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A Multi-Level Analysis of Songwriter Career Strategies by Rachel S
Changing Patterns of Cooperation in Occupational Communities: A Multi-Level Analysis of Songwriter Career Strategies By Rachel Skaggs Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Sociology August 10, 2018 Nashville, Tennessee Approved: Daniel B. Cornfield, PhD Shaul Kelner, PhD Joshua Murray, PhD Copyright © 2018 by Rachel Skaggs All Rights Reserved ii To my father, Donnie Skaggs, who I’ve watched pursue his songwriting dreams. To my mother, Rose Skaggs, who supports his dreams and mine. To David Carlson. His dreams and mine are intertwined. iii ACKNOWLEDGMENTS It is an overwhelming task to think of all of the support that people have given me in support of this dissertation. My dissertation is about collaboration, and I have been unmeasurably lucky to have collaborated with wonderful people. I want to begin by thanking every songwriter I interviewed. Without their trust and insight, I could not have conducted research that is as compelling, touching, and important as the project that has emerged. The generosity and openness of these people, most of whom were total strangers to me, is inspiring. Next, I must acknowledge the support of the Robert Penn Warren Center for the Humanities. As a dissertation fellow at the Warren Center, I was able to truly develop my ideas and focus on the work of writing a good dissertation. My fellow fellows at the Warren Center challenged me and supported me. Danielle Picard, Wietske Smeele, Sara Kollner, Alexandra Alekseyeva, David Vila, and James Phelan all contributed to the ways I think about my own work as I try to present it in a manner that is intelligible and meaningful to an interdisciplinary audience. -
“Amarillo by Morning” the Life and Songs of Terry Stafford 1
In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. On Billboard magazine’s April 4, 1964, Hot 100 2 list, the “Fab Four” held the top five positions. 28 One notch down at Number 6 was “Suspicion,” 29 by a virtually unknown singer from Amarillo, Texas, named Terry Stafford. The following week “Suspicion” – a song that sounded suspiciously like Elvis Presley using an alias – moved up to Number 3, wedged in between the Beatles’ “Twist and Shout” and “She Loves You.”3 The saga of how a Texas boy met the British Invasion head-on, achieving almost overnight success and a Top-10 hit, is one of triumph and “Amarillo By Morning” disappointment, a reminder of the vagaries The Life and Songs of Terry Stafford 1 that are a fact of life when pursuing a career in Joe W. Specht music. It is also the story of Stafford’s continuing development as a gifted songwriter, a fact too often overlooked when assessing his career. Terry Stafford publicity photo circa 1964. Courtesy Joe W. Specht. In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. -
Eurochart Hot 100° Singles
M & M ARTS EUROPEAN SALES week 15/96 Eurochart Hot 100° Singles countries TITLE TITLE countries "4 s TITLE countries charted ; charted ; charted `6 ARTIST !.'s ARTIST f ARTIST Ts h.' original label (publisher) 4 original label (publisher) ; 7:1 original label (publisher) Children AB.DKFINF.D.IREI.NL.NE.S.CH. UK IRE.UK Rainbow To The Stars D.NL.CH 3417 01 14 Robert Miles- DBX (Jeity Music) 2 Zen troh-f.frr (London) 66 647 Dune- Virgin (Warner Chappell) Spaceman A.B.DKFIN.F.D.M.E.LNL.N.S.CH You Don't Fool Me A.B.ED.NL.CH UK 2 2 Stars 12 Babylon Zoo- EMI (EMI Publishing) @54 3 Queen- Parlophone (Queen /EMI) 70 2 Dubstar- Food/Parlophone (Archaic I EMI) Firestarter DKF7N.D.IRENL.N.S.UK.HUN Real Love DK.FIN.F.D.ME.LNL.S.CHRUN Megamix F 63 The Prodigy -XL (Perfect I Unforgettable I EMI 1 MCA) 3616 5 The Beatles- Apple (Lenono) ®85 2 E -Type - Stockholm (Not Listed) How Deep Is Your Love A.B.DEFINDIREINL.N.E.S.CH.UKHUN Baby Come Back F I UK 88 America 4 36 Take That - RCA (BMG) Worlds Apart - Power Brothers (Session Music /WC) lair Full Intention - Stress (Scorpio 1 Leosong 'You You 1 Chrysalis) Father And Son A.ED.NL.N.S B.FD.CH.HUN 22 20 Boyzone BeautifulLife ***** SALES BREAKER ***** 39 Polydor (Cat) 72 6617 ,,Base - Mega (Megasong) They Don't Care About Us Drill Instructor ADK.D Egg Shaped Fred 0 3"2 Michael Jackson - Epic (Mijac Music 'Warner Tamerlane) 71 2Captain Jack - EMI (Beatdisaster I Peer) lair Mansun - Parlophone (Not Listed) Lemon Tree ADKD.NL.CH.HUN Stupid Girl IREUK Creep B.F 65 10 Fool's Garden- Intercord (Deshima Songs) 40G303 -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Selling Or Selling Out?: an Exploration of Popular Music in Advertising
