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The Epic Imagination in Contemporary Indian Literature
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School May 2017 Modern Mythologies: The picE Imagination in Contemporary Indian Literature Sucheta Kanjilal University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the South and Southeast Asian Languages and Societies Commons Scholar Commons Citation Kanjilal, Sucheta, "Modern Mythologies: The pE ic Imagination in Contemporary Indian Literature" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6875 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Modern Mythologies: The Epic Imagination in Contemporary Indian Literature by Sucheta Kanjilal A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a concentration in Literature Department of English College of Arts and Sciences University of South Florida Major Professor: Gurleen Grewal, Ph.D. Gil Ben-Herut, Ph.D. Hunt Hawkins, Ph.D. Quynh Nhu Le, Ph.D. Date of Approval: May 4, 2017 Keywords: South Asian Literature, Epic, Gender, Hinduism Copyright © 2017, Sucheta Kanjilal DEDICATION To my mother: for pencils, erasers, and courage. ACKNOWLEDGEMENTS When I was growing up in New Delhi, India in the late 1980s and the early 1990s, my father was writing an English language rock-opera based on the Mahabharata called Jaya, which would be staged in 1997. An upper-middle-class Bengali Brahmin with an English-language based education, my father was as influenced by the mythological tales narrated to him by his grandmother as he was by the musicals of Broadway impressario Andrew Lloyd Webber. -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Masculinity and Transnational Hindu Identity
Nidān, Volume 3, No. 2, December 2018, pp. 18-39 ISSN 2414-8636 Muscular Mahabharatas: Masculinity and Transnational Hindu Identity Sucheta Kanjilal University of Tampa [email protected] "Hence it is called Bharata. And because of its grave import, as also of the Bharatas being its topic, it is called Mahabharata. He who is versed in interpretations of this great treatise, becomes cleansed of every sin. Such a man lives in righteousness, wealth, and pleasure, and attains to Emancipation.” - Mahābhārata (18.5) translation by K. M. Ganguli Abstract The climax of the Sanskrit Mahābhārata is undeniably muscular, since it involves a kṣatriya family fighting a brutal but righteous war. Many 21st century Mahabharata adaptations not only emphasize the muscularity of the epic, but also flex these muscles in an arena beyond the Kurukṣetra battlefield: the world. Through an analysis of texts such as Chindu Sreedharan’s Epic Retold (2015) and Prem Panicker’s Bhimsen (2009), I suggest that the increased visibility of epic warrior narratives across global platforms indicates a desire to re-fashion a hypermasculine identity for Hindus in the transnational religio-political sphere. I see this as an attempt to distance Hinduism from Gandhi’s ‘passive resistance’ and colonial conceptions of the ‘effeminate native’. Instead, it aligns with the nationalist and global aims of Prime Minister Narendra Modi, who emphasizes the importance of Hindu traditions and physical fitness for collective prosperity. While these new epic adaptations certainly broaden the reach of Hindu culture beyond national boundaries, I suggest exhuming only warrior narratives from the epic texts oversimplifies Hindu values and threatens a range of gender identities and religious affiliations. -
Numbers in Bengali Language
