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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Joe-Thinking Sideways Is Not Brought to You by Crawfish Boxing. Instead, It Is Supported by the Generous Contributions of People Like You, Our Listeners, on Patreon
Joe-Thinking Sideways is not brought to you by crawfish boxing. Instead, it is supported by the generous contributions of people like you, our listeners, on Patreon. Visit patreon dot com slash thinking sideways to learn more. [Intro] Steve-Why, hey there! And welcome again to another episode of Thinking Sideways. As always, I'm Steve, joined, of course, by... Devin-Devin... J-And Joe. S-And once again, we've got a mystery. D-What? J-Uh huh. S-Yeah. We do. J-It's a pretty scary one, too. S-It, well, no it isn't, but you know what the thing is? I had so much fun last week, or not last week, last time that I hosted doing a wrestling episode, that I decided we'd do another one. D-It seems like it's been a million years since that, we did that episode. S-It really does. D-Yeah. S-Cause in our world, it's been a month. D-At least, at least. J-Uh huh. D and S-Yeah. J-Three weeks. S-Ok, well we're not actually going to do a wrestling story. D-Well, a little bit. S-Kinda. It's kind of, kind of a wrestling story. D-Yeah. S-We are, this week, for anyone for who, as Devin would say, didn't read the episode title, going to be talking about Mr. Andy Kaufman. J-Yeah. S-And you might say, “Well, why?” Well, the mystery is is Andy Kaufman really dead or not? D-Dun dun dun! S-Cause he's one of those people who has had sightings of him for years. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
Themes in Criminal Law
THEMES IN CRIMINAL LAW Class activities* Class 1 Jan. 6: Introduction Discussion questions 1. Describe as objectively and exhaustively as possible what happened. 2. What crimes, if any, can you identify? 3. Who committed those crimes? 4. Why do you think the crimes were committed? 5. What was the law enforcement reaction? 6. Do you agree with the law enforcement reaction? Why or why not? Class 2 Jan. 8 Criminal responsibility Socratic dialogue: 1) What is a crime from a legal point of view? 2) What is the theory of offence? What is it for? 3) What are the elements of a crime? 4) What is the actus reus? What are its elements? 5) What are the types of social harm? 6) What is the difference between definitional and underlying social harm? 7) What is mens rea? 8) What are the main types of mens rea? 9) What happens when mens rea is not explicitly included in the definition of the offence? 10) What is a subjective test? What is an objective test? Classes 3, 4 & 5 Jan 13, 15 & 20 Homicides Analyze if there was a crime, who committed the crime, and what type of crime it is. 1. Describe the facts. 2. Was there a crime? If so, what crime/s? If not, why do you think there was no crime? 3. If there was crime, what are its elements? Scenarios Analyze the following scenarios 1. Alex is helping his friend move into a downtown condo. While unloading a large mirror from the moving truck, the bright sunlight hits the mirror and reflects against the 40th floor of the skyscraper across the street which temporarily blinds a window washer and causes him to stumble. -
Which Seinfeld Character Are You?
EPISODE 181: THE BUSINESS DEVELOPMENT MEETING WHICHWHICH SEINFELDSEINFELD CHARACTERCHARACTER AREARE YOU?YOU? In our business dealings, we are often guilty of just not listening. We come to the table with an agenda—a new product, a new service—and wait while a prospect or existing client tells us what’s going on with his or her business. At some point, that person will pause—and we pounce with our spiel. This approach rarely works - successful business development requires some level of rapport and relationship building. As in all aspects of life, this can mean dealing with those who may not share your views or approach. In order to adapt quickly and improvise in these instances, it’s helpful to understand people’s communication and personality styles. There are a number of tests that can help us understand the personality and communication styles of others, including the popular DISC model. This model has four quadrants: dominance, influence, steadiness, and conscientiousness. Influence and steadiness are on the right side of the brain, and dominance and conscientiousness are on the left side. Understanding someone’s dominant quadrant can help you find a way to work more effectively with them. UNDERSTANDING WHAT SEINFELD YOUR SITCOM CAST Now that you understand where you fall QUADRANT ARE YOU? within the quadrants, you can begin to think about how to work and respond to any cast of characters you may come I’ll let you in on an interesting tidbit, successful sitcoms often across. Friction will naturally arise include a character from each of the following quadrants, because these are people with opposite because the resulting friction tends to be funny. -
Wuthering Heights Artist Biographies Jesse Blumberg (Mr