Selling or Selling Out?: An Exploration of Popular Music in Advertising Kimberly Kim Submitted to the Department of Music of Amherst College in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors. Faculty Advisor: Professor Jason Robinson Faculty Readers: Professor Jenny Kallick Professor Jeffers Engelhardt Professor Klara Moricz 05 May 2011 Table of Contents Acknowledgments............................................................................................................... ii Chapter 1 – Towards an Understanding of Popular Music and Advertising .......................1 Chapter 2 – “I’d Like to Buy the World a Coke”: The Integration of Popular Music and Advertising.........................................................................................................................14 Chapter 3 – Maybe Not So Genuine Draft: Licensing as Authentication..........................33 Chapter 4 – Selling Out: Repercussions of Product Endorsements...................................46 Chapter 5 – “Hold It Against Me”: The Evolution of the Music Videos ..........................56 Chapter 6 – Cultivating a New Cultural Product: Thoughts on the Future of Popular Music and Advertising.......................................................................................................66 Works Cited .......................................................................................................................70 i Acknowledgments There are numerous people that have provided me with invaluable -
The Youtube Effect: How Youtube Has Provided New Ways to Consume, Create, and Share Music
International Journal of Education & the Arts Editors Margaret Macintyre Latta University of Nebraska-Lincoln, U.S.A. Christine Marmé Thompson Pennsylvania State University, U.S.A. http://www.ijea.org/ ISSN 1529-8094 Volume 12 Number 6 July 8, 2011 The YouTube Effect: How YouTube Has Provided New Ways to Consume, Create, and Share Music Christopher Cayari Johns Hill Magnet School, U.S.A. Citation: Cayari, C. (2011). The YouTube effect: How YouTube has provided new ways to consume, create, and share music. International Journal of Education & the Arts, 12(6). Retrieved [date] from http://www.ijea.org/v12n6/. Abstract This case study about a teenage musician, Wade Johnston, suggests how YouTube has affected music consumption, creation, and sharing. A literature review connects education, technology, and media. Informal learning, digital literacy, and twenty-first century technology are also connected in the review. Data reveals how Wade started his channel, gained popularity, interacted with others, and promoted his musical career through YouTube. Original songs, covers, collaborations, documentaries, self- interviews, video blogs (vlogs), and live performances are observed by the researcher. Interviews with the subject, key actors in his life, fans, and first time listeners were transcribed and results were used to triangulate. Previous musical media research is expanded upon to include YouTube and video sharing. The idea of amateur and professional musician, musical venue, and audience member are being changed through YouTube. Current practices of how YouTube is used in the classroom are discussed, and future research is suggested. IJEA Vol. 12 No. 6 - http://www.ijea.org/v12n6/ 2 Background Teens evidently don’t see computers as technology. -
Human Rights in Sweden: the Breakthrough of an Idea
