DOCSLIB.ORG

Minutes of Proceedings

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Minutes of Proceedings 691 LEGISLATIVE COUNCIL MINUTES OF PROCEEDINGS No. 62 THURSDAY 16 FEBRUARY 2012 Contents 1 Meeting of the House ............................................................................................................................... 693 2 Recommendations of NSW Ombudsman (Formal Business) .................................................................. 693 3 Mr Edmund Capon AM, OBE (Formal Business) ................................................................................... 693 4 World AIDS Day (Formal Business) ....................................................................................................... 694 5 Ovarian Cancer (Formal Business) .......................................................................................................... 694 6 General Purpose Standing Committee No. 3—Extension of reporting date (Formal Business) .............. 695 7 Lunar New Year celebration (Formal Business) ...................................................................................... 695 8 Vietnamese New Year (Formal Business) ............................................................................................... 696 9 United Indian Association (Formal Business) .......................................................................................... 696 10 Australia Day and India Republic Day (Formal Business) ...................................................................... 698 11 St Antonio da Padova Association, Sydney (Formal Business) ............................................................... 698 12 Ahmadiyya Muslim Association of Australia (Formal Business) ............................................................ 699 13 Mrs Marie Dunn OAM (Formal Business) .............................................................................................. 699 14 General Purpose Standing Committee No. 1—Report ............................................................................. 700 15 General Purpose Standing Committee No. 4—Report ............................................................................. 700 16 General Purpose Standing Committee No. 5—Report ............................................................................. 701 17 Standing Committee on Law and Justice—Extension of reporting date .................................................. 701 18 Notices of Motions ................................................................................................................................... 701 19 Special Adjournment ................................................................................................................................ 701 20 Threatened Species Conservation Amendment (Ecological Consultants Accreditation Scheme) Bill 2011 .......................................................................................................................................................... 701 21 Coal Seam Gas Moratorium Bill 2011 ..................................................................................................... 702 22 Leaving Care Plans .................................................................................................................................. 702 23 Lieutenant-Governor Sworn ..................................................................................................................... 703 24 Assumption of the Administration of the Government by the Lieutenant-Governor ............................... 703 25 Questions .................................................................................................................................................. 704 26 Criminal Case Conferencing Trial Repeal Bill 2011................................................................................ 704 27 Government Information (Public Access) Amendment Bill 2011 ........................................................... 704 28 Business Postponed .................................................................................................................................. 705 29 Firearms Amendment (Ammunition Control) Bill 2012 .......................................................................... 705 30 Message from the Legislative Assembly—Election Funding, Expenditure and Disclosures Amendment Bill 2011 .............................................................................................................................. 705 692 Legislative Council Minutes No. 62—Thursday 16 February 2012 31 Real Property Amendment (Public Lands) Bill 2012 ............................................................................... 705 32 Adjournment ............................................................................................................................................ 705 33 Attendance ............................................................................................................................................... 706 693 Legislative Council Minutes No. 62—Thursday 16 February 2012 1 MEETING OF THE HOUSE The House met at 9.30 am according to adjournment. The President took the Chair and read the prayers. 2 RECOMMENDATIONS OF NSW OMBUDSMAN (Formal Business) Ms Fazio moved, according to notice: 1. That this House notes the recommendations contained in the Report of the NSW Ombudsman dated October 2011 “Addressing Aboriginal disadvantage: the need to do things differently”, namely: “1. We recommend that the NSW Government provide this report to all members of the Ministerial Taskforce for Aboriginal Affairs. 