2015 CMSA Convention Update by Joel Hobbs
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The Science of String Instruments
The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D. -
WORKSHOP: Around the World in 30 Instruments Educator’S Guide [email protected]
WORKSHOP: Around The World In 30 Instruments Educator’s Guide www.4shillingsshort.com [email protected] AROUND THE WORLD IN 30 INSTRUMENTS A MULTI-CULTURAL EDUCATIONAL CONCERT for ALL AGES Four Shillings Short are the husband-wife duo of Aodh Og O’Tuama, from Cork, Ireland and Christy Martin, from San Diego, California. We have been touring in the United States and Ireland since 1997. We are multi-instrumentalists and vocalists who play a variety of musical styles on over 30 instruments from around the World. Around the World in 30 Instruments is a multi-cultural educational concert presenting Traditional music from Ireland, Scotland, England, Medieval & Renaissance Europe, the Americas and India on a variety of musical instruments including hammered & mountain dulcimer, mandolin, mandola, bouzouki, Medieval and Renaissance woodwinds, recorders, tinwhistles, banjo, North Indian Sitar, Medieval Psaltery, the Andean Charango, Irish Bodhran, African Doumbek, Spoons and vocals. Our program lasts 1 to 2 hours and is tailored to fit the audience and specific music educational curriculum where appropriate. We have performed for libraries, schools & museums all around the country and have presented in individual classrooms, full school assemblies, auditoriums and community rooms as well as smaller more intimate settings. During the program we introduce each instrument, talk about its history, introduce musical concepts and follow with a demonstration in the form of a song or an instrumental piece. Our main objective is to create an opportunity to expand people’s understanding of music through direct expe- rience of traditional folk and world music. ABOUT THE MUSICIANS: Aodh Og O’Tuama grew up in a family of poets, musicians and writers. -
Ottawa Jewish Bulletin
THANK YOU FOR SUPPORTING What A Wonderful Chanukah Gift To Give... JNF NEGEV DINNER 2017 An Ottawa Jewish HONOURING LAWRENCE GREENSPON Bulletin Subscription JNFOTTAWA.CA FOR DETAILS [email protected] 613.798.2411 Call 613-798-4696, Ext. 256 Ottawa Jewish Bulletin NOVEMBER 27, 2017 | KISLEV 9, 5778 ESTABLISHED 1937 OTTAWAJEWISHBULLETIN.COM | $2 JNF honours Lawrence Greenspon at Negev Dinner BY NORAH MOR ore than 500 people filled the sold-out Infinity Convention Centre, November 6, to celebrate 2017 honouree Lawrence Greenspon at the Jewish National Fund M(JNF) of Ottawa’s annual Negev dinner. Greenspon, a well-known criminal defence attorney and civil litigator, also has a long history as a devoted community activist and fundraiser. A past chair of the Ottawa Jewish Community Centre and the United Way Community Services Cabinet, Greenspon has initiat- ed a number of health-based events and campaigns and has been previously honoured with many awards including a Lifetime Achievement Award from Volun- teer Ottawa and the Community Builder of the Year Award by the United Way. Rabbi Reuven Bulka, the Negev Dinner MC, praised Greenspon’s creative fundraising ideas using “boxing, motorcycles, paddling races and even hockey and dancing events.” Negev Dinner honouree Lawrence Greenspon receives his citation from the Jewish National Fund of Canada, November 6, at the “Lawrence has touched so many of us, in so many Infinity Convention Centre, ways, by devoting endless hours, and being a voice (From left) Negev Dinner Chair David Feldberg, Carter Grusys, Lawrence Greenspon, Maja Greenspon, Angela Lariviere, JNF for those who don’t have a voice,” said Negev Dinner National President Wendy Spatzner, Major General (Res) Doron Almog, JNF Ottawa President Dan Mader (partially hidden), and Chair David Feldberg in his remarks. -
Songs by Artist
Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
Iq Flash Music 4-15 464 Songs, 1.2 Days, 3.33 GB
