DOCSLIB.ORG

Curriculum Vitae Paulo Rosa

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Curriculum Vitae Paulo Rosa CURRICULUM VITAE PAULO ROSA DIRECTOR CAMERA OPERATOR STEADICAM OPERATOR Name: Paulo José dos Santos Martins Rosa Home Country Address: Rua Teófilo Braga, Nº 261 - 2º andar, 2785-122 São domingos de Rana - Cascais - Portugal Mobile : Portugal +351 917222792 U.A.E. - Dubai +971 551085780 Date of birth: July 25, 1962 B.I. No. 6140975 - From File Identification of Lisbon Passport No. L-509942 Driving License Light and Motorcycles No. L - 894392 Driving License for Sportsman Nautical: Sailor No. 2567 - CS Email: [email protected] http://paulorosadirector.wordpress.com http://www.imdb.com/name/nm0740869/?ref_=fn_al_nm_1 Awards : 2013 - “WINDECK” - Nominated for “the 41st International Emmy® Awards“ (USA) Soup-Opera / Telenovela - Director http://allafrica.com/stories/201310081167.html http://www.iemmys.tv/awards_nominees.aspx- # Golden Globes (Portugal) by SIC tv : http://en.wikipedia.org/wiki/Golden_Globes_%28Portugal%29 - “Lines of Wellington” - Nominated Best Film for Golden Globes (Portugal) - steadicam. - “Lines of Wellington” - Best Actor : Nuno Lopes - steadicam. 2011 for Golden Globes (Portugal) - “A Bela e o Paparazzo” - Nominated Best Film - steadicam. - “A Bela e o Paparazzo” - Nominated Best Artress : Soraia Chaves - steadicam. 2010 for Golden Globes (Portugal) - “Hoje” - Best Music Song: Amália gaivota - steadicam. - “Hoje” - Nominated Best Music Band - steadicam. - “David Fonseca” - Nominated Best Individual Performer - steadicam. - “David Fonseca” - Nominated Best Music Song: “A Cry 4 Love” - steadicam. 2007 for Golden Globes (Portugal) Television: - “Floribella” - Best Kiss actors: Luciana Abreu e Diogo Amaral - Director. - “Floribella” - Best Villain actress: Mafalda Vilhena - Director. 2004 for Golden Globes (Portugal) - “Who Wants to Be a Millionaire?” - Best Entertainment Presenter: Jorge Gabriel - Director. 2003 for Golden Globes (Portugal) - “Herman Sic” - Best Entertainment Program - steadicam. 2002 for Golden Globes (Portugal) - “Herman Sic” - Best Entertainment Program - steadicam. - “Herman Sic” - Best Entertainment Host: Herman José - steadicam. - “Herman Sic” - Best Fiction and Comedy Show Actress: Maria Rueff - steadicam. 2001 for Golden Globes (Portugal) - “Herman Sic” - Best Entertainment Program - steadicam. - “Clã” - Best Music Song: Sopro do Coração - steadicam. 2000 for Golden Globes (Portugal) - “Médico de Família” - Best Fiction and Comedy Show - camera and steadicam. 1999 for Golden Globes (Portugal) - “Médico de Família” - Best Fiction and Comedy Show - camera and steadicam. - “Zona J” - Best Feature Film - camera and steadicam. - “Zona J” - Best Actress : Ana Bustorff – camera and steadicam. - “Zona J” - Nominated Best Actor : Félix Fountoura – camera and steadicam. 1998 for Golden Globes (Portugal) - “Chuva de Estrelas” - Best Entertainment Show - Daily Show Director. - “Herman 98” - Best Entertainment Host : Herman José - steadicam. 1997 for Golden Globes (Portugal) - “Herman Total” - Best Entertainment Show – camera. - “Herman Total” - Best Entertainment Host : Herman José - camera. 2013 – Freelancer in U.A.E. – work with : “TwoFour54” - Abu Dhabi “LIVE” - Abu Dhabi “SEVEN” - Dubai “The Talkies” - Dubai “BBH-best broadcast hire” - Dubai “Viola Communications” - Abu Dhabi “FilmWorks” - Dubai “MediaCrew/FilmQuip” - Dubai “Tambi Studios” - Dubai “Phoenix Film” - Dubai “Gamma Engineering” - Dubai “Epic Films” - Dubai “Filmmaster” - Dubai 2012 - Director and Team Leader in "Semba" Angola - (about 40 People, tv-series, outdoor team). 2009 - Director and Team Leader in "SP-Televisão" - (about 35 people, tv-series, outdoor team). 2008 - Director and Team Leader in "TDN" - (about 35 people, tv-series, outdoor team). 2007 - Director and Team Leader in "T. G. - s.a." - (About 35 people, outdoor team). 