NUMBERS IN BENGALI LANGUAGE A dissertation submitted to Assam University, Silchar in partial fulfilment of the requirement for the degree of Masters of Arts in Department of Linguistics. Roll - 011818 No - 2083100012 Registration No 03-120032252 DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGE ASSAM UNIVERSITY SILCHAR 788011, INDIA YEAR OF SUBMISSION : 2020 CONTENTS Title Page no. Certificate 1 Declaration by the candidate 2 Acknowledgement 3 Chapter 1: INTRODUCTION 1.1.0 A rapid sketch on Assam 4 1.2.0 Etymology of “Assam” 4 Geographical Location 4-5 State symbols 5 Bengali language and scripts 5-6 Religion 6-9 Culture 9 Festival 9 Food havits 10 Dresses and Ornaments 10-12 Music and Instruments 12-14 Chapter 2: REVIEW OF LITERATURE 15-16 Chapter 3: OBJECTIVES AND METHODOLOGY Objectives 16 Methodology and Sources of Data 16 Chapter 4: NUMBERS 18-20 Chapter 5: CONCLUSION 21 BIBLIOGRAPHY 22 CERTIFICATE DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGES ASSAM UNIVERSITY SILCHAR DATE: 15-05-2020 Certified that the dissertation/project entitled “Numbers in Bengali Language” submitted by Roll - 011818 No - 2083100012 Registration No 03-120032252 of 2018-2019 for Master degree in Linguistics in Assam University, Silchar. It is further certified that the candidate has complied with all the formalities as per the requirements of Assam University . I recommend that the dissertation may be placed before examiners for consideration of award of the degree of this university. 5.10.2020 (Asst. Professor Paramita Purkait) Name & Signature of the Supervisor Department of Linguistics Assam University, Silchar 1 DECLARATION I hereby Roll - 011818 No - 2083100012 Registration No – 03-120032252 hereby declare that the subject matter of the dissertation entitled ‘Numbers in Bengali language’ is the record of the work done by me. -
Odissi Dance
ORISSA REFERENCE ANNUAL - 2005 ODISSI DANCE Photo Courtesy : Introduction : KNM Foundation, BBSR Odissi dance got its recognition as a classical dance, after Bharat Natyam, Kathak & Kathakali in the year 1958, although it had a glorious past. The temple like Konark have kept alive this ancient forms of dance in the stone-carved damsels with their unique lusture, posture and gesture. In the temple of Lord Jagannath it is the devadasis, who were performing this dance regularly before Lord Jagannath, the Lord of the Universe. After the introduction of the Gita Govinda, the love theme of Lordess Radha and Lord Krishna, the devadasis performed abhinaya with different Bhavas & Rasas. The Gotipua system of dance was performed by young boys dressed as girls. During the period of Ray Ramananda, the Governor of Raj Mahendri the Gotipua style was kept alive and attained popularity. The different items of the Odissi dance style are Mangalacharan, Batu Nrutya or Sthayi Nrutya, Pallavi, Abhinaya & Mokhya. Starting from Mangalacharan, it ends in Mokhya. The songs are based upon the writings of poets who adored Lordess Radha and Krishna, as their ISTHADEVA & DEVIS, above all KRUSHNA LILA or ŎRASALILAŏ are Banamali, Upendra Bhanja, Kabi Surya Baladev Rath, Gopal Krishna, Jayadev & Vidagdha Kavi Abhimanyu Samant Singhar. ODISSI DANCE RECOGNISED AS ONE OF THE CLASSICAL DANCE FORM Press Comments :±08-04-58 STATESMAN őIt was fit occasion for Mrs. Indrani Rehman to dance on the very day on which the Sangeet Natak Akademy officially recognised Orissi dancing -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
Causelistgenerate Report
WEEKLY DAILY THE HIGH COURT OF ORISSA,CUTTACK LIST OF BUSINESS FOR MONDAY THE 6TH SEPTEMBER 2021 CHIEF JUSTICE'S COURT (2ND FLOOR) AT 10:30 AM THE CHIEF JUSTICE AND MR. JUSTICE B. P. ROUTRAY This Bench will function through hybrid arrangement ( virtual/ physical mode). ( Learned counsel desirous to appearing through Virtual Mode shall intimate the name, item number, case details etc. to the Court Master through Mobile No.8763760499 between 8.00 P.M. to 10.00 P.M. on the previous date of the hearing of the case. ) Learned advocates are requested to submit the memos for urgent listing of matters first to the D.R.(Judicial), and only where the D.R.(Judicial) has communicated that the request has been declined or the date given is not convenient for some reasons, should the matters be mentioned orally before the bench of the Chief Justice or such bench assigned for the purpose. For the oral mentioning before the division bench in Chief Justice’s court through virtual mode and physical mode, learned advocates will first obtain from the court master between 9.30 a.m. and 10.15 a.m. on all working days, over phone no.8763760499, a Mentioning Matter (MM) number. In matters other than fresh admission matters, the learned advocates will furnish to the court master on e-mail id- [email protected] proof of intimation of the mentioning to learned counsel for the opposite parties. When the court of the Chief Justice assembles, the mentioning matters for virtual mentioning will be called out serial wise. -
