DOCSLIB.ORG

(From "The Madman"), the Seven Arts, November, 1916

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
(From THE SEVEN ARTX n NOVEMBER, 1916. Page COVER DESIGN Charles Rollo Peters, Jr. Benefield 3 SIMPLY SUGAR-PIE Barry Upward 15 THE SAINTS OF SAN ATOLL Allen 22 THE SON Katherine Baker 25 THE BONFIRE Robert Frost Untermeyer 29 CAGED Jean Starr 30 FLOTSAM Amy Lowell 32 NIGHT AND THE MADMAN Kahlil Gibran 34 THE CHILD OF GOD Louise Driscoll 47 AMERICA AND THE ARTS Romain Rolland 52 EDITORIALS 57 ENTERPRISE Van Wyck Brooks 61 "291 FIFTH AVENUE" Peter Minuit 66 "LAZY" VERSE James Oppenheim 73 EMERGING GREATNESS Waldo Frank 79 THE DANCE Louis Untermeyer 82 SHAW AND RELIGION Floyd Dell 89 THE AMERICAN COMPOSER Paul Rosenfeld 95 A PREFACE TO THE DECEMBER NUMBER Subscription price, payable in advance, in the United States and Territories, $2.50 per year; Canada, office. $3.00; Foreign, $3.50. Published monthly on the first. All subscriptions filled from the New York The Seven Arts Publishing Co. reserves the right to reject any subscription taken contrary to its selling terms and to refund the unexpired credit. Manuscripts must be submitted at author's risk, with return postage. Second Class Entry in the New York Post Office, and the Post Office at Ottawa, Canada, applied for. Address all subscriptions and business communications to THE SEVEN ARTS PUBLISHING CO., INC., 132 Madison Ave., N. Y. A. K. Rankine, President A. J. Leverton, Business Manager E. M. Meek, Secretary-Treasurer I Night and The Madman From "The Madman" By Kahlil Gibran 44 AM like thee, O, Night, dark and naked; I walk on the flaming path which is above my day-dreams, and whenever my foot touches earth a giant oaktree comes forth." "Nay, thou art not like me, O, Madman, for thou still lookest backward to see how large a foot-print thou leavest on the sand." "I am like thee, O, Night, silent and deep; and in the heart of my loneliness lies a Goddess in child-bed; and in him who is being born Heaven touches Hell." "Nay, thou art not like me, O, Madman, for thou shudderest yet before pain, and the song of the abyss terrifies thee." "I am like thee, O, Night, wild and terrible; for my ears are crowded with cries of conquered nations and sighs of for- gotten lands." "Nay, thou art not like me, O, Madman, for thou still takest thy little-self for a comrade, and with thy monster-self thou canst not be friend." "I am like thee, O, Night, cruel and awful; for my bosom is lit by burning ships at sea, and my lips are wet with blood of slain warriors." [32] Kahlil Gibran "Nay, thou art not like me, O, Madman; for the desire for a sister-spirit is yet upon thee, and thou hast not become a law unto thyself." li I am like thee, O, Night, joyous and glad; for he who dwells in my shadow is now drunk with virgin wine, and she who follows me is sinning mirthfully." "Nay, thou art not like me, O, Madman, for thy soul is wrapped in the veil of seven folds and thou holdest not thy heart in thine hand." "I am like thee, O, Night, patient and passionate; for in my breast a thousand dead lovers are buried in shrouds of with- ered kisses." "Yea, Madman, art thou like me? Art thou like me? And canst thou ride the tempest as a steed, and grasp the lightning as a sword?" "Like thee, O, Night, like thee, mighty and high, and my throne is built upon heaps of fallen Gods; and before me too pass the days to kiss the hem of my garment but never to gaze at my face." "Art thou like me, child of my darkest heart? And dost thou think my untamed thoughts and speak my vast language?" "Yea, we are twin brothers, O, Night; for thou revealest space and I reveal my soul." [33].
