Fine Tuesday 9 July 2013 at 2pm New Bond Street, Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus , Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup,

2 | Bonhams Fine Clocks Tuesday 9 July 2013 at 2pm New Bond Street, London

Bonhams Enquiries Customer Services 101 New Bond Street James Stratton M.R.I.C.S Monday to Friday 8.30am to 6pm London W1S 1SR + 44 (0) 20 7468 8364 +44 (0) 20 7447 7447 [email protected] www.bonhams.com Please see back of catalogue Charles Crisford Viewing +44 (0) 20 7468 8371 for important notice to bidders Sunday 7 July 11am to 3pm [email protected] Monday 8 July 9am to 4.30pm Illustrations Tuesday 9 July 9am to 12noon Administrator Front cover: 67 Alexandra Viano Back cover: 83 Bids +44 (0) 20 7468 5842 Inside front: 14 +44 (0) 20 7447 7448 [email protected] Inside back: 87 +44 (0) 20 7447 7401 fax To bid via the internet please visit Sale Number: 21045 Live online bidding is www.bonhams.com available for this sale Catalogue: £18 Please email [email protected] Please note that bids should be with “Live bidding” in the subject submitted no later than 24 hours line 48 hours before the auction before the sale. New bidders must to register for this service. also provide proof of identity when submitting bids. Failure to do this may result in your bids not being processed.

Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Central Sale Information Middlesex Hospital Park Royal

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Bids Important Notice to Lots may be released from Payment at time Horn Lane +44 (0) 20 7447 7448 West Acton Bonhams warehouse on Buyers Collection & Station of collection +44 (0) 20 7447 7401 fax Storage After Sale production of the Collection Order By credit card / debit card To bid via the internet please visit Sold lots marked with a special obtained from cashiers office www.bonhams.com symbol W will be only retained at at Bonhams, Knightsbridge or Important Notice Bonhams New Bond Street until New Bond Street and a form of A surcharge of 2% is applicable Payments 5pm on Wednesday 10 July 2013. photographic ID. If a third party is when using Mastercard, Visa and Buyers Lots not collected by then will be collecting on behalf of the client, overseas debit cards. +44 (0) 20 7447 7447 removed to Bonhams Park Royal the client must provide Bonhams The following symbol is used +44 (0) 20 7447 7401 fax warehouse. with written authority prior to to denote that VAT is due on collection. The third party must Sellers the hammer price and buyer’s All lots removed to Bonhams present a photographic form of ID premium Payment of sale proceeds warehouse will be available for when collecting. +44 (0) 20 7447 7447 collection as from 9.30am on †VAT 20% on hammer price +44 (0) 20 7447 7401 fax Friday 12 July 2013. These Handling & Storage and buyer’s premium lots will be subject to transfer Charges Valuations, taxation and storage charges if they are For sold lots marked with a special * VAT on imported items at & heritage not collected within the period symbol W removed to Bonhams a preferential rate of 5% on +44 (0) 20 7468 8340 outlined below. Park Royal warehouse transfer and hammer price and the prevailing +44 (0) 20 7468 5860 fax storage charges will commence on rate on buyer’s premium [email protected] All sold lots not marked W Wednesday 31 July 2013. will remain in Collections at VAT refunds on exports Catalogue subscriptions Bonhams New Bond Street until The charges levied by Bonhams from the EU To obtain other catalogues or To submit a claim for refund of Tuesday 23 July 2013. Following are as follows: take out an annual subscription: VAT HMRC require lots to be that all lots will be transferred Subscriptions Department exported from the EU within strict to our Bonhams Park Royal Lots marked with W +44 (0) 1666 502200 deadlines. warehouse. Transfer and +44 (0) 1666 505107 fax storage charges will commence Transfer per lot £30.00 [email protected] For lots on which Import VAT on the Wednesday 31 July 2013. Daily storage per lot £3.40 has been charged; marked in the catalogue with a * or Ω. Lots must Shipping All other Lots be exported within 30 days of For information and estimates Bonhams Warehouse Bonhams’ receipt of payment and on domestic and international Address: shipping as well as export licenses Unit 1, Sovereign Park Transfer per lot £10.00 within 3 months of the sale date. please contact Bonhams Shipping Coronation Road Daily storage per lot £1.70 For all other lots export must take Department on: Park Royal, London NW10 7QP place within 3 months of the sale +44 (0) 20 8963 2849 Tel: +44 (0) 87 0811 3867 All the above charges are exclusive date. +44 (0) 20 8963 2850 Hours of opening 9.30am to 4.30pm of VAT. +44 (0) 20 7629 9673 fax Monday to Friday For further VAT information please contact: [email protected] Payment in advance [email protected] Tel: +44 (0) 20 7393 3912/3913 to ascertain amount due by: cash, cheque with banker’s card, credit card, bank draft or traveller’s cheque. Fine Clocks Lots 1 - 103

Fine Clocks | 3 1 3 A late 19th/early 20th century French gilt brass repeating carriage A late 19th century French gilt brass grande sonnerie carriage , with original numbered winding key clock Drocourt, No 16810 Retailed by J.W. Benson, 25 Old Bond St, London The silvered lever platform with bimetallic compensated balance, striking The gorge case of characteristic form, the signed white enamel Roman the hours and half hours on a gong (the block marked FD), the gilt and Arabic dial with alarm setting dial at VI, the spring barrel movement Roman dial and alarm setting dial set within an engine turned mask in a with spotted silvered lever platform with a cut and compensated bi- pillared case with heavy glazed panels 19cms (7.5ins) high. (2) metalic balance, the clicks of unusual design, with circular steel springs £1,000 - 1,500 and bridge cocks to the winding arbours, the underside with the three €1,200 - 1,800 position lever for strike, silent and full strike, the backplate appearing to US$1,500 - 2,300 have a partial, but indistinct oval stamp to the left side 17.75cm (7in) £1,200 - 1,800 2 Y €1,400 - 2,100 A late 19th century French white metal miniature carriage US$1,900 - 2,800 timepiece Le Roy & Cie, The Anglaise Riche case with spiral fluted handle over foliate blind fret top, over Corinthian columns and foliate cast strapwork side panels, on a plinth base cast with foliate scrolls, the turned ivory Arabic dial within a foliate silver mask, the spring barrel movement with lever platform . The base engraved with a monogram and dated ‘8 Mai 1894’ 8cm (3 1/8 in) £1,800 - 2,200 €2,100 - 2,600 US$2,800 - 3,400

1 2 3

4 | Bonhams 4 6 A late 19th century French enamel and engraved brass carriage A late 19th century French Limoges enamel carriage clock clock with repeat The Anglais Riche case of characteristic form with a black ground enamel Drocourt, number 11785 Roman dial with gilt numerals and alarm setting dial within a border of The canelee case of characteristic form , profusely engraved with polychrome foliate scrolls and flowers, the side panels each enriched flowers and foliage, the sides with blue ground enamel flowers and with a figure of a winged putti skating, the twin barrel movement with foliate scrolls, the Roman dial with an alarm setting dial and conforming a silvered lever platform escapement striking on a single gong. 19cm decoration, the twin train spring barrel movement with a gilt lever (7.5in) platform, striking the hour, half and alarm on a blued steel gong, the £1,500 - 2,500 backplate struck with the Drocourt stamp. 18cm (7in) €1,800 - 2,900 £1,500 - 2,000 US$2,300 - 3,900 €1,800 - 2,400 US$2,300 - 3,100

5 A good late 19th century French porcelain panelled gilt and engraved brass grande sonnerie carriage clock. Drocourt, No 15105 The case delicately engraved with flowers and running foliage over the moulded edges, with a large oval glazed aperture revealing the silvered lever platform escapement striking and repeating on a pair of coiled steel gongs, each side panel decorated with a pair of youngsters in 19th century dress, edged in gilt decorated borders on a pink ground, the Roman dial with blued steel hands and alarm setting dial against a painted millside scene, the signed and numbered movement striking and repeating on a pair of gongs (the block stamped F.D.), with three- position lever mounted in the base, the outer travelling case with applied brass folding handle, lift up inspection slide and twin turnbuckles to the sides 18cms (7ins) high. (2) £3,000 - 5,000 €3,500 - 5,900 US$4,600 - 7,700

4 5 6

Fine Clocks | 5 7 W An early 19th century Belgian skeleton clock with exhibition Jean-Joseph Hanset was born in Beauvechain in 1767 and died in provenance in 1826. He was appointed official to the Court Jean-Joseph Hanset, Brussels of William II of Holland, and was established in the rue de l’Escalier, The four dials each with a gadrooned or foliate cast ormolu bezel, Brussels, from 1799. the uppermost moonphase dial with age of moon scale to the upper edge, over the signed 6 inch enamel Roman dial with Arabic quarters, This style of clock is characteristic of those produced in Liège in the sweeping centre seconds, inner concentric calendar scale and Breguet late 18th and early 19th centuries, recognisable by the use of complex hands, over two subsidiary calendar dials, respectively indicating the day crossings in the wheelwork and the construction of the frame. Similar and month, with zodiac symbols, raised on two gilt tapered columns, examples are illustrated in Derek Robert’s “Continental and American black marble base and toupie feet, the drum type movement with Skeleton Clocks”, Schiffer 1989, figures 172 a, b and c, page 175, pinwheel escapement and rack strike on a , the nine rod grid iron Florent Pholien’s “L’Horlogerie et ses Artistes au Pays de Liége” 1933, with knife edge suspension and rating nut. 51.5cm (20.25in) Edition d’Art des Imprimeries Nationales des Militaires Mutilés et £20,000 - 30,000 Invalides de Guerre, Liége. page 85; and Jacques Nève’s “The Clocks of €24,000 - 35,000 Hubert Sarton” 2009, similar examples by Sarton pages 72 to 77 and by US$31,000 - 46,000 Dumoulin of Brussels pages 78 and 79 .

Provenance: This clock was exhibited in ‘La Mesure du Temps’, in Namur, 7th-22nd July 1962 and is referred to in the exhibition catalogue page 69, No VII/41.

6 | Bonhams 8 Y A fine and rare late 19th century French gilt brass grande sonnerie A similar model is illustrated in Derek Roberts “Carriage and other carriage clock with moonphase and calendar Travelling Clocks,Schiffer 1993, figure 13-19, page 218. Le Roy & Cie, 78 Bd. de la Madeleine 7 á Paris, number 18353 The reeded handle over engraved ribbon tied floral borders, in low relief against a matted ground, the entablature with protruding canted corners supported on reeded columns, over the conforming base, the signed Roman turned ivory dial with moonphase aperture over three ivory subsidiary dials for the day, alarm setting and date, within the low relief foliate mask, the signed and numbered spring driven movement with a lever platform escapement, cut and compensated bi-metallic balance, the hours and quarters struck on two coiled blued steel gongs, the underside with a three position grande, petite sonnerie and silence lever, with a second lever to adjust the moonphase. Together with the original numbered leather outer case. 19cm (7.5in) £8,000 - 10,000 €9,400 - 12,000 US$12,000 - 15,000

Fine Clocks | 7 9 W A late 18th century gilt brass-mounted mahogany quarter striking table clock John Taylor, London The inverted bell top with five cone finials over female term mounts to the front corners and elaborate side sound frets depicting a cherubs head with radiating rays within scrolls, to a plinth base on scroll feet, the one piece silvered Roman and Arabic dial with matching hands, within gilt spandrels, the large movement with shaped plates and verge escapement with rack strike on a bell and sounding the quarters on a pair of and hammers 59cms (23.25ins) high. £4,000 - 6,000 €4,700 - 7,100 US$6,200 - 9,300

8 | Bonhams 10 A third quarter of the 18th century brass mounted mahogany A similar clock by William Addis was sold in these rooms, 9th December table clock 2008, lot 116. William Addis,London The Ellicott style case surmounted by a brass handle over the inverted The design of this case is credited to John Ellicott, who removed most of bell top, pierced side frets and brass bordered quarter veneered front the embellishment commonly used at the time, giving greater emphasis door with circular cast gilt brass bezel, raised on a shallow plinth base to the dial, which itself became less eleborate from the 1760’s onwards and four shaped brass feet, the signed silvered 8 inch Roman and with the introduction of one piece silvered or enamel dials. Arabic dial with pierced scrolled hands, with subsidiary strike/silent and regulation dials mounted on the upper corners of the dialplate, the twin fusee movement with verge escapement, rise and fall regulation via the engraved snail, the backplate engraved with a foliate cartouche around the copperplate signature, over a pagoda. 49cm (19.25in) £5,000 - 7,000 €5,900 - 8,200 US$7,700 - 11,000

Fine Clocks | 9 11 W 12 W A late 19th century French figural mystery clock A late 19th century French mystery clock with later bronze figure Guilmet, number 2644 of an athlete The spelter figure of a classical maiden in diaphonous robes, her right Guilmet, number 2054 hand held aloft and supporting the cast pendulum rod with bevelled The associated figure of a weight lifter adapted to support the later glass bob, mounted on a plinth base with twin lion mask ring handles, pendulum, on a plinth base with gilt line inlay, lions mask side handles, on a moulded base, the five inch glass dial revealing the patent moulded base and paw feet, the 5 inch Roman dial revealing the movement with actuating pivot bar, pin crank bar and 50-tooth ‘scape actuating pivot bar, the pallet pin bar and 50-tooth ‘scape wheel, the wheel, with outside countwheel strike on a bell, the backplate stamped backplate stamped with the Guilmet trademark 67cms (2ft 2.5ins) high. with the Guilmet trademark 61cms (2ft) high. £1,000 - 1,500 £1,000 - 1,500 €1,200 - 1,800 €1,200 - 1,800 US$1,500 - 2,300 US$1,500 - 2,300 Similar clocks are illustrated Roberts, Mystery, Novelty and Fantasy There is little information about the life of A.R. Guilmet; however, the Clocks, Shiffer, 1999,figure 21-1 A&B and Fig 21-6. A similar model is many patents taken out between 1853 and 1887 give us some insight illustrated and discussed in Thompson The Clocks, The to a prolific maker and inventor. The 15-year patent for his mystery clock British Museum Press, 2004, p 156. was first filed in 1867 and two further improvements filed in 1872 and 1874.