Human Rights In Sweden: The Breakthrough of an Idea JACOB W.F. SUNDBERG* TABLE OF CONTENTS I. THE EUROPEAN SYSTEI OF HuMoAN RIGHTS 951 A. The American Influence 951 B. The European Approach 954 C. The Lawyer's Approach 955 D. Nothing Succeeds Like Success 958 II. SWEDEN AND THE EUROPEAN CONVENTION 960 A. The Periodof No Complaints 960 B. The Periodof Massive Complaints 961 Ill. THE ExTERNAL HISTORY OF THE CONVENTION IN SWEDEN 961 A. A Fit of Absentmindedness? 961 B. Importance of the ForeignMinister, Professor Undin 962 C. The Declaration Under Article 46 963 D. The Greek Case 964 E. The Crisis of the 1970s 965 F. The Adverse Judgments of the 1980s 968 IV. THE INNER HISTORY OF THE CONVENTION IN SWEDEN 970 A. The PhilosophicalBackground 970 B. The Secret Marriage 972 C. Professor Undin and Human Rights 974 D. The Swedish Silence 976 V. THE SucCEss OF AN IDEA 978 A. The Change Summarized 978 B. Irresistibility of the Lawyer's Approach 978 C. The European Limelight 979 D. Room for a PluralistDoctrine of Precedent 980 E. Does It Pay To Argue The Convention? 981 F. Conclusions 982 I. THE EUROPEAN SYSTEM OF HUMAN RIGHTS A. The American Influence In order to understand the American contribution to the European system of human rights,' it is necessary to go back to the situation at the close of the Second * Professor of Jurisprudence, University of Stockholm; Director of Studies, Institutet for offentlig och internationell r-tt, Stockholm. 1. Among the early literature on the European Convention on Human Rights, see generally RoBEsroN, THE LAw OFINERNA1ONAL INtTr.ONS m EUROPE(1961); Coblentz & Warshaw, European Convention for the Protection of Human 952 OHIO STATE LAW JOURNAL [Vol. -
“Amarillo by Morning” the Life and Songs of Terry Stafford 1
In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. On Billboard magazine’s April 4, 1964, Hot 100 2 list, the “Fab Four” held the top five positions. 28 One notch down at Number 6 was “Suspicion,” 29 by a virtually unknown singer from Amarillo, Texas, named Terry Stafford. The following week “Suspicion” – a song that sounded suspiciously like Elvis Presley using an alias – moved up to Number 3, wedged in between the Beatles’ “Twist and Shout” and “She Loves You.”3 The saga of how a Texas boy met the British Invasion head-on, achieving almost overnight success and a Top-10 hit, is one of triumph and “Amarillo By Morning” disappointment, a reminder of the vagaries The Life and Songs of Terry Stafford 1 that are a fact of life when pursuing a career in Joe W. Specht music. It is also the story of Stafford’s continuing development as a gifted songwriter, a fact too often overlooked when assessing his career. Terry Stafford publicity photo circa 1964. Courtesy Joe W. Specht. In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. -
The Laughter of Life and Death
Przemysław Paweł Grzybowski emember r Przemysław Paweł Grzybowski is a lecturer in the Chair of General and Comparative Pe- dagogy of Kazimierz Wielki University in Bydgoszcz. His research interests comprise inter- ducate and and ducate cultural education; education in disfavoured environments; tanatopedagogy (education e concerning suffering, ailing, and dying), as well as laughter as a factor of education and The LauGhTer of improving the quality of life. He is the coordinator of the Forum of Young Education- alists “Międzyszkolnik” at the Committee of Pedagogical Sciences of the Polish Academy of Sciences; the supervisor of the Academic Centre for Voluntary Service of KWU; an es- perantist and a doctor clown volunteer. Selected publications: Doktor klaun! Od terapii śmiechem po edukację międzykulturową; Edukacja europejska – od wielokulturowości ku mię- of Life and deaTh dzykulturowości; Edukacja międzykulturowa – konteksty. Od tożsamości po język międzynaro- dowy; Edukacja międzykulturowa – przewodnik. Pojęcia, literatura, adresy; Morycek w szkole. Żydowskie dowcipy o edukacji, w dialogu międzykulturowym; Spotkania z Innymi. Czytanki do edukacji międzykulturowej; Śmiech w edukacji. Od szkolnej wspólnoty śmiechu po edukację międzykulturową; Śmiech życia i śmierci. Od osobistych historii po edukację do pamięci o oku- pacji, gettach i obozach koncentracyjnych. Website: www.grzybowski.ukw.edu.pl hettos and Concentration Camps to to Camps Concentration and hettos g The book comprises some descriptions of the circumstances in which the -
Masterboy Даёшь Музыку MP3 Collection Mp3, Flac, Wma
