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Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Spring 2018 | Vol
INSIDE The Promise of Electronic Health Records 18 Outback Visionaries 24 A demographic shift is underway, driven by women who decide that delaying motherhood is Worth the Wait Spring 2018 | Vol. 20, No. 2 Time & Life Pictures/Getty Images TIME CAPSULE The Pew Memorial Foundation was incorporated on Feb. 6, 1948, by two sons and two daughters of Sun Oil Co. founder Joseph N. Pew and his wife, Mary Anderson Pew. The first grant was to the American Red Cross for $30,000— when adjusted for inflation, it would be approximately $300,000 today. Other recipients that year included the Institute for Cancer Research, now part of the Fox Chase Cancer Center; and Grove City College. Over the next seven decades, the foundation would evolve into The Pew Charitable Trusts. But constant from that time to now have been the guiding principles of innovation, entrepreneurship, and excellence in Pew’s pursuit of advancing the public good. CONTENTS 2 Notes From the President: A Lively, Constructive Discontent 4 The Big Picture: How to Catch a Swordfish 6 Noteworthy: Gains for Sharks; More Parents Living With Adult Children; Tennessee Leverages Data to Install Change; Consumers Struggle With Bank Overdrafts; In Philadelphia, Job Shifts Drive Poverty 10 Jackie Molloy 10 More Moms They’re waiting longer, but more women are having children. By Carol Kaufmann 18 The Puzzle—and the Promise—of Electronic Health Records Computerized patient information can revolutionize health care, but some puzzles need to be solved first. By Rob Waters 24 Outback Visionaries 18 Ann Cutting Ecotourism in Australia’s Outback helps protect the plants, wildlife, and landscapes that visitors come to see. -
Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
Bossypants? One, Because the Name Two and a Half Men Was Already Taken
Acknowledgments I would like to gratefully thank: Kay Cannon, Richard Dean, Eric Gurian, John Riggi, and Tracy Wigfield for their eyes and ears. Dave Miner for making me do this. Reagan Arthur for teaching me how to do this. Katie Miervaldis for her dedicated service and Latvian demeanor. Tom Ceraulo for his mad computer skills. Michael Donaghy for two years of Sundays. Jeff and Alice Richmond for their constant loving encouragement and their constant loving interruption, respectively. Thank you to Lorne Michaels, Marc Graboff, and NBC for allowing us to reprint material. Contents Front Cover Image Welcome Dedication Introduction Origin Story Growing Up and Liking It All Girls Must Be Everything Delaware County Summer Showtime! That’s Don Fey Climbing Old Rag Mountain Young Men’s Christian Association The Windy City, Full of Meat My Honeymoon, or A Supposedly Fun Thing I’ll Never Do Again Either The Secrets of Mommy’s Beauty Remembrances of Being Very Very Skinny Remembrances of Being a Little Bit Fat A Childhood Dream, Realized Peeing in Jars with Boys I Don’t Care If You Like It Amazing, Gorgeous, Not Like That Dear Internet 30 Rock: An Experiment to Confuse Your Grandparents Sarah, Oprah, and Captain Hook, or How to Succeed by Sort of Looking Like Someone There’s a Drunk Midget in My House A Celebrity’s Guide to Celebrating the Birth of Jesus Juggle This The Mother’s Prayer for Its Daughter What Turning Forty Means to Me What Should I Do with My Last Five Minutes? Acknowledgments Copyright * Or it would be the biggest understatement since Warren Buffett said, “I can pay for dinner tonight.” Or it would be the biggest understatement since Charlie Sheen said, “I’m gonna have fun this weekend.” So, you have options. -
