Bhaskar Das 2017
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The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
VAGEESHWARIVAGEESHWARIVAGEESHWARI March 2018
Vol. XXXII Regd No. ISSN 0975-7872 VAGEESHWARIVAGEESHWARIVAGEESHWARI March 2018 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI Prof. Tarun Kumar Das, Registrar, University of Delhi, and Chief Guest during the International seminar – Indian Classical Music: Teaching and Performing Abroad”, organized by the Department, in collaboration with the Indian Council for Cultural Relations (I.C.C.R.), at the Conference Centre, University of Delhi, on 27-28 February 2018. Seated on the dais are the Keynote Speaker – Prof. Joep Bor, Professor at the Academy of Creative and Performing Arts, Leiden University, The Netherlands, Ms. Padmaja, Dy. Director General, I.C.C.R., and Prof. Suneera Kasliwal, Dean & Head, Faculty of Music & Fine Arts, University of Delhi A Hungarian folk group – Kalaka – performing, in a collaboration between the Dept. of Music and the Dept. of Slavonic & Finno-Ugrian Studies, University of Delhi, in Dec. 2017 Vol. XXXII Regd. No. ISSN 0975-7872 VAGEESHWARI March 2018 Proceedings of a two-day International seminar on “Indian Classical Music: Teaching and Performing Abroad” Organized by The Department of Music, University of Delhi In collaboration with the Indian Council for Cultural Relations (I.C.C.R.) on 27-28 February, 2018 Editor Prof. Suneera Kasliwal Editorial Board Prof. Deepti Omchery Bhalla Prof. Shailendra Goswami Dr. Ananya Kumar Dey Dr. Jagbandhu Prasad Dr. Rajpal Singh Dr. Ajay Kumar Dr. Rishitosh Kumar Student Editors Ms. Aditi Sharma Mr. Rahul Prakash Ms. Rindana Rahasya Ms. Tara Sharma SUBSCRIPTION RATES Price India : Rs.200.00 Abroad : $ 5.00 per annum For enquiry, payment, book review, subscription etc please write to : The Editor, Vageeshwari, Journal of the Department of Music Faculty of Music and Fine Arts, University of Delhi Delhi-110007 All articles published in the Journal are the copyright of the Department of Music, Faculty of Music and Fine Arts, University of Delhi, Delhi and no part thereof may be reproduced without the prior permission of the Editor. -
Copyright by Jeffrey Michael Grimes 2008
Copyright by Jeffrey Michael Grimes 2008 The Dissertation Committee for Jeffrey Michael Grimes certifies that this is the approved version of the following dissertation: The Geography of Hindustani Music: The Influence of Region and Regionalism on The North Indian Classical Tradition Committee: ____________________________________ Stephen M. Slawek, Supervisor ____________________________________ Veit Erlmann ____________________________________ Ward Keeler ____________________________________ Robin Moore ____________________________________ Shanti Kumar The Geography of Hindustani Music: The Influence of Region and Regionalism on The North Indian Classical Tradition by Jeffrey Michael Grimes, M.M., B.M. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2008 Acknowledgements I would like to briefly thank a few individuals for making this project possible. The first are my parents, Tom and Kay Grimes, who have supported me emotionally and, as necessary, financially through the dissertation writing process (and earlier, as well). Next, I would like to thank my mentor and dissertation supervisor Dr. Stephen M. Slawek. All that I know of Indian music (even the things he didn’t teach me directly) is due to him, both as my academic adviser and as my long-time sitar Guru. Especially crucial for the current project, though, has been his unwavering moral and intellectual support. Dr. Slawek encouraged me from day one to pursue the work I wanted to pursue, and I cannot be more grateful for this. All of his advisees that he has shepherded through the process of writing a report or dissertation, I am sure, would say the same. -
Details of Unclaimed Deposits / Inoperative Accounts
CITIBANK We refer to Reserve Bank of India’s circular RBI/2014-15/442 DBR.No.DEA Fund Cell.BC.67/30.01.002/2014-15. As per these guidelines, banks are required to display the list of unclaimed deposits/inoperative accounts which are inactive/ inoperative for ten years or more on their respective websites. This is with a view of enabling the public to search the list of account holders by the name of: Account Holder/Signatory Name Address HASMUKH HARILAL 207 WISDEN ROAD STEVENAGE HERTFORDSHIRE ENGLAND UNITED CHUDASAMA KINGDOM SG15NP RENUKA HASMUKH 207 WISDEN ROAD STEVENAGE HERTFORDSHIRE ENGLAND UNITED CHUDASAMA KINGDOM SG15NP GAUTAM CHAKRAVARTTY 45 PARK LANE WESTPORT CT.06880 USA UNITED STATES 000000 VAIDEHI MAJMUNDAR 1109 CITY LIGHTS DR ALISO VIEJO CA 92656 USA UNITED STATES 92656 PRODUCT CONTROL UNIT CITIBANK P O BOX 548 MANAMA BAHRAIN KRISHNA GUDDETI BAHRAIN CHINNA KONDAPPANAIDU DOOR NO: 3/1240/1, NAGENDRA NAGAR,SETTYGUNTA ROAD, NELLORE, AMBATI ANDHRA PRADESH INDIA INDIA 524002 DOOR NO: 3/1240/1, NAGENDRA NAGAR,SETTYGUNTA ROAD, NELLORE, NARESH AMBATI ANDHRA PRADESH INDIA INDIA 524002 FLAT 1-D,KENWITH GARDENS, NO 5/12,MC'NICHOLS ROAD, SHARANYA PATTABI CHETPET,CHENNAI TAMILNADU INDIA INDIA 600031 FLAT 1-D,KENWITH GARDENS, NO 5/12,MC'NICHOLS ROAD, C D PATTABI . CHETPET,CHENNAI TAMILNADU INDIA INDIA 600031 ALKA JAIN 4303 ST.JACQUES MONTREAL QUEBEC CANADA CANADA H4C 1J7 ARUN K JAIN 4303 ST.JACQUES MONTREAL QUEBEC CANADA CANADA H4C 1J7 IBRAHIM KHAN PATHAN AL KAZMI GROUP P O BOX 403 SAFAT KUWAIT KUWAIT 13005 SAJEDAKHATUN IBRAHIM PATHAN AL KAZMI -
East Meets West
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Krishna Meets Pan: Indian-Western Fusion in Two Works for Flute and Harp by Ravi Shankar and John Mayer A document submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2006 by Lori Ann Kesner B.M., Ithaca College, 1998 M.M., University of Cincinnati College-Conservatory of Music, 2000 Committee Chair: bruce d. mcclung, Ph.D. ABSTRACT With a career spanning over six decades, Ravi Shankar has been the seminal figure in the dissemination of Indian classical music to the West. His presentation of Indian music to Western audiences has heightened American interest in and appreciation for Indian music and has resulted in the exportation of thousands of sitars to Western countries. His extensive training in Indian music, coupled with his exposure to Western society, has led to a compositional style that embraces elements of both cultures. Shankar is not the only Indian musician, however, to explore Indian-Western fusion. A less well-known Indian musician who has contributed extensively to this genre is John Mayer, a composer and violinist from Calcutta. More than a decade before the partnership between Yehudi Menuhin and Ravi Shankar at the 1966 Bath Festival, Mayer began composing works that combined these two distinct musics.