Oikoγενειακη Ευτυχια Αε – Family Romance, Llc
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PETER ZEITLINGER Director of Photography
PETER ZEITLINGER Director of Photography Narrative Features: SALT AND FIRE - Benaroya Pictures - Werner Herzog, director QUEEN OF THE DESERT - IFC Films/Benaroya - Werner Herzog, director ANGELIQUE - EuropaCorp - Ariel Zeitoun, director HATED - Independent - Lee Madsen, director MY SON, MY SON WHAT HAVE YE DONE - First Look Pictures - Werner Herzog, director Starring Willem Dafoe and Michael Shannon THE BAD LIEUTENANT: PORT OF CALL - NEW ORLEANS - Millennium Films - Werner Herzog, director Nomination, Best Cinematography, Independent Spirit Awards Starring Nicolas Cage and Eva Mendes HOUSE OF CARDS - The Independents - Silvia Zeitlinger, director RESCUE DAWN - MGM - Werner Herzog, director Starring Christian Bale and Steve Zahn INVINCIBLE - Werner Herzog Filmproduktion - Werner Herzog, director Documentary Features: LO & BEHOLD, REVERIES OF THE CONNECTED WORLD - Magnolia Pictures - Werner Herzog, director INTO THE INFERNO - Netflix - Werner Herzog, director FROM ONE SECOND TO THE NEXT - AT&T - Werner Herzog, director CAVES OF FORGOTTEN DREAMS - Werner Herzog Filmproduktion - Werner Herzog, director TONTINE MASSACRE - Scrimshaw Productions - Ezna Sands, director ENCOUNTERS AT THE END OF THE WORLD - Discovery Films - Werner Herzog, director Nomination, Academy Award, Best Documentary GRIZZLY MAN - Lionsgate - Werner Herzog, director Winner, Alfred P. Sloan Prize, Sundance Film Festival Nine Best Documentary Awards WHEEL OF TIME - Werner Herzog Filmproduktion - Werner Herzog, director LITTLE DIETER NEEDS TO FLY - Werner Herzog Filmproduktion -
L'invention Musicale Face À La Nature Dans Grizzly
L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog Vincent Deville To cite this version: Vincent Deville. L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog. Revue musicale OICRM, Observatoire interdisciplinaire de création et de recherche en musique, 2018, 5 (n°1), s.p. hal-02133197v1 HAL Id: hal-02133197 https://hal.archives-ouvertes.fr/hal-02133197v1 Submitted on 17 May 2019 (v1), last revised 15 Jul 2019 (v2) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog Vincent Deville Résumé Quand le cinéaste allemand Werner Herzog réalise ou produit trois documentaires sur la création et l’enregistrement de la musique de trois de ses films entre 2005 et 2011, il effectue un double geste de révélation et d’incarnation : les notes nous deviennent visibles à travers le corps des musiciens. -
Family Romance, LLC“ Auf MUBI
Filmgespräch & Screening von „Family Romance, LLC“ auf MUBI Beim kuratierten Streaming-Dienst MUBI ist ab Freitag, 3. Juli 2020, 24 Stunden lang die kostenlose Online-Preview von Werner Herzogs neuer Doku-Fiction „Familiy Romance, LLC“ zu sehen. Zusätzlich gibt es ein ausführliches Regiegespräch mit dem bekannten Filmemacher. Family Romance, LLC – ein Spielfilm mit dokumentarischem Einfluss Die neue Doku-Fiction von Werner Herzog thematisiert ein sehr außergewöhnliches Konzept: Die Firma „Family Romance“ in Japan, gegründet und geführt von Yuichi Ishii, vermietet Personen für verschiedene Anlässe. Ob für eine Familienfeier, als Ersatzvater oder als Ehemann. Die Vermietung bringt vor allem eines: Die Menschen, die sie nutzen, sind nicht allein. Für den Film spielt Ishii, CEO von „Family Romance“, höchstpersönlich die Rolle des Ersatzvaters für die zwölfjährige Mahiro, deren Vater seit zehn Jahren verschwunden ist. Und das macht die eigentlich fiktionale Erzählung zu etwas Besonderem. Die Kamera begleitet die beiden in ihrem „normalen“ Alltag, ohne einem festgelegten Ablauf zu folgen – authentisch, lebensecht und doch inszeniert. Werner Herzog spielt hier mit verschiedenen Genres, pendelt