Load more

Recommended publications
  • University of Illinois
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository UNIVERSITY OF ILLINOIS May 5, 19 83 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Stuart B. Belchenko ENTITLED Jhc > 1 /^tual^ Ideal: Randolph Bourne and Van Wyck Brooks IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEG REE OF.......J?£9. !).? i.9.£ . Art.?. A ?..!! A? .tor X................................................................... .......................... Instrj^c/or in Charge A pproved: HEAD OF DEPARTMENT OF..........U M fiH O 1364 THE YOUNG-INTELLECTUAL IDEAL: RANDOLPH BOURNE AND VAN WYCK BROOKS by Stuart Leichenko THESIS for the DEGREE OF BACHELOR OF ARTS IN HISTORY College of Liberal Arts and Sciences University of Illinois Urbana, Illinois 1983 TABLE OF CONTENTS Introduction................ 1 Subject Introduction........ 7 Brooks' Early Experiences.... 8 Harvard..................... 12 Bourne's Early Days......... 14 Columbia.................... 18 Youth and Life.............. 20 The Emergence of a Radical?.. 23 Bourne in Europe............ 27 The Gary Schools............ 29 Back in England............. 31 America'8 Coming-of-Age..... 33 Trans-National America...... 40 The Seven Arts..... ......... 44 Letters and Leadership...... 45 The War and the Intellectuals 48 Conscription of Thought..... 51 Twilight of Idols........... 53 War, Art, and Life.......... 59 The State........ ........... 64 Conclusion.................
    [Show full text]
  • Ocm31229342.Pdf (3.679Mb)
    ' , '^7 Wt UMASS/AMHERST The McLssachusetts Ldbor Movement: Anthony Russo The Textile Strike of 1912 A Joint Educational Project Sponsored By Office of the Massachusetts Secretary of State piu s « r»jT nnni ! ii r-»i LKj^iVitrij Michael Joseph Connolly. Secretary ^ I UUbUlWhsV COLLECTION The Massachusetts AFL-CIO Arthur Osbom. President S £P 1 IQQl 3 '^^ Robert Haynes. Secretary-Treasurer The Commonwealth Museum rionAf.t4««i f^mt t^epOSftOfV \Theodore Z. Penn. Director CODV Secondary Social Studies Curriculum Guide 1990 0\ \ I "Collective Voices," a joint educational project of the Office of the Secretary of State, the Massachusetts AFL-CIO, and the Commonwealth Museum, is composed of the following components: a focus exhibit, an interactive video, an audio cassette, and a curriculum guide. The focus exhibit (including photographs, documents and others graphics, and the interactive video) opened in September 1990 at the Commonwealth Museum. It will remain on display until June 1991, after which it will travel around the state. Copies of the video, audio cassette and this curriculum guide are available to educators as a supplement to the exhibit; they also stand alone. The teacher's guide is geared to the secondary level but can be adapted for younger students. CREDITS Author: Helen Corbett Capital Services, Inc. Editors: Theodore Z. Penn, Director Barbara Robinson, Curator of Education Commonwealth Museum Reproduction: Coralette Goodwin, Director Central Services Office of the Secretary of State Copies of this Guide can be obtained from: The Commonwealth Museum 220 Morrissey Boulevard Boston, MA 02 125 (617)727-9268 Office of the Secretary of State Michael Joseph Connolly, Secretary 1 The Massachusetts Labor Movement: "Collective Voices" The Textile Strike of 1912 Curriculum Guide Table of Contents Page Lessons LI Collective Voices: 1912 1 L2 On the Job, In the Mills: 1912 4 L3 Workers Organize , Workers Strike :1912 6 L4 Collective Voices Bring Change 9 L5 Collective Voices Today and Tomorrow 12 Additional Activities List 15 Hand-out Materials HI Lawrence, MA.