2004 - EBS – Euro BroadCast Services (Steadicam in host broadcast Euro-2004) 1995 - Director and Team Leader in "Multicena" - (about 25 people, including freelancers). 1994 - Senior CameraMan and Image Team Leader in "NBP" - (15 people). 1992 - Senior CameraMan and Image Team Leader in "NBN" - (8 people). 1990 - Senior CameraMan and Image Team Leader, in "Telecine-Moro" - (10 people). Also I've worked with: “Endemol-Portugal”, “Endemol-Netherlands”, EyeWorks-Portugal”, “EyeWorks-Spain”, “Semba-Angola”, “Fremantle-Portugal”, “Shine Iberia-Portugal” . Links : Tv serie “Vingança” [Portugal] - (director) … 204 chapters … http://youtu.be/-yORSoCyveQ http://youtu.be/qj-JLc58FCY advertising “Norauto” [France] - (steadicam) http://youtu.be/NnHxZPDsABw “Portugueses pelo Mundo” aka “Portuguese around the World”… have more for the same tv show … - Dubai - (image and directed) - Cape Town – (image and directed) http://www.youtube.com/watch?v=po- oGYluLSw&feature=share&list=UUot20iUURo_KnTdi5wlr3UQ http://youtu.be/x66FZXHwfbM music videoclip “Amália Hoje” - (steadicam) http://youtu.be/g6jX3lQ0zYs music videoclip “Da Weasel” - (steadicam) http://youtu.be/mASLS0u6Qps advertising “leite Matinal” - (steadicam) http://youtu.be/JlhzvF9aOaQ clip on the tv show “Sexappeal” - (image and directed) http://youtu.be/6w2gKGie5DY Video clip advertising “Coca-Cola” - [Angola] (director of photography) http://www.youtube.com/watch?v=Hc353pFbfrM&feature=share&list=UUot20iUURo_KnTdi5wlr3UQ advertising “beck’s” [Germany] - (steadicam) http://youtu.be/JMAidhvB2AI Aston Martin - Dubai Centenary event - 2013 Participated in this video as a cameraman http://youtu.be/5-pJ2XaKu2o others: [Vimeo] [YouTube channel] and [IMDB] . https://vimeo.com/user15965967 http://www.youtube.com/user/pxrosa?feature=mhee . http://www.imdb.com/name/nm0740869/ Course Note As Camera/Steadicam Operator I began my career in June 1982 in the "CINE Grupo-7” - which produced a weekly magazine program about Football, Music and Historical Portuguese Culture, lasting 30 minutes each, for the Portuguese communities in the United States of America, Canada and Brazil. Television System N.T.S.C. (U.S.A.). 1983 - "TELECINE-MORO" - which produced some children's programs, Cultural, Historical, Sports, Documentaries for Industry, Tourism and Culture, Political Campaigns (airtime political), most of the advertising spots on video and cine that were made at the time, and also the weekly show – “Vamos jogar no Totobola” aka "Let's Play in Totobola", directed by Fernando Ávila. 1986 - "Atlãntida Estudios” - for the production of tv soap "Palavras Cruzadas", with 120 episodes of 30 minutes each directed by Nicolau Breyner. 1987 - "R.T.P." – (national public broadcaster) - in the comprehensive system of multipurpose staffs in E.N.G. Information Center in Lisbon, having contact with most events: Sports, Political, Cultural, Historical, Musical among others. 1987 - "EDIPIM - TV" - For the production of the following programs: - "Eu Show Nico" , Sitcom series of 12 episodes with Nicolau Breyner, directed by Nuno Teixeira. - "Lá em Casa Tudo Bem", Sitcom series with 44 episodes with Raul Solnado, directed by Nuno Teixeira. - "Humor de Perdição", Sitcom series with 12 episodes with Herman José, directed by Nuno Teixeira. - "Passerelle", Tv Soap with 120 episodes of 30 minutes each, directed by Nuno Teixeira 1988 - "TELECINE-MORO" - To produce the following programs: - "Chegar, Apostar e Vencer" Contest weekly, directed by Carlos Coelho. - “Ideias e Negócios”, A weekly debate on economics and new business, directed by Jorge Rodrigues. - "Clube dos Amigos Disney" aka” Disney Club”, series of 40 programs for children with Julio Isidro, directed by Pedro Martins. - "VivaMúsica," a weekly musical magazine with Jorge Pêgo, directed by Ricardo Andrea. - “Haja Música” aka "Let there be Music," a weekly musical