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Tseng 2003.10.24 14:06 6655 Olmsted / RED SPY QUEEN / sheet 1 of 284 QUEEN RED SPY Tseng 2003.10.24 14:06 6655 Olmsted / RED SPY QUEEN / sheet 2 of 284 3 of 284 6655 Olmsted / RED SPY QUEEN / sheet RED SPY QUEEN A Biography of ELIZABETH BENTLEY Kathryn S.Olmsted The University of North Carolina Press Chapel Hill and London Tseng 2003.10.24 14:06 4 of 284 © 2002 6655 Olmsted / RED SPY QUEEN / sheet The University of North Carolina Press All rights reserved Set in Charter, Champion, and Justlefthand types by Tseng Information Systems, Inc. Manufactured in the United States of America The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. Library of Congress Cataloging-in-Publication Data Olmsted, Kathryn S. Red spy queen : a biography of Elizabeth Bentley / by Kathryn S. Olmsted. p. cm. Includes bibliographical references and index. isbn 0-8078-2739-8 (cloth : alk. paper) 1. Bentley, Elizabeth. 2. Women communists—United States—Biography. 3. Communism—United States— 1917– 4. Intelligence service—Soviet Union. 5. Espionage—Soviet Union. 6. Informers—United States—Biography. I. Title. hx84.b384 o45 2002 327.1247073'092—dc21 2002002824 0605040302 54321 Tseng 2003.10.24 14:06 5 of 284 To 6655 Olmsted / RED SPY QUEEN / sheet my mother, Joane, and the memory of my father, Alvin Olmsted Tseng 2003.10.24 14:06 Tseng 2003.10.24 14:06 6655 Olmsted / RED SPY QUEEN / sheet 6 of 284 7 of 284 Contents Preface ix 6655 Olmsted / RED SPY QUEEN / sheet Acknowledgments xiii Chapter 1. -
Civic and Political Status
Civic and Political Status CIVIL LIBERTIES HE PERIOD between July 1954 and the autumn of 1955 saw a marked im- Tprovement in the general attitude on civil liberties questions in the United States. Many factors contributed to this. A decreased fear of immi- nent war was accompanied by a calmer approach to internal policies. The absence of any evidence of new Communist penetration, either in govern- ment or in other fields, led to a widespread feeling that the danger from con- spiratorial Communist activity had declined. On the other hand, the pub- licity received by a number of cases in which security procedures had been patently misused led to an increased realization of the dangers arising from measures which departed from the spirit of the Bill of Rights. And there could be little doubt that the clash between Sen. Joseph R. McCarthy and the Army, followed by the report of the Senate Select Committee to Study Censure Charges (Watkins Committee) and the Senate censure vote (AMER- ICAN JEWISH YEAR BOOK, 1955 [Vol. 56], p. 184-85), tended to bring the ap- proach generally described as "McCarthyism" into disrepute. Security Program The change was least noticeable in the legislative field, where it took the form of a decrease in new restrictive legislation rather than in the disap- perance of any already on the books. There was, however, a marked altera- tion in both the interests and the behavior of legislative investigating com- mittees. In the executive department, security procedures changed little, and injustices still appeared to be frequent. But when—as increasingly hap- pened—they were brought to public attention, there was a new readiness and even eagerness to remedy them. -
Alwood, Edward, Dark Days in the Newsroom
DARK DAYS IN THE NEWSROOM DARK DAYS in the NEWSROOM McCarthyism Aimed at the Press EDWARD ALWOOD TEMPLE UNIVERSITY PRESS Philadelphia Temple University Press 1601 North Broad Street Philadelphia PA 19122 www.temple.edu/tempress Copyright © 2007 by Edward Alwood All rights reserved Published 2007 Printed in the United States of America Text design by Lynne Frost The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Library of Congress Cataloging-in-Publication Data Alwood, Edward. Dark days in the newsroom : McCarthyism aimed at the press / Edward Alwood. p. cm. Includes bibliographical references and index. ISBN 13: 978-1-59213-341-3 ISBN 10: 1-59213-341-X (cloth: alk. paper) ISBN 13: 978-1-59213-342-0 ISBN 10: 1-59213-342-8 (pbk.: alk. paper) 1. Anti-communist movements—United States—History—20th century. 2. McCarthy, Joseph, 1908–1957—Relations with journalists. 3. Journalists— United States—History—20th century. 4. Journalists—United States— Political activity—History—20th century. 5. Press and politics—United States—History—20th century. 6. United States—Politics and government— 1945–1953. 7. United States—Politics and government—1953–1961. I. Title. E743.5.A66 2007 973.921—dc22 2006034205 2 4 6 8 9 7 5 3 1 In Memoriam Margaret A. Blanchard Teacher, Mentor, and Friend Do the people of this land . desire to preserve those so carefully protected by the First Amendment: Liberty of religious worship, freedom of speech and of the press, and the right as freemen peaceably to assemble and petition their government for a redress of grievances? If so, let them withstand all beginnings of encroachment. -