2. We recommend that the NSW Government, through its Ministerial Taskforce, give detailed consideration to the required changes we have identified at the beginning of each of chapters 3-7. 3. Given the ongoing and extensive work of this office in relation to Aboriginal communities, we recommend that the NSW Government: (a) regularly liaises with this office to discuss significant issues being considered by the Ministerial Taskforce, and (b) provides this office with an initial progress report about the work of the Ministerial Taskforce by December 2011, and a copy of its draft policy strategy by 30 June 2012.” 2. That this House calls on the Government to accept and act upon the Ombudsman’s recommendations. Question put and passed. 3 MR EDMUND CAPON AM, OBE (Formal Business) Ms Fazio moved, according to notice: 1. This House notes that: (a) Mr Edmund Capon AM, OBE is retiring after 33 years as the Director of the Art Gallery of New South Wales following his recruitment in 1978 from London’s Victoria and Albert Museum by the then New South Wales Premier, the Hon Neville Wran AC, and (b) Mr Capon’s notable achievements include: (i) creation of a sustainable funding base for the gallery by establishing the Art Gallery of New South Wales Foundation in 1983, (ii) increasing the popularity of the Gallery by making the works more accessible and tripling the collection from 10,000 to 30,000 works, now valued at $825 million, (iii) doubling the size of the Gallery in 1988 with the new Bicentennial wing, (iv) growth in the Gallery’s admissions from 300,000 to 1.3 million, an astounding result even when natural growth is accounted for, (v) major acquisitions which include ‘Nude in a rocking chair’ by Pablo Picasso, ‘Five Bells’ by John Olsen, ‘First-class marksman’ by Sydney Nolan and ‘Three studies from the Temeraire’ by Cy Twombly, among others, (vi) oversighting of major exhibitions such as Gold of the Pharaohs, Masterpieces from the Guggenheim New York, Bill Henson, Giacometti: sculptures prints and drawings from the Maeght Foundation, The Arts of Islam: Treasures from the Nasser D Khalili collection and Picasso masterpieces from the Musée National Picasso, Paris, 694 Legislative Council Minutes No. 62—Thursday 16 February 2012 (vii) the expansion of the Gallery’s Asian collection and exhibition program, the opening of the Asian Gallery in 1990 and the expansion of the Gallery in 2003, (viii) creation of new contemporary galleries, including the John Kaldor Family Gallery in 2011 and collection store to safely house the Gallery’s ever-growing collection, (ix) a Gallery membership which now stands at 30,000 members as well as a plethora of scholarly collections, books and exhibition catalogues that have been produced over his more the three decades in the position. 2. That this House notes that the contributions of Mr Capon have been recognised in the following ways: (a) on 10 June 1994, Mr Capon was appointed a Member of the Order of Australia in recognition of service to the arts, particularly as Director of the Art Gallery of New South Wales, (b) in 2000, Mr Capon was awarded a Doctor of Letters, honoris causa, from the University of New South Wales and a Chevalier of the Ordre des Arts et des Lettres from the French Government, (c) on 1 January 2001, Mr Capon was presented with the Centenary Medal for service to Australian society and the arts and was also appointed as a ‘Cavaliere’ of the Order of Merit of the Italian Republic, and (d) within the 2003 Queen’s Birthday Honours, Mr Capon was appointed an Officer of the Order of the British Empire by the United Kingdom Government for services to the promotion of British art in Australia. 3. That this House: (a) congratulates Mr Capon for his significant and lasting contribution to the arts, and (b) requests that the President convey the appreciation of the House to Mr Capon in writing. Question put and passed. 4 WORLD AIDS DAY (Formal Business) Ms Fazio moved, according to notice: That this House:
Load more

Recommended publications
  • EDMUND CAPON Edmund Capon Was Appointed Director of the Art
    EDMUND CAPON Edmund Capon was appointed Director of the Art Gallery of NSW in November 1978 for a three year term – the first internationally-trained art historian and curator to be appointed to the role. He held this position for 33 years, retiring at the end of 2011. During his tenure, he oversaw two significant building expansions, particularly regarding the Asian galleries. He established a corporate foundation based upon the NGV model to fund purchases for the collection, oversaw significant collection development and curated many important exhibitions of Australian and International art. He also continued to research, write and publish, and produced a three-part TV series, Meishu – Travels in Chinese Art for the ABC and China Central TV. Edmund Capon (b. 1940), commenced his museum career at a commercial gallery in London whilst a student at the Courtauld Institute of Art. In 1966, he began his career at the Victorian and Albert Museum. Having completed an MPhil in Chinese art and archaeology (including language) from London University’s Department of Oriental and African Studies, he was appointed assistant keeper in the Far Eastern Section of V&A in 1973. Acknowledged as a specialist in his field, he undertook three cultural tours to China between 1974 and 1978. It was during the first of these tours in Xian that he witnessed the initial diggings which revealed the entombed warriors. In 1976, he was commissioned by the Australia Council and Art Exhibitions Australia to write and publish a book, Art and Archeology in China. The book was an accompaniment to The Chinese Exhibition: a selection of recent archaeological finds of the People’s Republic of China which toured the state galleries of Victoria, NSW and South Australia in 1977.
