August–December, 1943
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The Magnificent Eleven: the D-Day Photographs of Robert Capa
Men of the 16th Infantry Regiment seek shelter from German machine-gun fire in shallow water behind "Czech hedgehog" beach obstacles, Easy Red sector, Omaha Beach. © Robert Capa/Magnum Photos. The Magnificent Eleven: The D-Day Photographs of Robert Capa "The war correspondent has his stake — his life — in his own The Photographer: Bob Capa hands, and he can put it on this When soldiers of the 16th Regiment of the 1st horse or that horse, or he can put it back in his pocket at the Infantry Division landed at Omaha Beach on June 6, very last minute ... I am a 1944, photographer Robert Capa, in the employ of LIFE gambler. I decided to go in with Company E in the first wave." magazine, was among them. – Robert Capa Perhaps the best known of all World War II combat photographers, the Hungarian-born Capa The ten photos selected from the eleven surviving negatives had made a name for and published by LIFE on June himself well before 19, 1944 ... climbing into a landing craft with men of Company E in the early morning hours of D-Day. He risked his life on more than one occasion during the Spanish Civil War and had taken what is considered the most eerily fascinating of all war photographs. The famous image reportedly depicts the death of Spanish Loyalist militiaman Frederico Borrell Garcia as he is struck in the chest by a Nationalist bullet on a barren Iberian hillside. Capa was known to say, "If your pictures aren't good enough, you aren't close enough." On D-Day, he came close once again. -
Life-By-Time-Inc-Published-February-4
Wifh Radio by General Electric — you hear the fonei in all their "nalural color" and beauty. PERRY COMO and MARTHA STEWART starring in DOLL FACE, a 20th Century-Fox Production. PBRR Y COMO, star of Chester- field Supper Chb, on NBC Monday through Friday. A perfect combination— this great new radio-phonograph with natural color tone "TTTHAT glorious tone!" you'll exclaim when you new developments like the G-E Electronic Reproducer VV hear these amazing new General Electric radio- which recreates all the beauty of your records. Neither phonographs. "What beautiful cabinets! And what a big surface nor needle noise mars the perfection of tone. !" record compartment Popular Prices — Extraordinary Value New Fullness —New Beauty of Tone 1^ Never before has your radio dollar bought such sur- k Whether you tune in the radio or play the phonograph % passing tone, such beautiful cabinets, such depen [able %1 you'll be listening to the miracle of "natural color" performance. See and hear these superb new radios at yout tone. With new clarity you hear the hidden melodies of General Electric dealer's now. And one of these days soon the bass, the distinctive voice of every instrument, and a he also will feature revolutionary G-E self-charging port- new sweetness even in the most delicate high notes. ables. General Electric radios with EM, ami G-E television This is magic — electronic magic. It is made possible by receivers for the utmost in electronic home entertainment. GENERAL «|p ELECTRIC LEADER IN RADIO, TELEVISION AND ELECTRONICS RADIOS atonal . POP: A problem P— ? Now, what have I eat today don't give gums the exercise they done, Precious—I mean, Precocious? need to keep firm and healthy. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Abstract Birds, Children, and Lonely Men in Cars and The
ABSTRACT BIRDS, CHILDREN, AND LONELY MEN IN CARS AND THE SOUND OF WRONG by Justin Edwards My thesis is a collection of short stories. Much of the work is thematically centered around loneliness, mostly within the domestic household, and the lengths that people go to get out from under it. The stories are meant to be comic yet dark. Both the humor and the tension comes from the way in which the characters overreact to the point where either their reality changes a bit to allow it for it, or they are simply fooling themselves. Overall, I am trying to find the best possible way to describe something without actually describing it. I am working towards the peripheral, because I feel that readers believe it is better than what is out in front. BIRDS, CHILDREN, AND LONELY MEN IN CARS AND THE SOUND OF WRONG A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Justin Edwards Miami University Oxford, Ohio 2008 Advisor:__________________________ Margaret Luongo Reader: ___________________________ Brian Roley Reader:____________________________ Susan Kay Sloan Table of Contents Bailing ........................................................................1 Dating ........................................................................14 Rake Me Up Before You Go ....................................17 The Way to My Heart ................................................26 Leaving Together ................................................27 The End -
