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Characteristics of Chinese Poetic-Musical Creations
Characteristics of Chinese Poetic-Musical Creations Yan GENG1 Abstract: The present study intoduces a series of characteristics related to Chinese poetry. It shows that, together with rhythmical structure and intonation (which has a crucial role in conveying meaning), an additional, fundamental aspect of Chinese poetry lies in the latent, pictorial effect of the writing. Various genres and forms of Chinese poetry are touched upon, as well as a series of figures of speech, themes (nature, love, sadness, mythology etc.) and symbols (particularly of vegetal and animal origin), which are frequently encountered in the poems. Key-words: rhythm, intonation, system of tones, rhyme, system of writing, figures of speech 1. Introduction In his Advanced Music Theory course, &RQVWDQWLQ 5kSă VKRZV WKDW ³we can differentiate between two levels of the phenomenon of rhythm: the first, a general philosophical one, meaning, within the context of music, the ensemble of movements perceived, thus the macrostructural level; the second, the micro-VWUXFWXUH ZKHUH UK\WKP PHDQV GXUDWLRQV « LQWHQVLWLHVDQGWHPSR « 0RUHRYHUZHFDQVD\WKDWUK\WKPGRHVQRWH[LVWEXWUDWKHUMXVW the succession of sounds in time [does].´2 Studies on rhythm, carried out by ethno- musicology researchers, can guide us to its genesis. A first fact that these studies point towards is the indissoluble unity of the birth process of artistic creation: poetry, music (rhythm-melody) and dance, which manifested syncretically for a very lengthy period of time. These aspects are not singular or characteristic for just one culture, as it appears that they have manifested everywhere from the very beginning of mankind. There is proof both in Chinese culture, as well as in ancient Romanian culture, that certifies the existence of a syncretic development of the arts and language. -
Science and Technology in Modern China, 1880S-1940S
Science and Technology in Modern China, 1880s-1940s Edited by Jing Tsu and Benjamin A. Elman LEIDEN | BOSTON This is a digital offprint for restricted use only | © 2014 Koninklijke Brill NV Contents List of Figures vii Notes on Contributors ix Introduction 1 Jing Tsu and Benjamin A. Elman Toward a History of Modern Science in Republican China 15 Benjamin A. Elman Historiography of Science and Technology in China The First Phase 39 Iwo Amelung Disciplining the National Essence Liu Shipei and the Reinvention of Ancient China’s Intellectual History 67 Joachim Kurtz Science in Translation Yan Fu’s Role 93 Shen Guowei Chinese Scripts, Codes, and Typewriting Machines 115 Jing Tsu Semiotic Sovereignty The 1871 Chinese Telegraph Code in Historical Perspective 153 Thomas S. Mullaney Proofreading Science Editing and Experimentation in Manuals by a 1930s Industrialist 185 Eugenia Lean The Controversy over Spontaneous Generation in Republican China Science, Authority, and the Public 209 Fa-ti Fan Bridging East and West through Physics William Band at Yenching University 245 Danian Hu Periodical Space Language and the Creation of Scientific Community in Republican China 269 Grace Shen This is a digital offprint for restricted use only | © 2014 Koninklijke Brill NV vi Contents Operatic Escapes Performing Madness in Neuropsychiatric Beijing 297 Hugh Shapiro Index 327 Contents Notes on Contributors ix Introduction 1 Jing Tsu and Benjamin A. Elman Introduction 1 Toward a History of Modern Science in Republican China 15 Benjamin A. Elman 15 Historiography of Science and Technology in China 39 The First Phase 39 Iwo Amelung 39 Disciplining the National Essence 67 Liu Shipei and the Reinvention of Ancient China’s Intellectual History 67 Joachim Kurtz 67 Science in Translation 93 Yan Fu’s Role 93 Shen Guowei 93 Chinese Scripts, Codes, and Typewriting Machines 115 Jing Tsu 115 Semiotic Sovereignty 153 The 1871 Chinese Telegraph Code in Historical Perspective 153 Thomas S. -
Syllabus 1 Lín Táo 林燾 and Gêng Zhènshëng 耿振生
CHINESE 542 Introduction to Chinese Historical Phonology Spring 2005 This course is a basic introduction at the graduate level to methods and materials in Chinese historical phonology. Reading ability in Chinese is required. It is assumed that students have taken Chinese 342, 442, or the equivalent, and are familiar with articulatory phonetics concepts and terminology, including the International Phonetic Alphabet, and with general notions of historical sound change. Topics covered include the periodization of the Chinese language; the source materials for reconstructing earlier stages of the language; traditional Chinese phonological categories and terminology; fânqiè spellings; major reconstruction systems; the use of reference materials to determine reconstructions in these systems. The focus of the course is on Middle Chinese. Class: Mondays & Fridays 3:30 - 5:20, Savery 335 Web: http://courses.washington.edu/chin532/ Instructor: Zev Handel 245 Gowen, 543-4863 [email protected] Office hours: MF 2-3pm Grading: homework exercises 30% quiz 5% comprehensive test 25% short translations 15% annotated translation 25% Readings: Readings are available on e-reserves or in the East Asian library. Items below marked with a call number are on reserve in the East Asian Library or (if the call number starts with REF) on the reference shelves. Items marked eres are on course e-reserves. Baxter, William H. 1992. A handbook of Old Chinese phonology. (Trends in linguistics: studies and monographs, 64.) Berlin and New York: Mouton de Gruyter. PL1201.B38 1992 [eres: chapters 2, 8, 9] Baxter, William H. and Laurent Sagart. 1998 . “Word formation in Old Chinese” . In New approaches to Chinese word formation: morphology, phonology and the lexicon in modern and ancient Chinese. -
