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TCM Report, Summer
EXHIBITS PROGRAMS VISITORS MEMBERSHIP HISTORICAL RESEARCH THE COMPUTER MUSEUM BOARD OF DIRECTORS The Computer Museum is a non-profit, Kenneth H. Olsen, Chairman public, charitable foundation dedicated to Digital Equipment Corporation preserving and exhibiting an industry-wide, broad-based collection of the history of in Charles W. Bachman formation processing. Computer history is Bachman Information Systems 1 The Director's Letter interpreted through exhibits, publications, C. Gordon Bell videotapes, lectures, educational programs, 2 Illiac Digital Equipment Corporation IV and other programs. The Museum archives R. Michael Hord both artifacts and documentation and Gwen Bell makes the materials available for The Computer Museum 6 Installing the Illiac IV scholarly use. Jay Patton Harvey D. Cragon The Computer Museum is open to the public Texas Instruments 7 Collecting, Exhibiting Sunday through Friday from 1:00 to 6:00 pm. and Archiving There is no charge for admission. The Robert Everett Museum's lecture hall and reception The Mitre Corporation Jamie Parker facilities are available for rent on a C. Lester Hogan Collections of prearranged basis. For information call 8 617-467-4443. Fairchild Camera and Instrument Corporation The Computer Museum Museum membership is available to Theodore G. Johnson Computers and Computer individuals and non-profit organizations Digital Equipment Corporation Components for $25 annually and to businesses for $125 annually. Members receive the quarterly Andrew C. Knowles, III Transducer Systems, Report. invitations to all lectures and spe Digital Equipment Corporation cial programs, new posters, and a ten Computer Options John Lacey percent discount in the Museum store. and Components Control Data Corporation A Founders program is in effect during the Calculator Systems and initial two-year period of the Museum, until Pat McGovern Components June 10, 1984. -
Specimens Characterised by Their Splendid Use of Ornaments, Borders, and Initial Capitals
VILLAGE vllg.com Marcin Typewriter FELICIANO / Marcin Typewriter ABOUT vllg.com Marcin Typewriter Marcin typewriter is the monospaced version of Marcin Antique, our contemporary interpretation page 1 of 3 of late nineteenth century’s French types produced by the Fonderie Gustave Mayeur in Paris. Based in Paris, the Mayeur type foundry was active in the late 19th and early 20th century. It published a remarkable collection of magnificent type specimens characterised by their splendid use of ornaments, borders, and initial capitals. Those publications contained a wide variety of typefaces for text and display use. The “Antiques” or grotesques providing the source material for Marcin Antique were among the styles showed in the 1894 and 1912 editions of the Spécimen-album de la fonderie Gve Mayeur, Allainguillaume&cie, succrs., both published in Paris. Instead of emphasising the more mechanical and technical aspects often associated with monospaced fonts, Marcin Typewriter takes its cue from Marcin Antique’s contrast and tone, and merely adapts FELICIANO / Marcin Typewriter ABOUT vllg.com page 2 of 3 them to the restrictions of monospaced typefaces. The resulting face looks neither too nostalgic nor too ‘tech’. Marcin Typewriter is suitable for a wide variety of uses and reads frictionlessly. It comes in six weights with matching italics. Except for the two lighter weights that were suppressed, those weights correspond with the weights in Marcin Antique. Top row: Marcin Antique / Bottom row: Marcin Typewriter The OpenType fonts include Latin Extended character sets, all the different styles of numerals, and—just like in Marcin Antique—alternate glyphs subtly alter the feel of the typeface. -
From Gutenberg to Gigabytes: Writing Machines in Historical Perspective
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1995 From Gutenberg to gigabytes: Writing machines in historical perspective Richard William Rawnsley Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Technical and Professional Writing Commons Recommended Citation Rawnsley, Richard William, "From Gutenberg to gigabytes: Writing machines in historical perspective" (1995). Theses Digitization Project. 1105. https://scholarworks.lib.csusb.edu/etd-project/1105 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. FROM GUTENBERG TO GIGABYTES: WRITING MACHINES IN HISTORICAL PERSPECTIVE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Richard William Rawnsley June 1995 FROM GUTENBERG TO GIGABYTES: WRITING MACHINES IN HISTORICAL PERSPECTIVE A Thesis Presented to the Faculty of California State University, San Bernardino Richard WiTliam Rawnsley June 1995 Approved by: ^ ^ ' If /9fS Edward M. White, Chair, English Dkte Milton Clark, English Carol Haviland, English ®1995 by Richard William Rawnsley ' abstract ■; : The computer is now a ubiquitous tool in all areas of busihess, government, and schools. With its phenomenal growth over the past twenty-five years there comes■a widespread interest in the computer as a tool for teaching writing. Because most composition computer research focuses primarily on the computer's future potential, little research is performed on the computer's close historical ties to mechanical writing machines. -
Etcetera No. 1, October 1987 —Richard Polt —Alan Seaver / Etcetera No
In this issue Editors’ Notes .......................................2 ETCetera The Cahill Electrical Typewriters .....3 Demystifying the McCool ....................9 Journal of the Back to Basics: A Platen Primer .....13 Ephemera: The Last Maskelynes ..... 14 Early Typewriter Tale of the Century ............................21 His Father’s Fault? ...........................23 Collectors’ Association The Oliver Woodstock ........................24 An Esperanto Typewriter? ...............26 Richard N. Current ...........................27 Brother JP-3 .......................................28 Letters and More ................................30 No. 100 -- December 2012 ETCetera Editors’ Notes Journal of the Early Typewriter Collectors’ Association December 2012 No. 100 Editor: Richard Polt 4745 Winton Rd. Cincinnati, OH 45232 t is with a mixture of honor, pride, 513-591-1226 arryl Rehr was the inaugural [email protected] and trepidation that I assume the Deditor of ETCetera and set a very Ihelm of this distinguished publication. high standard for 13 years, inspiring Secretary-Treasurer & Mailer: ETCetera is far and wide the inest pub- me and many other typewriter collec- Herman Price lication in its ield, thanks in no small tors. Chuck Dilts and Rich Cincotta part to the eforts and dedication of German translation: served as innovative and enthusiastic Norbert Schwarz my predecessors. With Richard’s exit, editors for the next ive years. I have he leaves the newsletter at the absolute Spanish translation: now had the privilege of editing this pinnacle of its existence. That’s a hard Fransu Marin´ magazine for seven years and of bring- act to follow. ©2012 ETCA. Published quarterly. ing it to its hundredth issue. It has My aim in the short term is to act Calendar year subscription: $35, been a great experience, but I am now as a steward for what Richard, Chuck, North America; $40 elsewhere.