The Baylor Lariat 10 Vol
ROUNDING UP CAMPUS NEWS SINCE 1900 THE BAYLOR LARIAT 10 VOL. 109 No. 42 FRIDAY, NOVEMBER 13, 2009 © 2009, Baylor University NEWS PAGE 4 BOOKS PAGE 6 SPORTS PAGE 8 Downtown in a DASH Friendly reading Bears enter new era See how one shuttle system Weekend sale will A3 starters are gone, but has fared since starting benefit libraries of BU is ready to hit the court operations this fall McLennan County and prove its power BU officials: Funds fine despite loss BY ADEOL A ARO areas of greatest need, as well STAFF WRITER as start new degree programs: [a] Ph.D. in business school, Baylor’s endowment has master’s of public health in decreased by 13.3 percent in community health, a new the past year because of the bachelor’s of science degree downturn in the global econ- for computer science fellows, omy. among others and other proj- According to university ects,” Fogleman said. officials, the endowment de- “For instance, one of the ar- creased from approximately eas of greatest need was geol- $1.05 billion dollars in June ogy...they’ve been able to add 2008 to $936 million dollars outstanding scholars, such as SARAH GROMAN | S TAFF PHOTO G RA P HER this year. Dr. Daniel Peppe, who came The last time the endow- to Baylor from Yale to serve as Dutton Dance Party ment decreased significantly an assistant professor of geol- was in 2003, when it dropped ogy.” Baylor Alumnus Logan Walter sings lead vocals for The Dutton Band. The band held a CD release concert at Common Grounds on from $584 million to $561 mil- Fogleman said that Baylor Thursday as a promotion for its latest album, “All Things Fade.” The band is originally from Waco, and began its successful career in lion. -
RADIO's DIGITAL DILEMMA: BROADCASTING in the 21St
RADIO’S DIGITAL DILEMMA: BROADCASTING IN THE 21st CENTURY BY JOHN NATHAN ANDERSON DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Professor John C. Nerone, Chair and Director of Research Associate Professor Michelle Renee Nelson Associate Professor Christian Edward Sandvig Professor Daniel Toby Schiller ii ABSTRACT The interaction of policy and technological development in the era of “convergence” is messy and fraught with contradictions. The best expression of this condition is found in the story behind the development and proliferation of digital audio broadcasting (DAB). Radio is the last of the traditional mass media to navigate the convergence phenomenon; convergence itself has an inherently disruptive effect on traditional media forms. However, in the case of radio, this disruption is mostly self-induced through the cultivation of communications policies which thwart innovation. A dramaturgical analysis of digital radio’s technological and policy development reveals that the industry’s preferred mode of navigating the convergence phenomenon is not designed to provide the medium with a realistically useful path into a 21st century convergent media environment. Instead, the diffusion of “HD Radio” is a blocking mechanism proffered to impede new competition in the terrestrial radio space. HD Radio has several critical shortfalls: it causes interference and degradation to existing analog radio signals; does not have the capability to actually advance the utility of radio beyond extant quality/performance metrics; and is a wholly proprietary technology from transmission to reception. -
Alternative 2020