zwischen Fiktion und Wahrheit. Doku-Fiction kostenlos auf MUBI Auf MUBI ist die neue Doku-Fiction nun am Freitag, den 3. Juli 2020, für 24 Stunden kostenlos abrufbar. In einem zusätzlichen Gespräch erfährt man zudem mehr über die Intentionen des Filmemachers und seine Erfahrungen während des Drehs. Interessant ist beispielsweise, dass intelligente Übersetzungsprogramme bei der Verständigung zwischen Herzog und den „Schauspielenden“ geholfen haben. MUBI hat sich als kuratierter Streaming-Dienst zum Ziel gesetzt qualitativ hochwertige (Arthouse-)Filme in seinen Portalen zur Verfügung zu stellen. Täglich wird ein Film von den zuständigen Kurator*innen für die Mitglieder des Portals ausgewählt. -
L'invention Musicale Face À La Nature Dans Grizzly Man, the Wild
Document generated on 09/28/2021 12:13 a.m. Revue musicale OICRM L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog Vincent Deville Ce que le cinéma nous apprend de la musique Article abstract Volume 5, Number 1, 2018 When German filmmaker Werner Herzog directs or produces three documentaries on the creation and recording of the music of three of his films URI: https://id.erudit.org/iderudit/1044446ar between 2005 and 2011, he performs a double gesture of revelation and DOI: https://doi.org/10.7202/1044446ar incarnation: the notes become visible through the body of the musicians. In doing so, Herzog reveals his poetic art: musical forms respond to nature, so See table of contents present in his films; nature is seen as an instrument of harmony while music becomes a power of estrangement, getting our perceptions out of tune; and by giving us access to both the infigurable – the moral being – and the material body made of flesh and bone, the music opens a path to the heart of the world. Publisher(s) Observatoire interdisciplinaire de création et recherche en musique (OICRM) ISSN 2368-7061 (digital) Explore this journal Cite this article Deville, V. (2018). L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog. Revue musicale OICRM, 5(1), 103–120. https://doi.org/10.7202/1044446ar Tous droits réservés © Revue musicale OICRM, 2018 This document is protected by copyright law. -
Bruce Chatwin, a Kindred Spirit Who Dedicated His Life to Illuminating the Mysteries of the World
PRESS NOTES - 2020 - MUSIC BOX FILMS LOGLINE Werner Herzog travels the globe to reveal a deeply personal portrait of his friendship with the late travel writer Bruce Chatwin, a kindred spirit who dedicated his life to illuminating the mysteries of the world. SYNOPSIS Werner Herzog turns the camera on himself and his decades-long friendship with the late travel writer Bruce Chatwin, a kindred spirit whose quest for ecstatic truth carried him to all corners of the globe. Herzog’s deeply personal portrait of Chatwin, illustrated with archival discoveries, film clips, and a mound of “brontosaurus skin,” encompasses their shared interest in aboriginal cultures, ancient rituals, and the mysteries stitching together life on earth. WERNER HERZOG Werner Herzog was born in Munich on September 5, 1942. He grew up in a remote mountain village in Bavaria and studied History and German Literature in Munich and Pittsburgh. He made his first film in 1961 at the age of 19. Since then he has produced, written, and directed more than sixty feature- and documentary films, such as Aguirre der Zorn Gottes (AGUIRRE, THE WRATH OF GOD, 1972), Nosferatu Phantom der Nacht (NOSFERATU, 1978), FITZCARRALDO (1982), Lektionen in Finsternis (LESSONS OF DARKNESS, 1992), LITTLE DIETER NEEDS TO FLY (1997), Mein liebster Feind (MY BEST FIEND, 1999), INVINCIBLE (2000), GRIZZLY MAN (2005), ENCOUNTERS AT THE END OF THE WORLD (2007), Die Höhle der vergessenen Träume (CAVE OF FORGOTTEN DREAMS, 2010). Werner Herzog has published more than a dozen books of prose, and directed as many operas. Werner Herzog lives in Munich and Los Angeles. -