Wuthering Heights Artist Biographies Jesse Blumberg (Mr. Lockwood) Baritone Jesse Blumberg is an artist equally at home on opera, concert, and recital stages. Last season, he performed the role of the Celebrant in Bernstein's Mass at London's Royal Festival Hall under the baton of Marin Alsop, debuted with Boston Lyric Opera as Harlekin in Ariadne auf Naxos, and performed recitals in Paris with the Mirror Visions Ensemble. In 2007, he created the role of Connie Rivers in The Grapes of Wrath (recorded by P.S. Classics) at the Minnesota Opera, and later made his Utah and Pittsburgh Opera debuts in the same production. Other recent appearances include leading and featured roles with Annapolis Opera, Opera Delaware, Opera Vivente and the Boston Early Music Festival. In concert, Jesse has been a featured soloist with American Bach Soloists, Los Angeles Master Chorale, Sacred Music in a Sacred Space and the Berkshire Choral Festival. He has also given the world premieres of two important chamber works: Ricky Ian Gordon's Green Sneakers (recorded by Blue Griffin Recording) and Lisa Bielawa's The Lay of the Love and Death, the former at the Vail Valley Music Festival, and the latter at Alice Tully Hall. He has toured with the Mark Morris Dance Group and the Waverly Consort, and given recitals for the Marilyn Horne Foundation. Last season, he and pianist Martin Katz performed Schubert's two monumental song cycles, Die schöne Müllerin and Winterreise, over one weekend in Ann Arbor, and will soon repeat this pairing in New York City. Jesse has been recognized in many song and opera competitions, and in 2008 was awarded Third Prize at the International Robert Schumann Competition in Zwickau, becoming its first American prizewinner in over thirty years. -
The Globalization of Chinese Food ANTHROPOLOGY of ASIA SERIES Series Editor: Grant Evans, University Ofhong Kong
The Globalization of Chinese Food ANTHROPOLOGY OF ASIA SERIES Series Editor: Grant Evans, University ofHong Kong Asia today is one ofthe most dynamic regions ofthe world. The previously predominant image of 'timeless peasants' has given way to the image of fast-paced business people, mass consumerism and high-rise urban conglomerations. Yet much discourse remains entrenched in the polarities of 'East vs. West', 'Tradition vs. Change'. This series hopes to provide a forum for anthropological studies which break with such polarities. It will publish titles dealing with cosmopolitanism, cultural identity, representa tions, arts and performance. The complexities of urban Asia, its elites, its political rituals, and its families will also be explored. Dangerous Blood, Refined Souls Death Rituals among the Chinese in Singapore Tong Chee Kiong Folk Art Potters ofJapan Beyond an Anthropology of Aesthetics Brian Moeran Hong Kong The Anthropology of a Chinese Metropolis Edited by Grant Evans and Maria Tam Anthropology and Colonialism in Asia and Oceania Jan van Bremen and Akitoshi Shimizu Japanese Bosses, Chinese Workers Power and Control in a Hong Kong Megastore WOng Heung wah The Legend ofthe Golden Boat Regulation, Trade and Traders in the Borderlands of Laos, Thailand, China and Burma Andrew walker Cultural Crisis and Social Memory Politics of the Past in the Thai World Edited by Shigeharu Tanabe and Charles R Keyes The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung UNIVERSITY OF HAWAI'I PRESS HONOLULU Editorial Matter © 2002 David Y. -
Introduction Making an Adjustment
Introduction Making an Adjustment David M.K. Sheinin and Raanan Rein The Jewish American comedian Lenny Bruce famously reflected, “Who can be glad they’re Jewish? You can say…I’ve made a good adjustment, but that’s all.”1 In his 2013 documentary, “When Jews were Funny,” director Alan Zweig is pre- occupied with and anxious about what has changed in recent decades regard- ing Jewish comedy and Jewish comedians in the United States. More specifically, he asks, is there still “Jewish” comedy? No comedians interviewed have the same answer, but Gilbert Gottfried may have come closest to explaining a shift that has occurred over time. While yiddishkeit, Yiddish in-jokes, the Borscht Belt, and the other categorical “Jewish” markers of a comedian’s identity may have slipped away, Jewish comedy continues to function through comedic devices that identify protagonists as Jewish in conjunction with other, overlap- ping identities. Reflecting an ever more complicated set of ethnic and other identities in the Americas, the shift is away from the rigid, and toward a set of constantly reconfiguring identity borders. So according to Gottfried, on the popular television comedy Seinfeld, “every character in it was a Jew, even though they changed their name…. George Costanza and his family were all Jews, but they have an Italian name.”2 Jews have been adjusting their identities for centuries. Sport tells those adjustment stories in the twentieth century where Jewish sport narratives have both reflected and pushed a growing fluidity and complexity of ethnic identity and its boundaries. Jewish sports narratives have tended away from rigid mark- ers toward more complex, multifaceted identity narratives. -
DON PASQUALE Curriculum Connections California Content Standards Kindergarten Through Grade 12