Page 1 of 13 iQ Flash Music 4-15 464 songs, 1.2 days, 3.33 GB Name Time Album Artist 1 001 Pester Karneval 10:40 Waves Of The Danube (CD13002) 2 002 Hungarian Dance No.6 3:22 Waves Of The Danube (CD13002) 3 003 Hungarian Dance No.5 5:25 Waves Of The Danube (CD13002) 4 004 Hungarian Dance No.1 3:10 Waves Of The Danube (CD13002) 5 005 Emperor Waltz 11:23 Waves Of The Danube (CD13002) 6 006 Blue Danube Waltz 12:57 Waves Of The Danube (CD13002) 7 007 Sonata in F Maj K505 2:33 The Sonata: Domenico Scarlatti (PD3021) 8 008 Sonata in E Maj K496 4:19 The Sonata: Domenico Scarlatti (PD3021) 9 009 Sonata in E Maj K495 3:08 The Sonata: Domenico Scarlatti (PD3021) 10 010 Sonata in C Maj K502 3:52 The Sonata: Domenico Scarlatti (PD3021) 11 011 Sonata in C Maj K501 4:57 The Sonata: Domenico Scarlatti (PD3021) 12 012 Sonata in C Maj K487 3:38 The Sonata: Domenico Scarlatti (PD3021) 13 013 Sonata in C Maj K486 4:19 The Sonata: Domenico Scarlatti (PD3021) 14 014 Sonata in BbMaj K504 2:21 The Sonata: Domenico Scarlatti (PD3021) 15 015 Sonata in BbMaj K488 3:17 The Sonata: Domenico Scarlatti (PD3021) 16 016 Sonata in b min K498 3:11 The Sonata: Domenico Scarlatti (PD3021) 17 017 Sonata in b min K497 3:38 The Sonata: Domenico Scarlatti (PD3021) 18 018 Sonata in A Maj K500 3:22 The Sonata: Domenico Scarlatti (PD3021) 19 019 K576 - Allegro 3:45 The Great Composers: W.A. -
Parrot Head Press
President: David Pohorylo PARROT HEAD 35 Boot Shop Lane Monroe, CT 06468 (203)261 -1381 [email protected] PRESS Executive Vice President: Lorraine Bosshard Metro Parrot Head Monthly Newsletter April 2011 6 Mountainview Court NY, NJ, CT Vol. 19 No.4 Fort Salonga, NY 11768 (631) 757-4043 Treasurer: Peter Bosshard 6 Mountainview Court Fort Salonga, NY 11768 (631) 757-4043 Secretary: Marianne Straaik 25 Rhode Island Ave An Unexpected Encounter with Jimmy Buffett Massapequa, NY 11758 (516)795-4126 ------------------------------ By Joe Lombardi Parrot Press Lorraine/Eric Rosen 737 Highview Ave Westbury, NY11590 One day last month when I was at work I had to deliver some surveys to Village Hall in 516-807-8191 [email protected] North Haven. I enjoy going there because I always manage to take a slight detour past Banana Wind the head parrot’s summer compound, which is basically across the street. Sue Leudesdorff [email protected] LI Coordinators Ray Leudesdorff Cell 516-768-9348 On this particular trip, after the detour, I stopped by the 7-Eleven in Sag Harbor to get a [email protected] cup of coffee. While I was pouring the coffee, on the opposite side of the coffee station Ralph Wotruba 631-891-8006 was this familiar looking guy wearing a ball cap and aviator glasses. I wouldn’t have [email protected] given it much thought, but I noticed that his navy blue jacket had “Continental Drifter, III” Eastern LI stitched in white. So I asked him, do you work on the “Continental Drifter, III”? Joe Lombardi (631)324-9354 [email protected] NYC Coordinator Terri Amundsen “No Metrojoe, I own it”. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
A History of Mandolin Construction
1 - Mandolin History Chapter 1 - A History of Mandolin Construction here is a considerable amount written about the history of the mandolin, but littleT that looks at the way the instrument e marvellous has been built, rather than how it has been 16 string ullinger played, across the 300 years or so of its mandolin from 1925 existence. photo courtesy of ose interested in the classical mandolin ony ingham, ondon have tended to concentrate on the European bowlback mandolin with scant regard to the past century of American carved instruments. Similarly many American writers don’t pay great attention to anything that happened before Orville Gibson, so this introductory chapter is an attempt to give equal weight to developments on both sides of the Atlantic and to see the story of the mandolin as one of continuing evolution with the odd revolutionary change along the way. e history of the mandolin is not of a straightforward, lineal development, but one which intertwines with the stories of guitars, lutes and other stringed instruments over the past 1000 years. e formal, musicological definition of a (usually called the Neapolitan mandolin); mandolin is that of a chordophone of the instruments with a flat soundboard and short-necked lute family with four double back (sometimes known as a Portuguese courses of metal strings tuned g’-d’-a”-e”. style); and those with a carved soundboard ese are fixed to the end of the body using and back as developed by the Gibson a floating bridge and with a string length of company a century ago. -
The Renaissance Cittern