    [Show full text]
  • Van Wyck Brooks and the Progressive Frame of Mind 30
    van wyck brooks and the progressive frame of mind peter w. dowel I It has long been recognized that Van Wyck Brooks's America's Coming-of-Age (1915) and its companion piece Letters and Leadership (1918) captured the insurgent mood of a young generation of intellec­ tuals who themselves came of age with an outburst of critical and artistic activity in the years just prior to America's entry into World War I.1 To those of his contemporaries espousing a literature in touch with the wellsprings of modern American life, Brooks gave, as one of them put it, "an afflatus inchoate, vague, sentimental," but one that brought vital energy and creative focus to their cause.2 Although his demand for a truly national literature growing out of a healthy national culture was hardly new, harking back to Emerson and Whitman among others, Brooks's vigorous restatement of this theme expressed particularly the concerns of the present moment: a belief in self-expression as an ideal of personal growth and the basis for a flourishing artistic tradition; a sense of social responsibility, often tinged by some form of political radicalism; an emphasis on freedom, experiment and creativity in all phases of the national life, and especially a youthful rejection of all that smacked of the "old America." The diverse ideas and interests of Randolph Bourne, Floyd Dell, Max Eastman, Waldo Frank, Walter Lippmann, John Reed, Paul Rosenfeld and Harold Stearns, to name but a few, indelibly stamped what Brooks called "the newness." Having come into their own at the high-water mark of the Progressive era, these young men felt that the current reform agitation had fallen far short of creating a new social and cultural order.
    [Show full text]
  • Situating 20Th Century Alabama Poet Clement Wood in a Literary Tradition
    University of Northern Iowa UNI ScholarWorks Honors Program Theses Honors Program 2019 Wandersoul of the South: Situating 20th century Alabama poet Clement Wood in a literary tradition Skye Rozario University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2019 Skye Rozario Follow this and additional works at: https://scholarworks.uni.edu/hpt Part of the Literature in English, North America Commons Recommended Citation Rozario, Skye, "Wandersoul of the South: Situating 20th century Alabama poet Clement Wood in a literary tradition" (2019). Honors Program Theses. 374. https://scholarworks.uni.edu/hpt/374 This Open Access Honors Program Thesis is brought to you for free and open access by the Honors Program at UNI ScholarWorks. It has been accepted for inclusion in Honors Program Theses by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. WANDERSOUL OF THE SOUTH: SITUATING 20TH CENTURY ALABAMA POET CLEMENT WOOD IN A LITERARY TRADITION A Thesis Submitted in Partial Fulfillment of the Requirements for the Designation University Honors Skye Rozario University of Northern Iowa May 2019 This Study by: Skye Rozario Entitled: WANDERSOUL OF THE SOUTH: SITUATING 20TH CENTURY ALABAMA POET CLEMENT WOOD IN A LITERARY TRADITION has been approved as meeting the thesis or project requirement for the Designation University Honors with Distinction or University Honors (select appropriate designation) ________ ______________________________________________________ Date Dr. Jeremy Schraffenberger, Honors Thesis Advisor ________ ______________________________________________________ Date Dr. Jessica Moon, Director, University Honors Program Abstract The following is a literary study on 20th century Alabama poet Clement Wood. As a writer, Wood lived and worked mainly in Alabama and New York, and was greatly involved and connected to the literary movements Modernism, the Southern Renaissance, and American Romanticism.
