I’École des Beaux-Arts (1923-1927), puis à l’École Spéciale (à partir de 1930). II est élu en aus L’architecture moderne en France, 1889-1940, 1942 à l’Institut. Pendant Ia Seconde Guerre mon- Gérard Monnier; Édition A. et J. Picard, Paris, 1997 diale, il étudie Ia reconstruction d’Amiens (place de Ia Gare, et tour Perret). II est ensuite architecte en chef de Ia reconstruction de Ia ville du Havre (1945-1954). II donne ensuite le plan général du Commissariat à I’Énergie Atomique à Saclay (1948- 1953). aus L’architecture moderne en France, Du chaos à la croissance, Joseph Abram; Édition A. et J. Picard, Paris, 1999 Biografien 9 Fernand Pouillon *14.05.1912 Cancon, †24.07.1986 Belcastel Ses études à l’École des Beaux-arts de Marseille, puis à l’ENSBA, commencées en 1929, s’achèvent par le diplôme en 1942. Au moment de Ia reconstruction de Marseille, il s’impose par l’opération de Ia Tourette (500 Iogements, 1949-1953), et devient architecte-en- chef de Ia reconstruction du Vieuxport (en associa- tion avec Perret et Devin, 1950-1953). Contrôlant Ia SET (bureau d’études, financé par Ies entreprises), associé à René Egger (jusqu’en 1953), il construit à Marseille Le Canard enchaîné, 22 mars l’usine Nestlé (1948) et Ia bibliothèque de Ia Faculté 1961, figure illustrant l’article: des sciences (1953), à Aix Ia bibliothèque de Ia Faculté «La saison des tuiles» de droit (1952), un ensemble de Iogements (1952), une Cité universitaire (1955). Invité à Alger par le maire, Jacques Chevallier, il construit de 1953 à 1957 des ensembles de Iogements: à Diar-el-Mahçoul (1800 Iogements), Climat-de-France (3500 Iogements). De 1954 à 1962, il construit plusieurs édifices publies en Iran (bâtiment pour l’État-major, à Téhéran, des gares, etc.). II construit I’aérogare de Margignane (1955- 1962). Entre 1955 et 1962, il construit dans Ia région parisienne: à Montrouge, Ia Cité de Buffalo (550 Ioge- ments), à Meudon-la Forêt (3500 Iogements), à Bou- logne (2200 Iogements). Après le scandale du CNL (1961), il est condamné à trois ans de prison (1964). De 1965 à 1984, il dirige pour le gouvemement algérien de nombreuses opérations: ensembles hôteliers, Io- gements, bâtiments universitaires. II est de retour en France en 1985. II a publié Les pierres sauvages (1964), et Mémoires d’un architecte (1968). aus L’architecture moderne en France, Du chaos à la croissance, Joseph Abram; Édition A. et J. Picard, Paris, 1999 10 Auguste Perret und der klassische Rationalismus Kenneth Frampton «Wie bereits gesagt, beruht die französische Tradi- wurzeln.» tion auf dem Parallelismus von klassischen Regeln Leonardo Benevolo: Storia della architettura moderna, und Baupraxis, und auf dem Wege über diesen Par- 19601 allelismus haben die Regeln eine solche Automatik erworben, daß sie als Naturgesetze gelten. Perret, Wie wir nach der Überschrift der einzigen in engli- der ganz dieser Tradition verhaftet ist, wird spontan scher Sprache erschienenen, 1959 von Peter Collins dazu gebracht, das Rahmenwerk aus Beton (das ein veröffentlichten Studie über Auguste Perret Concrete, konstruktives Faktum ist) mit dem perspektivischen The Vision of a New Architecture, urteilen können, Rahmenwerk zu identifizieren und auf ersteres die gründete Perrets architektonische Laufbahn auf der räumlichen Erfordernisse und Verbindungen zu Artikulation der Stahlrahmenkonstruktion, als sei sie übertragen.
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