10 | Bonhams 13 A good 19th century skeleton timepiece with pin-wheel escapement and running seconds indication, in a glazed case Bell & Son, No. 131 Mount Street, Berkeley Square The thick scrolled frame united by six unusually turned pillars with central knops, the gilt chapter ring engraved with flowerheads and leaves between the Roman numerals with scalloped outer edge intersected by the large Arabic subsidiary seconds dial, the single chain fusee movement with Harrison’s maintaining power, high count pinions and wheels of five and six crossings, the delicate pin wheel escapement with well shaped and polished pallets to a heavy pendulum with shaped steel rod over an engraved silvered beat scale, contained in a tall glazed laquered brass case of four heavy bevelled glass panels The case 47cms (18.5ins) high. £1,500 - 2,000 €1,800 - 2,400 US$2,300 - 3,100

Fine Clocks | 11 14 W A very fine mid 19th century exhibition-quality gilt and engraved This clock has been in the vendors family since new and tradition has it brass quarter chiming skeleton clock with original key. In single that it was purchased directly from the Great Exhibition. family ownership since new. John Moore and Sons, Clerkenwell, No. 12742 As high-grade manufacturers, Moore and Sons exhibited their own The pierced and scrolled plates measuring 7mm (one quarter of an inch) products at the Exhibition. Perhaps their most impressive surviving in thickness united by six tapering decorative turned and screwed pillars, clock is that in the headquarters of the Union in Norwich, signed on the shaped lowermost section of the frame, both the front see Roberts, British Skeleton Clocks, ACC, 1987, figure 3/31 a and b. and back faces of the plates boldly engraved with flowers and foliage Although smaller, the current clock shares the same type of applied hour over a cross-hatched and shaded background, mounted on an oval numerals on circular silvered plaques. base with mirror-finished top and velvet covered sides, on a stepped ebonised base with applied ormolu mount, the 10 inch circular chapter ring with scalloped outer edge (each highpoint denoting a minute) and twelve silvered plaques with applied engraved gilt Roman numerals, and blued steel hands, the triple chain fusee movement with spring barrels numbered 12743, the deadbeat escapement with jewelled pallets and pendulum with a polished steel rod terminating in a T-bar suspension and heavily engraved bob, the strike train with engraved snail striking on a coiled blued steel gong set horizontally into the ebonised base, the quarter chiming train with engraved cock and quarter snail striking on a run of eight graduated bells mounted at the apex of the frames, under a glass shade 57cms (22.5ins) high to the top of the bells. Total height including the glass dome 64cms (25.25ins) high. (2) £15,000 - 20,000 €18,000 - 24,000 US$23,000 - 31,000

12 | Bonhams Fine Clocks | 13 15 W A good second half of the 19th century quarter chiming Similar examples are illustrated in Derek Roberts ‘British Skeleton ‘’ skeleton clock Clocks’, Antique Collectors Club, 1987, pages 64 and 65, the frame and Attributed to Evans of Handsworth, retailed by Lister & Sons. bell arrangement being closest to figure 2/23, while the dial is the same The four-part frame modelled on the Medieval Gothic building, united design as that illustrated in figure 2/21, suggesting that the original by eight turned brass pillars and five turned steel posts, the towers buyer had a degree of choice in some of the detailing. flanking the twin runs of four graduated bells over a solid chapter ring carrying burnished gothic Roman numerals against a matted ground, with blued steel hands (hour replaced), the triple chain fusee movement with deadbeat escapement and twin-jar mercury pendulum, the going, striking and chiming trains of six-spoke wheelwork throughout, striking the hour on a circular-section coiled steel gong set on the backplate, with applied silvered brass retailers plaques to the base, mounted on an ebonised wooden base under a ‘five panel’ glass shade (one panel cracked) The frame 54.5cms (21.5ins) high. £6,000 - 8,000 €7,100 - 9,400 US$9,300 - 12,000

14 | Bonhams 16 A rare late 18th century skeleton clock with tic tac escapement, A similar example is illustrated in Derek Roberts “Continental and moonphase and calendar work American Skeleton Clocks”, Schiffer, 1989, page 21. He notes that four Martinet, London similar clocks are known, but it is not clear whether this is one of the The shaped brass plates supporting the 3.25in enamel Roman and four, or (as is more likely) a fifth previously unrecorded example. Arabic dial with outer register for the months together with their associated zodiac symbols, below three subsidiary dials for the seasons, day and date, with signature plaques to the lower corners, over an applied ormolu fruiting vine festoon. The backplate supporting an enamel moonphase dial with age of moon, beneath a sun burst Apollo mask, bordered either side by flambeau finials. The plates supported by turned and reeded feet, over the rectangular white marble base with freestanding shaped thermometers, one marked for Celsius, the other for Fahrenheit, each with a shaped silvered scale and mounted on a turned veined marble pedestal, over an inset ormolu plaque modelled with Bachanalian putti, raised on six gilt toupie feet, the twin spring barrel movement with tic-tac escapement, silk suspension, pendulum with crescent shaped pendulum bob and outside countwheel strike on a bell mounted beneath the base. Together with a matt and burnished giltwood plinth and five-piece glass cover. 34cm (13.5in) (3) £25,000 - 35,000 €29,000 - 41,000 US$39,000 - 54,000

Fine Clocks | 15 17 W A fine late 18th century ormolu-mounted mahogany wall clock Thomas Wright of 6 The Poultry was an important figure in the Thomas Wright, In the Poultry, London, Watchmaker to the King horological world for over 20 years from about 1770. As the dial of Surmounted by a cast gilt figure on a serpentine cresting to a the current lot tells us, he was appointed Watchmaker to the King. His rectangular plinth-like base with applied pendant foliage over a turned contemporary Thomas Earnshaw turned to Wright in the early 1780s to lower section with applied leaves and a berry finial, the one-piece 12 sponsor the patent application of his spring detent escapement. Wright’s inch silvered dial with Arabic minutes and Roman hours enclosing the most famous clock is probably the Blue John mantel clock in the Royal plain centre with elaborate signature ‘Thomas Wright, In the POULTRY, Collection. It is set all-over with mounts by another great late 18th London, Watchmaker to the KING’, the twin gut fusee escapement century craftsman and designer, Matthew Boulton. A satinwood table similarly signed and with and rack strike on a bell clock with enamel dial by him was sold in these rooms, June 2012, lot 84cms (2ft 9ins) high. 129. £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000

16 | Bonhams 18 W A rare early 19th century mahogany wall regulator James Burton, Whitehaven The case of good colour and figure with swan neck pediment over boxwood-strung quadrants, supported on a dentil moulding with inlaid oval foliate bosses, the waisted trunk set on a plinth with shaped concave base, the 11.5 inch circular silvered dial signed across the centre, with outer minutes marked in dots and five-minute divisions enclosing subsidiary dials for running seconds and hours, with lozenge shaped hands, the weight driven movement with shaped plates united by heavy knopped pillars, maintaining power to the deadbeat escapement and with wheels of six crossings and high count pinions, the long steel crutch to a wooden-rod pendulum with brass lenticular bob, the weight with pulley of six crossings 185cm (high 6ft 1in) £3,000 - 4,000 €3,500 - 4,700 US$4,600 - 6,200

James Burton was working in Whitehaven circa 1793, and died in 1815. The style of this case is loosely based on contemporary tear-drop tavern clocks.

Fine Clocks | 17 19

19 A late 18th century mahogany 12 inch wall timepiece J Waylett, London The signed one-piece silvered Roman and Arabic dial with matching hands and cast concave bezel with integral lock (lock now missing) within a turned surround, the single gut fusee movement with verge escapement 40cms (16ins) diameter £1,500 - 1,700 €1,800 - 2,000 US$2,300 - 2,600

20 W A good third quarter of the 19th century oak wall mounted striking regulator with interesting provenance J.W. Benson, London, No.5730 The drum hood carved with a garland of laurel leaves over a tapering glazed door within a fluted trunk, to a carved ribbon-tied base on scroll supports, the 11 inch repainted Roman dial with subsidiary seconds and blued steel hands, the signed and numbered weight driven movement with substantial plates united by five tapering pillars, with maintaining power, deadbeat escapement and rack strike on a bell, with glass-jar mercury pendulum reading against an engraved silvered beat scale 1.76m (5ft 9ins) high. £1,500 - 2,000 €1,800 - 2,400 US$2,300 - 3,100

This clock was presented to The Leeds Club by Robert John Hudson in 1873.

According to the census of 1871, Robert John Hudson, a merchant lived at ‘Moorville’, Burley in Wharfdale. He joined the Leeds Club in 1860 and in 1869, was elected to the club’s committee where he served the full term of three years until 1872. He donated this impressive clock the following year.

The Leeds Club was founded in 1849 in Albion Place at the house of the distinguished surgeon William Hey. Hey’s was the only significant building in Albion Place, which was bordered by gardens and fields. Two adjoining houses were owned by a Mr Martin and these were initially leased until 1861 when they were purchased by the club for £5,300. Many suggestions were put forward to improve the site and following a building project, the AGM of January 1864 reported “The labours have been great and the result of them has provided one of the best club houses in the country”.

20

18 | Bonhams 21 W 22 W A late 18th century French Vernis Martin bracket clock A mid 18th century French boulle bracket clock Mauduit, Paris J.F. Dominicé, Paris The cartouche form case painted with naturalistic flowers on a brown The cartouche case with applied foliate and mask mounts to the arch, over ground, with ormolu foliate scroll surmount over conforming mounts the shaped glazed door with an applied ormolu female figure, raised on to the caddy, arch, base and door, the signed 11.5 inch thirteen piece foliate scroll feet, the signed 10.5 inch thirteen piece Roman and Arabic enamel Roman and Arabic dial with pierced foliate scroll hands, the dial with shaped blued steel hands, the signed two train spring barrel unsigned twin train spring barrel movement with silk suspension movement converted to anchor escapement, with a numbered outside and countwheel strike on a bell, together with the wall bracket of countwheel, striking the hours on a bell. 114cm (3ft 9in) conforming design. 128cm (50.5in) £3,000 - 5,000 £4,000 - 6,000 €3,500 - 5,900 €4,700 - 7,100 US$4,600 - 7,700 US$6,200 - 9,300

Fine Clocks | 19 23 W An impressive French ormolu and boulle mantel clock on a wall bracket Delorme, Paris Surmounted by a winged Herald on a shaped caddy with applied mounts, over an arched case with straight sides to a bombe base on scroll feet, the arched glazed door with cast frame centred by a female figure, all set on an inlaid wall bracket, the 11.5 inch twelve piece enamel dial with blue Roman numerals on shaped white enamel cartouches, with engraved minutes to the outer edge and cast centre depicting the Louis XVI as the Sun King, with shaped blued steel hands, the movement with rectangular plates united by turned conical pillars pinned to the signed backplate, with verge escapement and numbered outside countwheel strike on the bell above 1.5m (4ft 11ins) high. £3,000 - 5,000 €3,500 - 5,900 US$4,600 - 7,700

20 | Bonhams 24 W Y A late 17th/early 18th century French tortoiseshell and brass inlaid boulle marquetry religieuse clock Charles Champion, Paris The Roman chapter ring on a black velvet ground, above a figure of Chronos seated on a signed pediment, the glazed front door flanked to each side by a fluted pilaster with corinthian capital, surmounted by an arched top centred by lambrequins and flanked by flaming urns, the glazed sides with similar pilasters, inlaid overall with scrolling foliage, on toupie feet, the adapted movement with later anchor escapement signed Pia Paris 59cm (23.25in) high. £2,000 - 3,000 €2,400 - 3,500 US$3,100 - 4,600

Fine Clocks | 21 25 W A substantial signed and dated mid 19th century carved mahogany wall timepiece Vulliamy, London, AD 1852, Numbered 1916, The bezel deeply carved with intricate foliage enclosing a heavy bronze bezel with patent hinge-plate marked ‘P. Moore & Co, Patent Number 2’, set on a sturdy rectangular lower section with solid doors to each side fixed via a vertical sliding latch and with lockable hinged door below, the 15.75 inch one-piece silvered Roman dial with minute band, bold signature and date, and shaped blued steel hands, fixed to the movement via four polished steel screws through the dial, the very substantial spring driven movement with chain fusee and maintaining power (the lever of which is hooked so as to sit over the centre wheel pinion and engage with the fusee) Vulliamy’s own type of deadbeat escapement with ‘scape wheel screwed to the collet, to a brass crutch with twin-screw micrometer beat adjustment to the unusually substantial pendulum with lozenge-section mahogany rod terminating in a very heavy numbered brass bob with original engraved instruction to the rear “THIS SIDE NEXT THE BACK”, 83cm (2ft 8.75in) high £3,000 - 5,000 €3,500 - 5,900 US$4,600 - 7,700

Sold in these rooms 7th July 2009, 16818, lot 116.

22 | Bonhams 26 W A fine early 19th century mahogany longcase clock Vulliamy, London, number 232 The architectural case surmounted by the triangular pediment over brass stop fluted three quarter columns, with conforming quarter columns to the rear, the trunk with well figured long door, flanked by stop fluted quarter columns with brass Doric capitals, raised on the plinth base with a central raised square panel. The case stamped 106 below the hood rail. The signed and numbered 12.25 inch silvered Roman and Arabic dial with strike/silent lever above XII, subsidiary seconds dial and calendar aperture above VI, with blued pierced scroll hands. The weight driven movement with anchor escapement, two pin crutch, ebony rod pendulum with numbered lenticular brass bob and numbered rating nut, rack strike on a bell, the plates united by five substantial knopped pillars. 216cm (7ft 1in) £25,000 - 30,000 €29,000 - 35,000 US$39,000 - 46,000

Provenance: This lot was purchased by the current owner from Ronald Lee in 1974, see Lee’s advertisement ‘Antiquarian Horology’, June 1974, No.7, Vol 8, page 711.

A similar example by Vulliamy was sold in these rooms on the 13th December 2011, lot 75.

Fine Clocks | 23 27 W A rare third quarter of the 18th century mahogany longcase clock Thomas Mudge, London Surmounted by a ball finial on a concave-moulded socle over an elaborately moulded arched cornice, the hood door with concave moulded frame flanked by canted reeded corners, the long trunk door of good figure over a panelled base on double plinth, the 12 inch arched brass dial with strike/silent subsidiary in the arch flanked by bird and scroll quarter spandrels, the silvered Roman and Arabic chapter ring enclosing the matted centre with a large Arabic subsidiary seconds dial and applied oval nameplate over the chamfered date aperture, the weight driven movement with shouldered plates united by five knopped pillars, the anchor escapement with endstops to the pallet arbor and ‘scape wheel arbor with rack strike on a bell, the pendulum suspended via a T-bar on a steel rod terminating in a heavy brass-faced bob 2.21m (7ft 3ins) high. £30,000 - 50,000 €35,000 - 59,000 US$46,000 - 77,000

24 | Bonhams Thomas Mudge (c1715-1794) is one of the outstanding horologists of Failing health meant that in 1771 Mudge retired from the London the 18th century. He was apprenticed to George Graham on 4th May business and settled in Plymouth, on the south coast of with 1730 and after his Masters death in late 1750, published the following his brother, John. Here, he was able to concentrate fully on precision advertisement: horology and after five years he completed his first marine timekeeper. After initial tests, the Board of Longitude awarded him 500 guineas and “THOMAS MUDGE WATCHMAKER, late Apprentice to Mr Graham asked him to make another - he in fact made two, now referred to as deceased, carries on Business in the same Manner Mr Graham did, at Green and Blue. The chronometers did not perform as well as Mudge the Dial and One Crown, opposite the Bolt & Tun, ” might have hoped, but this may well have been due to the treatment that they received under Neville Maskelyne the Astronomer Royal. This argument was still running publicly in the 1790s, with pamphlets Graham, of course, had been an apprentice to Thomas Tompion and published by both Mudge junior and Maskelyne. because of the apprenticeship system regulated by the Worshipful Company of , Mudge offers a direct link back to Tompion, He was in partnership with William Dutton by the early 1760s, and a the finest clockmaker of the late 17th century. Perhaps Mudge’s greatest similar clock to the present lot with the original numbered winding key, invention was the detached lever escapement, first seen in the mid numbered 201, was sold in these rooms in December 2012, lot 110. 1750s lunar clock now held at the British Museum, but he is also revered Another partnership longcase was sold in these rooms December 2009, for the quality of his work and the handful of outstanding marine lot 130 and a triple pad top bracket clock by the firm was sold in these chronometers produced later in his life. He was awarded funds from rooms in December 2007, lot 155. the Board of Longitude, was Watchmaker to the King and enjoyed the patronage of King George III, Count von Bruhl, Dr Johnson and King His pre-Dutton output is very rare to find on the market today. Ferdinand VI of Spain amongst others.