magazine, directed by Nicolau Breyner. - "Leituras" a weekly program on national literature Portuguese, directed by Carlos Coelho. - "Café Central", a weekly talk show on Portuguese culture and music history, directed by Jorge Galveias Rodrigues. - “Pirilâmpo Mágico 89” aka "Firefly Magic 89," National Solidarity Programme, directed by Ricardo Andrea. - “Pirilâmpo Mágico 90” aka "Firefly Magic 90," National Solidarity Programme, directed by Ricardo Andrea. - "Treasure Island", a weekly program about literature, directed by Carlos Coelho. - “ Em busca da Memória” aka "In Search of Memory" series of 12 episodes documentary type, directed by Ricardo Andrea. - “Passagem por Lisboa” aka "A Passage to Lisbon," series of 12 programs, talk show about music, directed by Ricardo Andrea. - “Tele-Marketing”, daily program. Attainment of Louis Couto - “Amália in S. Carlos Theater ", Fado, Portuguese Commercial Bank (B.C.P.) sponsored program, directed by Julio Isidro. - “Os Anos Que Contam” aka "The Years That Counts," a weekly program on Portuguese history and traditional culture, directed by Luis Couto. - “Vamos Jogar no Totobola” aka "Let's Play in Totobola," a weekly program, directed by Fernando Ávila. - "Nights of Lisbon," co-production with R.T.P. and TV-Yugoslavia, directed by Jorge Rodrigues. - "Folklore Festival Portimão/89”, directed by Ricardo Andrea. - “Estórias do João Pestana” aka "Stories Sandman", tab daily for children, directed by Ricardo Andrea. - “Acontecimentos Lda" Aka “Events, Ldª.", a weekly youth magazine, directed by Carlos Coelho. - “Viagem ao Maravilhoso” aka "Journey to the Wonderful," Series of 12 cultural programs on Portuguese history and traditional, directed by Carlos Brandão Lucas. - "Congress P.S. - Porto/90", directed by Carlos Coelho. - "8 & 80”, Series of 20 programs for children with 60 minutes each, directed by Ricardo Andrea. - “Os Melhores Anos” aka "The
Load more

Recommended publications
  • Sagawkit Acceptancespeechtran
    Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................
    [Show full text]
  • Biography Boss Ac
    BOSSAC BIOGRAPHY BOSS AC Inheriting a passion for music from his mother Ana Firmino, one of the greatest Cape Verdean talents, Boss AC soon revealed his rare talent. His first appearance on record, “Rapública”, was released back in 1994. It featured on a compilation which brought exposure to some of the most prominent underground Portuguese rappers such as Black Company, Zona Dread and Líderes da Nova Mensagem. He is one of the few artists from that era who still go on releasing nationally successful rap hits. His debut album, “Mandachuva”, from 1998 was recorded in the United States and produced by Troy Hightower, one of the most requested Hip-Hop producers in the US. Early on AC demonstrated his strong open minded vision, foretelling the maverick route he would follow. During the following years he embarked on several career paths – he produced and promoted shows, released records, composed music for TV programs (“Masterplan” and “Último Beijo”) and films (“Zona J” and “Lena”), and still found time to participate in works of some of the greatest national music artists, such as Xutos & Pontapés and Santos e Pecadores, among others. His second album of originals “Rimar Contra a Maré” – fully recorded, produced and mixed by the author himself – was an exploration of Portuguese- African music, fusing its traditional roots with the modern sounds of the street. It was also perhaps a more autobiographical and introspective record, revealing the artist’s wiser mindset. Success was slowly but inexorably on its way. The success of “Rimar Contra a Maré” crossed continents; a result of which was the nomination of the music video “Dinero”, at the African Video Awards, in the category “Best Special Effects”, by the well known South-African “Channel0”, a sort of African MTV.
