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June 1, 2016 Dear Customer, Please Be Advised That the Titles On
June 1, 2016 Dear Customer, Please be advised that the titles on this Summer 2016 Deleted Titles list will be DELETED from the Capitol Christian Distribution catalog effective Wednesday, June 8, 2016. These titles will no longer be available for orders on or after that date. All return authorization requests for these titles must be submitted no later than Sunday, August 7, 2016 and all physical returns received in our Jacksonville, IL Distribution Center no later than Thursday, October 6, 2016. As a reminder, you may request your return authorization online 24/7 at www.capitolchristiandistribution.com. Please remember to update your point of sale (POS) system to reflect these changes. If you have any questions about this information please contact your Capitol Christian Distribution sales representative at 1 (800) 877- 4443. Thank you for your attention to this matter. Best Regards, Greg Bays Executive Vice President Capitol Christian Distribution CAPITOL CHRISTIAN DISTRIBUTION SUMMER 2016 DELETED TITLES LIST Return Authorization Due Date August 7, 2016 • Physical Returns Due Date October 6, 2016 RECORDED MUSIC ARTIST TITLE UPC LABEL CONFIG Amy Grant Amy Grant 094639678525 Amy Grant Productions CD Amy Grant My Father's Eyes 094639678624 Amy Grant Productions CD Amy Grant Never Alone 094639678723 Amy Grant Productions CD Amy Grant Straight Ahead 094639679225 Amy Grant Productions CD Amy Grant Unguarded 094639679324 Amy Grant Productions CD Amy Grant House Of Love 094639679829 Amy Grant Productions CD Amy Grant Behind The Eyes 094639680023 Amy Grant Productions CD Amy Grant A Christmas To Remember 094639680122 Amy Grant Productions CD Amy Grant Simple Things 094639735723 Amy Grant Productions CD Amy Grant Icon 5099973589624 Amy Grant Productions CD Seventh Day Slumber Finally Awake 094635270525 BEC Recordings CD Manafest Glory 094637094129 BEC Recordings CD KJ-52 The Yearbook 094637829523 BEC Recordings CD Hawk Nelson Hawk Nelson Is My Friend 094639418527 BEC Recordings CD The O.C. -
Abstract Birds, Children, and Lonely Men in Cars and The
ABSTRACT BIRDS, CHILDREN, AND LONELY MEN IN CARS AND THE SOUND OF WRONG by Justin Edwards My thesis is a collection of short stories. Much of the work is thematically centered around loneliness, mostly within the domestic household, and the lengths that people go to get out from under it. The stories are meant to be comic yet dark. Both the humor and the tension comes from the way in which the characters overreact to the point where either their reality changes a bit to allow it for it, or they are simply fooling themselves. Overall, I am trying to find the best possible way to describe something without actually describing it. I am working towards the peripheral, because I feel that readers believe it is better than what is out in front. BIRDS, CHILDREN, AND LONELY MEN IN CARS AND THE SOUND OF WRONG A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Justin Edwards Miami University Oxford, Ohio 2008 Advisor:__________________________ Margaret Luongo Reader: ___________________________ Brian Roley Reader:____________________________ Susan Kay Sloan Table of Contents Bailing ........................................................................1 Dating ........................................................................14 Rake Me Up Before You Go ....................................17 The Way to My Heart ................................................26 Leaving Together ................................................27 The End -
The Baylor Lariat 10 Vol
ROUNDING UP CAMPUS NEWS SINCE 1900 THE BAYLOR LARIAT 10 VOL. 109 No. 42 FRIDAY, NOVEMBER 13, 2009 © 2009, Baylor University NEWS PAGE 4 BOOKS PAGE 6 SPORTS PAGE 8 Downtown in a DASH Friendly reading Bears enter new era See how one shuttle system Weekend sale will A3 starters are gone, but has fared since starting benefit libraries of BU is ready to hit the court operations this fall McLennan County and prove its power BU officials: Funds fine despite loss BY ADEOL A ARO areas of greatest need, as well STAFF WRITER as start new degree programs: [a] Ph.D. in business school, Baylor’s endowment has master’s of public health in decreased by 13.3 percent in community health, a new the past year because of the bachelor’s of science degree downturn in the global econ- for computer science fellows, omy. among others and other proj- According to university ects,” Fogleman said. officials, the endowment de- “For instance, one of the ar- creased from approximately eas of greatest need was geol- $1.05 billion dollars in June ogy...they’ve been able to add 2008 to $936 million dollars outstanding scholars, such as SARAH GROMAN | S TAFF PHOTO G RA P HER this year. Dr. Daniel Peppe, who came The last time the endow- to Baylor from Yale to serve as Dutton Dance Party ment decreased significantly an assistant professor of geol- was in 2003, when it dropped ogy.” Baylor Alumnus Logan Walter sings lead vocals for The Dutton Band. The band held a CD release concert at Common Grounds on from $584 million to $561 mil- Fogleman said that Baylor Thursday as a promotion for its latest album, “All Things Fade.” The band is originally from Waco, and began its successful career in lion. -