Fine Clocks | 25 26 | Bonhams 28 Y An exceptional and historically enlightening early 19th century brass-inlaid rosewood month-going, quarter chiming bracket clock with deadbeat escapement, state of wind indication and calendar, with matching inlaid wall bracket W. Hampson junior, London The case surmounted by an architectural cornice running from front to back over a concave moulding, cornucopia side-handles and brass architectural frets of tapering outline, the front angles chamfered and set with Egyptian caryatid mounts, on a plinth base with half-lobed ball feet flanking the engraved brass plaque. The one-piece 8 inch silvered arched dial with regulation dial and strike/silent lever set between two larger subsidiaries for day of the week and date of the month, the engraved Roman chapter ring with an outer minute track and distinctive elongated heart-shaped blued steel hands, signed across the centre and set with an aperture giving state of wind indication in two-day increments. The extremely substantial movement constructed of three specially cast plates of brass, each measuring 5mm in thickness and united by seven turned tapering pillars, the lowermost sub-plate carrying the substantial spring barrels with chain fusees (the going fusee reversed) to a deadbeat escapement, the pendulum with steel rod and heavy brass bob, striking the hours on a single bell and chiming the quarters on a run of eight bells and hammers. All three trains with very high count pinions. Sold together with a matching wall bracket with conforming inlay and single support. The clock case 51cms (1ft 8ins) high, the bracket a further 32cms (12.5ins) high. (2) £5,000 - 8,000 €5,900 - 9,400 US$7,700 - 12,000

Loomes lists W.Hampson junior as working in Clerkenwell from c1820 to 1836.

This remarkable clock is all the more remarkable because of the engraved inscription which adorns the front plinth. It reads:

“This beautiful Specimen of Mechanical skill is a three part Quarter Clock, it Chimes on eight bells & strikes on a spring, has a deadbeat Escapement, going fuzee with steel rachetts chains &c, it tells the day of the week & day of the month, rise & fall regulator, strike/silent, shows how long it has gone & requires winding up only once in 32 days, the extra pinions alone cost the Maker 6 Guinease getting up & the main Springs weigh 12lbs&1/4, the weight of the Clock is 53lbs.” (sic)

Fine Clocks | 27 29 W A fine and imposing Louis XVI gilt bronze mantel clock Philippe-Jacques Corniquet became a master clockmaker on August Corniquet á Chaillot 3rd 1785. In 1789 he is recorderd as residing at the entrance to the The oval section urn surmounted by a floral bouquet, cast in the round, suburb of St. Honore, near number 16, Rue de la Madeleine (List of over oak leaf moulding and gadrooned shoulder, flanked by large goat watchmakers in the city and suburbs of Paris for the year 1789 Doucet mask mounted volute handles supporting ribbon tied laurel festoons, Library, Paris, cited by P.Brateau, archives, C.N.A.M (Conservatoire over the acanthus moulded fluted socle, raised on the stepped, foliate National des Arts et Métiers, or National Conservatory of Arts and moulded rectangular base on toupie feet, the signed 6.25 inch enamel Crafts)). In 1806 and 1812, he is listed as a clockmaker with a shop in 92 Roman and Arabic dial with pierced gilt hands, indistinctly signed to the Rue du Faubourg St-Honore (Brateau Archives, C.N.A.M). lower edge, the twin train drum movement with shaped lower edges to the plates, outside countwheel strike on a bell, anchor escapement and later Brocot suspension. 76cm (30in) £10,000 - 15,000 €12,000 - 18,000 US$15,000 - 23,000

28 | Bonhams 30 W An early 19th century French enamelled ormolu mantel clock G. Joly, Paris The inverted ‘Y’ frame enamelled all over in cobalt blue, with gilt five pointed stars, surmounted by a moonphase dial with age of moon scale to the upper edge, over the enamel Roman dial with Arabic quarter hours and gilt lyre hands, supported either side by pipe-playing tritons over the arched frame supporting the subsidiary date, and day dial,raised on four red marble columns, over the rectangular white marble base with beaded border and inset floral and foliate appliques, on toupie feet, the twin train spring barrel movement with anchor escapement, silk suspension Apollo mask sunburst pendulum and rack strike on a bell. Together with a later bespoke giltwood stand and glazed cover. Clock 54.5cm (21.5in), total height with dome 62cm (24.5in) £40,000 - 50,000 €47,000 - 59,000 US$62,000 - 77,000

Fine Clocks | 29 31 * W A good late 18th century French ormolu-mounted marble mantel clock Thiery of Paris The case surmounted by a subsidiary enamel dial held aloft by twin cherubs giving the day and diety of the week over the drum case supported on an inverted bow-front base with four stop-fluted Ionic columns with swags of fruit and foliage between, the base applied with a central panel of frollicking musical cherubs, the signed enamel dial with Roman numerals enclosed by an outer date ring and Arabic quarters, with matching gilt hands, the large circular movement with (replaced) escapement and pendulum, and outside countwheel strike on a bell 72cms (28.5ins) high. £1,500 - 2,500 €1,800 - 2,900 US$2,300 - 3,900

30 | Bonhams 32 W A late 18th century French ormolu mounted marble portico clock Denoyelle, Paris The drum case surmounted by the gilt figure of Minerva, flanked either side by stop fluted columns each terminating in an armillary sphere and raised on a pedestal with applied trophy, over the rectangular base with inset foliate panels, chained ballustrade and six turned feet, the signed 5.25 inch enamelled Arabic dial with pierced gilt hands and concentric calendar read by a blued steel arrow hand, the drum movement with flattened lower edges to the plates, silk suspension and outside countwheel strike on a bell. 58.5cm (23in) £2,000 - 3,000 €2,400 - 3,500 US$3,100 - 4,600

Fine Clocks | 31 fig.1

33 W A fine and rare late 19th century burr walnut seconds-beating Following the International Fisheries Exhibition of 1883, the Prince of table chronometer. Exhibited at the International Inventions Wales expressed a desire to hold an International Inventions Exhibition Exhibition, London 1885. in 1885. The batch of new patent acts which had recently been Thomas Mercer, London & St. Albans introduced to assist poorly paid inventors seemed to provide a great The exceptional movement of eight day duration, with substantial opportunity to demonstrate publicly the progress made since the last spotted plates united by four turned and finned pillars screwed front and Great International Exhibition of 1862. back supporting the full length platform surmounted by the freesprung blued steel helical spring of 14 turns to a large cut and compensated Queen Victoria was patron and Prince Albert, President of the Organising bimetallic balance and Earnshaw type detent escapement, the chain Committee. There was a strictly limited number of places available fusee with maintaining power to very finely cut wheels of six and eight due to lack of space, despite large additions to the buildings. The crossings, all with high count pinions, the contrate wheel with triple number of applications for places was so great that special committees screwed jewelled chaton, the movement protected by a one-piece were appointed to carefully scrutinise all applications. As such, “only lacquered brass dust cover, mounted to the dial via four turned dial feet those inventions which appeared to be of sufficient public interest or secured with blued steel screws, the 13 inch one-piece silvered dial with importance were admitted”. See International Inventions Exhibition: concentric Arabic minute band enclosing twin subsidiaries for running Official Guide (1885), William Clowes and Sons Limited, London, 1885, seconds (with Observatory marks) and Roman hours containing the p. 5, 41, 45-46. See also Christine MacLeod, Heroes of Invention. state of wind sector marked 0-8, with blued steel hands, the case with Technology, Liberalism and British Identity 1750-1914, Cambridge stepped cornice over a dentil moulding, capped canted corners and University Press, 2007, p. 374. an ogee moulded base, the inside of the door applied with four paper panels giving dates of cleaning, the first dated June 1893, the last March The Exhibition opened in South Kensington on 4th May 1885 with Austria-Hungary, Italy, Japan, the United States and the United Kingdom 1995, and a fifth label giving the wheel train count as follows all participating. Alongside the inventions, there were historical exhibits and attractions such as pleasure gardens, fountains and music. When it Scape wheel 12, pinion 16 closed in November 1885, three and three-quarters of a million people Fourth wheel 80, pinion 16 had visited. In the course of our research, an original Season Ticket for Third wheel 120, pinion 18 the Exhibition was unearthed and is illustrated here for interest. It is not Centre wheel 144, pinion 15 included with the lot - see fig.1 Main wheel 180 Hour wheel (Between main plates) 180 Clocks and were group 27 and were housed in the South Up + Down Pinion (On Fusee Square) 50 Central Gallery which also featured furniture and fancy goods, jewellery, “ Intermediate wheel 100, Pinion 10 photography, philosophical instruments and chemistry. When referring “ Wheel 100. to the Clocks and Watches group, the exhibition’s official guide states “many of the best known and clock makers show specimens of 69cms (2ft 3ins) high. beautifully made English timepieces. There are also a few turret and £8,000 - 12,000 chiming clocks”. €9,400 - 14,000 US$12,000 - 19,000 The grand-son of the original exhibitor, F.A.Mercer wrote a letter to Antiquarian Horology in December 1973 asking if readers knew any more about this clock or its twin; apparently two such were made for the Exhibition. The second was later unearthed by Derek Roberts circa 2004 in America, signed for Milledge and Sons, Edinburgh.

Literature Mercer, ‘Mercer Chronometers’, Brant Wright Associates, 1978, fig.12 and colour plate 3.

32 | Bonhams Fine Clocks | 33 34 A good mid 19th century mahogany two day Parkinson and Frodsham, Change Alley, London, No. 2775 The three part mahogany box with lacquered brass side handles and inset name plaque, the centre section opening all the way back to reveal the 3.25 inch signed and numbered silvered dial, the Roman numerals enclosed by a running Arabic minute band, with twin subsidiaries for state of wind indication and running seconds, with original blued steel hands, the chain fusee movement with spotted plates united by four tapering pillars, signed in copperplate script, the freesprung balance with jewelled endstone and large cut and compensated bimetallic balance to the Earnshaw type spring detent escapement with maintaining power, the whole protected by a typical inner dust cover secured by bayonet fittings and with X-form blued steel spring to the underside, the weighted brass bowl secured via a sprung catch, the case further set with a tipsy winding key in the upper left hand corner The case 16cms (6.25ins) wide. £2,500 - 3,500 €2,900 - 4,100 US$3,900 - 5,400

34 | Bonhams 35 An early 19th century 8 day marine chronometer movement in a later bespoke mahogany case Hatton and Harris, London, No 477 The large chain fusee movement with stepped plates and single footed cock to the spring barrel, the freesprung movement with palladium helical spring to an Earnshaw detent escapement, with latched feet to the silvered one piece 5 inch dial with outer minute track and Roman numerals, with subsidiary dial for running seconds and numbered arc for state of wind, suspended in a brass bowl engraved to the side, Messrs Fielding Brothers and Co, Established 1850, the sprung shutter engraved ‘Wind up to the left hand, once a week’, with tipsy key, now contained in a later brass-bound mahogany box with side handles The box 19.5 (7.75ins) high. £3,000 - 4,000 €3,500 - 4,700 US$4,600 - 6,200

James Hatton and Clement Harris were in partnership for 8 years from 1816.

Fine Clocks | 35 36 A fine last quarter of the 19th century coromandel marine chronometer of eight day duration with staple balance M.F.Dent, 33 Cockspur St., Chronometer maker to the Queen, London, No 29735 The three-part case with signed and numbered circular plaque and recessed side handles, the weighted bowl with sprung winding cover and set in a pair of lockable gimbals, the interior of the case further set with a safety winding key, the signed and numbered 4.75 inch silvered Roman dial with outer minute track and gold hands, subsidiary dials for state of wind and running seconds under a flat glass with angled sight ring, the substantial spotted gilt movement with sub-plate carrying the freesprung diamond endstone to a white metal helical spring of ten turns terminating in a cut and compensated staple balance and Earnshaw spring detent escapement, with maintaining power to the chain fusee The case 21cms (8.25ins) wide. £4,000 - 6,000 €4,700 - 7,100 US$6,200 - 9,300

Dent 29735 was supplied by Hammersley in 1883, see Mercer, Edward John Dent and his successors, AHS, 1977, p702.

36 | Bonhams 37 A fine and rare early 19th century mahogany cased one day John Roger Arnold was born on February 13th 1769. He was marine chronometer with Z-balance apprenticed to his father on June 2nd 1783 at the age of 14 for 7 years, John Roger Arnold, London, No 510 but his father took him into partnership 3 years before completion of The three-part case with ebony line inlay to the lid over inset name and his apprenticeship. In 1792 John Roger was sent to Paris to study under numeral roundels flanked by a pair of drop handles to the sides, the Abraham Louis Breguet, he returned to England just before Breguet was bowl punch-numbered to the underside and set with a circular sprung forced to leave Paris when the reign of terror began in 1793. He became winding hole cover, set in a numbered gimbal with pivotted locking free of the Clockmakers Company in 1796 and Master in 1817, he died lever, futher set with a safety winding key, the signed and numbered in 1843 2.5 inch silvered Roman dial with outer minute track, blued steel hands and subsidiary seconds dial under a domed glass with bezel secured via Other one day chronometers by John Roger Arnold sold in these rooms a bayonet fitting, the movement signed ‘Jno. R. Arnold, London, Invt. include et Fecit, No 510’, freesprung with diamond endstone to a blued steel helical spring of nine turns terminating in a Z-balance and Arnold spring Number 263, 9th December 2003 detent escapement, with maintaining power to the chain fusee The case Number 546, 17 June 2008 12cms (4.75ins) wide. Number 557, 17 June 2008 £5,000 - 8,000 €5,900 - 9,400 We are grateful to Rory McEvoy of the National Maritime Museum for US$7,700 - 12,000 the information that this chronometer served on ‘Harlequin’ under Captain James Scott between July 1825 and May 1831. It was later Provenance onboard ‘Forrester’ with Lt. G. Niall from 1833 for another six years. In The Mercer family 1841 it went back to Arnold and was swapped for Arnold number 1445 With Asprey 1972. and the sum of £20.

Fine Clocks | 37 38 W 40 W A late 17th century marquetry longcase clock A late 17th century seaweed marquetry longcase clock John Barnett, Londini Fecit William Holloway, London The walnut veneered formerly rising hood with flat cornice and The associated case with moulded cornice over a running border and cross banded glazed front and side panels, over the convex throat spirally twisted columns, the long door enclosed by a running wheatear moulding and long front door, enriched with shaped panels of birds border with three large shaped panels of intricate foliate inlay within amongst flowers and foliage on an ebony ground, the plinth base matching borders and a D-moulded edge, all centred by an oval lenticle, with corresponding decoration, the signed 10 inch Roman and Arabic the matching base panel with later moulding, the 11 inch square brass dial with foliate cherub spandrels, fleur-de-lis half hour markers, brass dial with winged cherubs head spandrels, signed silvered Roman subsidiary seconds dial and calendar aperture on a matted ground, the and Arabic chapter ring with half quarter marks enclosing the finely weight driven movement converted to dead beat escapement, with matted centre with subsidiary seconds dial, ringed winding squares and inside countwheel strike on a bell, the plates united by five knopped decorated chamfered date aperture, the movement with five knopped pillars. 2m (6ft 6.75in) and finned pillars latched to the frontplate, with anchor escapement and £4,000 - 6,000 inside countwheel strike on the bell 2.06m (6ft 9ins) high. €4,700 - 7,100 £5,000 - 7,000 US$6,200 - 9,300 €5,900 - 8,200 US$7,700 - 11,000 John Barnett appears to have been a prolific maker, with several examples of his work sold in these rooms including a quarter chiming William Holloway was born into a clockmaking family originating longcase 14th July 2005; a marquetry longcase 12th December 2006 in Stroud, Gloucestershire. He was made free of the Clockmakers’ and a month going longcase 17th June 2008. Company in 1697. An example of his father’s work, William Holloway of Stroud, is to be offered in this sale; lot 81 a lantern clock. Brian Loomes notes in “The Early Clockmakers of Great Britain” NAG Press 1981, page 72, that John Barnett was born circa 1662 and that he was apprenticed to John Ebsworth between 1675 and 1682, being made free of the Clockmakers’ Company the same year. He took four apprentices, George Clent, Benjamin Hume, James Hagger and William Webster. He worked at the sign of the Peacock in Lothbury and appears to have died around 1702.