Mccarthyism and the Second Red Scare
McCarthyism and the Second Red Scare Oxford Research Encyclopedia of American History McCarthyism and the Second Red Scare Landon R. Y. Storrs Subject: 20th Century: Post-1945, Political History, Cultural History, Labor and Working Class History Online Publication Date: Jul 2015 DOI: 10.1093/acrefore/9780199329175.013.6 Summary and Keywords The second Red Scare refers to the fear of communism that permeated American politics, culture, and society from the late 1940s through the 1950s, during the opening phases of the Cold War with the Soviet Union. This episode of political repression lasted longer and was more pervasive than the Red Scare that followed the Bolshevik Revolution and World War I. Popularly known as “McCarthyism” after Senator Joseph McCarthy (R-Wisconsin), who made himself famous in 1950 by claiming that large numbers of Communists had infiltrated the U.S. State Department, the second Red Scare predated and outlasted McCarthy, and its machinery far exceeded the reach of a single maverick politician. Nonetheless, “McCarthyism” became the label for the tactic of undermining political opponents by making unsubstantiated attacks on their loyalty to the United States. Page 1 of 25 PRINTED FROM the OXFORD RESEARCH ENCYCLOPEDIA, AMERICAN HISTORY (americanhistory.oxfordre.com). (c) Oxford University Press USA, 2016. All Rights Reserved. Personal use only; commercial use is strictly prohibited (for details see Privacy Policy and Legal Notice). date: 16 April 2018 McCarthyism and the Second Red Scare The initial infrastructure for waging war on domestic communism was built during the first Red Scare, with the creation of an antiradicalism division within the Federal Bureau of Investigation (FBI) and the emergence of a network of private “patriotic” organizations. -
Pete Seeger and Folk Song Activism in the Cold War Era, 1948 - 1972
“Wasn’t that a Time:” Pete Seeger and Folk Song Activism in the Cold War Era, 1948 - 1972 By Christine Anne Kelly B.A. in History, May 2011, Messiah College A Thesis Submitted to The Faculty of Columbian College of Arts and Sciences of The George Washington University in partial satisfaction of the requirements for the degree of Master of Arts May 19, 2013 Thesis directed by Edward D. Berkowitz Professor of History For Pete who guarded well our human chain as long as sun did shine ii Table of Contents Dedication………………………………………………………………………............... ii I. Introduction: “John Henry”……………………………………………………………. 1 Seeger the Steel Driving Man……………………………………………………. 1 Historiographical Review………………………………………………………. 15 Interventions……………………………………………………………………. 22 II. “If I Had a Hammer:” 1948 – 1960………………………………………………….. 27 The Weavers……………………………………………………………………. 27 Riot in Peekskill………………………………………………………………… 28 The Work of the Weavers………………………………………………………. 30 The Folk Process………………………………………………………............... 32 Folk Song to Transcend Social Boundaries: Possibilities and Limits………….. 33 The Weavers and the Red Scare………………………………………............... 35 Seeger Goes Solo……………………………………………………………….. 39 Audience Participation………………………………………………………….. 46 Trouble Appears: The House Un-American Activities Committee…………….. 52 III. “Die Gedanken Sind Frei:” 1961 – 1965…………………………………………… 57 A Song of Freedom……………………………………………………............... 57 Seeger on Trial………………………………………………………………….. 58 Civil Rights: Learning a New Tune…………………………………………….. 65 World Tour……………………………………………………………………… -
This Land Is Your Land, This Land Is My Land: Folk Music, Communism, and the Red Scare As a Part of the American Landscape by Christine A