RADIO's DIGITAL DILEMMA: BROADCASTING in the 21St
RADIO’S DIGITAL DILEMMA: BROADCASTING IN THE 21st CENTURY BY JOHN NATHAN ANDERSON DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Professor John C. Nerone, Chair and Director of Research Associate Professor Michelle Renee Nelson Associate Professor Christian Edward Sandvig Professor Daniel Toby Schiller ii ABSTRACT The interaction of policy and technological development in the era of “convergence” is messy and fraught with contradictions. The best expression of this condition is found in the story behind the development and proliferation of digital audio broadcasting (DAB). Radio is the last of the traditional mass media to navigate the convergence phenomenon; convergence itself has an inherently disruptive effect on traditional media forms. However, in the case of radio, this disruption is mostly self-induced through the cultivation of communications policies which thwart innovation. A dramaturgical analysis of digital radio’s technological and policy development reveals that the industry’s preferred mode of navigating the convergence phenomenon is not designed to provide the medium with a realistically useful path into a 21st century convergent media environment. Instead, the diffusion of “HD Radio” is a blocking mechanism proffered to impede new competition in the terrestrial radio space. HD Radio has several critical shortfalls: it causes interference and degradation to existing analog radio signals; does not have the capability to actually advance the utility of radio beyond extant quality/performance metrics; and is a wholly proprietary technology from transmission to reception. -
Alternative 2020
Mediabase Charts Alternative 2020 Published (U.S.) -- Currents & Recurrents January 2020 through December, 2020 Rank Artist Title 1 TWENTY ONE PILOTS Level Of Concern 2 BILLIE EILISH everything i wanted 3 AJR Bang! 4 TAME IMPALA Lost In Yesterday 5 MATT MAESON Hallucinogenics 6 ALL TIME LOW Monsters f/blackbear 7 ABSOFACTO Dissolve 8 POWFU Coffee For Your Head 9 SHAED Trampoline 10 UNLIKELY CANDIDATES Novocaine 11 CAGE THE ELEPHANT Black Madonna 12 MACHINE GUN KELLY Bloody Valentine 13 STROKES Bad Decisions 14 MEG MYERS Running Up That Hill 15 HEAD AND THE HEART Honeybee 16 PANIC! AT THE DISCO High Hopes 17 KILLERS Caution 18 WEEZER Hero 19 TWENTY ONE PILOTS The Hype 20 WALLOWS Are You Bored Yet? 21 LOVELYTHEBAND Broken 22 DAYGLOW Can I Call You Tonight? 23 GROUPLOVE Deleter 24 SUB URBAN Cradles 25 NEON TREES Used To Like 26 CAGE THE ELEPHANT Social Cues 27 WHITE REAPER Might Be Right 28 BLACK KEYS Shine A Little Light 29 LUMINEERS Life In The City 30 LANA DEL REY Doin' Time 31 GREEN DAY Oh Yeah! 32 MARSHMELLO Happier f/Bastille 33 AWOLNATION The Best 34 LOVELYTHEBAND Loneliness For Love 35 KENNYHOOPLA How Will I Rest In Peace If... 36 BAKAR Hell N Back 37 BLUE OCTOBER Oh My My 38 KILLERS My Own Soul's Warning 39 GLASS ANIMALS Your Love (Deja Vu) 40 BILLIE EILISH bad guy 41 MATT MAESON Cringe 42 MAJOR LAZER F/MARCUS Lay Your Head On Me 43 PEACH TREE RASCALS Mariposa 44 IMAGINE DRAGONS Natural 45 ASHE Moral Of The Story f/Niall 46 DOMINIC FIKE 3 Nights 47 I DONT KNOW HOW BUT THEY.. -
City Church, Tallahassee, Blurring the Lines of Sacred and Secular Katelyn Medic
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 City Church, Tallahassee, Blurring the Lines of Sacred and Secular Katelyn Medic Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC CITY CHURCH, TALLAHASSEE: BLURRING THE LINES OF SACRED AND SECULAR By KATELYN MEDIC A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester 2014 Katelyn Medic defended this thesis on April 11, 2014. The members of the supervisory committee were: Margaret Jackson Professor Directing Thesis Sarah Eyerly Committee Member Michael McVicar Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS Make a joyful noise to the Lord, all the earth! Serve the Lord with gladness! Come into his presence with singing! (Psalm 100:1–2, ESV) I thank the leaders and members of City Church for allowing me to observe their worship practices. Their enthusiasm for worship has enriched this experience. I also thank the mentorship of the members of my committee, Margaret Jackson, Sarah Eyerly, and Michael McVicar. iii TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... vi ABSTRACT -
Free Download