39 W An early 18th century month going seaweed marquetry long case clock Thomas Cartwright, Royal Exchange, Londini fecit The front of the stepped caddy inlaid with interlaced foliate scrolls over twin sound frets and Doric columns, the long trunk door centred by a lenticle within a D-moulded edge, the base panel with matching decoration on a concave moulded skirt, the 12 inch square brass dial with wheatear engraved border enclosing crown and cherub spandrels, the signed silvered Roman and Arabic chapter ring with half-quarter marks, the matted centre with seconds dial, ringed winding squares and chamfered engraved date aperture, the movement with five knopped and finned pillars (the centre latched) with anchor escapement and outside countwheel strike on the bell, with twin brass clad weights 2.36m (7ft 9ins) high. £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000

Little is known about this maker, but Brian Loomes notes in “The Early Clockmakers of Great Britain”, NAG Press 1981, page 136, that he was born circa 1679 and was apprenticed to Christopher Gould between 1693 and 1700, but unusually does not appear to have been made free of the Clockmakers’ Company, although he may have been made free of the Masons’ Company. He is believed to have died in 1741.

38 | Bonhams 38 39 40

Fine Clocks | 39 41 An interesting and rare early 19th century tôle peintre ‘Magic An almost identical example is illustrated on the rear cover of Bruton: lantern’ projection timepiece Clocks and Watches, Hamlyn, 1968 and on page 107. The enamel dial signed Mermillon, a Geneve The red-painted case in the form of an urn with running foliage gilt highlights to the ovoid body, on a painted wooden stepped plinth, the signed enamel dial with Arabic hour and quarter numerals, to a watch- type drum shaped movement with frontplate stamped R&F and with regulation lever, the reverse of the drum set with a concave dial with reverse engraved numerals set opposite a tube with a lens, protruding through the other side of the case, an oil-burning lamp set between the two 40cms (15.75ins) high. £1,500 - 2,500 €1,800 - 2,900 US$2,300 - 3,900

40 | Bonhams 42 A very rare second quarter of the 19th century ormolu automata mantel clock The going barrel marked Faller, Paris and again Legrand Freres, Soeur et Cie. The rectangular case surmounted by an interior scene in which the figure of a pensive Napoleon in military uniform moves left to right, apparently scanning the world before him, a globe and a tripod table set with a quill and paper behind, the 3.75 inch silvered Roman dial with engine turned centre set below, in the tall rectangular case and flanked by cast corner pieces and an applied lotus leaf border, on cast scroll feet, the signed clock movement with silk suspension and outside countwheel strike on a bell, the automata figure wound independently from the rear 47cms (18.5ins) high. £6,000 - 8,000 €7,100 - 9,400 US$9,300 - 12,000

Fine Clocks | 41 43 A late 18th century French gilt bronze-mounted marble mantel clock ‘Leda and the Swan’ Foucher à Argentan and Louis Musson, Paris Leda reclining against the draped drum case and embracing the swan, the pedestal beneath with an applied bronze plaque depicting two putti beside an altar, raised on the plinth base with a stop fluted border, supported by foliate toupie feet, the 5.5 inch signed Roman enamel dial with later gilt hands, the large signed two train drum movement with shaped plates, silk suspension and numbered outside countwheel strike on a bell. 41cm (16in) £2,500 - 3,500 €2,900 - 4,100 US$3,900 - 5,400

42 | Bonhams 44 A French ormolu mounted marble mantel clock The drum case surmounted by an urn of reeds and flanked by a pair of seated Blackamoor figures, he with a gilt dove and she with an open bird cage, on a stepped plinth with applied mounts, the 4 inch enamel Roman dial with Arabic quarters and gilt matching hands, the early 19th century movement with silk suspension and outside countwheel strike, the backplate stamped JT 30cms (1ft) high. £7,000 - 9,000 €8,200 - 11,000 US$11,000 - 14,000

Fine Clocks | 43 45 A rare late 18th century French ormolu striking mantel clock of small size Mouton, Versailles Modelled as an urn with addorsed lion mask handles bordering the ribbon tied bezel, raised on turned socle and fluted pillar base, with stepped plinth over bun feet, the signed two and a quarter inch Roman dial with pierced gilt hands, the twin train drum movement with sprung brass balance to the verge escapement and outside countwheel strike on a bell. 24cm (9.5in) £3,000 - 4,000 €3,500 - 4,700 US$4,600 - 6,200

44 | Bonhams 46 A composite late 18th century French ormolu ‘lion’ clock A number of variations of this popular model were produced, showing The drum case surmounted by a reclining bacchante, raised on the back variations in the base and surmount, the current lot is unusual in having of a standing lion, raised on a canted plinth base with applied foliate a bacchante, with more common models supporting an urn. These scroll feet and ribbon tied oak garlands, the associated 4.25in enamel variations are illustrated in Pierre Kjellberg’s “La Pendule Francaise” les Roman and Arabic dial with foliate gilt scroll hands, the drum movement editions de l’Amateur, 1997, pages 278-279. with flattened lower edge to the plates, silk suspension and outside countwheel strike on a bell. 37cm (14.5in) £13,000 - 15,000 €15,000 - 18,000 US$20,000 - 23,000

Fine Clocks | 45 47 48 A scarce third quarter of the 19th century keyless grand sonnerie A 19th century French engraved gilt brass carriage clock with carriage clock repeat Le Roy et Fils, 14-15 Palais Royal, Paris Bright, Paris, number 598 The substantial gorge case of characteristic design with a large upper The gorge case of typical form, with a large glazed top panel, engraved glass beneath the moulded swing handle, the signed Roman and Arabic all over with foliate scrolls, the white enamel Roman dial with trefoil dial with spade hands and subsidiary alarm setting dial, the twin train hands and an applied enamel crest, the twin train spring barrel spring barrel movement with fine silvered lever platform escapement, movement with a large silvered lever platform escapement, striking and wound via a handle to the underside, winding the strike train when repeating on a later bell, the back plate signed ‘Bright a Paris’ 15.5cm turned clockwise and the going train anti-clockwise, the strike controlled (6in) by a three position lever to the underside, marked ‘Gde Sonnerie’, 15cm (6in) ‘Silence’ and ‘Pte Sonnerie’, striking on two blued steel spiral gongs. £1,200 - 1,800 The winding handle stamped ‘Le Roy & Fils, Patent No.9501. The case €1,400 - 2,100 stamped ‘14’. 18cm (7in) US$1,900 - 2,800 £3,000 - 4,000 €3,500 - 4,700 49 US$4,600 - 6,200 A third quarter of the 19th century French gilt brass petit sonnerie carriage clock with repeat Bottom winding or keyless clock movements were an innovation The gorge case of characteristic design with moulded swing handle over patented by Le Roy et Fils and are discussed in Alix and Bonnert’s the white enamel Roman and Arabic dial with moon hands, the twin “Carriage Clocks Their History and Development”, Antique Collectors train spring barrel movement with silvered lever platform escapement, Club, 1974, pages 219-221. striking and repeating on two coiled blued steel gongs. 16.5cm (6.5in) £1,200 - 1,800 €1,400 - 2,100 US$1,900 - 2,800

47 48 49

46 | Bonhams 50 51 A third quarter of the 19th century Swiss grande sonnerie carriage A rare second quarter of the 19th century French brass one-piece clock carriage clock with chaff cutter escapement The engraved gilt brass case surmounted by a shaped handle (associated) Paul Garnier, Hr du Roi, Paris, numbered along the front sill 826 between shaped finials, over projecting shaped corners, supported The case with tapering handle over moulded struts and large glazed by Doric columns over the conforming base, the whole enriched with panels, the silvered dial decorated with wavy engine-turning interrupted foliage and flowers, the Roman dial with moon hands and subsidiary by the polished Roman chapter ring, the centre with a radiating alarm setting dial below VI, the twin train spring barrel movement with pattern, with blued steel moon-tipped hands, the movement winding lever escapement, striking the hour and quarters on two bells housed through the lift-up front panel with flat steel balance and chaff-cutter within the base, controlled by a three position selection lever mounted escapement striking the hours and the halves on a bell 17cms (6.75ins) on the backplate,also displaying the strike work in the Swiss manner. high. 19.5cm (7.75in) £1,500 - 1,800 £1,500 - 2,500 €1,800 - 2,100 €1,800 - 2,900 US$2,300 - 2,800 US$2,300 - 3,900

not in sale 50 51

Fine Clocks | 47 52 W A rare late 17th century walnut marquetry longcase clock Jacobus Markwick, Londini The converted rising hood with ebonised mouldings over the glazed door and convex throat moulding (hood pillars lacking), the trunk of slim proportions, enriched with finely executed studies of a bird, tulips, lillies and carnations on an ebony ground, within ebony and boxwood strung borders, the plinth base with a central oval and four quadrants with conforming floral decoration, the door fitted with an oval lenticle to the centre, the signed 10 inch Roman dial with cruciform half hour markers subsidiary seconds and calendar aperture to the matted centre, the gilt cherub and foliage spandrels on a silvered ground, signed ‘Jacobus Markwick Londini’ below the chapter ring, the two train weight driven movement with anchor escapement, outside countwheel strike on a bell, the plates united by six finned and knopped pillars, the frontplate pillars latched, the dial feet pinned, the pendulum with Knibb style butterfly suspension. 202cm (79.5in) £10,000 - 15,000 €12,000 - 18,000 US$15,000 - 23,000

A near identical example was sold at Christies, London, lot 140, 5th July 2006.

Robert Loomes records in “The Early Clockmakers of Great Britain”, NAG Press, 1981, page 375, that James Markwick was apprenticed to Edward Gilpin in 1656 and made free in 1666. In 1673 he succeeded Mr. Samuel Betts as Steward of the Clockmakers’ Company. His relationship with the Company was evidently strained and in 1677 he was fined for abusing the Master at the Steward’s Feast. In 1686 he refused to pay a fine for absence from the Court and he left in poor temper, however, he was clearly held in some esteem as he became Assistant in 1682, but failed to attend Court after 1700.

48 | Bonhams 53 W A late 17th century walnut marquetry longcase clock William Prevost, Newcastle The wide cornice over a pierced sound fret supported on spirally twisted columns, the trunk with double boxwood line inlay enclosing the trunk door inlaid with three panels of bird and floral marquetry on an ebonised ground centred by an oval lenticle, the (reduced) base with similar panel on later bracket feet, the 11 inch square brass dial with winged cherubs head spandrels interspersed with foliate engraving, the wide silvered Roman and Arabic chapter ring with dots at the half-quarters and inner quarter hour track, the matted centre with ringed outer, ringed centre and ringed winding squares, the chamfered date aperture with additional line decoration, the movement originally with five knopped and finned pillars (one now lacking), anchor escapement and inside countwheel strike, the backplate cut with an aperture to allow for releasing the locking detent 2.01m (6ft 7ins) high £6,000 - 8,000 €7,100 - 9,400 US$9,300 - 12,000

Brian Loomes notes in ‘The Early Clockmakers of Great Britain, NAG Press, 1981, page 445, that William Prevost was not a member of the Clockmakers’ Company and probably worked mostly in Newcastle. It is recorded that he challenged fellow clockmaker Deodatus Threlkeld to a competition to decide who was the better maker. Concensus has it that the year going striking longcase exhibited in Horological Masterworks, exhibit number 44 was Prevosts submission. Unfortunately, Threlkelds clock is not known, but it must have been of great merit as the judges, Samuel Watson (Mathematician to the King) and Edward Burgiss proclaimed him the victor.

54 No lot

Fine Clocks | 49 55 W A George III mahogany eight day musical longcase clock Joshua Moore, Cranley The pagoda topped case with three ball and spire finials and long door flanked by stop-fluted columns over a panelled base on double apron, the 12 inch arched brass dial with twin subsidiary dials in the upper corners for strike/silent and tune selection, to include ‘A Minuet,’ ‘The 3 Generals Healths,’ ‘The Happy Clown,’ and ‘Britons Strike Home,’ each with a painted centre, the silvered Roman and Arabic arcaded chapter ring enclosing the engraved silvered centre, the substantial seven pillar movement with anchor escapement striking the hours on a bell and playing one of the four tunes on a run of eight bells and sixteen hammers 2.99m (9ft 10ins) high. £5,000 - 7,000 €5,900 - 8,200 US$7,700 - 11,000

50 | Bonhams 56 W An early 19th century mahogany bow front ‘flat to the wall’ stick barometer Banks, 441 Strand, London The swan neck pediment centred by a ball finial over a signed silvered dial with rack and pinion vernier and seven weather predictions, the bow fronted trunk set with a long thermometer and rack and pinion knob to actuate the temperature recording ring, terminating in a urn-shaped cistern cover with flanking line inlay 99cms (3ft 3ins) high £1,200 - 1,500 €1,400 - 1,800 US$1,900 - 2,300

Robert Banks worked from 441 Strand between 1805 and 1830.

57 W A rare late 18th century mahogany stick barometer Adie, Edinburgh Surmounted by a curved reeded finial over a straight sided trunk terminating in a matching cistern cover with carved pendent finial, the signed silvered dial marked from 26 to 31 inches with vernier scale operated via a rack and pinion arrangement below, labelled with five predictions 1.02m (3ft 4ins) high. £6,000 - 8,000 €7,100 - 9,400 US$9,300 - 12,000

Alexander Adie was born in 1775 and at the age of fourteen was apprenticed to his uncle, John Miller, one of the leading eighteenth- century Scottish instrument makers. Their partnership of Miller and Adie began in 1804 and although Miller died in 1815, the business continued under the same name until 1822.

Adie’s main focus was on meteorological instruments and his improved air barometer, known as the sympiesometer, obtained British Patent No. 4323 in 1818. As a result of this and his other research, he was elected a Fellow of the Royal Society of Edinburgh in 1819. He was appointed optician to William IV and Queen Victoria.

He went into partnership with his son John under the name Adie & Son in 1835 and the business was extended to Liverpool and London by his other sons, Richard and Patrick.