    [Show full text]
  • Art Gallery of New South Wales Annual Report 2001
    ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2001 1 TABLE OF CONTENTS ART GALLERY OF NEW SOUTH WALES HIGHLIGHTS PRESIDENT’S REPORT 2 NEW ATTENDANCE RECORD SET FOR THE POPULAR ARCHIBALD, WYNNE AND SULMAN PRIZES, WHICH HAD MORE THAN 98,000 VISITORS. DIRECTOR’S REPORT 4 1 YEAR IN REVIEW 8 TWO NEW MAJOR AGNSW PUBLICATIONS, AUSTRALIAN ART IN THE ART GALLERY OF NEW SOUTH WALES AND PAPUNYA TULA: GENESIS AIMS/OBJECTIVES/PERFORMANCE INDICATORS 26 2 AND GENIUS. CORPORATE GOVERNANCE 32 DEDICATION OF THE MARGARET OLLEY TWENTIETH CENTURY EUROPEAN LIFE GOVERNORS 34 3 GALLERIES IN RECOGNITION OF HER CONTINUING AND SUBSTANTIAL SENIOR MANAGEMENT PROFILE 34 ROLE AS A GALLERY BENEFACTOR. ORGANISATION CHART 36 COLLECTION ACQUISITIONS AMOUNTED TO $7.8 MILLION WITH 946 FINANCIAL STATEMENTS 41 4 PURCHASED AND GIFTED WORKS ACCESSIONED INTO THE PERMANENT COLLECTION.TOTAL ACQUISITIONS HAVE GROWN BY MORE THAN $83.4 APPENDICES 62 MILLION IN THE PAST 10 YEARS. INDEX 92 MORE THAN 1.04 MILLION VISITORS TO OVER 40 TEMPORARY, TOURING GENERAL INFORMATION 93 5 AND PERMANENT COLLECTION EXHIBITIONS STAGED IN SYDNEY, REGIONAL NSW AND INTERSTATE. COMMENCED A THREE-YEAR, $2.3 MILLION, NSW GOVERNMENT 6 FUNDED PROGRAMME TO DIGITISE IMAGES OF ALL WORKS IN THE GALLERY’S PERMANENT COLLECTION. Bob Carr MP Premier, Minister for the Arts, and Minister for Citizenship DEVELOPED GALLERY WEBSITE TO ALLOW ONLINE USERS ACCESS TO Level 40 7 DATABASE INFORMATION ON THE GALLERY’S COLLECTION, INCLUDING Governor Macquarie Tower AVAILABLE IMAGES AND SPECIALIST RESEARCH LIBRARY CATALOGUE. 1 Farrer Place SYDNEY NSW 2000 CREATED A MAJOR NEW FAMILY PROGRAMME, FUNDAYS AT THE 8 GALLERY, IN PARTNERSHIP WITH A FIVE-YEAR SPONSORSHIP FROM THE Dear Premier, SUNDAY TELEGRAPH.
    [Show full text]
  • A Study of the Art Gallery of New South Wales and Australian
    A Study of the Art Gallery of New South Wales and Australian Aboriginal Art: Aboriginal Perspectives and Representations in State Art Galleries Vanessa Russ Bachelor of Fine Art (Honours), College of Fine Arts, UNSW This thesis is presented for the degree of Doctor of Philosophy of the University of Western Australia School of Architecture, Landscape and Visual Arts May 2013 i Vanessa Russ: Dissertation Abstract This study of the Art Gallery of New South Wales explores the role that Australian Aboriginal art has had in one important state institution. It also provides the groundwork for furthering our understanding of how state art galleries manage their discourses of Australian and Aboriginal identities. The search by Aboriginal people, for belonging and trust in national representations, continues to challenge state art galleries. If as art historian Amelia Jones suggests the notion of art, art history and art institutions are inventions, then such inventions should make room for new art and new art theory (Jones 23). While state art galleries are currently working to generate new displays of Australian art that include Australian Aboriginal art, there remains no complete study of how any state art gallery has managed its Aboriginal collections. This study of the role of Australian Aboriginal art within the Art Gallery of New South Wales provides evidence of personal advocacy as the driving force behind its achievements. Here personal advocacy and by extension, cultural subjectivity, is the key to the creation of an art gallery. ii Vanessa Russ: Dissertation Table of Content 1. Abstract page ii 2. Table of Content page iii 3.