Downloaded from Brill.Com10/04/2021 08:34:09AM Via Free Access Bruce Rusk: Old Scripts, New Actors 69
EASTM 26 (2007): 68-116 Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700* Bruce Rusk [Bruce Rusk is Assistant Professor of Chinese Literature in the Department of Asian Studies at Cornell University. From 2004 to 2006 he was Mellon Humani- ties Fellow in the Asian Languages Department at Stanford University. His dis- sertation was entitled “The Rogue Classicist: Feng Fang and his Forgeries” (UCLA, 2004) and his article “Not Written in Stone: Ming Readers of the Great Learning and the Impact of Forgery” appeared in The Harvard Journal of Asi- atic Studies 66.1 (June 2006).] * * * But if a savage or a moon-man came And found a page, a furrowed runic field, And curiously studied line and frame: How strange would be the world that they revealed. A magic gallery of oddities. He would see A and B as man and beast, As moving tongues or arms or legs or eyes, Now slow, now rushing, all constraint released, Like prints of ravens’ feet upon the snow. — Herman Hesse1 Visitors to the Far East from early modern Europe reported many marvels, among them a writing system unlike any familiar alphabetic script. That the in- habitants of Cathay “in a single character make several letters that comprise one * My thanks to all those who provided feedback on previous versions of this paper, especially the workshop commentator, Anthony Grafton, and Liam Brockey, Benjamin Elman, and Martin Heijdra as well as to the Humanities Fellows at Stanford. I thank the two anonymous readers, whose thoughtful comments were invaluable in the revision of this essay. -
The Chinese Script T � * 'L
Norman, Jerry, Chinese, Cambridge: Cambridge University Press, 1988. 1 3.1 Th e beginnings of Chinese writing 59 3 FISH HORSE ELEPHANT cow (yu) (m ii) (xiimg) (niu) " The Chinese script t � * 'l Figure 3.1. Pictographs in early Chinese writing 3.1 The beginnings of Chinese writing1 The Chinese script appears as a fully developed writing system in the late Shang .dynasty (fourteenth to eleventh centuries BC). From this period we have copious examples of the script inscribed or written on bones and tortoise shells, for the most part in the form of short divinatory texts. From the same period there also Figure 3.2. The graph fo r quiin'dog' exist a number of inscriptions on bronze vessels of various sorts. The former type of graphic record is referred to as the oracle bone script while the latter is com of this sort of graph are shown in Figure 3.1. The more truly representational a monly known· as the bronze script. The script of this period is already a fully graph is, the more difficult and time-consuming it is to depict. There is a natural developed writing system, capable of recording the contemporary Chinese lan tendency for such graphs to become progressively simplified and stylized as a guage in a complete and unambiguous manner. The maturity of this early script writing system matures and becomes more widely used. As a result, pictographs has suggested to many scholars that it must have passed through a fairly long gradually tend to lose their obvious pictorial quality. The graph for qui'in 'dog' period of development before reaching this stage, but the few examples of writing shown in Figure 3.2 can serve as a good illustration of this sort of development. -
Japanization in the Field of Classical Chinese Dictionaries
Title Japanization in the Field of Classical Chinese Dictionaries Author(s) Ikeda, Shoju Citation Journal of the Graduate School of Letters, 6, 15-25 Issue Date 2011-03 Doc URL http://hdl.handle.net/2115/44945 Type bulletin (article) File Information JGSL6-2.pdf Instructions for use Hokkaido University Collection of Scholarly and Academic Papers : HUSCAP Journal of the Graduate School of Letters,Hokkaido University Vol.6;pp.15-25,March 2011 15 Japanization in the Field of Classical Chinese Dictionaries Shoju IKEDA Abstract:How did dictionaries arranged by radical undergo Japanization?In the following I shall take up for consideration the Tenrei bansh썚omeigi,Shinsenjiky썚o,and Ruiju my썚ogi sh썚oand consider this question by examining in particular their relationship with the original version of the Chinese Yupian,compiled in 543 by Gu Yewang of the Liang.There is much that needs to be said about early Japanese dictionaries.In this paper I have focused on their relationship with the Yupian and have discussed questions such as its position as a source among Buddhist monks and its connections with questions pertaining to radicals,in particular the manner in which the arrangement of characters under individual radicals in the Yupian was modified. (Received on December 7,2010) 1.Dictionaries Arranged According to the Shape,Sound and Meaning of Chinese Characters and the Compilation of Early Dictionaries in Japan When considered in light of extant dictionaries,it would seem that dictionaries arranged by radical or classifier(shape)appeared first,followed by dictionaries arranged by meaning,and that dictionaries arranged by pronunciation(sound)came some time later. -