    [Show full text]
  • Pontifícia Universidade Católica De São Paulo Puc/Sp
    PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC/SP Rita de Cássia da Silva Leão Werner Herzog em busca da compreensão humana DOUTORADO EM CIÊNCIAS SOCIAIS Tese apresentada à banca examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para a obtenção do título de Doutora em Ciências Sociais (Antropologia), sob a orientação da Prof.ª Dr.ª Lucia Helena Vitalli Rangel. São Paulo 2015 BANCA EXAMINADORA ________________________________________ ________________________________________ ________________________________________ ________________________________________ ________________________________________ Agradecimentos À CAPES e ao CNPq, pela concessão da bolsa de Doutorado. À Prof.ª Dr.a Lucia Helena Vitalli Rangel Ao Prof. Dr. Edgard de Assis Carvalho Ao Prof. Dr. Edmilson Felipe À Prof.ª Dr.a Cynthia Marcucci Ao Prof. Dr. Flávio Sousa Brito Dedico aos queridos Iara e Guilherme. RESUMO Todo cinema contém um caráter antropológico, por ser aberto como a própria humanidade. A obra de Werner Herzog é contigua à antropologia fundamental, que busca compreender o processo de penetração do homem no mundo e o processo inseparável de penetração do mundo no homem. O primeiro filme analisado, Wodaabe: Os pastores do sol, trata do amor à beleza entre seres que se sentem desprezados pelos povos vizinhos. O segundo, O homem urso, de um humano que queria ser urso e não suportava o mundo dos humanos. O terceiro, A caverna dos sonhos esquecidos, conta como sonhava a humanidade há 32 mil anos, como projetava seu duplo nas paredes das cavernas e nas pequenas estátuas. Nas pinturas e estátuas estão presentes, ao mesmo tempo, uma tendência para o fantástico e para a realidade das formas.
    [Show full text]
  • Ana Moura a Fado with World There Is No Other Fado Voice Like Ana Moura's. a Voice That Traipses Freely Through Tradition
    Ana Moura A fado with world There is no other fado voice like Ana Moura’s. A voice that traipses freely through tradition, but that also takes time to flirt elegantly with pop music, to broaden the scope of this Lisbon song form in a highly personal way. But what really sets her apart is not just the deep and sensual timbre that few others can produce, it is her adroitness at instantly transforming into fado any melody she lends her voice to. There is practically no fuse on this emotional explosion, fired unhesitatingly at the listener’s heart. Fausto, José Afonso, Ruy Mingas, Angolan music and fado. These were the favourites at the Moura family’s musical soirées, in Coruche. Ana Moura was just a slip of a girl - she was born in Santarém, also in the Ribatejo district, in 1979 – with a love of singing. Her parents sang, all her mother’s family sang, and any family get together would always end with music and song. Although she would sing anything, Ana soon began to feel that, for some reason, she had a special fondness for fado. At the age of six, she sang her first fado, “Cavalo Ruço” (Dapple Horse), and she would also often hear her mother crooning “O Xaile de Minha Mãe” (My Mother’s Shawl). Then came adolescence and she put fado to one side for a while. She got into other types of music, more befitting her age and her school friendships. In a full-blown adolescence of discoveries and rebellions, and also highly curious about other musical forms, the 14-year old Ana Moura arrived in Carcavelos to start the 10th year at school.
    [Show full text]
  • Curriculum Paulo Branco
    PAULO BRANCO He was born in Lisbon in 1950. He embarked in cinema in 1974, when he started working at the Olympic cinema, with Frédéric Mitterrand. Shortly thereafter, he became responsible for the management of the Parisian Action-République room. He became a film producer in 1979, working between Paris and Lisbon. Nowadays, he is one of the most internationally renowned personalities in the world of independent production, distribution, and exhibition. With a key role in auteur cinema, Paulo Branco is known for opening the door for innumerous promising directors who would go on to become established names. To date, he has produced more than three hundred films and worked with some of the most highly appraised directors in the world, such as David Cronenberg, Jerzy Skolimowski, Wim Wenders, Chantal Akerman, Alain Tanner, Werner Schroeter, André Téchiné, Andrzej Zulawski, Christophe Honoré, Olivier Assayas, Sharunas Bartas, Paul Auster, Philippe Garrel, Mathieu Amalric, Pedro Costa, João César Monteiro, João Botelho, and João Canijo or Teresa Villaverde. His career was marked by intense collaborations, over a 20 year period, with Raul Ruiz (LE TEMPS RETROUVÉ, THREE LIVES AND ONLY ONE DEATH, MYSTERIES OF LISBON…) e Manoel de Oliveira (FRANCISCA, VALE ABRAÃO, O SAPATO DE CETIM…). Since he started his activity as a producer, he has been a constant presence in the most important film festivals worldwide - such as Cannes, Venice, Locarno, Berlin, New York, Toronto, San Sebastián, Tokyo P A U L O B R A N C O 1 and São Paulo - being recognized as the independent producer who had the most films selected for the Cannes Film Festival.