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00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Jesse Host I’m Jesse Thorn. It’s Bullseye. Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team plays. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:22 Jesse Host My guest, Steve Buscemi, doesn’t need that much of an introduction. He is one of the most memorable actors ever. He’s had hundreds of parts—leading parts in stuff like Reservoir Dogs, Ghost World, Boardwalk Empire. Iconic supporting parts in Fargo, The Sopranos, and—of course—30 Rock. So, we’ll skip the long intro and talk about his newest work. [Music fades out.] It’s a TV show called Miracle Workers, a comedy created by the hilarious Simon Rich—the same person behind Man Seeking Woman and a bunch of brilliantly written works you might have seen in The New Yorker, or on one of his many books, or heard on this show. Each season, Miracle Workers tells a different story with the same cast. Season one was set in Heaven, which is run kind of like a soulless megacorporation with an absentee CEO. Steve played God. Literally God. 00:01:14 Sound Transition Music swells and fades. Effect 00:01:15 Clip Clip Music: Peaceful, serene music. -
2014 BAFTA TV Awards Full List of Nominations
NOMINATIONS IN 2014 LEADING ACTOR JAMIE DORNAN The Fall – BBC Two SEAN HARRIS Southcliffe – Channel 4 LUKE NEWBERRY In The Flesh – BBC Three DOMINIC WEST Burton and Taylor – BBC Four LEADING ACTRESS HELENA BONHAM CARTER Burton and Taylor – BBC Four OLIVIA COLMAN Broadchurch - ITV KERRIE HAYES The Mill – Channel 4 MAXINE PEAKE The Village – BBC One SUPPORTING ACTOR DAVID BRADLEY Broadchurch – ITV JEROME FLYNN Ripper Street – BBC One NICO MIRALLEGRO The Village – BBC One RORY KINNEAR Southcliffe – Channel 4 SUPPORTING ACTRESS SHIRLEY HENDERSON Southcliffe – Channel 4 SARAH LANCASHIRE Last Tango in Halifax – BBC One CLAIRE RUSHBROOK My Mad Fat Diary – E4 NICOLA WALKER Last Tango in Halifax – BBC One ENTERTAINMENT PERFORMANCE ANT AND DEC Ant and Dec’s Saturday Night Takeaway – ITV CHARLIE BROOKER 10 O’Clock Live – Channel 4 SARAH MILLICAN The Sarah Millican Television Programme – BBC Two GRAHAM NORTON The Graham Norton Show – BBC One FEMALE PERFORMANCE IN A COMEDY PROGRAMME FRANCES DE LA TOUR Vicious – ITV KERRY HOWARD Him & Her: The Wedding – BBC Three DOON MACKICHAN Plebs – ITV2 KATHERINE PARKINSON The IT Crowd – Channel 4 MALE PERFORMANCE IN A COMEDY PROGRAMME RICHARD AYOADE The IT Crowd – Channel 4 MATHEW BAYNTON The Wrong Mans – BBC Two JAMES CORDEN The Wrong Mans – BBC Two CHRIS O’DOWD The IT Crowd – Channel 4 Arqiva British Academy Television Awards – Nominations Page 1 SINGLE DRAMA AN ADVENTURE IN SPACE AND TIME Mark Gatiss, Matt Strevens, Terry McDonough, Caroline Skinner – BBC Wales/BBC America/BBC Two BLACK MIRROR: BE RIGHT BACK -
Copyrighted Material
PART ON E WHAT WOULD OPRAH DO?: ETHICS AND THE GOOD LIFE AT 30 ROCK COPYRIGHTED MATERIAL cc01.indd01.indd 5 66/5/10/5/10 110:08:270:08:27 AAMM cc01.indd01.indd 6 66/5/10/5/10 110:08:280:08:28 AAMM BEING KENNETH: SOME MORAL LESSONS P. Sue Dohnimm 1 Kenneth makes my heart skip. It isn’ t his dashing good looks or his wonderful sense of style. It isn ’ t just the endearing fact that his middle name is Ellen. Honestly, it ’ s the simplicity of his moral vision. He just sees the world in a way that I can’ t even imagine. It ’ s an enchanted world, where right and wrong are as plain as the pee and laughter combination we call lizzing. I have the same question Jack Donaghy has. Jack: Kenneth, I wonder what it ’ s like seeing the world through your eyes? Kenneth: I don ’ t know, Mr. Donaghy. Well, I think I see the world pretty much the same as everyone else. Jack: Really? [music starts, Jack continues, singing ] ’ Cause I think you ’ re very special, Kenneth [ Jack is now seen through Kenneth ’ s eyes, as a puppet. ], to be able to get so much joy from simple things, simple things. 7 cc01.indd01.indd 7 66/5/10/5/10 110:08:280:08:28 AAMM 8 P. SUE DOHNIMM Jack [talking again, and human ]: But most of us grow up and lose our sense of wonder. [ “ Apollo, Apollo ” ] Kenneth sees things uniquely. He is literal - minded. -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Representations of Female Nerds in U.S.