This Land is Your Land, This Land is My Land: Folk Music, Communism, and the Red Scare as a Part of the American Landscape by Christine A. Spivey Where three communists meet, the fourth one ought to be a guitar player. --Woody Guthrie < 1> I make my living as a banjo picker, sort of damning in some people’s opinion. --Pete Seeger < 2> On the evening of March 3, 1940, a young idealistic banjoist first came into contact with a wandering Okie from Okemah. The setting for this encounter between Pete Seeger and Woody Guthrie, the two forces behind the folk music revival of the 30s and 40s, was a "Grapes of Wrath" benefit for California migrant workers.< 3> The backdrop was Greenwich Village, a hot-bed of leftist politics that since the mid thirties had nurtured the fusion of traditional American folk music and radical ideology. In the years following this initial encounter, the two musicians came to need each other "as a flame needs oxygen." < 4> The union of Seeger and Guthrie produced a music that was a "citybilly blend of politics, country music and ballads." < 5> These two radically different characters, Pete known for his Puritanical morality and Woody infamous for his love of alcohol and women, spearheaded the "All-American Left-Wing Folk-Song Revival," < 6> a movement that championed unionism and the common worker, and provoked the rage of conservatives in politics and the community at large. In The McCarthy Era in Perspective: Nightmare in Red , Richard Fried writes that "America has a fabled radical tradition, but its anti-radical tradition runs at least as deep, and conflict has persisted." < 7> The folk singers of the 1930s and 40s saw themselves as a continuation of a radical tradition that existed from the American Revolution, to the abolitionism of the nineteenth century, and the labor movements of the twentieth. -
Sydney Askins; A-Level US; Music Project 1940S, 1950S Country Western: “Texarkana Baby” – Eddy Arnold YEAR Recorded Jan
Sydney Askins; A-Level US; Music Project 1940s, 1950s Country Western: “Texarkana Baby” – Eddy Arnold YEAR Recorded Jan. 6, 1947 ARTIST Written by Fred Rose; made popular by Eddy Arnold; recorded by Eddy Arnold and his Tennessee Plow Boys and his Guitar SYNOPSIS A Southern man is smitten with a woman whose father is from Texas and whose mother is from Arkansas. He proposes to her despite his financial worries. His moral integrity is established by frequent references to her parents and “Lowdy Law.” CULTURAL “Texarkana Baby” uses Southern-style vocabulary and in doing so establishes the presence of a thriving Southern culture TIES/ANALYSIS during this time period. Phrases that invoke images of this Southern culture: “Lowdy Law” – stereotypical Southern-word-“slurring” “like a good ol’ country star” “sorghum syrup” – Sorghum was widely grown in the south and was a Southern breakfast staple on hot biscuits. Following WWII, however, sorghum syrup production in the south fell drastically with a declining source of farm labor. “Texarkana” – a city in the Ark-La-Tex region, a socio-economic intersection of Arkansas, Louisiana, and Texas “Blue ribbon cane” – sugar cane, a product of the south’s agricultural activities Pronunciation of Arkansas as “ArkanSAW” Repetition of “Lowdy Law” suggests significant religious ties The song is simple in wording and in content, thus implying that the Southern lifestyle remained simple. NOTABLE FACTS *March 31, 1949: “Texarkana Baby” was the 1st 7-inch 45 rpm record released by RCA in the USA * #1 on the US Country Chart *#18 in the US Country Rockabilly: “Wake Up Little Susie” – The Everly Brothers YEAR 1957 ARTIST Performed by the Everly Brothers; written by Felice and Boudleaux Bryant SYNOPSIS The song is written from a high school boy to his girlfriend, Susie. -
John L. Mcclellan Collection Container List Range R Through Range V (Political Oversize Items) Box 1 – Box 1079 File Numbers Are Inside Brackets [ ]