ORSBORNAGAIN a new look at old songs of new life by Rob Birks ORSBORNAGAIN Rob Birks 2013 Frontier Press All rights reserved. Except for fair dealing permitted under the Copyright Act, no part of this book may be reproduced by any means without written permission from the publisher. Birks, Rob ORSBORNAGAIN May 2013 Unless otherwise indicated, Scripture references used in this text are from The Holy Bible, New International Version. THE HOLY BIBLE, NEW INTERNATIONAL VERSION®, NIV® Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission. All rights reserved worldwide. The King James Version is public domain in the United States. Scripture taken from The Message. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. Copyright © The Salvation Army USA Western Territory ISBN 978-0-9768465-8-1 Printed in the United States For my mother, Major Ruth Birks, who always hummed a tune as I was growing up, and who is herself one of God’s great poetic works & my Poet Father, Major Daniel H. Birks— always reading, always writing, always loving. iii Rob Birks has fittingly honored the enduring legacy of Albert Ors- born’s poetic brilliance, bringing the Salvation Army General’s timeless language into a modern context and adding commentary reflecting Birks’ own inimitable personality. I was blessed by this book, strength- ened and challenged in the reading to be a blessing to OTHERS. —Tom Walker, Social Services Secretary The Salvation Army Northwest Division A living faith will find its voice in contemporary idiom. We rightly em- brace in our worship ever fresh expressions of Spirit-inspired praise. -
Life Doesn't Allow Second Chances
Page 2 Nov. 18, 2009 OPINION Word on the Hill “What are you the most thankful for?” Life doesn’t allow By Inger Furholt second chances “I am most thankful for “My faith and my “My family.” my family.” family” By Katie Gomez Nick Qualls Staff reporter EDITORIAL Tabbetha Black Randi Dierksen psychology accounting nursing freshman When we’re kids, we spend our to do whatever we want. While some junior junior childhood wishing we could be of us are afraid to inch closer to the older. We look up to our older sib- edge of the cliff known as college lings and we dress like them, talk graduation, many of us can’t wait to “Right now Thanksgiving “I am thankful for being “My family.” like them and especially act like finally be done with school. We just break, good food and good alive.” them. Whatever they do, we do too want to get out, get a good job, get beer.” Thomas Harman because that’s what’s “cool” when married and live in our own house. Alex Loos business you’re older. When we have younger The real world called and it was Laura Welter physical education sophomore siblings, we try to act more grown up our turn to answer. We are now in English freshman so our parents will let us help take our mid-twenties and thirties work- senior care of them. Although we spend ing nine to five at a company that most of our time playing, we’re al- makes us sit behind a desk staring at “My friends and family.” “No classes so I can nap.” “Friends and family that support me through my ways trying to be a “big kid.” a computer until it’s time to go home Stuart Mann college career.” A few birthdays pass and suddenly to our wife and kids. -
Squatters Pub Brewery Epic Brewing Company
SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 22• Issue # 270 • June 2011 • slugmag.com Publisher: Eighteen Percent Gray Shauna Brennan Editor: Angela H. Brown [email protected] Managing Editor: Jeanette D. Moses Sales Coordinator: Shauna Brennan Contributing Editor: Ricky Vigil Marketing Coordinator: Editorial Assistant: Esther Meroño Bethany Fischer Office Coordinator: Gavin Sheehan Marketing: Ischa Buchanan, Jeanette D. Moses, Jessica Davis, Hailee Jacob- Copy Editing Team: Jeanette D. son, Stephanie Buschardt, Giselle Vick- Moses, Rebecca Vernon, Ricky Vigil, ery, Veg Vollum, Emily Burkhart, Rachel Esther Meroño, Liz Phillips, Katie Pan- Roller, Jeremy Riley, Sabrina Costello, zer, Rio Connelly, Alexander Ortega, Taylor Hunsaker, Tom Espinoza Mary Enge, NWFP, Cody Kirkland, Hannah Christian Distribution Manager: Eric Granato Distro: Eric Granato, Tommy Dolph, Cover Design: Travis Bone Tony Bassett, Joe Jewkes, Jesse Hawl- Issue Design: Joshua Joye ish, Nancy Burkhart, Joyce Bennett, Design Interns: Eric Sapp, Bob Adam Okeefe, Ryan Worwood, David Plumb, Jeremy Riley, Chris Swainston Frohlich, Tom Espinoza Ad Designers: Todd Powelson, Kent Farrington, Sumerset Bivens, Lio- Senior Staff Writers: Mike Brown, nel WIlliams, Christian Broadbent, Kelli Mariah Mann-Mellus, James Orme, Tompkins, Maggie Poulton, Eric Sapp, Lance Saunders, Jeanette D. Moses, Brad Barker, KJ, Lindsey Morris, Paden Bryer Wharton, Peter Fryer, James Ben- Bischoff, Maggie Zukowski, Thy Doan nett, Ricky Vigil, Gavin Hoffman, -
November Parentlink Newsletter