A Study of Borrowing in Contemporary Spoken Japanese
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1996 Integration of the American English lexicon: A study of borrowing in contemporary spoken Japanese Bradford Michael Frischkorn Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the First and Second Language Acquisition Commons Recommended Citation Frischkorn, Bradford Michael, "Integration of the American English lexicon: A study of borrowing in contemporary spoken Japanese" (1996). Theses Digitization Project. 1107. https://scholarworks.lib.csusb.edu/etd-project/1107 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. INTEGRATION OF THE AMERICAN ENGLISH LEXICON: A STUDY OF BORROWING IN CONTEMPORARY SPOKEN JAPANESE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfilliiient of the Requirements for the Degree Master of Arts in English Composition by Bradford Michael Frischkorn March 1996 INTEGRATION OF THE AMERICAN ENGLISH LEXICON: A STUDY OF BORROWING IN CONTEMPORARY SPOKEN JAPANESE A Thesis Presented to the Faculty of California State University,,, San Bernardino , by Y Bradford Michael Frischkorn ' March 1996 Approved by: Dr. Wendy Smith, Chair, English " Date Dr. Rong Chen ~ Dr. Sunny Hyonf ABSTRACT The purpose of this thesis was to determine some of the behavioral characteristics of English loanwords in Japanese (ELJ) as they are used by native speakers in news telecasts. Specifically, I sought to examine ELJ from four perspectives: 1) part of speech, 2) morphology, 3) semantics, and 4) usage domain. -
Research on the Time When Ping Split Into Yin and Yang in Chinese Northern Dialect
Chinese Studies 2014. Vol.3, No.1, 19-23 Published Online February 2014 in SciRes (http://www.scirp.org/journal/chnstd) http://dx.doi.org/10.4236/chnstd.2014.31005 Research on the Time When Ping Split into Yin and Yang in Chinese Northern Dialect Ma Chuandong1*, Tan Lunhua2 1College of Fundamental Education, Sichuan Normal University, Chengdu, China 2Sichuan Science and Technology University for Employees, Chengdu, China Email: *[email protected] Received January 7th, 2014; revised February 8th, 2014; accepted February 18th, 2014 Copyright © 2014 Ma Chuandong, Tan Lunhua. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. In accordance of the Creative Commons Attribution License all Copyrights © 2014 are reserved for SCIRP and the owner of the intellectual property Ma Chuandong, Tan Lun- hua. All Copyright © 2014 are guarded by law and by SCIRP as a guardian. The phonetic phenomenon “ping split into yin and yang” 平分阴阳 is one of the most important changes of Chinese tones in the early modern Chinese, which is reflected clearly in Zhongyuan Yinyun 中原音韵 by Zhou Deqing 周德清 (1277-1356) in the Yuan Dynasty. The authors of this paper think the phe- nomenon “ping split into yin and yang” should not have occurred so late as in the Yuan Dynasty, based on previous research results and modern Chinese dialects, making use of historical comparative method and rhyming books. The changes of tones have close relationship with the voiced and voiceless initials in Chinese, and the voiced initials have turned into voiceless in Song Dynasty, so it could not be in the Yuan Dynasty that ping split into yin and yang, but no later than the Song Dynasty. -
The Phonological Domain of Tone in Chinese: Historical Perspectives
THE PHONOLOGICAL DOMAIN OF TONE IN CHINESE: HISTORICAL PERSPECTIVES by Yichun Dai B. A. Nanjing University, 1982 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGRFE OF MASTER OF ARTS In the pepartment of Linguistics @ Yichun Dai 1991 SIMON FRASER UNIVERSITY July 1991 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME: Yichun Dai DEGREE: Master of Arts (Linguistics) TITLE OF THESIS : The Phonological Domain of Tone in Chinese: Historical Perspectives EXAMINING COMMITTEE: Chairman: Dr. R. C. DeArmond ----------- Dr. T. A. Perry, Senior ~aisor Dr. N. J. Lincoln - ................................... J A. Edmondson, Professor, Department of foreign Languages and Linguistics, University of Texas at Arlington, External Examiner PARTIAL COPYR l GHT L l CENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University L ibrary, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. Title of Thesis/Project/Extended Essay Author: (signature) (name 1 Abstract This thesis demonstrates how autosegmental licensing theory operates in Chinese. -