Festivalteilnahmen Deutscher Filme Auf Internationalen Filmfestivals 2019
FESTIVALTEILNAHMEN DEUTSCHER FILME AUF INTERNATIONALEN FILMFESTIVALS 2019 FESTIVAL DATUM BEGINN DATUM ENDE SEKTION FILMTITEL REGIE KOPRODUKTIONSLÄNDER Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions DONBASS Sergei Loznitsa DE/UA/FR/RO/NL Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions ELDORADO Markus Imhoof CH/DE Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS Radu Jude RO/DE/BG/FR/CZ Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions SUPA MODO Likarion Wainaina DE/KE Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions THE HEIRESSES Marcelo Martinessi PY/DE/UR Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions WERK OHNE AUTOR Florian Henckel von Donnersmarck Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 FLOS: Foreign Language Oscar® Submissions WHAT WILL PEOPLE SAY Iram Haq Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 Modern Masters TRANSIT Christian Petzold DE/FR Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 New Jewish Stories DER TRAFIKANT Nikolaus Leytner AT/DE Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 The Gay!La RAFIKI Wanuri Kahlu ZA/KE/FR/LB/NO/NL/DE Palm Springs International Film Festival 3. Januar 2019 14. Januar 2019 The Palm Springs Canon GEGEN DIE WAND Fatih Akin Palm Springs International Film Festival 3. -
Complete Works Films
Complete works Films 2020 Fireball: Visitors from Darker Worlds 2019 Family Romance, LLC 2019 NOMAD – In the footsteps of Bruce Chatwin 2018 Meeting Gorbachev (co-director André Singer) 2017 Into the Inferno 2016 Salt and Fire 2016 Lo and Behold 2014 Queen of the Desert 2013 From One Second to the Next 2012/13 On Death Row I + II WERNER HERZOG FILM GMBH Spiegelgasse 9 1010 Vienna / Austria www.wernerherzog.com 2011 Into the Abyss - A Tale of Death, a Tale of Life 2010 Ode auf den Morgen der Menschheit (Ode to the Dawn of Man) 2010 Die Höhle der vergessenen Träume (Cave of Forgotten Dreams) 2009 La Bohéme 2009 My Son My Son What Have Ye Done 2008 Bad Lieutenant: Port Of Call New Orleans 2007 Encounters at the End of The World 2006 Rescue Dawn 2005 The Wild Blue Yonder 2005 Grizzly Man 2004 The White Diamond 2003 Rad der Zeit (Wheel of Time) WERNER HERZOG FILM GMBH Spiegelgasse 9 1010 Vienna / Austria www.wernerherzog.com 2002 Christ and Demons in New Spain 2001 Ten Thousand Years Older 2001 Pilgrimage 2000 Invincible 1999 Gott und die Beladenen (The Lord and the Laden) 1999 Mein liebster Feind (My Best Fiend) 1999 Schwingen der Hoffnung aka Julianes Sturz in den Dschungel (Wings of Hope) 1997 Little Dieter Needs to Fly 1995 Tod für fünf Stimmen (Death for Five Voices) 1994 Die Verwandlung der Welt in Musik (The Transformation of the World into Music) 1993 Glocken aus der Tiefe (Bells from the Deep) 1992 Lektionen in Finsternis (Lessons of Darkness) 1991 Film Lektionen (Film Lesson) WERNER HERZOG FILM GMBH Spiegelgasse 9 1010 Vienna / Austria -
Motifs of Fiction in Werner Herzog's Films Chantal Poch [email protected], Pompeu Fabra University
Inner and deeper: Motifs of fiction in Werner Herzog's films Chantal Poch [email protected], Pompeu Fabra University Volume 7.2 (2019) | ISSN 2158-8724 (online) | DOI /cinej.2019.224 | http://cinej.pitt.edu Abstract The emphasis on the mix of facts and inventions has prevailed in the studies about Bavarian director Werner Herzog’s treatment of fiction, leading to the same result again and again: for Herzog, poetic truth is more important than factual truth. But how can we go beyond this conclusion? This paper will try to open an alternative path of analysis more adequate to his philosophy of filmmaking, one that works through the detection