John L. McClellan Collection Container List Range R through Range V (Political Oversize Items) Box 1 – Box 1079 File numbers are inside brackets [ ] Range: R: 1 Box 1 Dates: 1942 Arkansas Counties Correspondence: 1942 Arkansas County [1] Ashley County [2] Baxter County [3] Benton County [4] Bradley County [5] Boone County [6] Calhoun County [7] Carroll County [8] Chicot County [9] Clark County [10] Clay County [11] Clebourne County [12] Cleveland County [13] Columbia County [14] Conway County [15] Craighead County [16] Crawford County [17] Crittenden County [18] Cross County [19] Dallas County [20] Drew County [21] 1 Desha County [22] Faulkner County [23] Franklin County [24] Fulton County [25] Garland County [26] Grant County [27] Greene County [28] Hempstead County [29] Hot Spring County [F30] Howard County [31] Independence County [32] Izard County [33] Jackson County [34] Jefferson County [35] Johnson County [36] Lafayette County [37] Lawrence County [38] Lee County [39] Lincoln County [40] Little River County [41] Logan County [42] Lonoke County [43] Madison County [44] Marion County [45] Miller County [46] Mississippi County [47] Monroe County [48] Montgomery County [49] Nevada County [50] Ouachita County [51] Perry County [52] Phillips County [53] Pike County [54] 2 Poinsett County [55] Polk County [56] Pope County [57] Prairie County [58] Pulaski County [59A-59C] Randolph County [60] Saline County [-61] Scott County [62] MISSING Searcy County [63] Sevier County [-64] Sebastian County [65] Sharp County [66] St. Francis County [67] -
American Intellectuals in the American-Soviet Friendship Movement
UNIVERSITY OF CALIFORNIA RIVERSIDE Alone Together: American Intellectuals in the American-Soviet Friendship Movement A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by David Byron Wagner June 2016 Dissertation Committee: Dr. Brian D. Lloyd, Chairperson Dr. Molly McGarry Dr. Kiril Tomoff Copyright by David Byron Wagner 2016 The Dissertation of David Byron Wagner is approved: Committee Chairperson University of California, Riverside Acknowledgements Above all, I am indebted to Brian Lloyd, my dissertation advisor, who was so important in helping me to clarify my intentions and arguments in this work. Brian has been an inspired editor, collaborator, and critic. I am enormously grateful and hope he is pleased with the result. I also appreciate the hard work and insightful suggestions of my additional readers Molly McGarry and Kiril Tomoff. Thanks also to Catherine Gudis and John Ganim, who served on my PhD oral exam committee. You are all fantastic. Most of the research for this project was conducted at the Tamiment Library at New York University, which has my thanks for providing access to several collections necessary for this project. I did further research at San Diego State University, the Motion Picture Association of America’s Mary Pickford Center, and Columbia University. I am appreciative of all of the help offered me by archivists in all of these institutions. Special thanks goes to Tamiment archivist Bonnie Gordon, who pointed me toward Morford’s biographical manuscripts in the Abbott Simon Papers, which more or less tied all of the rest of the evidence together. -
Legislative Art: Laurie Jo Reynolds and the Aesthetics of Punishment
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository LEGISLATIVE ART: LAURIE JO REYNOLDS AND THE AESTHETICS OF PUNISHMENT BY ALBERT STABLER DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art Education in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Associate Professor Jorge Lucero, Chair Associate Professor Terri Weissman Associate Professor Ryan Griffis Assistant Professor Jeffrey Martin ii Abstract In 2013, the lobbying group Tamms Year Ten was successful in closing the Tamms Correctional Center, a prison in which men lived in near-total and near-constant isolation. The group’s founder, Laurie Jo Reynolds, is an artist who describes her lobbying work as “legislative art,” an homage to the governmental interventions of activist Brazilian playwright Augusto Boal. Working backward from legislative art to legislative aesthetics, I postulate the potentially fruitful concepts of judicial aesthetics and executive aesthetics, borrowing the familiar American separation of powers as laid out by James Madison. I attempt to understand Reynolds’ work in a larger historical, aesthetic, and political framework by trying to describe the aestheticization of politics in America through the various mutations of racial concepts in the legal system, as well as in education, visual art, and literature. To do this I borrow ideas from the Continental political theory canon to shed light on how punishment is understood culturally in America in this moment of mass incarceration. In the end, I hope the essay yields a set of terms that allows artists and activists to have more meaningful conversations and debates, and through this dialogue to positively affect protest and policy.