56 57

Fine Clocks | 51 58 An early 18th century ebonised quarter repeating table timepiece Francis Gregg, London The inverted bell top case with knopped handle over the glazed break arch door and conforming side apertures, on a shallow plinth base and later bracket feet, the signed 5.5 inch brass break arch Roman and Arabic dial with fleur-de-lis half hour markers and foliate mask spandrels, the matted centre with calendar aperture below XII, mock pendulum aperture and applied signature plate, with subsidiary regulation dial to the arch, the single fusee movement with verge escapement, rack pull quarter repeat on two bells, rise and fall regulation via a snail, five finned and knopped pillars and pendulum lock, the profusely engraved backplate enriched with foliate scrolls, flowers and birds centred on a figure of Mars. 45cm (17.75in) £5,000 - 8,000 €5,900 - 9,400 US$7,700 - 12,000

52 | Bonhams 59 A rare second quarter of the 18th century ebonised quarter repeating table clock Robert Henderson, Scarborough The caddy top with folding bud handle over an intricately moulded cornice long arched glazed side apertures to a moulded plinth base on block feet, the 7 inch arched brass dial signed along the top edge below the subsidiary date dial and engraved scrolls, the Roman and Arabic chapter ring with half-quarter marks enclosing the matted centre with ringed winding squares, mock pendulum aperture and blued steel hands, the twin gut fusee movement with six knopped and finned pillars, the verge escapement rack striking on a bell and repeating the quarters on a run of three bells and hammers, the backplate engraved with foliate scrolls and twin cornucopiae, signed in a foliate cartouche 47cms (18.5ins) high. £3,500 - 4,500 €4,100 - 5,300 US$5,400 - 7,000

Fine Clocks | 53 60 A late 19th century French ormolu anullar dial mantel clock Thuret, Paris The cylindrical glazed ormolu case surmounted by a domed cover with applied foliage and fleur-de-lis, raised on lyre supports, the enamel signature plate set within a foliate ormolu mount also acting as the hand, indicating the time via the Roman and Arabic annular dials, supported by two winged putti and a stiff leaf moulded central socle, on the shaped oval white marble base with applied beaded border, inset foliate mounts and toupie feet, the drum movement with lever platform escapement and countwheel strike on a bell. 43cm (17in) £2,000 - 3,000 €2,400 - 3,500 US$3,100 - 4,600

54 | Bonhams 61 An impressive second quarter of the 19th century French striking table regulator Fillion, Eve (élève) de Lepaute, Paris The polished white marble base, of massive proportions, with ogee moulding to the plinth, surmounted by the 4.75 inch enamelled Roman dial with sweeping centre seconds, moon hands and moonphase aperture above VI, the age of moon indication to the upper edge, within an engine turned bezel and mask with inset enamel signature plate, the substantial two train spring barrel movement with 5mm thick arched plates united by six cylindrical pillars, the inverted Graham deadbeat escapement with jewelled pallets mounted beneath the ‘scape wheel to the rear of the backplate, with micrometer adjustment to the pendulum crutch, the grid iron pendulum comprising of nine oval section rods and a heavy lenticular bob, striking the hour and half hour on a bell via a countwheel of five crossings 49cm (19in) £10,000 - 15,000 €12,000 - 18,000 US$15,000 - 23,000

Fine Clocks | 55 62 A French ormolu and white marble clock with moonphase dial by Coteau Verneuil, Paris The case surmounted by figures of Venus and Cupid, over the ‘D’ end marble base with applied orolu mounts and central plaque depicting a charioteer, raised on gadrooned feet, the signed 5 inch Roman and Arabic enamel dial with concentric calendar and day tracks bordering the central moonphase dial with age of moon scale, signed ‘Coteau’ neatly to the lower edge, the probably later drum movement stamped ‘AB’ to the backplate, with silk suspension and countwheel strike (bell lacking). 39.5cm (15.5in) £10,000 - 15,000 €12,000 - 18,000 US$15,000 - 23,000

56 | Bonhams 63

63 A late 19th century French gilt and patinated bronze figural mantel clock Henry Dasson & Cie, Paris, 1888 Modelled with a seated putto holding a pen and paper engraved with a kneeling figure, the putto leaning against the pedestal surmounted by a sculptors hammer, chisel and carved head on which stands a cockerel, raised on the signed and dated plinth base with stiff leaf and gadrooned borders, on toupie feet, the signed 4 inch enamelled Roman and Arabic dial with pierced and engraved gilt hands, the twin train L.P.Japy striking drum movement with Brocot escapement and suspension. 30cm (11.75in) £3,500 - 4,500 €4,100 - 5,300 US$5,400 - 7,000

64 W A late 19th century and later French silvered and gilt ‘Wallace Fountain’ compendium timepiece Magnat Breveté The domed cupola supported by four female caryatids, within which is a rotating glass rod, over the pedestal base with beaded corner volutes, each with a shell terminal, the sides cast with a dolphin entwined around a trident, the front containing a later 2.25 inch Roman and Arabic enamel dial, over a conforming aneroid barometer dial, raised upon a Belgian slate base with canted protruding corners, signed ‘Magnats Breveté’, the single spring barrel movement with a cylinder escapement, the glass rod turned by a second movement housed beneath the dome. 51cm (20in) £4,000 - 6,000 €4,700 - 7,100 US$6,200 - 9,300

A similar example is illustrated in Pierre Kjellberg’s “Encyclopedie de la pendule Francaise, les editions de l’Amateur, 1997, page 487. 64

Fine Clocks | 57 65 W A rare late 17th century 30 hour longcase clock movement and dial, now contained in a 20th century bespoke walnut case Thomas Tompion, London, pre-numbered. The 9.5 inch square brass dial with winged cherubs head spandrels surrounding a silvered Roman and Arabic chapter ring with outer minute track (every five minutes marked with a number without a line) and inner quarter hour track, each hour further divided by a stylised trident half-hour marker, the centre fully engraved with nine interwoven flowerheads emanating from around the drapery cartouche above VI signed Thomas Tompion, Londini, with central silvered Arabic alarm setting disc, the dial secured to the weight driven posted frame movement via a pair of lugs and a locating pin, the movement with four tapering turned Doric columns terminating in ball feet, the going train with verge escapement and short bob pendulum, the striking train with countwheel striking on a substantial bell via a hammer with filed stop and spring, now contained in a custom-made floorstanding case of walnut with turned columns and inlaid boxwood lines 1.84m (6ft 0.5in) high. £5,000 - 8,000 €5,900 - 9,400 US$7,700 - 12,000

A similar thirty hour longcase clock by Thomas Tompion was sold in these rooms 15th December 2009, lot 111.

58 | Bonhams 66 W A fine late 17th century thirty hour longcase clock movement in a 20th century bespoke ebonised architectural case in Martins Neare AldersGate, Londini fecit The 9 inch square brass dial with single line border enclosing a fully engraved design of peonies and other flowers in bloom, centred by a five petalled rose over a signature lambrequin with detailed cloth folds, the Roman chapter ring with inner quarter hour track and stylised fleur de lis half hour marks, the weight driven plated movement united by four turned finned pillars, with anchor escapement and outside countwheel strike on a bell, now contained in a contemporary bespoke ebony veneered architectural case with triangular pediment on spirally twisted three-quarter columns, the long trunk door with three panels on a plain base on bun feet 2.03m (6ft 8ins) high. £12,000 - 18,000 €14,000 - 21,000 US$19,000 - 28,000

This important movement was sold in these rooms, without a case, in December 2009, lot 113. A related example by Quare was sold in these rooms June 2012, lot 101, for £31,200.

Little is known about Daniel Quare before 1671 when he was admitted to the Clockmaker’s Company as a Brother on the 3rd of April. In 1682 when Robert Seignior was appointed Clockmaker to the King, Quare took over his premises in Exchange Alley. At best, his work is of exceptional quality, a ten-foot tall year-duration walnut longcase clock for William III, is still in today. Other examples sit in the British Museum and national collections. Quare himself said that he served ‘men of the greatest rank of most other nations in Europe, as well as this nation’.

He was a devout Quaker and would not swear oaths or pay tithes. In 1715 he refused the invitation to become Royal Watchmaker but an arrangement was arrived at whereby he was welcomed to enter the Royal household at any time via the back stairs.

Fine Clocks | 59 67 * A very rare third quarter of the 17th century architectural ebony table clock Samuel Knibb, London The veneered case originally with a turntable base, and with a triangular pediment to the front and back so that it can be viewed ‘in the round’, surmounted by twin raised rectangular panels, over long glazed side apertures to an ogee moulded base, the rear door glazed, (now painted all over in a 20th century matt finish) the dial measuring 21.3cms (8 and 3/8ths of an inch) square with a lightly scored single line border enclosing the engraved floral corner pieces, each decorated with between 3 and five flowerheads or buds including a dog rose, tulips, lillies and daisy-like flowers,the upper left hand quadrant is further enriched by the presence of a hovering dragonfly, signed along the lower edge ‘Samuel Knibb Londini fec:’, the chapter ring 1 inch in width with an outer Arabic minute track, each five-minute numeral centred by a radial line including the 5, with trident half hour marks and inner quarter hour track, the very finely matted centre with a large eight-leaf engraved Tudor rose with intricately shaded detailing, with the original finely fettled steel hands, the dial secured to the movement via four latched dial feet (two latches now replaced with pins) the movement with split frontplate, secured via ten knopped and finned pillars, all latched to the frontplate, the going train previously with bolt and shutter maintaining power to the verge escapement now converted to silk suspension, but retaining the original back cock secured with a single screw, the strike train with small plain countwheel mounted high on the backplate striking on the bell, signed in an upward curve on the otherwise plain backplate Samuell Knibb, Londini fecit (sic), the movement set on a pair of heavy brass strips let into the top of the seatboard and originally secured to the strips via two L-shape brackets, the brackets now lacking, but holes in strips and backplate present 41.2cms (16.25ins) high. £200,000 - 300,000 €240,000 - 350,000 US$310,000 - 460,000

60 | Bonhams Fine Clocks | 61 62 | Bonhams Samuel Knibb (1625-c.1670) worked in London for eight of the first As well as these clocks, there is a trigonometrical Calculating Machine, twelve years of the . He is a particularly enigmatic figure produced in conjunction with Henry Sutton in 1664 in the collection of in the world of antiquarian horology - his known work can be counted the Science Museum, London. on the fingers of one hand. But it is not only the rarity of his work that tantalises, it is also the remarkable similarity of his work to that of his The catalogue of Horological Masterworks (ibid) notes that there are five contemporary, Ahasuerus Fromanteel. The published clocks by him clocks known by him, but at this point in time, it has not been possible comprise: to locate the fifth example.

1. A Dutch-striking architectural table clock, c1666. Private Collection, Samuel Knibb began his clockmaking in Newport Pagnell, a small town exhibited Horological Masterworks Exhibition, The Museum of the about 50 miles north west of London in 1655, where it is suggested that History of Science, March, exhibit 17 - June 2003 See also he took on his younger cousin Joseph as an apprentice. He was recorded Dawson Drover Parks, Early English Clocks, ACC 1982, plates 130- in Westminster in 1662 and became a member of the Clockmakers’ 136, 194-199. This is the sister clock to the cupola clock by Ahasuerus Company by redemption in July 1663. Once established in London, he Fromanteel, see Dawson Drover Parks, (ibid) plate 193. took two apprentices, George Tipping in 1664 and John Miller in 1667.

2. Kingwood and cocuswood quarter striking longcase clock. Private The work of Samuel is so closely linked in style to that of Ahasuerus collection, formerly in the Royal Collection at Windsor Castle. illustrated Fromanteel, and Samuel’s output so small, that it is almost impossible to in Lee, The Knibb Family Clockmakers, Manor House Press, 1964, page think that there was not some form of working relationship between the 13. two. The ‘Cupola’ Knibb (item 1 referred to earlier) is probably the most compelling evidence of this, but there is also more; Samuel’s miniature 3. A Dutch-striking ebony architectural table clock, c1665-1670. timepiece longcase, exhibited by Lee in 1969 (item 4 referred to earlier), Illustrated in Dawson, Drover, Parkes: Early English Clocks, Antiques for instance, has its pendulum suspended from a block with a graduated Collectors Club, 1982 plates 212, 141 and 142. Possibly originally regulation dial, in the same manner as some of the early Fromanteels - with crossbeat escapement. Collection of the Worshipful Company of see also lot 69 in this sale. Clockmakers.

4. A miniature ebony architectural longcase timepiece. Private collection. Exhibited ‘The first twelve years of the English Pendulum Clock, Fromanteel and their Contemporaries’ exhibit 16, R.A. Lee 1969.

Fine Clocks | 63 68 A fine and rare late 17th century ebony veneered quarter repeating table clock Henry Jones, London The caddy top with cast ‘Quare-style’ handle set on internal pommels over pierced foliate mounts to all four sides over four rectangular glazed side panels, the front door mounted with escutcheons, on a moulded plinth and squat bun feet, the 7.5 inch square brass dial with winged cherubs head spandrels enclosing the strike/not strike lever and silvered Roman and Arabic chapter ring with trident half hour markers with ‘Knibb-style’ hands, signed along the lower edge Henry Jones, London, the centre with chamfered date aperture and ringed winding squares, with latched dial feet to the frontplate of the twin fusee movement with six knopped and finned latched pillars, the verge escapement with internal rack strike on the bell and repeating the quarters on a smaller bell via a pivotted shaped steel bar, the pendulum with long threaded end terminating in an octagonal numbered pear shaped bob, the backplate decorated with a pair of birds within foliate scrolls and a wheatear border, signed in a central scale-bordered cartouche ‘Henricus Jones, Londini, fecit’ 39cms (15.5ins) high. £25,000 - 35,000 €29,000 - 41,000 US$39,000 - 54,000

Comparable literature: C.Stuart Kelly, ‘Henry Jones - Clockmaker of London’, AH, December 2002 - June 2004