of visual and narrative motifs in his films, thus searching the impact of Herzog’s idea of fiction into his poetics. Keywords: Werner Herzog; German Cinema; Motifs; Fiction; Ecstatic Truth New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. Inner and deeper: Motifs of fiction in Werner Herzog's films Chantal Poch Introduction Asking ourselves about the nature of fiction in film brings up to the question whether this fiction acts as an opposite of truth or, indeed, as truth itself. Bavarian director Werner Herzog has built an entire oeuvre regarding this problem: from the blurry lines between his fictional movies and documentaries to the recurrent inclusion of false quotes and events on his scripts, all of his films seem to add something to the same direction: the confusion of fact and fiction. -
Pontifícia Universidade Católica De São Paulo Puc/Sp
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC/SP Rita de Cássia da Silva Leão Werner Herzog em busca da compreensão humana DOUTORADO EM CIÊNCIAS SOCIAIS Tese apresentada à banca examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para a obtenção do título de Doutora em Ciências Sociais (Antropologia), sob a orientação da Prof.ª Dr.ª Lucia Helena Vitalli Rangel. São Paulo 2015 BANCA EXAMINADORA ________________________________________ ________________________________________ ________________________________________ ________________________________________ ________________________________________ Agradecimentos À CAPES e ao CNPq, pela concessão da bolsa de Doutorado. À Prof.ª Dr.a Lucia Helena Vitalli Rangel Ao Prof. Dr. Edgard de Assis Carvalho Ao Prof. Dr. Edmilson Felipe À Prof.ª Dr.a Cynthia Marcucci Ao Prof. Dr. Flávio Sousa Brito Dedico aos queridos Iara e Guilherme. RESUMO Todo cinema contém um caráter antropológico, por ser aberto como a própria humanidade. A obra de Werner Herzog é contigua à antropologia fundamental, que busca compreender o processo de penetração do homem no mundo e o processo inseparável de penetração do mundo no homem. O primeiro filme analisado, Wodaabe: Os pastores do sol, trata do amor à beleza entre seres que se sentem desprezados pelos povos vizinhos. O segundo, O homem urso, de um humano que queria ser urso e não suportava o mundo dos humanos. O terceiro, A caverna dos sonhos esquecidos, conta como sonhava a humanidade há 32 mil anos, como projetava seu duplo nas paredes das cavernas e nas pequenas estátuas. Nas pinturas e estátuas estão presentes, ao mesmo tempo, uma tendência para o fantástico e para a realidade das formas. -
FOX SEARCHLIGHT PICTURES Presents A
FOX SEARCHLIGHT PICTURES Presents A DOUBLE DARE YOU Production A GUILLERMO DEL TORO Film SALLY HAWKINS MICHAEL SHANNON RICHARD JENKINS DOUG JONES MICHAEL STUHLBARG and OCTAVIA SPENCER DIRECTED BY ............................................................. GUILLERMO DEL TORO SCREENPLAY BY ....................................................... GUILLERMO DEL TORO & ....................................................................................... VANESSA TAYLOR STORY BY .................................................................... GUILLERMO DEL TORO PRODUCED BY ........................................................... GUILLERMO DEL TORO, p.g.a. ....................................................................................... J. MILES DALE, p.g.a. DIRECTOR OF PHOTOGRAPHY .............................. DAN LAUSTSEN, DFF PRODUCTION DESIGNER ......................................... PAUL DENHAM AUSTERBERRY FILM EDITOR .............................................................. SIDNEY WOLINSKY, ACE ASSOCIATE PRODUCER ........................................... DANIEL KRAUS VISUAL EFFECTS SUPERVISOR .............................. DENNIS BERARDI MUSIC BY .................................................................... ALEXANDRE DESPLAT COSTUME DESIGNER ............................................... LUIS SEQUEIRA CASTING BY ............................................................... ROBIN D. COOK, CSA www.foxsearchlight.com/press Rated R Running time 123 minutes Publicity Contacts: Los Angeles New York Regional -