    [Show full text]
  • The Silence of Lorna
    TABU a film by Miguel Gomes World Premiere, Berlin Film Festival 2012 WINNER, ALFRED BAUER PRIZE for INNOVATION WINNER, FIPRESCI INTERNATIONAL CRITICS’ PRIZE Portugal / 118 min. / Black and White Certificate: 15 Release date: September 7th 2012 FOR ALL PRESS ENQUIRIES OR TO REQUEST IMAGES PLEASE CONTACT:- Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/ E-Mail: [email protected] FOR ALL OTHER ENQUIRIES PLEASE CONTACT:- Robert Beeson – New Wave Films 10 Margaret St London W1W 8RL Tel: 020 3178 7095/ E-Mail: [email protected] new wave films Tabu Director Miguel Gomes Script Miguel Gomes and Mariana Ricardo Cinematographer Rui Poças (AIP) Editors Telmo Churro, Miguel Gomes Sound Vasco Pimentel 1st Assistant Director Bruno Lourenço Continuity Telmo Churro Artistic Consultant B&W Silke Fischer Art Director Bruno Duarte Costumes Silvia Grabowski Hair & Make‐up Araceli Fuente and Donna Meirelles Sound Editors Miguel Martins and António Lopes Mixing Miguel Martins Production manager Joaquim Carvalho Producers Luís Urbano and Sandro Aguilar Co‐producers Janine Jackowski, Jonas Dornbach, Maren Ade, Fabiano Gullane, Caio Gullane, Debora Ivanov, Gabriel Lacerda, Thomas Ordonneau Associate producer Alexander Bohr, ZDF/ARTE In co‐operation with Georg Steinert, ARTE Executive producer Luís Urbano A production of O Som e a Fúria, Komplizen Film, Gullane, Shellac Sud With the support of ICA, IP, ANCINE – Agência Nacional para o Cinema (Brazil) Filmfördering Hamburg Schleswig‐Holstein (Germany) With the participation of CNC
    [Show full text]
  • Annual Report 2012
    ANNUAL REPORT 2012 rigor pluralism innovation transparency people self-criticism security independence rigor pluralism dedication connectivity rigor pluralism innovation transparency people innovation transparency people self-criticism security independence self-criticism security independence dedication connectivity pluralism rigor dedication connectivity rigor pluralism innovation transparency people innovation transparency people self-criticism self-criticism security independence security independence dedication connectivity dedication connectivity rigor pluralism rigor pluralism innovation transparency innovation transparency connectivity people self-criticism security independence rigor people self-criticism independence dedication connectivity rigor pluralism security dedication rigor pluralism innovation transparency people people innovation transparency self-criticism security independence rigor self-criticism security dedication connectivity independence rigor pluralism innovation dedication connectivity rigor pluralism transparency innovation transparency people self-criticism people security independence dedication connectivity self-criticism pluralism innovation self-criticism people security security independence dedication pluralism connectivity rigor innovation transparency independence people self-criticism security independence dedication dedication connectivity rigor people connectivity pluralism innovation transparency self-criticism rigor pluralism security independence dedication innovation transparency connectivity
    [Show full text]
  • Star Channels, April 25