    [Show full text]
  • Vale Edmund George Capon AM OBE PDF 118 KB
    Council 8 April 2019 Item 3.2 Vale Edmund George Capon AM OBE File No: S051491 Minute by the Lord Mayor To Council: I want to pay tribute to the death of the long serving Director of the Art Gallery of NSW, Edmund George Capon AM OBE, who passed away in London on Tuesday 19 March 2019. Born in London in 1940, Edmund gained his passion for painting during his early school years in Kent, insisting on travelling with easel and paintbox during summer holidays with his family. His father, a paper mill manager, insisted that the young Edmund take up a “respectable career” after he left school. Conforming with his father’s wishes, he trained as a chartered surveyor, working for a few years in London. Once he had passed his exams, he returned to his interest in art, managing an art gallery, painting portraits and studying drawing at a Chelsea studio. He also learned to speak Chinese as a photograph of the Great Wall of China had piqued his interest in Chinese art. This was a precursor to studying at the London University School of Oriental and African Studies where he graduated with a Master of Philosophy in Chinese art and archaeology. He matched this by studying 20th-century painting at the Courtauld Institute of Art at London University. He joined the Victoria and Albert Museum in 1966, initially in the Textile Department before moving to the Museum’s Far Eastern Section, where he held the position of assistant keeper from 1973 to1978. Edmund was invited to apply for the position of Director of the Art Gallery of NSW while on his first visit to Sydney in 1977 to promote a book and exhibition on Chinese art.
    [Show full text]
  • Nouvelles Acquisitions Septembre 2015 Éditions D
    NOUVELLES ACQUISITIONS SEPTEMBRE 2015 ÉDITIONS D’ARTISTES : Notice : 0974511 Apartheid [Texte imprimé] / 11 photographies de Marc Pataut ; [texte de Jean-François Chevrier]. - Blanc Mesnil : Affaires culturelles (Seine Saint Denis), [1989?]. - 1 vol. avec depl. [ca 10 p.] : ill. ; 42 cm. Il a été tir. 500 ex. sur offset à grain de rives, par Marchand Imprimeur, villa d'Alésia. Les 11 premiers exemplaires num. de 1 à 11 comportent une des photographies ayant servi à la photogravure de l'ouvrage. - ISBN 295013196-4 (erroné) * Sujets : Pataut, Marc (1952-) ** Exemplaire (s) : Imprimés section Réserve, RLGF 962 Imprimés section Réserve, RLGF 1071 Notice : 1068218 Forget me not [Texte imprimé] : Bernard Plossu inédito. - Madrid : Tf editores, [2002]. - 1 vol. [160 p.] : photogr. ; 26 cm. (Colección Foto) ISBN 84-95183-77-3 : $49.85. -ISBN 978-84-95183-77-4 * Sujets : Plossu, Bernard (1945-....) -- Catalogues ** Exemplaire (s) : Imprimés section Réserves basses, Fonds Plossu L 17, Consultable uniquement sur place Notice : 1067451 New Mexico, U.S.A [Texte imprimé] : a photographic essay of New Mexico / created and edited by Barbara Erdman ; designed by Mary Shapiro. - Santa Fe, N.M. : Santa Fe Center for Photography, cop. 1985. - 1 vol. (111 p.) : photogr. en noir et en coul., cartes ; 25 x 30 cm. - Notes : Photographes : Roswell Angier (14. 35. 43 .64) ; Raymond Belcher ( 96. 104. 105) ; Kevin BubrisKi (18. 20. 69) ; Paul Caponigro (53) ; Walter Chappell (51. 97) ; Rahoul Contractor (75) ; Stephen Cooper (45. 48. 98) ; William Davis (11. 52. 92) ; Orlando Diaz (73) ; Helen Doroshow (88) ; Barbara Erdman (7. 33. 42. 79) ; Richard Erdoes (21. 23. 24.