Re-Writing the Myth of Draupadi in Pratibha Ray's Yajnaseni and Chitra
Athens Journal of Philology - Volume 7, Issue 3, September 2020 – Pages 171-188 Re-Writing the Myth of Draupadi in Pratibha Ray’s Yajnaseni and Chitra Bannerjee Divakaruni’s The Palace of Illusions By Mohar Daschaudhuri* All history, accounts of religion, social thought and philosophy reflect woman as the “other” even while speaking for her. Myth constitutes the elemental structures and patterns which shape the thought of a people. This paper explores how Pritabha Ray‟s novel Yajnaseni and Chitra Banerjee Divakaruni‟s The Palace of Illusions re-write the myth of Draupadi, the legendary wife of the five Pandava warriors in the epic Mahabharata. The two contemporary women writers from India recreate a protagonist who voices her opinions, musings, desires in a first person narrative from a woman‟s point of view. As upholder of Dharma, she is at once a player and a pawn in the patriarchal tale of jealousy and revenge. Yet, remaining within the bounds of Dharma, Draupadi, the protagonist in the novels, interrogates the symbolic values attributed to femininity, the meaning of duty, loss and death. Through a feminist re-reading the authors redefine the notion of Svadharma (an individual‟s duties) vis-à-vis the duties of a woman towards her husband and her society. The re-invented myth resists „spousification‟ and deification of the woman, rendering her instead, a palpable character, vulnerable as well as independent. While Ray‟s character is in a search of a spiritual rebirth and relies on her inner deity, Krishna, for guidance all along the tortuous path of Dharma during her life and after her abandonment by her husbands, Divakaruni‟s heroine is a modern day adolescent, impetuous, intelligent and spontaneous. -
The High Court of Orissa,Cuttack List of Business for the Week from Monday, the 13Th January, to Friday,The 17Th January,2020 (Except 15/01/2020)
WEEKLY LIST THE HIGH COURT OF ORISSA,CUTTACK LIST OF BUSINESS FOR THE WEEK FROM MONDAY, THE 13TH JANUARY, TO FRIDAY,THE 17TH JANUARY,2020 (EXCEPT 15/01/2020) CHIEF JUSTICE'S COURT (OLD BUILDING) 13/01/2020 AT 10:30 AM THE HON'BLE THE ACTING CHIEF JUSTICE AND THE HON'BLE MR. JUSTICE S.K.SAHOO (CRIMINAL APPLICATIONS & MOTIONS.) FRESH ADMISSION - TRANSFER OF O.A. 1. WP(C)/17012/2019 ASHOK KUMAR MISHRA M/S.RAMA KRISHNA BISOI (I.A. No.15502/19 at fl.A for V/S P.K.BAIRISAL, XXXXX transfer of O.A. No.1743/19.) SECY. TO GOVT. WORKS 2. WP(C)/20774/2019 RABINDRA KUMAR MANAS PATI (Order No. 02 dated 07.01.2019 PRADHAN S.KAR, P.DAS, S.S.PATI, H.RAY, may kindly be seen ) V/S B.PANDA STATE OF ORISSA 3. WP(C)/23443/2019 PABITRA BEHERA M/S.S.C.MEKAP (With defect.) V/S P.K.BEHERA STATE OF ODISHA 4. WP(C)/28030/2019 SUDARSAN SWAIN M/S.ER.NAGENDRA KUMAR MOHANTY (With defect.) V/S B.K.MOHANTY, B.K.MOHAPATRA, S.K.DASH STATE OF ODISHA 5. WP(C)/28860/2019 HEMALATA NAYAK M/S.SAMARENDRA MOHANTY (With defect.) V/S P.C.MOHARANA STATE OF ODISHA 6. WP(C)/28910/2019 RASHMITA HOTA M/S.SUKANTA KUMAR MISHRA (With defect.) V/S S.S.PRADHAN STATE OF ODISHA 7. WP(C)/29025/2019 ANIRUDHA PUHAN M/S.SURYA NARAYAN PATNAIK (With defect.) V/S P.MOHAPATRA, G.R.SETHY STATE OF ODISHA 8. -
Orissa High Court Filing Report As on :21/10/2020