Apocalisse Nel Deserto, Di Werner Herzog (Germania/Regno Unito/Francia, 1992, 52’)
Paesaggi che cambiano rassegna cinematografica dedicata ad Andrea Zanzotto (1921-2011) Natura filmata, natura cinematografica, febbraio-aprile 2018 a cura di Luciano Morbiato, con la collaborazione di Simonetta Zanon mercoledì 4 aprile 2018 ore 21 Apocalisse nel deserto, di Werner Herzog (Germania/Regno Unito/Francia, 1992, 52’) Regia: Werner Herzog; fotografia: Paul Berriff; montaggio: Rainer Standke; direttore di produzione: Paul Corton; secondo operatore: Rainer Klausmann; riprese aeree: Simon Werry; suono: John G. Pearson; musica: Richard Wagner, Edward Grieg, Sergej Prokof’ev, Arvo Pärt, Giuseppe Verdi, Franz Schubert, Gustav Mahler; produzione: Lucki Stipetić per W. Herzog Filmproduktion; coproduzione: P. Berriff, Premiere Hamburg: luogo delle riprese: Kuwait; durata: 52’; anno: 1992; origine: Germania. Filmografia (solo lungometraggi) di W. Herzog (Monaco di Baviera 1942): 1968, Segni di vita; 1970, Fata Morgana; 1970, Anche i nani hanno cominciato da piccoli; 1971, Paese del silenzio e dell’oscurità; 1972, Aguirre, furore di Dio; 1974, L’enigma di Kaspar Hauser; 1976, Cuore di vetro; La ballata di Stroszek; 1977, La Soufrière; 1979, Nosferatu, il principe della notte; Woyzeck; 1982, Fitzcarraldo; 1984, Dove sognano le formiche verdi; 1987, Cobra verde; 1990, Echi da un regno oscuro; 1991, Grido di pietra; 1992, Apocalisse nel deserto; 1999, Kinski, il mio nemico più caro; 2004, Il diamante bianco; 2005, Grizzly Man; L’ignoto spazio profondo; 2006, L’alba del salvataggio; 2007, Incontri alla fine del mondo; 2009, Il cattivo tenente – Ultima fermata New Orleans; My Son, My Son, What Have Ye Done; 2010, Cave of Forgotten Dreams; 2013, Happy People, a Year in the Taiga (coregìa: Dmitry Vasyukov); 2015, Queen of the Desert; 2016, Lo and Behold. -
Herzog (II).Pdf
Prestakuntzaz autodidakta, 20 urterekin bere produkzio-etxea sortu zuen. Hurrengo urtean, bere lehenengo film laburra (Herakles) egiten hasi zen. Ondoren, bere lehen 12 03 2010 18.00 h 13 03 2010 20.00 h 09 04 2010 20.00 h 10 04 2010 18.00 h film luzea zuzendu zuen: Lebenszeichen (Bizi-seinaleak). Hortik aurrera, Herzogen Ballade vom kleinen Soldaten (La balada del pequeño soldado), Glocken aus der Tiefe (Bells from the Deep), Alemania, EE.UU., 1993 lana berezia da zinez; film luzeak eta dokumentalak, opera zuzendaritza, antzezpena Rep. Federal de Alemania, 1984 eta gidoilari lanak uztartu zituen. D, G: Werner Herzog; Pr: Lucki Stipetic, Momentous Events, WH Bere filmografian, Werner Herzogek ez ditu bereizten fikziozko filmak genero D, G: Denis Reichle, Werner Herzog; Pr: Manfred Nägele, SDR, WH Filmproduktion; Filmproduktion; F: Jörg Schmidt-Reitwein; Mn: Rainer Standke; C, 60 min, dokumentaletik; izan ere, biak ala biak uztartu izan ditu errealitate bakarra sortuz. F: Michael Edols, Jorge Vignati; Mn: Maximiliane Mainka; A: Indios Miskito de DVD, VOSE Azken horren froga da berak adierazi zuela Fitzcarraldo dela bere dokumentalik onena. Nicaragua, Denis Reichle, Werner Herzog; C, 46 min, DVD, VOSE Gesualdo – Tod für fünf Stimmen (Death for Five Voices), Alemania, 1995 Fassbinder, Schlöndorff, eta Wendersekin batera «Zinema alemaniar berria» izeneko Gasherbrum – Der leuchtende Berg (The Dark Glow of the Mountains), D, G: Werner Herzog; Pr: Lucki Stipetic, ZDF, WH Filmproduktion; F: Peter mugimenduaren sortzailea izaki, Werner Herzogek