    [Show full text]
  • Art Gallery of New South Wales Annual Report 2007–08
    Art Gallery of New South Wales Annual Report 2007–08 Contents The Hon Nathan Rees 2 Vision, purpose, pledge of service ART Premier and Minister for the Arts GALLERY Year in brief Parliament House NSW 4 Highlights Macquarie Street 6 Performance summary SYDNEY NSW 2000 7 Corporate plan and outcomes 12 President’s foreword 14 Director’s statement Dear Minister, 18 Collections 30 Exhibitions and audiences It is our pleasure to forward to you for presentation 40 Educational, community and regional activities to the New South Wales Parliament the Annual 50 Publications Report for the Art Gallery of NSW for the year 54 Building and environmental management ended 30 June 2008. 56 Individual giving This report has been prepared in accordance with the provision of the Annual Reports 57 Business development (Statutory Bodies) Act 1984 and the Annual Corporate governance Reports (Statutory Bodies) Regulations 2005. 58 Board of Trustees 61 Other Gallery entities 62 Senior management Yours sincerely, 64 Organisation structure Appendices 70 Sponsorship and philanthropy 71 Art prizes and scholarships 71 AGNSW publications for sale 72 Visitor numbers Steven Lowy Edmund Capon 73 Exhibition listings President Director 74 Aged and disability access programs and services 75 Aboriginal and Torres Strait Islander programs and services 76 Ethnic affairs priorities statement 20 October 2008 77 Overseas travel 78 Collection – purchases 81 Collection – gifts 85 Collection – loans 91 Staff, volunteers and interns listings 94 Staff publications, presentations and
    [Show full text]
  • 04 Bibliographie.Indd
    Blake, Warren, and Jeremy Green. 1986. A Mid-16th Century Portuguese Wreck BIBLIOGRAPHY in the Seychelles. The International Journal of Nautical Archaeology and Underwater Exploration 15: 1, 1–23. Bodde, Derk. 1975. Festivals in Classical China. Princeton: Princeton University Abinion, Orlando V. 1989. The Recovery of the 12th Century Wooden Boats Press. in the Philippines. The Bulletin of the Australian Institute for Maritime Booth, B. 1984. A Handlist of Maritime Radiocarbon Dates. The International Archaeology 13: 2, 9–11. Journal of Nautical Archaeology and Underwater Exploration 12: 3, 109–204. Adachi Kiroku. 1938. Kyûseiki ni okeru Sumatora-tô nan no kôro ni kansuru Brongniart, Alexandre. 1844. Traité des arts céramiques ou des poteries kenkyû (A study of the South-Sumatra sea route in the 9th century). considérées dans leur histoire, leur practique et leur théorie. Paris: Béchet Shigaku zasshi 49: 4, 1–32; 5, 48–93. Jeune et Augustin Mathias. Adhyatman, Sumarah. 1983. Notes on Early Olive Green Wares Found in Bronson, Bennet. 1996. Chinese and Middle-Eastern Trade in Southern Indonesia. Jakarta: Ceramic Society of Indonesia. Thailand during the 9th Century A.D. In Ancient Trades and Cultural Adhyatman, Sumarah. 1990. Antique Ceramics Found in Indonesia. Jakarta: The Contacts in Southeast Asia, edited by ONCD, 181–200. Bangkok: The Office Ceramic Society of Indonesia. of the National Cultural Division. Alba, Larry A. 1984. The Genesis of Underwater Archaeology in the Philippines. Brown, Roxanna M. 1975–76. Preliminary Report on the Koh Khram Sunken Manila: National Museum internal report. Ship. Oriental Art 21: 1, 356–370. Allan, James Wilson. 1991.
    [Show full text]
  • ANNUAL REPORT 2010–11 ART GALLERY of NEW SOUTH WALES OUR VISION to Open People’S Eyes and Minds to the Wonder, 1
    ANNUAL REPORT 2010 –11 ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2010–11 ART GALLERY OF NEW SOUTH WALES OUR VISION To open people’s eyes and minds to the wonder, 1. 3 308 the richness and the sheer MILLION THOUSAND pleasure of art. This vision VISITORS CAME TO THE GALLERY WITH PEOPLE PARTICIPATED IN OVER 305,000 TO THE FIRST EMPEROR PUBLIC AND EDUCATION PROGRAMS guides our development AND OVER 146,000 TO THE ARCHIBALD, EXTENDING AND ENRICHING THEIR and activities. WYNNE AND SULMAN PRIZES ENGAGEMENT WITH ART $72.4 $34 $841 MILLION MILLION MILLION TOTAL GALLERY REVENUE, IS WHAT THE FIRST EMPEROR THE TOTAL VALUE OF THE COLLECTION INCLUDING THE NSW GOVERNMENT’S EXHIBITION ADDED TO THE THROUGH THE ACQUISITION THIS RECURRENT CONTRIBUTION NSW ECONOMY YEAR OF ADDITIONAL ARTWORKS OF $24.8 MILLION (34%) VALUED AT $16.7 MILLION 3300 458 94,787 SQUARE METRES VOLUNTEERS STUDENTS OF FREE PUBLIC SPACE OPENED IN AND 23 INTERNS SUPPORTED THE OF THE VISUAL ARTS AND MAY 2011 WITH THE LAUNCH OF THE GALLERY AND ITS STAFF TO MEET THE OTHER KEY SUBJECTS ATTENDED CONTEMPORARY GALLERIES, FEATURING PUBLIC DEMAND FOR ITS SERVICES PROGRAMS SUPPORTING THE THE JOHN KALDOR FAMILY GALLERY NSW EDUCATION CURRICULUM (cover) Director Edmund Capon passing Ian Fairweather’s Last Supper 1958. (opposite) Ugo Rondinone, siebterjulizweitausendundnull 2000 CONTENTS Vision, purpose, corporate plan 2010–15 5 Year in brief 6 President’s foreword 10 Director’s statement 15 Margaret Olley remembered 20 Sharing 24 Exhibitions and audience programs 29 Future exhibitions 39 Publications