64 | Bonhams 69

69 W A rare and interesting late 17th century longcase clock movement A very early example employing this system, also by Ahasuerus, is John Fromanteel, London illustrated in ‘Horological Masterworks, AHS, 2003, Pages 34-37, The 9 5/8 inch square brass dial with cherub spandrels, finely matted which has a similar suspension arrangement and tall bell stand. This is centre, signed ‘Johannes Fromanteel, Londini Fecit’ to the lower edge, interesting as it is considered to be the oldest weight driven pendulum the 8.5 inch silvered Roman and Arabic chapter ring with fleur-de-lis half movement, suggesting that this is an early innovation that did not hour markers, inner quarter hour track and rare outer quarter minute survive, presumably because of its complexity and the additional expense track, the fully latched weight driven movement (formerly having bolt in its production. and shutter maintaining power) with rectangular plates united by four finned and knopped pillars, the winding barrels with external clicks Furthermore, the dial of the Ahasuerus Fromanteel shares some and with inside countwheel strike on a bell, the tall bell stand with well similarities with the current lot, using a sub divided minute track (in this shaped foot; together with an associated 18th century provincial oak case 10 second sub divisions on an revolvable outer ring) and the use of case with deeply moulded flat cornice, plain trunk with long door and a lozenge to denote 60; but perhaps more interestingly, a comparable lenticle, on a plinth base (reduced). 2.02m (6ft7.5ins) high quarter minute chapter ring was also used by Samuel Knibb on the £8,000 - 12,000 ‘Cupola Knibb’ bracket clock illustrated in Dawson, Drover, Parkes ‘Early €9,400 - 14,000 English Clocks’, Antiques Collector’s Club 1982, plate 130, page 105, all US$12,000 - 19,000 of which is highly suggestive of a degree of contact, if not collaboration between the two clockmaking families. There are a number of close similarities between this movement and an example by Ahasuerus Fromanteel, in Percy Dawson’s “The Iden John Fromanteel was apprenticed to his father Ahasuerus in 1652, he Clock Collection”, Antique Collector’s Club, 1987, pages 36 and 37 the was probably then transferred to Thomas Loomes, being made free in Ahasuerus Fromanteel movement has an unusual pendulum suspension 1663. During his apprenticeship John spent time in the Netherlands which incorporates fine adjustment via a rating nut mounted on a under the tutelage of Salomon Coster, at the time of Coster’s shaped bracket screwed through the backplate. The current lot has collaboration with Christian Huygens. It was during this period that the four untapped holes, which would correspond with the fixings of such first pendulum clocks were produced from Huygens designs (patented in a bracket and two tapped holes for the original back cock. Additionally 1657), John Fromanteel took this information back with him to England, the bell stand, which appears to be original, is very tall in comparison where his father quickly adopted the new technology, publishing his to a more standard example by John Fromanteel on page 41, which famous Mercurius Politicus advert of 1658; ‘There is lately a way found would allow sufficient space for this innovation. There is a related out for making Clocks that go exact and keep equaller time than any example with adjustable suspension by John Fromanteel illustrated in now made without this regulator (examined aud [sic] proved before his ‘Horological Masterworks’, AHS, 2003, exhibit 24, a quarter striking Highness the Lord Protector, by such Doctors whose knowledge and longcase clock. It is evident that the Fromanteels were not the only learning is without exception)....’ maker employing this system, as Dawson adds that there is another example of this type by Samuel Knibb, see Lee (ibid) exhibit 16. 70 Ronald A. Lee ‘The Knibb Family Clockmakers’ Manor House Press, 1964 Number 246 of 1000, with dust jacket; together with F.J. Britten’s ‘Old English Clocks: The Wetherfield Collection, Lawrence and Jelicoe, 1980, number 832 of 1000. £800 - 1,000 €940 - 1,200 US$1,200 - 1,500 Fine Clocks | 65 71 W The only eight day movement by Thomas Tompion in the form of a stylised Y to offer a secure point of fixing for the lower known to exist. A very fine and rare late 17th century turret clock left hand dial foot, all wheels of finely finished brass with four crossings, movement with two-second pendulum the going train with anchor escapement and a two-part pendulum rod Thomas Tompion, London, of heavy flat steel measuring 12 feet, 10.5 inches in length terminating Signed along the lower edge of the 12.5 inch square brass dial ‘Thomas in a very heavy horizontal lenticular bob of lead, 13.5 inches in height Tompion, Londini Fecit’, the silvered chapter ring with single line border including the upright fixing bar with T-bar, the upper face with and Arabic numerals framing the minute band, Roman hours and inner concentric line decoration and marked 1-12 to aid in regulation, the quarter hour track, the half hour markers of the meeting arrowhead strike train with a 9.5 inch diameter brass countwheel mounted to the variety, with steel hands, the subsidiary seconds dial intersecting the rear and with a curved arm with ratchet, terminating in a pair of small chapter ring at XII and numbered 6,12,18 etc with every other second shape vanes. Together with three pairs of heart-shaped hands, three sets marked by an engraved line, secured to the frame via four substantial of lead-off rods and framed motion work (marked, F, Y and S), various pinned dial feet, the heavy frame (now painted green) consisting of wooden and iron pulleys, securing hooks, iron brackets and a crank two upright rectangular frames with splayed lower ends united by four winder The frame 56.5cms high 69cms wide and 38.5cms deep (max rectangular-section bars threaded at each end and secured by heavy height to top of motion work 83cms square nuts the 8-inch diameter wooden grooved barrels and steel £70,000 - 100,000 arbors mounted within three pairs of vertical bars; the going-train bars €82,000 - 120,000 extending above the outline of the frame to accommodate the ‘scape US$110,000 - 150,000 wheel arbor and the pendulum suspension point; the strike-train bar cast

66 | Bonhams Fine Clocks | 67 Some contemporary accounts have survived but they are insufficient to prove that the clock was acquired directly from Tompion. Those for the period 1665-1689 are missing, and, as the clock is believed to have been made nearer to the mid 1680s, those are the ones which are most likely to have revealed details of its acquisition. There is no mention of its acquisition during the period 1689-1720, but these accounts do show that a turret clock was in use in 1699. Two payments were made that year for repairs to the ‘Great Clock’ - to Richard Page in January, and John Kett in November, but it is not known whether this was Tompion’s clock, or an earlier movement. It seems most likely that the ‘Great clock’ had been installed before 1689, and if this was Tompion’s movement then the missing accounts might have confirmed its acquisition. Did they contain a payment to Tompion? This might fit in with the clock’s suggested date of 1686-8 - this based on the style of the chapter-ring and signature when compared with those of numbered domestic clocks.

Brome Hall was purchased by Matthias Kerrison after the death of the last Marquis of Cornwallis in 1823, and in 1840 Kerrison’s son, General Sir Edward Kerrison, Bt., carried out extensive remodelling, removing the Elizabethan wings as well as the top of the central tower. It would have been at this point, if the Tompion movement had, indeed, been in use in that tower, that it was removed to a red brick turret over the entrance to the new stable block, where it was set up with three lozenge-shaped dials and the 16th.c. Cornwallis bell. Here it remained until its removal for sale on 23rd June 1953.

It is also possible, of course, that the clock was acquired for an earlier, 17th.century stable block of which no view is known. Alternatively, it might have been acquired for Brome in the first half of the 19th century for use in the new stable block and combined with the Cornwallis bell which had been removed from the dismantled central tower. If the clock had come from elsewhere it could, conceivably, be one of those known from manuscript sources, but evidence suggests this is not so. Its lead-off work, for three dials, is believed to be original – they are marked F. S and Y – perhaps for front, stable (or side?) and yard?, and none of the four known from manuscript sources can be shown to have had three dials. Jeremy Evans, author of ‘Thomas Tompion at the Dial and Three Crowns’, AHS, 2003. writes:

The turret clock from Brome Hall, Suffolk, of eight-day duration, is one of just two examples by Thomas Tompion to survive, the other being the clock from Hampton Court, Leominster, which is of 30-hour duration. It is likely that both were actually made in Tompion’s work-shop, rather than elsewhere to his specifications.

A view of Brome Hall, Suffolk, one of the seats of the Cornwallis family, was drawn by Knyff, engraved by Kip and published in 1708 (Britannia Illustrata), and on the façade of the central tower can be seen no fewer than four central roundels. One of the four clearly accommodates a clock dial – a hand is visible (or are there two?). An anonymous late 18th.c. view of the house also shows the tower and clock dial which, by that date, does seem to have had two hands. An indication that there was indeed a clock at the house at a much earlier date comes in the form of a fine 16th century bell bearing the cast inscription Thomas Cornwaleis me debet 1592, above a stag lodged regardant – the Cornwallis crest. This bell may well have been ordered in the 1590s to work with a clock at the house, and it was later used with Tompion’s movement in the stable block.

Can it be shown that the clock visible in the Kip engraving was Tompion’s? R.W.Symonds suggests it was ordered from Tompion by Charles, the 3rd Baron Cornwallis of Eye in about 1690 to replace the Elizabethan clock, and that it was supplied with three dials for three sides of the central tower (Furniture Making in Seventeenth and Eighteenth Century England). Cornwallis is said to have been ‘in the especial favour of King William’, and was his 1st Lord of the Admiralty Nevertheless, it is interesting to note that Charles, the 5th Baron 1692/3; he died in 1698. Symonds was happy to accept that the three Cornwallis held the most senior appointment at the Tower of London, dials would have been on the same level as the dial shown in Kip’s ‘The Constable of the Tower’ from 1740 until his death in 1762, and it engraving, but this is debatable because in such positions the side dials is known that Tompion installed a turret clock there in 1674. That clock, are likely to have been obscured by the wings of the house. In addition, however, is also believed to have had just one dial, and is believed to the later sketch seems to show moulded stonework at the side on have been in use at the Tower until about 1780, and in any case it is that level, though this is not conclusive because the sketch could be unlikely that the Brome clock could be as early as the 1670s. deceptive.

68 | Bonhams From available evidence, it seems most likely that the clock was acquired by Charles 3rd Baron Cornwallis, possibly between 1686-8, but before 1689. It was probably installed with its three dials in the central tower, or possibly in the smaller turret which can be seen at the back of the house in Kip’s view – it too has a cupola (with a bell?)?

Repairs at Brome Hall. January 1st 1698[/9]. To Richd Page for Repairing ye Great Clock ye Kitchin Jack and other Jobbs, £2:05:00 [Suffolk County Records Office, Iveagh papers, HA 411, Box 5 No.17 1698/9].

Repairs at Brome Hall. November 25th 1699. To Jno Kett for mending the stricking pt of ye gt Clock, £00:04:00 [HA 411, Box 5 No.17 1698/9].

The drawing is very interesting; it shows how accurate Knyff and Kip were and it seems to show that a section below the cupola was removed by the time the drawing was made. It also shows that it is most unlikely that a clock would have had three dials when installed in the tower, because the capitals of the third level of pillars - level with the centre of the dial - seem to be incorporated with mouldings which extend back along the sides of the tower - in exactly the places where one would expect to find the side dials. So perhaps the side dials were not supplied until the clock was installed in the stable-block?

Of 8-day duration the clock is made up from eighteen forged iron bars, the frame measuring 39” high to the top of the lead-off bearing by 29” wide and 21” deep. The frame is now painted green. The ends of the frame, like those of the Hampton Court clock, are one-piece rectangles forged from two long and two short bars, through which the horizontal side members are nutted. Trains, motion work and lead-off bearings accommodated between three sets of nutted pivot bars. Side-by-side 3-wheel trains, the grooved wooden barrels, extraordinarily, with stop- irons – it seems the clock originally had stop-work. Going train with anchor escapement and 13-feet 2-seconds pendulum. The extraordinary Literature: calibrated semi-spherical lead pendulum bob, believed to weigh 150 R.W.Symonds, Furniture Making in 17th and 18th century England, lbs, is threaded onto the rod at its centre; assuming that there was an p.228-232 and figs 319-28. indicator, this is now missing. Striking train with count-wheel for hours A.J.Nixseaman, Brome Hall Votive Clock and Bell, East Anglian Times, only and with fly positioned outside the frame. The trains are planted 9:1953, 18:6:1954 and 25:6:1954. the opposite way round to those of the Hampton Court clock. All of the R.W.Symonds, Thomas Tompion’s Turret Clock, Horological Journal, wheels - including the count-wheel, the barrel ends, the bushes and the 2:1954, p.85-7, and letters were written when some refused to believe setting dial are of brass whilst the arbors, levers and pallets are of steel. the clock’s authenticity, ibid., 3:1954, p.172, 4:1954, p.243, and Spare holes in the frame probably accommodated maintaining-power 6:1954, p.376, followed by the report, 7:1954, p.456, of an Antiquarian and stop-work components. The lead-off work and the cranked winding Horological Society meeting held at the Science Museum, when it was key are possibly original. When in use in the stable block at Brome it was the subject of debate. It continued – ibid. 8:1954, p.507. There is also married to the Cornwallis bell, dated 1592. a report of the AHS meeting in Antiquarian Horology, 9:1954, p.50.

Today, in light of the fact that Tompion is known to have supplied such The 12½” setting-dial signed Thõ Tompion Londini Fecit has four feet, clocks, there should be fewer doubters. a coarsely matted centre and a silvered chapter-ring two inches wide and of 11½” diameter. It is otherwise plain and was never drilled for spandrels. Silvered subsidiary seconds ring cuts into the chapter-ring, but this is an original feature, the numerals having been engraved accordingly. This size of dial was not used on his domestic clocks at any date. Original sturdy blued-steel setting hands. The styles of signature, Arabic minute numerals, and half-hour marks are most closely comparable to those of his longcase clocks numbered in the low 100s, such as no.122.

Sold at the sale of contents on 23rd June 1953. Exhibited, Science Museum, London, 9:1954. Sale of Nine Clocks, Sothebys London 29:5:1982, lot 6.

Fine Clocks | 69 72 W A 17th century, and later, grande sonnerie striking walnut marquetry longcase clock. Previously in the Iden Collection, number 3025 , London The rising hood with overhanging cornice over a ‘Knibb-style’ sound fret on spirally twisted ebonised columns to a shallow convex throat moulding, the long trunk door inlaid with six shaped panels of floral inlay including green-stained leaves, with oval brass-framed lenticle, on a panel base the ten inch square brass dial signed along the lower edge ‘Joseph Knibb Londini fecit’ within the engraved wheat ear border, the winged cherubs head spandrels surrounding the silvered Roman and Arabic chapter ring, the matted centre with chamfered date aperture below XII the movement united by ten knopped and finned pillars (eight latched), with a three-part split frontplate, the backplate carrying the twin countwheels enabling the full strike of the hour at each quarter on a large bell and the quarters on a smaller bell, the anchor escapement with cut-out on the backplate and butterfly suspension to the brass-rod pendulum (restorations) £60,000 - 80,000 €71,000 - 94,000 US$93,000 - 120,000

Provenance, Walter Iden, Inventory Number 3025, Anonymous sale Sothebys, London, 19.3.1973 lot 132., Garrard, London, June 1973 (trade advertisement), with Bobinet 1988.

Literature, H.Cescinsky, The Old English Master clockmakers and their Clocks, London, 1938, p68, figs 94 and 95. Antiquarian Horology, No 3 Vol 8, june 1973, p243 (trade advertisement for Garrard). P.G.Dawson, The Iden Clock Collection, Woodbridge, 1987, pp 138-139.

70 | Bonhams Fine Clocks | 71 73 W A good early 18th century walnut longcase clock John Speakman, London The overhanging cornice set above a pierced soundfret on turned Doric columns flanking the burr-veneered door frame, the long trunk door with central lenticle and D-moulded edge, the base with crossbanded panel on a plinth, the 11 inch square brass dial with engraved wheatear border enclosing the signed silvered Roman and Arabic chapter ring with half-quarter marks and fleur de lis half hour marks, the matted centre with subisidiary seconds ring, ringed winding squares and decorated chamfered date aperture, the movement with five knopped pillars, anchor escapement and inside countwheel strike on a bell 2.12 (6ft 11.5ins) high. £6,000 - 8,000 €7,100 - 9,400 US$9,300 - 12,000

72 | Bonhams 74 W An early 18th century walnut longcase clock J. Windmills, London The flat cornice over a later fret on turned pillars, over the concave throat moulding, plain trunk with long door with simple moulding and circular lenticle, raised on the crossbanded plinth base, the signed 11 inch Roman and Arabic square brass dial with foliate mask spandrels intercepted by engraved foliate scrolls, the matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the weight driven movement with latched front plate, anchor escapement and rack strike on a bell, the plates united by six finned and knopped pillars. 216cm (7ft 1in) £5,000 - 7,000 €5,900 - 8,200 US$7,700 - 11,000

Joseph Windmills was one of the finest makers working at the turn of the 17th and 18th centuries. Several examples of his movements, dial engraving or cases are almost identical to that of his better known contemporaries such Thomas Tompion and Daniel Quare.

Fine Clocks | 73 75 W A late 18th century turret clock movement with dial, hands and bell Attributed to Ainsworth Thwaites The wrought iron frame with inverted balluster finials to the corners, supporting three pairs of uprights, each splayed toward the base and secured by square headed nuts, supporting the two train movement, with wheels of six crossings, maintaining power and substantial ring turned bushes, the deadbeat escapement with jewelled pallets; together with the 8 feet three inch steel pendulum rod, iron cased lenticular bob, convex 34.25 inch black painted brass Roman dial, gilt copper heart hands, wooden stand and cast bronze bell. The frame 58cm (23in) high by 55cm (21.75in) £3,000 - 5,000 €3,500 - 5,900 US$4,600 - 7,700

A very similar example by Ainsworth Thwaites exists in Isleworth Church, dated to circa 1775 with similar shaped finials, six crossing wheelwork, jewelled pallets, brass bushes and maintaining power. With thanks to Christopher McKay for his help in compiling this footnote.