ORISSA HIGH COURT FILING REPORT AS ON :21/10/2020 SL FILING NO NAME OF PETNR./APPEL COUNSEL FOR PETNR./APPEL PS CASE/LOWER COURT CASE/DISTRICT 1 BLAPL/0007649/2020 KISMAT ALI TRILOCHAN NANDA JEYPORE TOWN /200 /2020 VS VS () STATE OF ODISHA // 2 BLAPL/0007650/2020 RAJA @ JALALUDDIN KHAN SABYASACHI MISHRA KHANDAGIRI P.S. /470 /2020 VS VS () STATE OF ODISHA // 3 BLAPL/0007651/2020 GOPAL BHOI PANCHANAN PANIGRAHI SEMILLIGUDA /79 /2020 VS VS () STATE OF ODISHA // 4 BLAPL/0007652/2020 MADU@ BABU PRADHAN RONIT GHOSH COLLIERY /313 /2020 VS VS () STATE OF ODISHA // 5 BLAPL/0007653/2020 PAREMESH PODAL @ DIPU PANCHANAN PANIGRAHI SEMILLIGUDA /79 /2020 VS VS () STATE OF ODISHA // 6 BLAPL/0007654/2020 KUNI @ ANASUYA MALLICK IMIRAN KHAN KISSANNAGAR PS /81 /2020 VS VS () STATE OF ODISHA // 7 BLAPL/0007655/2020 MURALI @ MURALIDHAR MALLIK IMIRAN KHAN KISSANNAGAR PS /81 /2020 VS VS () STATE OF ODISHA // 8 BLAPL/0007656/2020 SANKAR NAIK A.K.SAHOO DEOGARH /48 /2004 VS VS () STATE OF ODISHA // 9 BLAPL/0007657/2020 GOURANGA MANDAL TUKUNA KUMAR MISHRA MATHILI /125 /2020 VS VS () STATE OF ODISHA // 10 BLAPL/0007658/2020 SK. HABIB ARUN KUMAR BUDHIA BALASORE SADAR /195 /2020 VS VS () STATE OF ODISHA // 11 BLAPL/0007659/2020 HAIDER MOHAMMAD BISWARANJAN DALAI PIPLI /220 /2020 VS VS () STATE OF ODISHA // Page 1/32 ORISSA HIGH COURT FILING REPORT AS ON :21/10/2020 SL FILING NO NAME OF PETNR./APPEL COUNSEL FOR PETNR./APPEL PS CASE/LOWER COURT CASE/DISTRICT 12 BLAPL/0007660/2020 RABINDRA BEHERA BIJAYA KUMAR RAGADA BALIKUDA /185 /2020 VS VS () STATE OF ODISHA // 13 BLAPL/0007661/2020 -
Notice- No. 26415 Dated 25.10.2017- KBK
NOTICE No. 26 LOS- /H. Dated 2 5) / HFW-MSII-AESTT-0008-2017 As per the information received from the CDMOs, the duration of service period of Medical Officers in KBK, KBK+ and TSP areas including the Adhoc period is hereby updated and posted in the Government Website of Health & FW Department - http://health.odisha.gov.in/ for the general information of the concerned Medical Officers. 1/4 AC) Additiona cretVy .o.Government Information about period of service in KBK, KBK+ & TSP areas in respect of the Medical Officers in the rank of Joint Director who are to be promoted to the rank ofAdditional Director Level-II of OMHS Cadre Balance Total Service in KBK, KBK+ & SI. Mandatory Period NAME / COMMUNITY TSP including Ad-hoc & No of KBK, KBK+ & Contractual Period TSP service 3 years 4 months 1 Dr. Ramesh Chandra Panda 1 years 7 months 19 days 14 days 4 years 2 months 2 DR. MANORANJAN DASH 0 years 9 months 5 days 27 days 3 DR. BINAYAK PRASAD PRUSTY 13 years 9 months 26 days Nil 4 years 11 months 4 DR. R.S.N MURTY 0 years 0 months 0 days 31 days 0 years 4 months 5 DR. HARIHAR PATTANAIK 4 years 7 months 18 days 14 days 6 DR. DAMAYANTI SAHOO 28 years 1 months 8 days Nil 7 DR. LINGARAJ MISHRA 19 years 0 months 7 days Nil 0 years 2 months 8 DR. BISWA KALYAN PATNAIK 4 years 9 months 22 days 10 days 9 DR. LAXMIDHAR KABI 8 years 5 months 8 days Nil 10 DR. -
Odisha Review
ODISHA REVIEW VOL. LXIX NO. 11 JUNE - 2013 PRADEEP KUMAR JENA, I.A.S. Commissioner-cum- Secretary DEBENDRA PRASAD DAS, O.A.S.(SAG) Director DR. LENIN MOHANTY Editor Editorial Assistance Bibhu Chandra Mishra Bikram Maharana Production Assistance Debasis Pattnaik Sadhana Mishra Manas R. Nayak Cover Design & Illustration Hemanta Kumar Sahoo D.T.P. & Design Raju Singh Manoranjan Mohanty Photo The Odisha Review aims at disseminating knowledge and information concerning Odisha’s socio-economic development, art and culture. Views, records, statistics and information published in the Odisha Review are not necessarily those of the Government of Odisha. Published by Information & Public Relations Department, Government of Odisha, Bhubaneswar - 751001 and Printed at Odisha Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. E-mail : [email protected] Five Rupees / Copy [email protected] Visit : http://orissa.gov.in Contact : 9937057528(M) CONTENTS The Creation of Bada Odia Monastery Pitambar Padhani ... 1 Good Governance ... 3 Planning Commission, Special Category States and Odisha Prof. Surya Narayan Misra ... 11 Reforms in Vulnerable Power Distribution Sector in Asit Mohanty Odisha – BOT Model Sachet Parida ... 17 Sabitri Brata : Important Ritual of Married Women with Husbands Alive Dr. Dina Krishna Joshi ... 25 Autobiography as History : A Perspective on Two Odia Autobiographies Zehara Jabeen ... 33 Odisha’s Unique Theatre Form – Mughal Tamasha Rabi Sankar Rath ... 38 Chhau Dance of Mayurbhanj Balabhadra Ghadai ... 43 Tamralipta : The Ancient Port in Odisha Akhil Kumar Sahoo ... 47 Soils of Cuttack District Dr. Antaryami Mishra Jyotsnarani Sarangi ... 51 Violence Against Women Prof.