    [Show full text]
  • Appendices 08–09
    Art Gallery of NSW Appendices 08–09 Sponsorship and philanthropy 74 Art prizes, grants and scholarships 75 AGNSW publications for sale 76 Visitor numbers 77 Exhibitions listing 78 Aged and disability access programs and services 79 Aboriginal and Torres Strait Islander programs and services 80 Ethnic affairs priorities statement 80 Electronic service delivery 82 Overseas travel 83 Collection – purchases 84 Collection – gifts 86 Collection – loans 90 Staff, volunteers and interns listing 98 Staff publications, presentation and related activities 101 Customer response 106 Compliance reporting 107 ART GALLERY OF NSW APPENDICES 08–09 73 President’s Council of the Art Longes; David Lowy; John & Jane KPMG; John C Conde AO, MBF SPONSORSHIP Gallery of NSW: Major exhibitions Morschel; Roslyn Packer AO; Australia; Bill Wavish, Myer; Paul AND program partner Bridget Pirrie & Stephen Grant; O’Sullivan, Optus; Mark Johnson, PHILANTHROPY Qantas: Principal sponsor: Steven & Lisa Pongrass; John L PricewaterhouseCoopers; Alan Yiribana Gallery; Official airline: Sharpe; Brian Sherman AM; Joyce, Qantas; Greg Bartlet, The lost Buddhas, Monet and the Dr Gene Sherman; Geoffrey St.George Bank; Justin Miller, Impressionists Susskind; Michael & Eleonora Sotheby’s; Luca Belgiorno- Sponsors Triguboff; Malcolm & Lucy Turnbull; Nettis, Transfield Holdings; Philip at 30 June 2009 Sofitel Sydney Wentworth: Official and Phillip Wolanski AM. Coleman, UBS AG Australia; and hotel partner and support sponsor: Sally Herman, Westpac Banking Avant Card: Support sponsor: Archibald, Wynne and Sulman Corporation. general Prizes 2009, Monet and the Masterpiece Fund City of Sydney: Support sponsor: Impressionists Patrons of the Masterpiece Fund as at 30 June 2009: VisAsia Council Archibald Prize 08, Monet and the The Sydney Morning Herald: Members of the VisAsia Council as Impressionists Media sponsor: The lost Buddhas, Art Gallery of NSW Foundation; at 30 June 2009: Clayton Utz: Disability access Monet and the Impressionists Art Gallery Society of NSW; and Margaret Olley AC.
    [Show full text]
  • Printed Decision PDF 131 KB
    8 April 2019 Item 3.2 Vale Edmund George Capon AM OBE Minute by the Lord Mayor To Council: I want to pay tribute to the death of the long serving Director of the Art Gallery of NSW, Edmund George Capon AM OBE, who passed away in London on Tuesday 19 March 2019. Born in London in 1940, Edmund gained his passion for painting during his early school years in Kent, insisting on travelling with easel and paintbox during summer holidays with his family. His father, a paper mill manager, insisted that the young Edmund take up a “respectable career” after he left school. Conforming with his father’s wishes, he trained as a chartered surveyor, working for a few years in London. Once he had passed his exams, he returned to his interest in art, managing an art gallery, painting portraits and studying drawing at a Chelsea studio. He also learned to speak Chinese as a photograph of the Great Wall of China had piqued his interest in Chinese art. This was a precursor to studying at the London University School of Oriental and African Studies where he graduated with a Master of Philosophy in Chinese art and archaeology. He matched this by studying 20th-century painting at the Courtauld Institute of Art at London University. He joined the Victoria and Albert Museum in 1966, initially in the Textile Department before moving to the Museum’s Far Eastern Section, where he held the position of assistant keeper from 1973 to1978. Edmund was invited to apply for the position of Director of the Art Gallery of NSW while on his first visit to Sydney in 1977 to promote a book and exhibition on Chinese art.