Indo-European Linguistics: an Introduction Indo-European Linguistics an Introduction
This page intentionally left blank Indo-European Linguistics The Indo-European language family comprises several hun- dred languages and dialects, including most of those spoken in Europe, and south, south-west and central Asia. Spoken by an estimated 3 billion people, it has the largest number of native speakers in the world today. This textbook provides an accessible introduction to the study of the Indo-European proto-language. It clearly sets out the methods for relating the languages to one another, presents an engaging discussion of the current debates and controversies concerning their clas- sification, and offers sample problems and suggestions for how to solve them. Complete with a comprehensive glossary, almost 100 tables in which language data and examples are clearly laid out, suggestions for further reading, discussion points and a range of exercises, this text will be an essential toolkit for all those studying historical linguistics, language typology and the Indo-European proto-language for the first time. james clackson is Senior Lecturer in the Faculty of Classics, University of Cambridge, and is Fellow and Direc- tor of Studies, Jesus College, University of Cambridge. His previous books include The Linguistic Relationship between Armenian and Greek (1994) and Indo-European Word For- mation (co-edited with Birgit Anette Olson, 2004). CAMBRIDGE TEXTBOOKS IN LINGUISTICS General editors: p. austin, j. bresnan, b. comrie, s. crain, w. dressler, c. ewen, r. lass, d. lightfoot, k. rice, i. roberts, s. romaine, n. v. smith Indo-European Linguistics An Introduction In this series: j. allwood, l.-g. anderson and o.¨ dahl Logic in Linguistics d. -
LANGUAGE CONTACT and AREAL DIFFUSION in SINITIC LANGUAGES (Pre-Publication Version)
LANGUAGE CONTACT AND AREAL DIFFUSION IN SINITIC LANGUAGES (pre-publication version) Hilary Chappell This analysis includes a description of language contact phenomena such as stratification, hybridization and convergence for Sinitic languages. It also presents typologically unusual grammatical features for Sinitic such as double patient constructions, negative existential constructions and agentive adversative passives, while tracing the development of complementizers and diminutives and demarcating the extent of their use across Sinitic and the Sinospheric zone. Both these kinds of data are then used to explore the issue of the adequacy of the comparative method to model linguistic relationships inside and outside of the Sinitic family. It is argued that any adequate explanation of language family formation and development needs to take into account these different kinds of evidence (or counter-evidence) in modeling genetic relationships. In §1 the application of the comparative method to Chinese is reviewed, closely followed by a brief description of the typological features of Sinitic languages in §2. The main body of this chapter is contained in two final sections: §3 discusses three main outcomes of language contact, while §4 investigates morphosyntactic features that evoke either the North-South divide in Sinitic or areal diffusion of certain features in Southeast and East Asia as opposed to grammaticalization pathways that are crosslinguistically common.i 1. The comparative method and reconstruction of Sinitic In Chinese historical -
Ideophones in Middle Chinese
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË ! Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas'Van'Hoey' ' Presented(in(fulfilment(of(the(requirements(for(the(degree(of(( Master(of(Arts(in(Linguistics( ( Supervisor:(prof.(dr.(Jean=Christophe(Verstraete((promotor)( ( ( Academic(year(2014=2015 149(431(characters Abstract (English) Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas Van Hoey This M.A. thesis investigates ideophones in Tang dynasty (618-907 AD) Middle Chinese (Sinitic, Sino- Tibetan) from a typological perspective. Ideophones are defined as a set of words that are phonologically and morphologically marked and depict some form of sensory image (Dingemanse 2011b). Middle Chinese has a large body of ideophones, whose domains range from the depiction of sound, movement, visual and other external senses to the depiction of internal senses (cf. Dingemanse 2012a). There is some work on modern variants of Sinitic languages (cf. Mok 2001; Bodomo 2006; de Sousa 2008; de Sousa 2011; Meng 2012; Wu 2014), but so far, there is no encompassing study of ideophones of a stage in the historical development of Sinitic languages. The purpose of this study is to develop a descriptive model for ideophones in Middle Chinese, which is compatible with what we know about them cross-linguistically. The main research question of this study is “what are the phonological, morphological, semantic and syntactic features of ideophones in Middle Chinese?” This question is studied in terms of three parameters, viz. the parameters of form, of meaning and of use.