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Here Again (Elevation Worship)

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Here Again (Elevation Worship) Here Again Words & music by Amy Corbett, Chris Brown, and Steven Furtick Arranged by Dan Galbraith Based on the popular recording from the Elevation Worship album "Hallelujah Here Below" PraiseCharts Worship Orchestrations are a group of contemporary arrangements in a time-tested format by PraiseCharts’ best writers. The Praise Band level begins with a contemporary praise band sound, utilizing either brass section or string section, while the Orchestration level incorporates instruments scalable up to a medium-sized “studio” orchestra. Rhythm section: The Rhythm part is for the section player (pianist, guitarist, Rhythm section: The Rhythm part is for the section player (pianist, guitarist, or any exceptions are listed on the score. When the part is written in unison, or drummer) with all the specific rhythms and chords necessary for the drummer) with all the specific rhythms and chords necessary for the arrangement. the men should sing it down one octave or it may be done as a solo. This arrangement. The Lead Sheet is a combination rhythm and vocal chart meant for The Lead Sheet is a combination rhythm and vocal chart meant for the vocalists, method provides a contemporary sound in an easy-to-learn manner. the vocalists, worship leader, or rhythm player needing more vocal cues. The worship leader, or rhythm player needing more vocal cues. The Piano, Vocal part Piano, Vocal part includes a full piano part in “songbook format” for those not includes a full piano part in “songbook format” for those not comfortable with Alternate keys: There is at least one alternate key included to comfortable with playing from a chord chart. When playing with a complete playing from a chord chart. When playing with a complete band the pianist would accommodate either a keyboard-based band or a guitar-based band, to give band the pianist would be advised to simplify this part in order to "stay out of the orchestra a more playable key, or to make the vocal range more be advised to simplify this part in order to "stay out of the way". the way". accessible if necessary. Vocals: Our charts can include a SAT Lead Sheet, a SATB Vocal/Piano score, and a Vocals: Our charts can include a SAT Lead Sheet, a SATB Vocal/Piano score, SATB Choir Sheet. When using the SAT part (soprano/alto/tenor), the Other notes: Each instrumental part includes Lyric Cues to aid the player and a SATB Choir Sheet. When using the SAT part (soprano/alto/tenor), the baritone/basses should sing the melody (soprano) down an octave – in keeping their place. baritone/basses should sing the melody (soprano) down an octave – Parts included in the PraiseCharts Worship Band Series Parts included in the PraiseCharts Worship Band Series Included in both levels: Lead Sheet (SAT) – for the worship leader and vocal team Piano/Vocal (SATB) – for the pianist and SATB choir Lead Sheet (SAT) – for the worship leader and vocal team Choir Sheet (SATB) – for the SATB choir Piano/Vocal (SATB) – for the pianist and SATB choir Orchestration adds the other of the Rhythm – a more detailed chart for keyboard, guitars, and drums. Choir Sheet (SATB) – for the SATB choir Ac. Guitar – a modified Rhythm part in appropriate capo keys two Praise Band groups plus: Rhythm – a more detailed chart for keyboard, guitars, and drums. Ac. Guitar – a modified Rhythm part in appropriate capo keys Praise Band includes: Percussion 1-2 Trombone 1-2 Praise Band includes either brass or string sections: Horn 1-2 (French Horn) Trumpet 1-2 Tenor Sax 1-2 (doubles Trombone) Alto Sax Bass Trombone/Tuba Flute/Oboe 1-3 Trumpet 1-2 Trombone 1-2 rd AltoTrumpet Sax 3 (doubles Alto Sax) TenorBari Sax Sax (doubles 1-2 (doubles Bass Trb.)Trombone) Clarinet (doubles 3 woodwind part) Trumpet 3 (doubles Alto Sax) Bass Trombone/Tuba OR: Bari Sax (doubles Bass Trb.) Violin 1-2 (stacked parts are divisi unlessunless otherwise indicated) Viola Cello-Bass (non-transposed) (non-transposed) String Reduction (string partsString condensed Reduction for keyboard (string synth) parts condensed for keyboard synth) www.praisecharts.com [email protected] (800) 695-6293 Lead Sheet Key: D (SAT) Here Again (based on the recording from the Elevation Worship album "Hallelujah Here Below") www.praisecharts.com/71873 Amy Corbett, Chris Brown, and Steven Furtick Arr. by Dan Galbraith D D q = 67 Bm G Bm G A A ## 4 & ˙ ˙ w ˙ ˙ w 4 ˙ Pno./pads only˙ w ˙ ˙ w Verse P 1 D D Bm G Bm A A ## . Œ Ó Œ 5 & . œ œ œ œ œ. œ œ œ œ Octaves 1. Can't go back to theœ beœ - gin-œ ning, can't con - trol whatœ toœ - 2. As I walk now through the val - ley, let Your love rise a- D G Bm G A ## 8 & Œ Œ œ œ Ó morœ - rowœ œ willœ bring.œ œ Butœ I know hereœ inœ theœ midœ - dleœ. œ bove ev - 'ry fear. Like the sun shap - ing the sha-dow, D D 1 Chorus G 2 D A F # ## Œ Œ ∑ Œ‰ 11 & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ is the place where You pro-mise to be. I'mœ not e - nough in my weak - ness Your Asus Bm G ## ‰ ≈ Ó 15& œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ unœ - less You come. Will You meet me hereœ a - gain?œ ˙ D Asus Bm # # Œ‰ ‰ ≈ 18& œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ 'Causeœ all I want isœ all You are. Will You meet me hereœ a-gain?œ D D D G Bm G G A A F # œ œ ## œ œ œ œ . 21 Ó œ œ œ. œ œ œ . & ’ A bit˙ more œ œ. ’ ˙ ˙ + sparse tom groove F © Elevation Worship Publishing (Admin Essential Worship Publishing) | All rights reserved. Used by permission | CCLI #7111925 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright Lead Sheet Here Again - page 2 of 3 (SAT) Key: D 2 3 Chorus G D Big, sustained A fTom drive ## Œ . Œ‰ ‰ 26& œ œ œ | . œ œ œ œ œ œ œ œ œ œ œ. œ glo -ry apœ pears.œ œ I'mœ notœ œ e - nough un-lessœ œ œ You come. œ Mel. on bottom œ œ (at pitch) Bm G D ## 30 ≈ œ œ Œ‰ œ œ œ & œ œ œ œ œ œ œ œ œ œ w œ œ œ œ œ œ Will You meet me hereœ a - gain?œ w 'Causeœ all I want 1 2 A Bm G G ## . 33 œ ‰ ≈ œ œ . & œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ œ w w isœ all You are. Will You meet me hereœ a-gain?œ w w D A 4 Instr. C Bm A G E.G. lead # œ œ œ œ Œ œ œ œ œ. œ œ Œ œ œ . œ . ## ˙ œ. ˙ 37& w ’’’ ’ ’’’’ ’’ ’’ w Driving quarter feel f A E.G. cont. D C Bm A G # œ œ Œ œ œ œ œ. œ œ Œ œ œ œ. œ œ . ## ˙ œ. ˙ 41& ’’’’ ’’’ ’ ’’’’ ’’ œ œ œ Notœ forœ œ a min - 1x - driving 8ths Bridge 5 2x - full groove A D C Bm A # # # . Œ ‰. r ‰. r 45& . œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ute wasœ œ I for - sa - ken. Theœ Lord is in thisœ place,œ œ theœ Lord is in thisœ place.œ A G D C # # j # Œ œ œ œ ‰ ‰. r œ 48& œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Comeœ Hoœ - ly Spir - it, dryœ bonesœ a - wa - ken. Theœ Lord is in thisœ place,œ 1 2 A Bm A G Bm # r # ‰. r œ Œ . ‰. œ œ œ œ œ 51& œ œ œ œ œ œ œ œ œ œ œ œ . œ œ œ œ œ œ œ œ œ theœ Lord is in thisœ place.œ œ Notœ forœ œ a min - œ theœ Lord is in thisœ place.œ Lead Sheet Here Again - page 3 of 3 (SAT) Key: D 6 Instr. Band drive 8ths A G ƒ D E.G./Keys lead C Bm A G Œ # œ œ œ. œ œ œ œ œ. œ œ œ œ œ . œ ## œ w ˙ œ œ œ . ˙ œ œ œ œ. œ 54 ˙. œ w œ œ œ Œ œ œ . & ˙. œ w ˙ . œ. ˙ A D C Bm A G D # œ œ œ œ œ œ œ œ . # ˙ œ œ . œ œ ˙ œ œ . œ œ # Œ œ œ œ . Œ œ. œ œ . 59& ˙ œ œ . œ œ. ˙ œ œ | | 7 Chorus D PPno. only Asus Bm ## . 65 . Œ‰ œ œ œ œ ‰ ≈ œ œ & Mel. on bottom œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ I'mœ notœ œ œ e - noughœ œ œ un-lessœ œ œ Youœ come.œ œ. œ œ Willœ Youœ meet meœ hereœ œ œ a-gain?œ (at pitch) œ œ œ œ G D Asus # # Œ‰ ‰ 68& œ œ œ œ œ œ œ œ œ œ œ. œ w 'Causeœ allœ œ I want isœ allœ œ You are. œ 8 Tag Bm G DEm D ## ?.
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