    [Show full text]
  • 1-Pianetautl >1^ Di Cop N°5 Mar 2015
    ! 8 marzo: una lunga storia ______________ 5 ! Le donne ! e! il teatro La prima donna italiana che ità del Tempo Libero di Mestre - Anno 2 - Numero 5 marzo-aprile 201 Libero di Mestre - Tempo ità del passeggia tra pianeta le stelle Scienza iNNO ! Cultura Ricordi & Ritratti ! ALLA DONNA! Curiosità “Stupenda Attualità Viaggi immacolata fortuna…. Casa & Cucina Lifestyle Periodico d’informazione dell’Univers ! _____________ ! _____ Magazine__________________________________ _______________________________________________________________________________5 ! __________________________________Il giornale di e per tutti noi________________________________ ______________________________________________________________MARZO-Aprile 2015_________________________ P I A N E T A UTL. ! mar-apr2015 Colophon ! ! IN QUESTO NUMERO ! ! ! IN COPERTINA _PIANETA___ ! Il giornale di e per tutti noi 1^ Opere in vetro di Laura De Santillana - [email protected] Le Stanze del Vetro, Isola di San Giorgio (2014) ! [foto di Gabriella Baso] NUMERO 5 - ANNO II !MARZO-APRILE 2015 ! ! 2^ SOMMARIO In questo numero COORDINATORE EDITORIALE 3^ CINEMA&STORIA “Bread and Roses” (Pane e Rose) Corrado Balistreri Trincanato ! Maria Montessori SPECIALE 8 MARZO ! Tina Modotti Maria Curie “Essere donna è così affascinante. Matilde Serao ! È un’avventura che richiede un Coco Chanel Essere Donna…. 4^ tale coraggio, una sfida che non finisce mai” SEGRETARIA DI REDAZIONE Oriana Fallaci Aung San Sun Kyi UTL Anna Maria Dal Moro ! Frida Kahlo ! Rita Levi Montalcini ! Pina Bausch Carla
    [Show full text]
  • Copyright 2011 Mineo Takamura
    Copyright 2011 Mineo Takamura TACTILITY AND MODERNITY: THE SENSE OF TOUCH IN D. H. LAWRENCE, ALFRED STIEGLITZ, WALTER BENJAMIN, AND MAURICE MERLEAU-PONTY BY MINEO TAKAMURA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Professor Nancy Blake, Chair Professor Dale Bauer Professor Jean-Philippe Mathy Associate Professor Robert Tierney Abstract The aim of this dissertation is to examine the unique importance of tactile perception in Western Modernism, focusing on three individuals and an artistic group, namely, D. H. Lawrence, Walter Benjamin, Maurice Merleau-Ponty, and an artistic circle centering around Alfred Stieglitz. In the tradition of Western culture, touch is often regarded as the “lowest” sense while vision is privileged as the “intellectual sense.” Through a comparative analysis of Modernist art, literature, and philosophy, I argue that the emphasis on touch in the early twentieth century challenges this hierarchy of perceptions while destabilizing the distinction between the animal and the human, and between the primitive and the civilized. I particularly focus on the oppositional relationship between modern technology and the organic image of touch, arguing that the increased discourse of touch occurs concomitantly with the rapid development of visual technology in the modern age. This study consists of four distinct but thematically interrelated chapters. Chapter 1 discusses the discourse of touch in D. H. Lawrence‟s late works on art composed between 1925 and 1930, with a particular focus on his travel writing on the Etruscan civilization and his essays on Cézanne.
    [Show full text]
  • A Magazine of Verse Edited by Harriet Monroe July 1918
    Vol. XII No. IV A Magazine of Verse Edited by Harriet Monroe July 1918 Prairie by Carl Sandburg Kaleidoscope by Marsden Hartley D. H. Lawrence, Eloise Robinson, William Carlos Williams Poems by Children 543 Cass Street. Chicago $2.00 per Year Single Numbers 20c There ia no magazine published in this country which has brought me such delight as your POETRY. I loved it from the beginning of its existence, and 1 hope that it may live forever. A Subscriber POETRY for JULY, 1918 PAGE Prairie Carl Sandburg 175 Island Song Robert Paini Scripps 185 Moonrise—People D.H. Lawrence 186 Sacrament Pauline D. Partridge 187 The Trees Eloise Robinson 188 Crépuscule Maxwell Struthers Burt 189 There Was a Rose—An Old Man's Weariness Arthur L. Phelps 190 The Screech Owl J.E.Scruggs 191 Le Médecin Malgré Lui William Carlos Williams 192 Plums P. T. R. 193 • To a Phrase ' Hazel Hall 194 Kaleidoscope Marsden Hartley 195 In the Frail Wood—Spinsters—Her Daughter—After Battle I-III Poems by Children : Fairy Footsteps I-VIII Hilda Conkling 202 Sparkles I-III Elmond Franklin McNaught 205 In the Morning Juliana Allison Bond 205 Ripples I-IV Evans Krehbiel 206 Mr. Jepson's Slam H.M. 208 The New Postal Rate H. M. 212 Reviews: As Others See Us Alfred Kreymborg 214 Mr. O'Neil's Carvings Emanuel Carnevali 225 Correspondence: Of Puritans, Philistines and Pessimists .... A. CH. 228 An Anthology of 1842 Willard Wattles 230 Notes and Books Received 231 Manuscripts must be accompanied by a stamped and self-addressed envelope.