    [Show full text]
  • Art Gallery of New South Wales Annual Report 2003 Table of Contents
    ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2003 TABLE OF CONTENTS TRANSMISSION LETTER TO PREMIER INSIDE FRONT COVER PLEDGE OF SERVICE TO OUR VISITORS 1 OUR VISION; WHO WE ARE; WHAT WE DO 1 YEAR IN BRIEF 2 BUSINESS ANALYSIS 4 PRESIDENT’S FOREWORD 5 DIRECTOR’S STATEMENT 6 BUILDING EXTENSION PROJECT 10 YEAR IN REVIEW 14 PERFORMANCE – STRATEGIC PLAN AND OUTCOMES 36 CORPORATE GOVERNANCE 40 FINANCIAL STATEMENTS 52 APPENDICES 74 INDEX 100 GENERAL INFORMATION INSIDE BACK COVER Bob Carr MP Premier and Minister for the Arts Parliament House Macquarie Street SYDNEY NSW 2000 Dear Premier, It is our pleasure to forward to you for presentation to the New South Wales Parliament the Annual Report for the Art Gallery of New South Wales for the year ended 30th June 2003. This report has been prepared in accordance with the provisions of the Annual Reports (Statutory Bodies) Act and the Annual Reports (Statutory Bodies) Regulations. Yours sincerely, David Gonski Edmund Capon President Director 25 October, 2003 GENERAL INFORMATION ACCESS EXHIBITIONS / EVENT PHOTOGRAPHY CONTACT INFORMATION The Art Gallery opens every day INFORMATION Photography of the Gallery’s permanent Physical and postal address: except Easter Friday and Christmas The free tri-monthly publication, collection, with the exception of works Art Gallery of New South Wales Day between the hours of 10am and exhibitions/events, is available from in the Yiribana gallery, is allowed by Art Gallery Road 5pm. General admission is free. Entry the Gallery. This booklet details current members of the public providing no The Domain NSW 2000 fees may apply to a limited number of exhibitions, public programmes events flash or tripods are used.
    [Show full text]
  • Grace Crowley's Contribution to Australian
    GRACE CROWLEY’S CONTRIBUTION TO AUSTRALIAN MODERNISM AND GEOMETRIC ABSTRACTION Dianne Ottley, B.A. (Hons), (Sydney) A thesis submitted in fulfillment of the requirements for the degree of Master of Philosophy Department of Art History and Theory Faculty of Arts University of Sydney June 2007 CONTENTS List of Illustrations Introduction 1 Chapter 1: Development as an Artist 18 Chapter 2: Paris and André Lhote 35 Chapter 3: The Crowley Fizelle Art School 1932-1937 66 Chapter 4: Exhibition 1 89 Chapter 5: Partnership in Abstraction 110 Chapter 6: Mature Years – Influence and Achievements 126 Chapter 7: Historical and Contemporary Relevance 145 Bibliography 154 Appendices Illustrations ACKNOWLEDGEMENTS Firstly, I thank my supervisors, originally Dr. Mary Mackay for encouraging me to undertake the thesis, and Dr. Catriona Moore, for her guidance and suggestions for following the most valuable avenues of research. I also thank Dr. Anita Callaway and Dr. Keith Broadfoot for their helpful suggestions during the absence of my primary supervisors. I also wish to thank the always courteous and helpful staff of the Department of History and Theory, Schaeffer Librarians John Spencer and Peter Wright, who have helped me throughout my long period of research; the Image Librarians, Anthony Green and Nicholas Keyzer who most patiently helped me prepare images for my presentation to staff, and to Debroah Rodriguiz and Helena Poropat, always ready with needed information. My thanks to Steven Millar, Archivist, and the all the staff of the Research Library of the Art Gallery of New South Wales, for their help over my extended period of research. My special thanks to Eric Riddler, Research Assistant, for sharing his considerable knowledge and for his help in particular areas.
    [Show full text]