Mediabase Charts Alternative 2020 Published (U.S.) -- Currents & Recurrents January 2020 through December, 2020 Rank Artist Title 1 TWENTY ONE PILOTS Level Of Concern 2 BILLIE EILISH everything i wanted 3 AJR Bang! 4 TAME IMPALA Lost In Yesterday 5 MATT MAESON Hallucinogenics 6 ALL TIME LOW Monsters f/blackbear 7 ABSOFACTO Dissolve 8 POWFU Coffee For Your Head 9 SHAED Trampoline 10 UNLIKELY CANDIDATES Novocaine 11 CAGE THE ELEPHANT Black Madonna 12 MACHINE GUN KELLY Bloody Valentine 13 STROKES Bad Decisions 14 MEG MYERS Running Up That Hill 15 HEAD AND THE HEART Honeybee 16 PANIC! AT THE DISCO High Hopes 17 KILLERS Caution 18 WEEZER Hero 19 TWENTY ONE PILOTS The Hype 20 WALLOWS Are You Bored Yet? 21 LOVELYTHEBAND Broken 22 DAYGLOW Can I Call You Tonight? 23 GROUPLOVE Deleter 24 SUB URBAN Cradles 25 NEON TREES Used To Like 26 CAGE THE ELEPHANT Social Cues 27 WHITE REAPER Might Be Right 28 BLACK KEYS Shine A Little Light 29 LUMINEERS Life In The City 30 LANA DEL REY Doin' Time 31 GREEN DAY Oh Yeah! 32 MARSHMELLO Happier f/Bastille 33 AWOLNATION The Best 34 LOVELYTHEBAND Loneliness For Love 35 KENNYHOOPLA How Will I Rest In Peace If... 36 BAKAR Hell N Back 37 BLUE OCTOBER Oh My My 38 KILLERS My Own Soul's Warning 39 GLASS ANIMALS Your Love (Deja Vu) 40 BILLIE EILISH bad guy 41 MATT MAESON Cringe 42 MAJOR LAZER F/MARCUS Lay Your Head On Me 43 PEACH TREE RASCALS Mariposa 44 IMAGINE DRAGONS Natural 45 ASHE Moral Of The Story f/Niall 46 DOMINIC FIKE 3 Nights 47 I DONT KNOW HOW BUT THEY.. -
Free Download
ORSBORNAGAIN a new look at old songs of new life by Rob Birks ORSBORNAGAIN Rob Birks 2013 Frontier Press All rights reserved. Except for fair dealing permitted under the Copyright Act, no part of this book may be reproduced by any means without written permission from the publisher. Birks, Rob ORSBORNAGAIN May 2013 Unless otherwise indicated, Scripture references used in this text are from The Holy Bible, New International Version. THE HOLY BIBLE, NEW INTERNATIONAL VERSION®, NIV® Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission. All rights reserved worldwide. The King James Version is public domain in the United States. Scripture taken from The Message. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. Copyright © The Salvation Army USA Western Territory ISBN 978-0-9768465-8-1 Printed in the United States For my mother, Major Ruth Birks, who always hummed a tune as I was growing up, and who is herself one of God’s great poetic works & my Poet Father, Major Daniel H. Birks— always reading, always writing, always loving. iii Rob Birks has fittingly honored the enduring legacy of Albert Ors- born’s poetic brilliance, bringing the Salvation Army General’s timeless language into a modern context and adding commentary reflecting Birks’ own inimitable personality. I was blessed by this book, strength- ened and challenged in the reading to be a blessing to OTHERS. —Tom Walker, Social Services Secretary The Salvation Army Northwest Division A living faith will find its voice in contemporary idiom. We rightly em- brace in our worship ever fresh expressions of Spirit-inspired praise. -
How Photojournalistic Mutualism Between Robert Capa and Elmer W
Brigham Young University BYU ScholarsArchive Faculty Publications 2016-8 What Deepest Remains: How Photojournalistic Mutualism Between Robert Capa and Elmer W. Lower Shaped Modern Concepts of World War II Steven Holiday [email protected] Dale L. Cressman Brigham Young University, [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub BYU ScholarsArchive Citation Holiday, Steven and Cressman, Dale L., "What Deepest Remains: How Photojournalistic Mutualism Between Robert Capa and Elmer W. Lower Shaped Modern Concepts of World War II" (2016). Faculty Publications. 4485. https://scholarsarchive.byu.edu/facpub/4485 This Peer-Reviewed Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. “What Deepest Remains”: How Photojournalistic Mutualism between Robert Capa and Elmer W. Lower Shaped Modern Concepts of World War II Accepted Manuscript for American Journalism Vol 33 (no. 4) Fall 2016 Routledge http://dx.doi.org/10.1080/08821127.2016.1241644 © 2016 American Journalism Historians Association STEVEN HOLIDAY AND DALE L. CRESSMAN Steven Holiday is a doctoral student in the College of Media and Communication at Texas Tech University, Box 43802, Lubbock, TX 79410, [email protected]. Dale Cressman is an associate professor in the School of Communication at Brigham Young University, 360 BRMB, Provo, UT 84602, [email protected] Abstract: As American combat photographers documented the horrors and heroism of every major front of World War II, photo editors worked behind the scenes to bring their images to publication. -
Dwight D. Eisenhower Presidential Library & Museum Audiovisual