San Francisco Opera’s Donizetti’s DON PASQUALE Curriculum Connections California Content Standards Kindergarten through Grade 12 LANGUAGE ARTS WORD ANALYSIS, FLUENCY, AND VOCABULARY DEVELOPMENT Vocabulary • Name origins: What do all of the names mean and how do they relate to the character? Sofronia (Greek meaning: "sensible, prudent"), Malatesta, Ernesto, Norina, Don Pasquale. Are there characters in other stories who have names starting with “mal-“ What is the meaning of the prefix? Are they typically bad characters? How would you describe Doctor Malatesta? • Idioms: Top of the world; bright as a button, wed in haste, other popular expressions • Vocabulary Lists: Ex. Don Pasquale, Opera glossary, Music and Composition terms. Phonics and Phonemic Awareness: Letter Recognition: Name the letters in a word. Ex. door = d-o-o-r. Letter/Sound Association: Name the letters and the beginning and ending sound in a word. Ex. doctor > beginning sound “d” = /d/ > ending sound “r” = /r/ Match and list words with the same beginning or ending sounds. Ex. moon and maid have the same beginning letter “m” and sound /m/; but moon and maid end with different letters and ending sounds. love and lose also end differently. Syllables: Count the syllables in a word. Patter singing of Malatesta and Don Pasquale. Match and list words with the same number of syllables. Clap out syllables as beats. Ex.: wife (wife) 1 syllable marry (mar-ry) 2 syllables notary (not-a-ry) 3 syllables Phoneme Substitution: Play with the beginning sounds to make silly words. What would a “boprano” sound like? (Also substitute middle and ending sounds.) Ex. -
Chapters 11 and 12 Contributed by Stoljar-Gold Ziegler Gold Source
Chapters 11 and 12 Contributed by Stoljar-Gold Ziegler Gold Source: Chapter Eleven 1. The Lord said to Jerry, "I will bring one more plague upon Pharaoh and upon Manhattan; afterwards Newman will drive you out of here. He’s an idiot altogether.” 1. Please, speak into the ears of the people, and let them “borrow”, each man from his friend and each woman from her friend, silver vessels and golden vessels. That’s right. Gold, Jerry! Gold!” 1. So the Lord gave the people favor in the Manhattanites’ eyes; also Jerry was highly esteemed in the land of Manhattan – How could anyone not like him? 1. Jerry said, "So said the Lord, Art Vandelay, ‘At the dividing point of the night, I will go out into midtown Manhattan, and every firstborn Bubble Boy in the land of Manhattan will die, from the firstborn Bubble Boy of Pharaoh, who sits on his throne to the firstborn Bubble Boy of the slave woman who is behind the millstones, and every firstborn Bubble animal. 1. And there will be a great cry throughout the entire land, such as there never has been and such as there shall never be again. They’ll cry, and then they’ll cry again. 1. But to all the children of Israel, not one dog will whet its tongue against either man or beast, in order that you shall know that the Lord will separate between the Manhattanites and between Israel”. What does dog licking have to do with the slaying of first Bubble boys? That’s what I’d like to know about it. -
The Magician by Kate Simon
The Magician By Kate Simon Chapter One “God, I hate Mondays.” Anna ran her fingers through her long auburn hair. She may have gotten Dad’s long chin, button nose and the monster tush, but at least she had his great hair. Thick curls fell softly to her shoulders. Ok, so she had to touch up the few strands of gray, but at the ripe old age of forty-nine, a few strands weren’t too bad. She punched at the keys of her computer, looking for the right file. The new guy was coming, and she couldn’t find the damn client files. New Guy was replacing Fred Sterling, a tubby, nasty little man who rumor had it once pissed off Mother Teresa, not to mention important clients. His two martini lunches were the stuff of legend. That was until Anna discovered the last straw, heavily padded expense accounts. Fred had been submitting three figure lunch tabs from the same Tribecca restaurant for months. Hand written receipts were unusual in this day of computers, but not unheard of. Something still didn’t feel right. She’d pulled several weeks reports. The receipts in question were written by the same hand. They were also sequential. Fred never was the brightest bulb in the box. A quick call to the restaurant confirmed they ran all receipts through the cash register. It was one thing to tick off clients, but stealing money from the boss’s pocket was a mortal The Magician 2 By Kate Simon sin at Barrow. Freddy boy was left to concentrate all his efforts on his martinis, without those pesky clients to get in the way. -
Article Racial Capitalism
VOLUME 126 JUNE 2013 NUMBER 8 © 2013 by The Harvard Law Review Association ARTICLE RACIAL CAPITALISM Nancy Leong CONTENTS INTRODUCTION .......................................................................................................................... 2153 I. VALUING RACE ................................................................................................................... 2158 A. Whiteness as Property .................................................................................................... 2158 B. Diversity as Revaluation ................................................................................................ 2161 C. The Worth of Nonwhiteness .......................................................................................... 2169 II. A THEORY OF RACIAL CAPITALISM .............................................................................. 2172 A. Race as Social Capital .................................................................................................... 2175 B. Race as Marxian Capital ............................................................................................... 2183 C. Racial Capitalism ............................................................................................................ 2190 III. CRITIQUING RACIAL CAPITALISM ................................................................................. 2198 A. Commodification ............................................................................................................. 2199 B. Harm