74 | Bonhams 76 W A rare late 17th century longcase clock movement and dial in a later ebonised case Abraham Prime, London The ten inch square brass dial signed along the lowermost edge Abraham Prime, Londini fecit, with winged cherubs head spandrels surrounding the silvered Roman and Arabic chapter ring with outer minute track, inner quarter hour track and trident half-hour markers, the matted centre with subsidiary seconds dial, chamfered date aperture and matted shutters for the bolt-and-shutter maintaining power, with four latched dial feet to the weight driven movement united by four latched knopped and finned pillars, with anchor escapement (the backplate with aperture cut for the anchor) and inside countwheel strike (note, bell lacking), in a later associated ebonised pine case, the lift-up hood with intricate architectural mouldings over spirally turned columns, long trunk door with lenticle and raised on ball feet 197.5cms (6ft 6ins) high. £2,000 - 3,000 €2,400 - 3,500 US$3,100 - 4,600

Abraham Prime was born in London in 1648, the son of Andrew Prime. He was apprenticed to his father in 1665 and a member of the Clockmakers Company between 1673 and 1686, when it is assumed he died. See Loomes, The Early Clockmakers of Great Britain, NAG Press, 1981

Fine Clocks | 75 77 W A very rare second quarter of the 17th century signed and dated provincial English lantern clock together with a 17th century oak floorstanding case Jon Snow 1639 Surmounted by a strapped bell over four finials and open scrolled frets, the finials, columns and feet cast in one piece with circular capitals and bases with elaborate ringed decoration, the chapter ring 13/16ths of an inch in width and 5.75 inches in diameter, with Roman numerals, inner quarter hour track and tripartite half hour markers, the centre decorated with a twelve-pointed star set against a shaded fish-scale ground, the movement now with anchor escapement and outside countwheel strike on a bell. 38cms (15ins) high. £7,000 - 10,000 €8,200 - 12,000 US$11,000 - 15,000

This clock was recently discovered in a barn in the Southern Counties of England. The panelled oak case was with it and there is every reason to believe that the two had been together for some time. A pair of opposing horizontal battens set to the inside of the case support the clock on a seatboard. It is interesting to note that the case does not show signs of having had any kind of protection to the front, such as a door or inset panels to the front. Related cases are illustrated in White, (ibid) figures V/97 and VII/117, and Loomes, (ibid) chapter 23, particularly figures 1,3, 10,34 and 74.

Jon Snow worked in and died there in 1661. George White states that the earliest extant dated provincial lantern clocks are by him, dated 1630, see English Lantern Clocks, Antique Collectors Club, 1989. A strikingly similar clock to the current lot is illustrated in Loomes, Lantern Clocks and their makers, Mayfield Books, 2008, figs 10.3-10.6 inclusive. Of particular note are the rounded integral pillars, the form of fret, the dial design based on a radiating sunburst and the square boss to the iron hand. Loomes notes six lantern clocks and three watches recorded by Snow with the following dated dials, 1630 (three examples), 1639, 1646 and 1650. It is not clear whether the 1639 example is the current lot or is another previously unrecorded example.

The movement has undergone conversion from control to anchor escapement and the strike train adjusted in an effort to increase duration. The hand of this lot is particularly unusual in the use of the square boss - this would appear to be unique to Jon Snow and his brother Nicholas.

76 | Bonhams 78 A rare early 17th century lantern clock Similar examples are illustrated in Brian Loomes ‘Lantern Clocks and Unsigned Their Makers’, Mayfield Books, 2008, pages 20-25., in particular figure The lugged bell supported by the substantial bell strap, over cross hatch 2.34 which has similar half hour markers on the outer edge of the engraved strapwork frets between round shouldered urn finials with chapter ring and a comparable strapwork fret. raised bands, over tapered pillars and plain side doors, on ball feet with raised central bands, the 5.75 inch silvered Roman dial with a single brass hand, simple ‘T’ half hour markers on the outer edge, the dial centre engraved with egg and dart motifs bordering the silvered alarm setting dial with conforming decoration, the weight driven movement re-converted to balance wheel escapement, with plain hammer spring and shaped hammer stop, the iron backplate with spikes and alarm work. 32cm (12.5in) £18,000 - 22,000 €21,000 - 26,000 US$28,000 - 34,000

Fine Clocks | 77 79 A good mid 17th century brass lantern clock Thomas Knifton at the Sign of the Cross keys, in Lothbury Fecit The strapped bell with central finial over addorsed dolphin frets and side doors, the turned tapering pillars terminating in tall urn finials and ball feet, the 6.25 inch diameter chapter ring one inch in width, the Roman numerals interspersed by thin flowerhead half hour marks and an inner quarter hour track, the steel hand with trident-type tip, the weight driven movement converted to anchor escapement and previously with alarm train, the strike train with decorative hammer counter and heavy tapering spring 38cms (15ins) high. £2,000 - 3,000 €2,400 - 3,500 US$3,100 - 4,600

Thomas Knifton was born in Nottingham circa 1614 and in 1632 was apprenticed in London to William Selwood through the Clothworkers’ Company. He worked occasionally at the ‘Drap (er)’s Arms’ but mostly at the Cross Keys in Lothbury, London, until he died in 1667. He was never officially admitted into the Clockmakers’ Company

79

80 A late 17th century lantern clock George Alldridge The pierced bell strap supported by turned urn finials, bordering the engraved front fret with addorsed dolphins amongst foliage, over tapered corner columns and ball feet, the signed 6.25 inch Roman dial with trident half hour marks and single iron hand, the dial centre engraved with a naive vase and foliage beneath a stylised signature, the weight driven movement converted to anchor escapement, shaped hammer stop, chamfered hammer spring and outside countwheel strike on a later bell; together with a modern wall bracket. 32cm (12.25in) £2,000 - 3,000 €2,400 - 3,500 US$3,100 - 4,600

80

78 | Bonhams 81 A late 17th century brass lantern clock William Holloway, Stroud The bellstrap surmounted by a turned urn finial and supported by four others of conforming design, cast in one piece with the tapering pillars and squat ball feet, with replacement armorial frets, the 6.25 inch Roman dial with fleur-de-lis half hour markers, well shaped single steel hand with oval boss and floral engraved border to the signed centre (alarm setting dial lacking), the two train weight driven movement with verge escapement and short pendulum, the front pivot of the verge mounted in a long-armed pallet cock, the hammer set on the right hand side over a shaped and chamfered hammer stop, broad hammer spring and outside countwheel strike on a bell, formerly fitted for alarm. 41cm (16in) £2,000 - 3,000 €2,400 - 3,500 US$3,100 - 4,600

William Holloway (c1638-1693) was an innovative provincial clockmaker, often updating and changing the designs of his clocks. For detailed accounts of his work, see White, English Lantern Clocks, ACC, 1989, p245-55 and Loomes, Lantern Clocks and their makers, Mayfield Books, 2008.

A hammer set on the right hand side of the movement is usually a sign of a lantern clock that is or was controlled by a balance wheel, with two separate weights for the going and striking trains. However, there is no evidence that this particular clock has been converted to its current short verge pendulum and it is known that some makers did continue to use the right hand sided hammer when their contemporaries used the anchor escapement and endless rope winding system as standard practice. Holloway is known to have used this approach and Loomes postulates that Holloway and other makers would use the twin-weight system on clocks for bedroom use. The main advantage with this system was that an owner could wind just one side only and have a strike-less 81 nights sleep.

82 A mid 17th century lantern clock Surmounted by a strapped bell set in four tall tapering finials with bulbous shoulders between three pierced frets over tapering columns to ball feet, the Roman chapter ring with inner quarter hour track and half hour markers, the dialplate lightly engraved with naive winged cherubs heads to the corners and flowers including a tulip and thistle to the centre, the weight driven movement now with anchor escapement and outside countwheel strike on a the bell 38cms (15ins) high. £3,000 - 5,000 €3,500 - 5,900 US$4,600 - 7,700

82

Fine Clocks | 79 Cyril Paul and Freddie Dixon celebrating their finish in the 1934 Mannin Beg, on the Isle of Man.

83 A fine and rare 1930s chrome plated Atmos timepiece with racing This clock belonged to racing car driver Cyril Paul (1903 - 1984). Paul provenance. Formerly the property of Cyril Paul, 1930s racing car raced from 1928 to 1937 in many races including Le Mans, the Tourist driver. Trophy and the 500-mile at Brooklands. He mainly raced Rileys, Alvis, Atmos, ‘Pendule Perpetuelle’, number 2098 MGs and Sunbeams, but also Bentley, Alfa Romeo and Aston Martin. The rectangular case fully glazed and with opening doors to the front The illustration shows him with Freddie Dixon celebrating their third and back, set on a short tapering base cut to the front to accommodate place finish in the 1934 Mannin Beg, on the Isle of Man. the pendulum locking lever, the matt silvered chapter ring with black painted stylised Arabic numerals and inner quarter hour track, Jean-Léon Reutter, an engineer from Neuchâtel in Switzerland designed the shaped elongated hands with black painted tips, the air-driven the Atmos clock in 1928. Commercial production began the following movement with highly polished drum secured by a bar at the back year and in its day, the Atmos was the height of modern domestic stamped ‘041’ and with an applied label ‘Brevets J.L.Reutter, S.G.D.G. horology. When this example was made in 1934, they were still very Made in France’, the striped frontplate numbered 2098 with blued steel much a part of the wonder of the Art Deco age. screws and visible jewelled bearings, the torsion pendulum with large circular bob applied with six large and two small timing weights. The vendors late father was a close friend of Cyril Pauls and Cyril left this Sold with a typed price list dated 1934 detailing English Retail Prices, a to him in his will. This clock has been running well within the family and restorers invoice from 2011, two photographs of Cyril Paul and a copy of was serviced in 2011. his portrait sketched for the series of ‘Famous Racing Drivers’ published in ‘The Autocar’ May 1936 by F.Gordon-Crosby. 23.5cms (9.25ins) high. (quantity) £5,000 - 7,000 €5,900 - 8,200 US$7,700 - 11,000

80 | Bonhams Fine Clocks | 81 84 86 An early 20th century French silver guilloche enamel decorated A good early 20th century lapis lazuli and lacquered brass travelling timepiece in the original silk and velvet lined eight-day travelling clock in the original silk and velvet lined presentation case and with original numbered key presentation case Cartier, number 638 Cartier, number 1596 The rectangular silver case enriched on all sides with royal blue enamel The moulded lacquered 4 inch square brass frame enclosing a well over an engine turned ground, within opaque white enamel borders, figured panel of lapis lazuli and the 2.5 inch silvered Arabic dial with over the applied beaded moulding and rectangular banded agate base, outer minute track and engine turned centre with blued steel alarm numbered on the underside of the corners 962 and 638, the signed setting hand, set to the rear with a shaped strut, the striped nickel 15 silvered 1.25 inch engine turned dial with Arabic numerals and gold jewel movement timed to two positions, marked Continental Imp Co, fleur-de-lis hands, within a gold and white enamel laurel bezel, the lever the protective rear cover similarly marked, in the original presentation escapement with cut and compensated bi-metallic balance to the spring case with twin doors decorated with gilt tooling and folding strut to the barrel movement, numbered 160741 to the front plate and 638 and 962 rear (2) to the base plate; together with the original salmon pink travel case with £2,000 - 3,000 aperture set to the front panel revealing the dial in transit, opening up to €2,400 - 3,500 reveal the original numbered key. 8cm (3in) US$3,100 - 4,600 £4,000 - 6,000 €4,700 - 7,100 US$6,200 - 9,300

85 A fine and rare early 20th century 18 carat gold, minute repeating travelling timepiece with the original key and in the original silk and velvet lined travelling case Cartier, Paris, number 430. The movement by Nocturne, 6070 The rectangular case with circular engine turned decoration on all five sides, the front panel with white enamel decorated bezel, on an shaped agate plinth base, set to the top with a cylindrical repeat button, the movement with lever platform escapement repeating the hours, quarters and minutes on a pair of coiled gongs and hammers, with the original gilt key in the original signed silk and velvet lined, tooled leather case with strap handle To the top of the repeat button 8.9cms (3.5ins) high. The case 10cms (4ins) high. (3) £20,000 - 30,000 €24,000 - 35,000 US$31,000 - 46,000

84

86 85

82 | Bonhams 87 A rare solar powered perpetual calendar desk timepiece with original box and papers Patek Philippe, Geneve, number 503.24, movement 873666 The rectangular brushed gilt brass case with square rod corner supports bordering the signed silvered dial with eccentric black baton numerals, gilt hands, day, date and month calendar apertures, the solar panel powering the micro-motor, winding the 29 jewel free sprung watch movement. Together with the original presentation case, outer box and original certificate dated 27.5.65. 14cm x 20cm (5.5in x 8in) (2) £10,000 - 15,000 €12,000 - 18,000 US$15,000 - 23,000

Fine Clocks | 83 88 Y 89 A good second quarter of the 18th century miniature striking A fine late 18th century satinwood centre-seconds timepiece with bracket clock movement and dial, now contained in a later case enamel dial Andrew Dunlop, London Weeks Coventry Street London The 2.75 inch circular dial with engraved wheatear border enclosing The urn finial with cast foliate wreaths draped over the lacquered brass the silvered Roman and Arabic chapter ring with floating lozenge drum surmounting the multi-section shaped concave plinth on ball feet, half-hour markers and half-quarter markers, the matted centre with the signed 3.75 inch enamel dial with outer Arabic minutes and inner mock pendulum aperture and signed in a polished oval cartouche, the Roman hours, with matching gilt hands and centre seconds hand, the movement with arched plates united by five tapering baluster pillars, the chain fusee movement with circular plates, the backplate engraved backplate fully engraved with symmetrical foliate scrolls and a pair of with lively foliate scrolls and carrying the half-deadbeat escapement to birds within a wheatear border, the verge escapement rack striking on a brass-rod pendulum terminating in a shaped and engraved bob, the a bell mounted horizontally below the plates, now contained in a 19th lower rear section of the case protected by a shaped lacquered brass century brass inlaid tortoiseshell boulle case 28cms (11ins) high. panel secured by six screws, with hinged cover to access the pendulum £1,500 - 2,500 holdfast 38cms (15ins) high. €1,800 - 2,900 £3,000 - 4,000 US$2,300 - 3,900 €3,500 - 4,700 US$4,600 - 6,200

84 | Bonhams 90 91 W An unusual late 18th century mahogany table clock with A third quarter of the 18th century red lacquer chinoisserie moonphase, alarm and quarter repeat musical bracket clock with associated movement and wall bracket The dial signed for Thiemes, London Chater and Son, London The bell topped case with pineapple finials and carrying handle over fish- The inverted bell top case decorated with temples, figures, birds and scale side frets and moulded base on ball feet, the 8 inch arched silvered foliage between diaper panels, surmounted by a brass flambeau finial dial with painted rolling moonphase over engraved corner decoration and four pinecone corner mounts, over the break arch door with gilt and Roman and Arabic numerals, signed in the centre, with polished frets, between cast brass floral and foliate term figure corner mounts, steel hands and date aperture, the twin wire fusee movement with five the sides with shaped sound apertures with finely pierced giltwood frets heavy knopped pillars, now with anchor escapement, rack strike and beneath cast brass handles, raised on a shallow plinth base and four sounding the alarm on a bell and repeating the quarters on a run of six acanthus feet, the signed 7.25 inch brass Roman and Arabic dial with bells. (The case possibly associated) Height 47cm (18.5in) subsidiary tune selection dial to the arch, titled ‘Menuet’ (twice), ‘March’ £3,000 - 5,000 and ‘Rigadoon’ within foliate spandrels, the matted centre with mock €3,500 - 5,900 pendulum, calendar aperture and crescent signature plate, the three US$4,600 - 7,700 train fusee movement with an adapted verge escapement, chiming on a rack of nine bells, striking on a tenth, the rectangular plates united by knopped pillars, the signed backplate engraved with foliate strapwork and scrolls; together with a concave shaped bracket, of conforming age and with gilt floral decoration on a red ground. 65cm (25.5in) £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000