Dwight D. Eisenhower Presidential Library & Museum Audiovisual Department Justus Baldwin Lawrence Photographs 92-15, 2001-33, 2002-3 92-15-1 Photograph of a dinner during World War II with American and British officers. General Dwight D. Eisenhower is partially visible in front of the fireplace, General Roy Lord is in front of (and blocking) him, and Col. Justus “Jock” Lawrence is in the middle left of the front table. Credit: unknown. One 8 x 10 b/w print. 92-15-2 Photograph of Franklin Roosevelt and Winston Churchill, along with American and British chiefs of staff, at Casablanca, January 1943. Credit: unknown. One 8 x 10 b/w print. 92-15-3 “Photo of King George VI and Queen Elizabeth with one of the Princesses in the theater’s Royal Box, attending a performance of Irvin Berlin’s ‘This Is the Army’ in London during World War II.” Col. Justus “Jock” Lawrence is visible in the lower left corner of the image. Credit: unknown. One 6 ½ x 7 ½ b/w print. 92-15-4 Photograph of Mrs. Mary Lawrence (right) being greeted by Mamie Eisenhower at a SHAPE garden party, Paris, 1951. General Eisenhower is behind the two women. Credit: Walter Carone, Paris. One 7 x 9 ½ b/w print. 92-15-5 Photograph of Mrs. Mary Lawrence (far left) and Justus B. Lawrence (far right) socializing at a SHAPE garden party, Paris, 1951. Credit: N. R. Farbman for LIFE Magazine. One 8 x 8 b/w print. 92-15-6 Photograph of a SHAPE buffet in Paris, 1951. -
Life Doesn't Allow Second Chances
Page 2 Nov. 18, 2009 OPINION Word on the Hill “What are you the most thankful for?” Life doesn’t allow By Inger Furholt second chances “I am most thankful for “My faith and my “My family.” my family.” family” By Katie Gomez Nick Qualls Staff reporter EDITORIAL Tabbetha Black Randi Dierksen psychology accounting nursing freshman When we’re kids, we spend our to do whatever we want. While some junior junior childhood wishing we could be of us are afraid to inch closer to the older. We look up to our older sib- edge of the cliff known as college lings and we dress like them, talk graduation, many of us can’t wait to “Right now Thanksgiving “I am thankful for being “My family.” like them and especially act like finally be done with school. We just break, good food and good alive.” them. Whatever they do, we do too want to get out, get a good job, get beer.” Thomas Harman because that’s what’s “cool” when married and live in our own house. Alex Loos business you’re older. When we have younger The real world called and it was Laura Welter physical education sophomore siblings, we try to act more grown up our turn to answer. We are now in English freshman so our parents will let us help take our mid-twenties and thirties work- senior care of them. Although we spend ing nine to five at a company that most of our time playing, we’re al- makes us sit behind a desk staring at “My friends and family.” “No classes so I can nap.” “Friends and family that support me through my ways trying to be a “big kid.” a computer until it’s time to go home Stuart Mann college career.” A few birthdays pass and suddenly to our wife and kids. -
Notes and References
Why we need the welfare state more than ever Chris Renwick½, theguardian.com, 21 September 2017 Shocked by the ‘poverty cycle’, British reformers created a safety net for casual workers. Now precarious working conditions are back, and the welfare state is under attack. Tucked away behind York Minster – the grand cathedral adorned with medieval stained-glass windows that dominates the North Yorkshire city’s skyline – is a cobbled street that has become an informal labour exchange. Each day, just before lunch, couriers dressed in the distinctive mint green and black uniform of Deliveroo, the online food delivery company, arrive at the end of this street, park their bikes and scooters next to a bench, and talk among themselves. Clutching their smartphones, they wait for someone, somewhere in the city, to place an order with one of the nearby restaurants and cafes. When an order comes through, one of the couriers will pick it up and deliver it in exchange for a small fee. They will then return to the bench to wait. Plenty of people in early 21st-century Britain can identify with the experience of working for a company like Deliveroo. Drivers for the taxi firm Uber, for example, know only too well what it’s like for work to arrive in fits and starts via an app. But even more people are employed on zero-hour contracts in a wide variety of jobs, from stacking shelves to waiting tables to caring for the elderly. According to the Office for National Statistics, around 900,000 workers rely on a job with a zero-hour contract.