November 2009 Offer Teenagers Positive, Age-Appropriate Discipline Like many aspects of parenting, discipline can get trickier as children turn into teen- agers. Although your kids are outgrowing timeouts or the loss of television privileges, they haven't outgrown the need for loving, healthy boundaries-and consequences when they mess up. Discipline methods may change as kids age, but the goal is the same: shaping them into responsible, respectful Christian adults who internalize God- honoring boundaries and good behavior. Even when teenagers have more say in their rules, parents still have important roles to play. You clearly communicate and enforce the expectations and limits. You stand your ground when teenagers challenge your authority. You discipline (and follow through) in a calm, consistent way. You're present during good and bad times, assur- ing teenagers that you love them even when they mess up. Finally, you model good behavior, showing how loving obedience yields rewards. Parenting expert Jim Burns says the goal of discipline is to teach kids responsibility, not to evoke obedience. "Our job is not to always prevent our children from making mistakes but rather to make certain they learn from their mistakes," he says. This needs to be done in a relaxed, respectful way, and it's the parent's job to establish this tone. "Shame-based parenting, when parents attempt to influence their kids' behavior through shaming, nagging, and negativity, simply doesn't work in the long run," Burns says. In the Bible, the book of Jonah tells of a prophet who learned a tough lesson about disobeying God. -
Deane Arganbright Elect – State Representative – District 76
Thursday, Sept. 6 at 8 p.m. Festival Park Amphitheater For ticket info: tnsoybeanfestival.org This whole story starts They built their own in a California garage with studio. Questions swirled. the Foreman Brothers & Why? What do we love? drummer Chad Butler. Then came Katrina. The Armed with surfboards and Hurricane swept through cheap electric guitars, the the south lands destroying plan was to finish college. homes and lives. The band But the indie record deal underwent a metaphorical from RE:Think records of- hurricane of their own, and fered the chance to go ex- after parting ways with plore the world. And that’s Columbia, SWITCH- just what they did. Three FOOT ( launched out on records later, (The Legend their own label – Low- of Chin, New Way To Be ercase People Records. Human, and Learning To From the storm, came the Breathe (Certified Gold anthem, “You can’t silence -Re:Think Records)), the my love.” Hello Hurricane Foreman brothers dropped in the top 40. “Dare You Is Sound (certified gold/ (LCP/Atlantic), the 7th out of UCSD to pursue To Move” & “Meant To Columbia Records) studio album came out music a bit more seriously. Live” took The Beautiful Oh! Gravity. (Columbia shooting darts, with rip- Enter multi-instrumental- Letdown (Columbia Re- Records) continued the ping guitars and energetic ist Jerome Fontamillas and cords) to double platinum, honest search, asking grav- melodies. tone-wizard Drew Shirley. climbing charts and gain- ity himself, “Why can’t we With a Grammy in Then in 2003, this band ing speed. But rather than keep it together?” hand, Jon rolled out a of surfer dropouts signed lean into the newfound Then the SWITCH- folksy singer songwriter to Columbia records. -
The Odd Couple"
Bowling Green State University ScholarWorks@BGSU Honors Projects Honors College Spring 5-10-2020 New York, 1965: A Queer Retelling of "The Odd Couple" Karmann Ludwig [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/honorsprojects Part of the Dramatic Literature, Criticism and Theory Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Playwriting Commons, and the Television Commons Repository Citation Ludwig, Karmann, "New York, 1965: A Queer Retelling of "The Odd Couple"" (2020). Honors Projects. 517. https://scholarworks.bgsu.edu/honorsprojects/517 This work is brought to you for free and open access by the Honors College at ScholarWorks@BGSU. It has been accepted for inclusion in Honors Projects by an authorized administrator of ScholarWorks@BGSU. New York, 1965 Karmann Ludwig Based on The Odd Couple by Neil Simon 1. ACT_____ I Scene_______ 1 1965. New York City at night, humid and unpretty. The street is damp. The wail of sirens echoes in the distance. Across the street is the small strip of metropark separating the Hudson River from the Riverside Drive apartment buildings. FELIX UNGAR, out-of-place in his tailored suit, stands in front of the buildings. He is in his early forties, well-groomed, and carries with him a small suitcase. FELIX This is a nightmare. The good thing about nightmares is that there is always a happy ending: you wake up. But I'm already awake. So maybe this is worse than a nightmare. FELIX places his fingers on his wrist. My pulse is very fast. If I were dreaming, it would naturally be a lot slower.