    [Show full text]
  • Reviews & Short Features
    REVIEWS OF BOOKS Crusader and Feminist: Letters of Jane Grey Swisshelm, 1858—1865. Edited with an introduction and notes by ARTHUR J. LARSEN, head of the newspaper department, Minnesota Historical So­ ciety. (St. Paul, Minnesota Historical Society, 1934. ix, 327 p. Illustrations. $2.50.) One of the most interesting personalities in the entire range of American journalism forms the subject of this volume, recently issued by the Minnesota Historical Society. Jane Grey Swisshelm, " cru­ sader and feminist," as she is aptly termed in the title, was from the eighteen forties until the eighteen sixties an intrepid and vivacious commentator upon the varied scenes of her own times. As editor of the Pittsburgh Saturday Visiter, from 1848 to 1857, she employed her lively pen in unrestrained attacks upon slavery, intemperance, opponents of woman sufiErage, and all supine followers of such con­ ventions and policies as seemed absurd to her. Her spirited audacity and her powers of denunciation made her widely known in the news­ paper world and caused contemporary editors to think twice before they drew forth her stinging satire. In 1857 she removed from Pennsylvania to Minnesota and promptly began the editing of a St. Cloud Visiter, metamorphosed the following year into the St. Cloud Democrat. To these weeklies she brought the irrepressible spirits and the intense interest in the life about her that had characterized her earlier efforts. The aboli­ tion of slavery and the part women should play in bringing it about had become by this time her absorbing interests. Believing that she could further these ends by speaking as well as by writing, she began, in November, 1858, to lecture before various groups throughout the state.
    [Show full text]
  • THE MASSES. So Far Every and Professions—In Civil Office—— ' Romances of the World
    Generated on 2015-07-02 20:45 GMT / http://hdl.handle.net/2027/mdp.39015083927411 Public Domain / http://www.hathitrust.org/access_use#pd -—.__-_ Q THE MOSHER BOOKS or K’PlAsses Books in Belles Lettres Issued in Choice and Limited Editions I do ' To the Women Published By Thomas Bird Masher, Portland, Me. HIS Magazine is Own ed and Published Co \ THE OLD WORLD SERIES operativer by its Ed itors. It has no Dividends l Readers of the Printedon a sizeof Van Gelderpapermadefor thiseditiononly. Speciallydesigned head-bandsand tail-pieces._ The regularedition_doneup in decoratedflexibleJapan to Pay, and nobody is try vellumcovers—originatedby Mr. Mosher—wrthsilk markers,parchmentwrappers,gold make Money sealsandslidecases. ing to out of A Revolutionary Each editionis limited to 925copiesand the type distributed. it. and Masses I Bound in the following styles: not a Reform Magazine; a Japan vellumcovers,flexible,with turneddownfore-edges......$1.25net Magazine with a Sense of Old-stylebluepaperboards,whitebackand label. .. .. 1.50net ' and no Respect . Humor for Flexibleleather,smooth,darkolivecolor,gilt tops . .. 1.75net . Japan vellumedition(numbered). .. .. 2.50net the Respectable; Frank; Will you give Five Dollars r r A g ,' KHAYYAM, renderedinto Englishverseby Fitzgerald. o a n t; Impertinent; or more as a New Year’s gift RUBAIYAT OF OMAR Edward AUCASSIN AND NICOLETE, doneinto English by Andrew Lang. Searching for the True to THE MASSEs? We ask you KASIDAH OF HAJI ABDU EL-YEZDI, translatedand annotatedby His Friend. : OTHER POEMS, by GeorgeMeredith. | MODERN LOVE AND Causes; a Magazine Di to give this as a woman, in ap CITY OF DREADFUL NIGHT, by James Thompson {1 (“B.