    APRIL 25 - MAY 1, 2021 staradvertiser.com HOLLYWOOD GOLD After a challenging year, the Academy of Motion Picture Arts and Sciences celebrates the success of professionals working in the fi lm industry at the 93rd Annual Academy Awards. Held in multiple locations under strict safety protocols, this year’s Oscars ceremony may look a little different as it shines a spotlight on many talented actors, directors, writers, artists and crew members. Airing Sunday, April 25, on ABC. Enjoy original songs performed live by up and coming local artists. Hosted by Jake ShimabukuroZg]Ûef^]Zm¶ũe^ehl Mele A‘e new soundstage, Studio 1122. A SHOWCASE FOR HAWAI¶I’S TONIGHT AT 7:00PM olelo.org olelo.org ASPIRING ARTISTS CHANNEL 53 | olelo.org/53 590242_MeleAePremiere_2_withJake_F.indd 1 4/5/21 4:37 PM ON THE COVER | THE 93RD ANNUAL ACADEMY AWARDS The show must go on Academy Awards adapt have a reputation for red carpet fashion, Luckily, producers have assembled a sea- high-profile celebrity appearances and show- soned team of professionals to tackle the to pandemic protocols stopping performances. However, while this challenge, led by director Glenn Weiss, who’s year’s ceremony is all but sure to please, it will won two Emmys for his work on previous Oscar By Kyla Brewer have to adapt to ensure a safe and enjoyable telecasts. TV Media experience for all in attendance. Unlike most “Our plan is that this year’s Oscars will look other awards shows during the COVID-19 era, like a movie, not a television show, and Glenn little over a year ago, all sorts of film sets this year’s Academy Awards ceremony will be has embraced this approach and come up with were shut down due to the global CO- an in-person event.
    [Show full text]
  • Catálogo DVD E Blu-Ray
    Catálogo DVD e Blu-ray À venda no Espaço Medeia e na loja online www.leopardofilmes.com Espaço Medeia Monumental Edifício Monumental, piso Cine-Teatro Av. Praia da Vitória, nº 72 - 1050-183 Lisboa Espaço Medeia Nimas Espaço Nimas Av. 5 de Outubro, 42 B - 1050-057 Lisboa ING, 2014 20.000 DIAS NA TERRA 20,000 Days on Earth de IAIN FORSYTH e JANE POLLARD O 20.000º dia na vida de Nick Cave – a partir do som do seu despertador, logo pela FICHA TÉCNICA manhã, até a um passeio nocturno pela praia, após um concerto – transforma-se num retrato poético e atmosférico acerca de um dos mais criativos artistas do nosso Elenco tempo. Na sua estreia cinematográfica, a dupla Jane Pollard e Iain Forsyth combina NICK CAVE fantasia e realidade, privado e público, num dia ficcionado, capturando a história de KYLIE MINOGUE vida deste músico aclamado. Algumas cenas dramatizadas - como uma conversa com BLIXA BARGELD o psicanalista acerca da sua infância, ou um arquivista às voltas com as fotografias SUSIE CAVE WARREN ELLIS dos tempos selvagens de Nick Cave – cruzam-se com imagens de ensaios e gravações RAY WINSTONE em estúdio e com testemunhos de outros artistas que colaboraram com Cave, como Blixa Bargeld ou Kylie Minogue. A narração, inequivocamente redigida e relatada pelo Realizado Por próprio Nick Cave, explicam a sua visão do mundo, a sua vida e acima de tudo a filosofia Iain Forsyth que está na origem da composição das suas músicas. Jane Pollard Argumento Nick Cave Iain Forsyth Jane Pollard Produtor James Wilson Dan Bowen Fotografia Erik Wilson EDIÇÃO EM DVD Montagem Jonathan Amos Música EXTRAS Nick Cave .