The Renaissance Cittern Lord Aaron Drummond, OW [email protected] 1. HISTORY,DEVELOPMENT, CONSTRUC- while chromatic citterns are more associated with Italian TION and English music. [3] As far as the body of the instrument goes, citoles and ear- The Renaissance cittern most likely developed from the lier citterns had the back, ribs and neck carved from a single medieval citole. The citole was a small, flat-backed instru- block of wood with the soundboard and fingerboard being ment with four strings. It was usually depicted as having added. Later citterns were constructed from a flat back, frets and being plucked with a quill or plectrum. The citole bent ribs and separately carved neck, which cut down on in turn may have developed from a kind of ancient lyre called the materials cost. [10] Constructed citterns differ in con- a kithara by adding a fingerboard and then gradually remov- struction from lutes in that in citterns the back is made ing the (now redundant) arms. [1] The cittern may have been from a single flat piece of wood, whereas the lute has a large viewed as a revival of the ancient Greek instrument despite number (typically ten or more) of ribs which must be sep- being quite different in form. The word kithara also evolved arately bent and joined to the achieve the \bowl" shape. into the modern word guitar. This made lutes substantially more difficult to build as well Some modern instruments such as the German waldzither as more delicate than the cittern. Internally there are braces (literally `forest-cittern') and various Iberian instruments to strengthen the back and the soundboard, but like the lute, (Portuguese guitar, bandurria, etc) claim some descent from guitar, viol, etc there is no soundpost or bass bar. -
Download Booklet
Delicate Delights BEST LOVED classical mandolin and lute music Delicate Delights Best loved classical mandolin and lute music 1 Johann Sebastian BACH (1675–1750) 6 Isaac ALBÉNIZ (1860–1909) Concerto in the Italian Style, 4:10 Suite española No. 1, Op. 47 – 6:23 BWV 971 ‘Italian Concerto’ – No. 5. Asturias (arr. for mandolin I. Allegro (arr. for mandolin and guitar) and guitar) Dorina Frati, Mandolin Jacob Reuven, Mandolin Piera Dadomo, Guitar (CDS514) Eyal Leber, Guitar (8.573566) 2 Antonio VIVALDI (1678–1741) 7 Tom G. FEBONIO (b. 1950) Mandolin Concerto in C major, 2:52 Water Ballads, Op. 47 – II. Sprite 2:29 RV 425 – I. Allegro Daniel Ahlert, Mandolin Paul O'Dette, Mandolin Birgit Schwab, Guitar (8.559686) The Parley of Instruments • Peter Holman (8.552101-02) 8 Johann HOFFMANN Mandolin Concerto in D major – 4:24 3 Johann HOFFMANN (1770–1814) III. Rondo Mandolin Sonata in D minor – 3:24 Elfriede Kunschak, Mandolin III. Allegro Vienna Pro Musica Orchestra Daniel Ahlert, Mandolin Vinzenz Hladky (CD3X-3022) Birgit Schwab, Archlute (8.557716) 9 Silvius Leopold WEISS (1686–1750) 4 Ludwig van BEETHOVEN (1770–1827) Lute Sonata No. 14 in G minor – 4:07 Mandolin Sonatina in C major, 3:02 VI. Chaconne WoO 44 Daniel Ahlert, Mandolin Elfriede Kunschak, Mandolin Birgit Schwab, Baroque lute (8.557716) Maria Hinterleitner, Harpsichord (CD3X-3022) 10 Antonio VIVALDI Concerto for 2 Mandolins in G major, 3:12 5 Johann Sebastian BACH RV 532 – II. Andante Lute Suite in G minor, BWV 995 – 3:57 Silvia Tenchini and Dorina Frati, Mandolin III. Courante Mauro and Claudio Terroni Mandolin Orchestra Konrad Ragossnig, Lute (CD3X-3022) Dorina Frati, Conductor (CDS7787) 8.578183 2 11 Johann Sebastian BACH 16 Ermenegildo CAROSIO (1886–1928) Lute Partita in E major, BWV 1006a – 3:29 Flirtation Rag 4:18 III. -
Mmandolini, Tradizione E Musica
I 180Mandolini, anni della Liuteria Calace tradizione e musica M180 yearsMandolines, of Calace Lutes-shop tradition and music Con il patrocinio e il contributo COMUNE DI NAPOLI XI edizione - 2005 assessorato commercio ed artigianato C.C.I.A.A. camera di commercio industria artigianato e agricoltura di napoli PROTEUS azienda speciale della c.c.i.a.a. di napoli E.R.S.V.A. ente regionale sviluppo e valorizzazione artigianato campano coordinamento del catalogo Mariano De Luca testi a cura di Realizzazione Raffaele Calace jr. traduzioni di ARTIGIANAPOLI Federica Longobardi arte tradizione ricerca catalogo e comunicazione a cura di ARTEMISIA COMUNICAZIONE 2005 © artigianapoli artemisiacomunicazione.com L’Artigianato e la tradizione Handicraft and tradition Raffaele Tecce Raffaele Tecce Assessore al Commercio ed Artigianato del Comune di Napoli Trade and Handicraft Assessor of the municipal district of Naples Il viaggio nel mondo dell'Artigianato e nelle sue The vojage in the artisans' world and its tradition tradizioni continua con questa pubblicazione dedica- goes on through such a publication dedicated to ta alla liuteria napoletana ed alla famiglia Calace che, Neapolitan art of making stringed instruments and da oltre cinque generazioni, ha realizzato splendidi the Calaces that, for over five generations, have rea- esemplari di mandole e di mandolini, molti dei quali lized splendid models of mandole and mandolins, sono conservati anche in diverse collezioni private. many of which are preserved in several private col- L'esperienza della famiglia