Masterboy Даёшь Музыку MP3 Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Даёшь Музыку MP3 Collection Country: Russia Released: 2007 Style: Techno, Euro House MP3 version RAR size: 1922 mb FLAC version RAR size: 1863 mb WMA version RAR size: 1168 mb Rating: 4.5 Votes: 962 Other Formats: DMF AHX VQF AU VOX AUD DTS Tracklist Different Dreams 1994 1 Waterfall (Intro) 2 Different Dreams 3 I Got To Give It Up 4 Everybody Needs 5 Is This The Love 6 Masterboy Theme 7 And I Need You 8 Feel The Heat Of You 9 Do You Wanna Dance 10 No Way Out 11 I Got To Give I 12 Feel The Heat O Megamix 1995 13 Mega - Hit - Mix Generation Of Love The Album 1995 14 Intro 15 Give Me Your Love 16 Anybody 17 Baby Let It Be 18 Land Of Dreaming 19 Masterboy Theme 20 Generation Of Love 21 Feel The Fire 22 Get It On 23 Feel The Force (House Version) 24 Generation Of Love (Fly Away Remix) 25 Anybody (F.J. Gauder Remix) Masterboy - Colours 1996 26 Intro 27 Show Me Colours 28 Ocean Bizarre 29 La Ola Hand In Hand 30 Mister Feeling 31 I Want To Break 32 Children Of The 33 Dreams Within A 34 Just For You 35 Energy 36 Mister Feeling 37 Outro 38 Baby Let It Be Best Of 2000 39 Feel The Heat 2 40 Porque Te Vas 41 Generation Of L 42 Land Of Dreaming 43 I Like To Like It 44 I Got To Give I 45 Is This The Love 46 Everybody Needs Somebody 47 Anybody 48 Different Dreams 49 Feel The Heat O 50 El Ritmo 51 Masterboy Theme 52 Dance To The Be 53 Shake It Up And 54 Mister Feeling 55 Show Me Colours 56 I Want To Break 57 La Ola Hand In 58 Nights On Broad 59 Just For You Feel The Heat Of The Night 2003 60 Radio Cut 61 Special D Edit 62 Club Mix 63 Special D Remix 64 Mesalla Remix I Need A Lover Tonight 2003 65 Need A Lover Tonight (Video Edit) 66 Need A Lover Tonight (Club Edit) 67 I Need A Lover Tonight (Pulsedriver Remix) 68 I Need A Lover Tonight (DJs A Work Remix) 69 I Need A Lover Tonight (Klubbingman Vs. -
Skivlista Från Dj Peppa Cd Singlar
SKIVLISTA FRÅN DJ PEPPA CD SINGLAR Genomstruken = SÅLD ! GRUPP/ARTIST LÅT ÅR 100% Power Of The The Light 1994 666 Dance 2 Disco 2000 666 I´m Your Nightmare 1999 2 Brothers On The 4th Floor Living In Cyberspace 1999 2 Brothers On The 4th Floor Fly 1995 2 Brothers On The 4th Floor Let Me Be Free 1994 2 Brothers On The 4th Floor Dreams (Will Come Alive) 1994 2 Dance 2 Feel The Rhythm 1995 2 In A Room Giddy Up 1995 2 Pac Dear Mama (Remixe) 1995 2 Unlimited Megamix 1992 2 Unlimited Never Surrender 1998 3 O-Matic Hand In Hand 1995 3rd Party Can You Feel It 1997 49Ers Rockin´My Body 1994 A.B Free Ft. Linda Rocco Go Deeper 1993 Aaron Carter Aaron´s Party (Come Get It) 2000 Abigail Smells Like Teen Spirit 1994 Absolute Cinema Medley (Promo) 1992 Absolute Country Absolute Country 2 (Promo 7 Låtar) 1995 Absolute Dance Medley Remix 6 1994 Absolute Dance Medley Remix 4 1994 Ace Of Base Lucky Love 1995 Ace Of Base Cest LaVie 1999 Ace Of Base Travel To Romantis 1998 Ace Of Base All That She Wants 1992 Ace Of Base Living In Danger 1994 Adam F Music In My Mind 1998 Adam F Circles 1997 Adolphson & Falk Nu Lever Jag Igen (P.J Remix ´96) 1996 Adolphson & Falk Medley ´99 1999 Aerosmith Cryin´ 1993 Airheadz Stanley (Here I Am) 2001 Al Green Waiting For You 1994 Alexia Gimme Love 1998 Alice Deejay Better Off Alone 1999 Alice Deejay Will I Ever 2000 Alici I Want Your Love 1996 Alternative Experience Ft. -
Warner Music Group Senior VP New Business & Ventures Alex Kamins
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 12, 2021 Page 1 of 33 Leader; Travis Denning Makes History INSIDE Executive of the Week: Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupWarner Nashville), debuts at No. Music 1 on Billboard’s lion Group audience impressions, Senior up 16%). VP New Top Country• Fare Play: Albums Could chart dated April 18. In its first week (ending April 9), it earnedSoundCloud’s 46,000 equivalent User- album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingCentric to Nielsen Streaming Music/MRC Data. Business & Venturesand total Country Airplay No. Alex 1 as “Catch” (Big Kamins Machine Label Group) ascends SouthsidePayouts Catchmarks On?Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart and fourth top 10. It follows freshman LP BY DAN RYS Young’s first of six chart entries, “Sleep With- Montevallo• Are Real, which MCs arrived in at the summit in No - out You,” reached No. 2 in December 2016. He vemberGermany 2014 and Getting reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Over the weekend, Atlantic Records band Why Don’t senior vp new business and ventures Alex Kamins — MontevalloFake hasStreams? earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved million in album sales.