    [Show full text]
  • Brochure 2021
    BOOK ADAPTATION RIGHTS MARKET VENICE 3—5.09.2021 BOOK ADAPTATION RIGHTS MARKET 3—5.09.2021 LABIENNALE.ORG VENICEPRODUCTIONBRIDGE.ORG 78. Mostra Internazionale d’Arte Cinematografica La Biennale di Venezia La Biennale di Venezia Director General and its collaborators for Andrea Del Mercato Book Adaptation Rights Market Allegra Bell Artistic Director Erika Giorgianni of the Cinema Department Mariachiara Manci Alberto Barbera Chiara Marin Alessandro Mezzalira Venice Production Bridge Nikolas Montaldi Pascal Diot Savina Neirotti [email protected] labiennale.org veniceproductionbridge.org Main Broadcaster Thanks to Db Logic S.r.l. Festival Scope Book Adaptation Rights Market for 2021 has been edited using the information assembled by July 9th, 2021. The Venice Production Bridge may not be held responsible for possible errors. The 6th edition of the Book Adaptation Rights Market, which will take place within the context of the 78th Venice International Film Festival, confirms the increasing success of this initiative dedicated to publishers, as well as to producers. The Book Adaptation Rights Market will take place both on-site and online for the ones who cannot attend. We are thus welcoming for the first time the publishers and literary agents: Editis (France), Grandi e Associati (Italy) and Tunué (Italy) who will join our faithful publishers and agents from France, Germany, Italy, Norway, Spain, Switzerland, The Netherlands. The following famous films and TV series have been adapted from some of their most successful titles: Patria and Palm Trees in the Snow (Editorial Planeta), The Shape of Water, The Orphanage and Narcisuss and Goldmund (Suhrkamp Verlag), The Book Thief and The Girl on the Train (Sperling & Kupfer - Piemme - Mondadori Ragazzi), Romanzo Criminale and Siberian Education (Giulio Einaudi Editore), Wrinkles and The Lost Thing (Tunué), Mother’s Instinct and Time is a Killer (Editis), Gomorra and The Solitude of Prime Numbers (Mondadori Libri), The Shallows of Kabul and Papillon (Robert Laffont).
    [Show full text]
  • Spring2011.Pdf
    NOW AVAILABLE In Sterling’s Gold, an official tie-in to the hit series Mad Men, America’s favorite advertising aficionado educates the masses on business, love, and life—the Sterling way. STERLING’S GOLD Wit & Wisdom of an Ad Man Roger Sterling • AMC’s Mad Men has won three hen it premiered in 2007, the Mad Men series sparked a cultural consecutive Golden Globes and phenomenon that now boasts over three million viewers. With a long back-to-back Emmys for Outstand- list of awards including three back-to-back Golden Globes and three ing Drama Series W • Nearly three million viewers tuned consecutive Emmys for Outstanding Drama Series, Mad Men has captivated the in to the season-three premiere of world with its brilliant portrayal of the 1960s and stylish characters, including the Mad Men in August 2009 dashing advertising mogul Roger Sterling. • Mad Men was voted Best Interna- Directing and discovering some of the sharpest talents in the business, Roger tional Show in 2009 and 2010 by has shown an uncanny flair for unique methods of motivation and a tireless the British Academy Television Awards genius, resulting in campaigns that raise the advertising standard across the coun- try, and acquiring a reputation for his quips, barbs, and witticisms along the way. Presented as Roger’s memoir during the fourth season of Mad Men, and published as a “lost classic,” Sterling’s Gold is the entertaining collection of our favorite ad man’s best one-liners. A few “sterling” examples: The day you sign a client is the day you start losing them.
    [Show full text]
  • Celebrating Forty Years of Films Worth Talking About for Sale
    2 FEB 18 1 MAR 18 1 | 2 FEB 18 - 1 MAR 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT FOR SALE. 2001 Ford Fiesta. As new. One careless owner. Avid readers of this column will remember a few months back I spoke about the folly that was the Autosafe Car Park – a ‘state-of-the-art’ car park behind our offices that, in theory at least, parked your car for you, but which went bust before it had even opened or worked properly – and how we had half expected to see cars still in it as it was being dismantled to make way for a new office block. At the time it seemed to be empty, but the last of the outer panels were recently removed to reveal two cars that simply must have been in there since the thing closed back in 2001! Ha! I can’t help wondering who owned the cars, and did Autosafe have to buy them new ones? And how did they get their shopping home that day? If anyone out there knows, I’d love to know... As promised last month, our February programme is dominated by awards-hopeful films, some of which have already won big at those events that have already taken place. Three Billboards… (the big winner at the Golden Globes last night) continues and we’ll be screening Steven Spielberg’s The Post, accompanied by a short season of films paying tribute to the crusading journalist. PT Anderson’s stunning Phantom Thread (featuring the last ever film appearance of triple Oscar® winner Daniel Day-Lewis) gets its highly anticipated release, as does Andrei (Leviathan) Zvyagintsev’s astonishingly good (though undoubtedly bleak) Loveless, including a preview with director Q&A on Sunday 4 February.
    [Show full text]