    [Show full text]
  • A Short History of Jews in the American Labor Movement
    A SHORT HISTORY OF JEWS IN THE AMERICAN LABOR MOVEMENT By Bennett Muraskin German-speaking Jews who arrived in the United States in the mid-19 th century spread across the U.S. and tended to be merchants and shopkeepers. Yiddish-speaking Jews from Eastern Europe who arrived in the U.S. beginning in the 1880s settled in the big cities and tended to be workers. The conditions they faced were daunting. Low wages, long hours, unsafe workplaces and overcrowded and unsanitary tenement housing were the norm. Most of these Jewish immigrants came from small towns and were not prepared for the noise, dirt, congestion, disease and crime rampant in the great American cities of that period. Some even turned to crime and prostitution. However, they were free of the anti-Semitic laws and violence that plagued them in Eastern Europe. Their children were entitled to a free public education and once they became citizens, they could vote and participate in the political process. At first, many were pre-occupied with earning enough money to send for relatives they left behind in Europe. From the beginning, Jews gravitated to the garment industry in part because they had experience as tailors in Eastern Europe. It did not take long before they began to see trade unions as the path their economic and social progress. However, before going any further, it is necessary to recognize one of the most important Jewish personalities in the history of the American labor movement, Samuel Gompers. Gompers came to US from England in 1863. His parents came from Holland, with ancestry dating back to Spain.
    [Show full text]
  • Esther Cohen
    We Need Roses Along Side Our Bread WE NEED ROSES ALONGSIDE OUR BREAD Esther Cohen Hearts Starve, As Well As Bodies; Give Us Bread, But Give Us Roses, Too. —“Bread and Roses,” James Oppenheim Lawrence, Massachusetts (1912) Every story has many beginnings. One of mine starts in Ansonia, Connecticut, the factory town of 20,000 people where I grew up, a place of heavy machine manufac- turing. The town’s nickname is The Copper City. I spent 18 years in this factory town, home of Farrel-Birmingham ball bearings, an old union town, where fair pay and fair work were what we knew was right. Working is in the DNA of the town itself. Many paths are circuitous and unpredictable. My grandparents on both sides were Eastern European immigrants. They left their homes for the reasons most people do: life became impossible in the countries where they lived. My mother’s family went from Roma- nia to Grand Forks, North Dakota. My father’s father traveled from Vilna, Lithuania, to Johannesburg, South Africa, and then to Anso- nia, Connecticut. Reasons why things happen always come after. My grandfather was a learned man. In Ansonia, he was a merchant in a factory town. He sold men’s suits and family shoes, and wrote 41 WORKING STORIES letters in English for anyone who needed them, at an oak desk in the back of the store, called Oscar Cohen’s. Factories and workers were part of our lives. What we see and how we see it has been one of my lifelong obsessions.
    [Show full text]
  • Exploring Digital Libraries
    Exploring Digital Libraries www.alastore.ala.org Foundations, Practice, Prospects KAREN CALHOUN www.alastore.ala.org Exploring Digital Libraries Foundations, Practice, Prospects KAREN CALHOUN Chicago • 2014 www.alastore.ala.org © 2014 Karen Calhoun First published in the United Kingdom by Facet Publishing, 2014. This simultaneous U.S. Edition published by Neal-Schuman, an imprint of the American Library Association, 2014. 18 17 16 15 14 5 4 3 2 1 ISBN: 978-1-55570-985-3 (paper) www.alastore.ala.org Calhoun Digital libraries TEXT PROOF 09 09/12/2013 16:04 Page v Contents list of figures and tables..........................................................................ix preface .....................................................................................................xi acknowledgements ................................................................................xv glossary .................................................................................................xix 1 Emergence and definitions of digital libraries ..................................1 Overview...............................................................................................................................1 The emergence of digital libraries (1991–2001) .....................................................1 Early digital-library projects.........................................................................................15 Definitions of digital libraries......................................................................................18
    [Show full text]