-American Sitcoms“ verfasst von / submitted by Beate Reichl, BA BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2018 / Vienna 2018 Studienkennzahl lt. Studienblatt / A 066 844 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Anglophone Literatures and Cultures degree programme as it appears on the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Alexandra Ganser-Blumenau Acknowledgements First, I would like to thank my supervisor, Prof. Alexandra Ganser-Blumenau. Then, I would like to offer my special thanks to my aunt, Susanne Reichl, for being my continuous role model and adviser. Finally yet importantly, I wish to acknowledge the never-ending support provided by my husband, Manuel Engel, my parents and close friends. Table of Contents List of Figures .............................................................................................. i 1 Introduction ................................................................................................ 1 2 Representations of the Nerd ...................................................................... 2 Representation .................................................................................... 2 Stereotypes ......................................................................................... 3 The Nerd -
30 Rock This Season, Particularly the Character of Liz Lemon, Played by Tina Fey
INTRODUCTIONS Get me interested! GETTING STARTED • The purpose of the introduction is to get your reader interested and give them what they need to know to understand and follow your argument • Keep this in mind when writing it, reviewing it, editing it, revising it. • Think about the first five minutes of a television pilot – you’re either going to continue watching, or change the channel. • Make your reader give you the benefit of the doubt WAYS TO BEGIN: • It’s called an attention getter, but it • Explain the larger context of your doesn’t have to be awe-inspiring topic awesome • Offer background information • Define key terms or concepts • Think about building up into your • Connect your subject to reader topic, into your argument interests or values • Start with a quotation or statement • The key with all of these is you have to provoke interest to use them, not just write one • Start with an anecdote sentence and be done • Ask a question (be careful) • Jump right into the topic BACKGROUND INFORMATION • You just have to ground your reader – what are you writing about? Authors? Pieces? Anything else the reader needs to know? • You are not summarizing the entire article, the author’s life, etc. (Know your audience – have I read these essays?) • You are using this information to connect your attention getter to your argument • EVERYTHING IS CONNECTED TO EVERYTHING! THESIS • Get to your argument • What is your interpretation of the pieces? • This should not come out of nowhere – your attention getter and background information have been -
30 Rock and Philosophy: We Want to Go to There (The Blackwell
ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere . -
Rufus Hound and Katy Brand to Join the West End Cast Of
PRESS RELEASE: FRIDAY 14 FEBRUARY RUFUS HOUND AND KATY BRAND TO JOIN THE WEST END CAST OF Everybody’s Talking About Jamie, the award-winning fabulous and feel good musical sensation, is delighted to announce that actor, comedian and presenter Rufus Hound and actor, writer and comedian Katy Brand will be joining the cast this March to play Hugo/Loco Chanelle and Miss Hedge at the Apollo Theatre in London’s West End. Katy Brand said: Joining the cast of Everybody’s Talking About Jamie is a truly thrilling opportunity for me. If I could tell my teenage self that I would one day have the chance to perform in a huge hit show on the West End stage, that girl would pinch herself. Jamie gets to realise his dream every night, and now so do I! Rufus Hound said: I'm absolutely thrilled to be going into the cast of Everybody's Talking About Jamie - a brilliant, brave and British smash hit. I have been waxing for the last year in anticipation and am currently so tucked I may as well be a Ken doll. Bring. It. On. Nica Burns, Producer of Everybody’s Talking About Jamie said: We are delighted that Katy Brand will be joining the cast as Miss Hedge and Rufus Hound as Hugo / Loco Chanelle. They will both bring their own incredible talent to their roles and make them their own. Katy Brand will play Miss Hedge from 3 March until 20 June 2020 and Rufus Hound will play Hugo/Loco Chanelle from 16 March until 30 May 2020.