Fine Clocks | 85 92 W 93 W A rare earth clock movement with spherical moon, in a custom A 19th century mahogany floorstanding regulator made case W.D. Cooper, 235 Brompton Road SW L. Allen Southport The hood with applied pediment, chamfered corners and brass bezel, The oak case with carved cresting over three-quarter turned columns, over the plain trunk with glazed door and pedestal base with fielded long door and lift-out base with lenticle, the ten inch square brass dial panel, raised on pad feet, the signed circular 12 inch dial with Arabic signed in a lambrequin to the centre, with concentric date and spherical minutes and subsidiary seconds with observatory marks and Roman moon, the electrically driven movement with pierced X-frame plates hours, the weight driven movement with deadbeat escapement, and 65 inch wooden rod pendulum to a substantial two-part brass bob maintaining power, plates united by five tapered pillars, the pendulum 1.97cms (6ft 5.5ins) high crutch with micrometer adjustment and mercury jar pendulum. 201cm £2,500 - 3,500 (6ft 7in) €2,900 - 4,100 £2,500 - 3,500 US$3,900 - 5,400 €2,900 - 4,100 US$3,900 - 5,400

86 | Bonhams 94 W Y 95 W A mid 19th century French cold painted brass automata clock A fine early 20th century carved mahogany quarter chiming G.F. Petit, Paris bracket clock playing on eight bells and a gong together with the Modelled as a fortified harbour below a rocky outcrop surmounted by a original wall bracket lighthouse, the dock with a replaced canvas painted in imitation of the S Smith, Trafalgar Square, London sea, centred on an automaton model tallship, all raised on the marquetry The case surmounted by a pair of lobed finials flanking a carved female rosewood base, enriched with tridents, dolphins, anchors and cargo head over lattice work and cluster columns, the plinth further carved marked ‘Bordeau’ and ‘Marseille’ centred on a shell, the 1 inch Arabic with a lions head over claw and ball feet, set on the original wall bracket dial mounted in the outcrop, the signed drum movement with silk with blind fretwork and twin supports with carved C-scrolls, the 7.5 suspension and outside countwheel strike on a bell. 51cm (20in) inch arched brass dial with three subsidiaries for regulation, chime/silent £1,000 - 1,500 and westminster chimes/chime on eight bells, over a Roman and Arabic €1,200 - 1,800 chapter ring with matted centre and applied signature plaque, the US$1,500 - 2,300 substantial triple chain fusee movement striking the hours on a heavy coiled steel gong and chiming the quarters on a run of eight bells and Related clocks are illustrated in Roberts, Mystery, Novelty and Fantasy hammers or four gongs Height including the bracket 1.05m. (3ft 5ins). Clocks, Shiffer, 1999, Figure 18-7A&B and Figure 18-19 The clock 74cms (2ft 5ins). (2) £3,000 - 5,000 €3,500 - 5,900 US$4,600 - 7,700

Fine Clocks | 87 96 Y A fine early Victorian rosewood cased travelling clock with Provenance: original felt-lined mahogany travelling box This clock has been in the vendors family for at least three generations. Arnold and Frodsham, 84 Strand, London, No 823 The rectangular case with bevelled glazed top over a concave moulding Arnold and Frodsham were in partnership from 1843 to 1857. A similar and glazed side apertures to a plinth base on squat bun feet, the front clock, numbered 860 and probably from the same series but housed door with arched gilt brass sight ring enclosing the white enamel in a traditional brass case is illustrated in Roberts: Carriage and other Roman chapter ring and heart shaped hands to the florally engraved Travelling Clocks, Schiffer, 1993, Figure 19-6 and Allix and Bonnert: centre further decorated with different patterns of engine turning, the Carriage Clocks, ACC, 1974, plate IX/45. surrounding gilt mask of pierced flowing foliage on a mirrored ground, signed in a shaped cartouche above XII ‘Arnold/Chas Frodsham/84 Strand London/823’ the signed and numbered movement wound from the rear with twin chain fusees, the going train with maintaining power and cut and compensated bimetallic balance to the lever platform escapement, the strike train sounding on a long circular-section blued steel gong and with hour repeat button set to the right hand side of the case . Sold in the original mahogany travelling case with padded felt lined interior and leather strap handle The clock 19cms (7.5ins) high, the outer box 23cms (9ins) high. (2) £10,000 - 15,000 €12,000 - 18,000 US$15,000 - 23,000

88 | Bonhams 97 Y A fine last quarter of the 19th century rosewood striking carriage Charles Frodsham & Co worked from 84 Strand for just 8 years between clock with state of wind indication 1885 and 1893. In 1894 the company became limited and their Charles Frodsham & Co, 84 Strand, London, number 1457 signatures duly added ‘Ltd’. The tall rectangular case with shallow caddy over a stylised carved cornice and three heavy bevelled glazed panels, to a plinth base on A similar clock by Frodsham number 1575, in a traditional brass case is squat brass bun feet, the 3 inch enamel Roman dial signed ‘CHAs. illustrated in Roberts, ‘Carriage and other Travelling Clocks’, Schiffer, Fig FRODSHAM & Co, TO THE QUEEN, 84 STRAND, LONDON, 1457’, with 19-13 bears a very similar dial and mask. blued steel fleur de lis hands, set over a circular enamel subsidiary for state of wind indication, both set within a gilt brass engraved mask depicting elaborate intertwined foliage and flowerheads, the signed and numbered twin chain fusee movement with maintaining power to the going train terminating in a lever platform escapement with heavy cut- and compensated- bimetallic balance with gold screws, on a foliate engraved cock, striking a single blow on the half hour and the full hour on the hour via a hammer on a coiled circular-section steel gong 20cms (8ins) high. £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000

Fine Clocks | 89 98 * Y 100Y A fine early 19th century rosewood travelling bracket timepiece A rare early 20th century rosewood library timepiece with rise and fall regulation Charles Frodsham, London, number 2308 Barwise, London The square case surmounted by a ribbon tied reeded foliate handle, The stepped top surmounted by a stirrup-shaped handle on a central with applied laurel mounts bordering the silvered bezel, raised on four boss and brass plate over further brass banding and arched glazed silvered bun feet, the 6 inch signed and numbered silvered Roman dial side apertures to a plinth base on acorn feet, the 4 inch one-piece with subsidiary seconds at VI and blued steel beetle and poker hands, signed silvered dial with subsidiary dial in the arch marked 0-60 for the signed and numbered spring barrel movement with English lever time regulation over a Roman hour track with heart-shaped hands, the escapement mounted to the underside of the canted square plates. substantial shouldered movement filling the case, with chain fusee and 29cm (11.5in) anchor escapement 31cms (12.25ins) high £1,000 - 1,500 £5,000 - 7,000 €1,200 - 1,800 €5,900 - 8,200 US$1,500 - 2,300 US$7,700 - 11,000 This intriguing model dates to circa 1920 and is one of a very small series John Barwise was born in Cockermouth, Cumberland in 1755, the son produced either side of the First War. Mercer illustrates a 1911 Country of Lot Barwise. He began working in St Martin’s Lane, London circa Life advertisement in The Frodshams, AHS, 1981 plate 48 which features 1780. Between 1819 and 1823, the business was known as Barwise and this and a Sedan Chair clock. It is interesting to note that they were Sons and then from circa 1823 until circa 1843, John Barwise became selling their carriage clocks at the time “with deep-toned gong” for £10 a partner in Western and Barwise. He was thought to have died in and 10 shillings. This model, described as a “Study or Library Clock In 1842 but this date was discovered to be incorrect. He was supposedly Rosewood Case, with fine Oxidised Mounts” was two and a half times appointed chairman of the British Watch Co but this may have been his as expensive, priced at £26 and 5 shillings. son.

99 A mid 19th century gilt brass carriage timepiece James McCabe, Royal Exchange, London, number 3095 The gilt unadorned case surmounted by a reeded hinged handle over deeply bevelled glass panels to the top and sides, the rear with a shuttered detachable cover, the 2.75 inch Roman dial profusely engraved with flowers among foliate scrolls, within a gilt sight ring, the signed and numbered single chain fusee movement with an English lever escapement, within substantial plates united by four tapered pillars. 18.5cm (7.25in) £7,000 - 10,000 €8,200 - 12,000 US$11,000 - 15,000

100 98

99

90 | Bonhams 101 An exceptional mid 19th century English engraved gilt bronze This clock is one of a small series made by McCabe in the mid 19th striking and repeating giant carriage clock with subsidiary seconds century - another example, with its original case, was sold in these indication rooms December 2011, lot 86. James McCabe, Royal Exchange, London, 3101 The heavy case crisply engraved all over with foliate scrolls, flowerheads Similar examples are illustrated and discussed in Allix & Bonnert, and acanthus leaves, the handle with deeply ribbed centre over a ‘Carriage clocks, Their History and Development’, Antiques Collectors bevelled glass panel with repeat button through the glass, the side Club, 1981, plate IX/64 and Roberts, ‘Carriage and other Travelling panels similarly bevelled, (the right hand one with an old chip), the Clocks’, Schiffer, 1993 Fig 20-11 a,b,c and 20-16 a,b,c,d. solid rear door with an engraved regulation scale, shuttered winding and hand-setting squares, and strike/silent lever, the angled sight Roberts is particularly effusive regarding this series of clocks, ring enclosing the Roman chapter ring with subsidiary seconds dial commenting that they “represent McCabe at his very best and are intersecting at XII, the engraved centre signed in a cartouche within undoubtedly amongst the finest carriage clocks ever produced in this foliate scrolls, the substantial twin chain fusee movement with country.” maintaining power to the going train, the escapement with cut and compensated bimetallic balance to an underslung lever escapement, striking and repeating the hours on a coiled steel gong 25cms (9.75ins) high. £14,000 - 18,000 €16,000 - 21,000 US$22,000 - 28,000

Fine Clocks | 91 102 A mid 19th century engraved brass novelty boudoir timepiece A similar example is illustrated in J.B.Hawkins’ ‘Thomas Cole and Thomas Cole for Hunt and Roskell, number 989 1 Victorian Clockmaking’ 1975, item 62, pages 166 and 167. Modelled as dressing table and mirror, the 2 inch Roman dial within a The example illustrated in the book is not by Cole but by W. Vasel, pierced border, the centre engraved with floral and foliate strapwork, which is intersting as the two share many similarities, especially in the with blued fleur-de-lis hands, within an engraved shaped frame, construction and form of the table. The Vasel would appear to be a mounted on a conforming shaped ‘table’ enriched with a blank direct copy of the current lot. cartouche within foliate and floral borders concealing grotesque masks, raised on four shaped and engraved legs, the signed and numbered half plate lever movement with going spring barrel mounted to the underside of the base, connected to the dial via a lead off arbour and gears mounted to the rear. The case stamped ‘989 1’ to the rear. 16.5cm (6.5in) £6,000 - 8,000 €7,100 - 9,400 US$9,300 - 12,000

92 | Bonhams 103 A fine and rare early 19th century patinated and gilt bronze Vulliamy No. 407 is an example of Vulliam’s second design and was mounted marble mantel timepiece completed in 1806. It uses the same model of sphinx as the first type, Vulliamy, London, No.407 but with some modifications, including a tail. In this form, the sphinxes The fluted white marble drum case surmounted by a reeded urn finial replace the more familiar pair of lions which Vulliamy used on many and flanked either side by a recumbent sphinx, each mounted on a of his ornamental clocks at this period, in a style recalling the imperial black marble plinth inset with a gilt plaque enriched with stylised foliate grandeur of Rome, rather than the “Greek” neo-classicism of his earlier motifs, raised on a stepped base inset with a matted bronze panel with ornamental clocks with figures in biscuit porcelain. reeded border, the replacement (see footnote) 3 3/8th inch enamel Roman dial with a bezel cast as Ouroboros, gilt numerals, scroll hands Because of the fortunate survival of some of Vulliamy’s business records, and regulation arbor at XII, the signed and numbered single fusee we know that he used his usual network of independent craftsmen to movement with rise and fall regulation, numbered pendulum with steel make this clock. They included Houle for casting and chasing the two rod, the circular plates united by four tapered pillars and supporting the sphinxes at a cost of £4, and the clockmaker Jackson for the movement characteristic back cock. Length 42cm (16.5in) by 25cm (9.75in) for which he charged £5-10s. The largest individual item was the marble £15,000 - 20,000 case, which was supplied by Day for £7-7s. The clock was sold to Miss €18,000 - 24,000 Bull on 28 March 1806 for the considerable sum of 50 guineas (£52- US$23,000 - 31,000 10s). [Note 5] Five years later, on 11 December 1811, it was returned to Vulliamy to be cleaned and fitted with a “new enamel dial with This is one of a number of clocks with sphinxes in the Egyptian taste gold hours” - presumably the one it still has. The customer was a Mrs. that were designed and made by Benjamin Vulliamy (1747-1811), Gordon, who was perhaps the former Miss Bull or a relative. [Note 6] Clockmaker to King George III, around 1800. [Note 1] They were made Notes to three different designs over a relatively short period, at a time when Napoleon’s campaign in Egypt in 1798-1801 leading to Nelson’s victory 1. For Vulliamy’s personal involvement in the design of his ornamental at the Nile in 1798, and the subsequent great survey and publication of clocks, see R. Smith, ‘ “It is not in the power of porcelain to be Egyptian antiquities by Dominique Vivant Denon, had made the symbols commanded”: some problems in the design and manufacture of of Ancient Egypt highly fashionable across Europe. [Note 2] Vulliamy’s sculptural clocks,’ in T. Walford and H. Young (eds), British Ceramic Design, 1600-2002, (ECC 2003). Vulliamy’s first design is ornamented with two sphinxes, an eagle and 2. D. Vivant Denon, Voyage dans la Basse et la Haute Egypte, (London a large Wedgwood medallion: there is an example dating from 1799 in 1802). the British Museum (No. 308). [Note 3] His third design, which is in a 3. The British Museum clock (ref. 1909,1201.13) is illustrated on the BM more highly developed Egyptian style based directly on the illustrations website. in Denon’s book, uses four sphinxes of a different and smaller model, as 4. The V&A Museum clock (ref. M.119:1 to 3-1966) is illustrated on the well as other ornamental mounts taken from Denon. An example is No. museum’s website. 438 now in the Victoria and Albert Museum which was made in 1807- 5. British Horological Institute, first Vulliamy Clock Book. 08. [Note 4] 6. The National Archives, C104/58, Vulliamy Day Book 34.

Our grateful thanks to Roger Smith for compiling this footnote.

End of Sale

Fine Clocks | 93 Index Entry Lot

A J Addis, William 10 Joly, G 30 Adie of Edinburgh 57 Jones, London 68 Alldridge, George 80 K Allen Southport 92 Knibb, London 67, 72 Arnold/Charles Frodsham 96 Knifton 79 Atmos 83 L B Le Roy 2 Banks, London 56 Le Roy & Cie 8 Barnett, John 38 Le Roy & Fils 47 Barwise, London 98 Lee, Ronald A. 70 Bell & Son, London 13 Lister & Sons, Newcastle 15 Benson, London 3, 20 M Burton, Whitehaven 18 Magnat 64 C Markwick, James 52 Cartier 84, 85, 86 Martinet, London 16 Cartwright, Royal Exchange 39 Mauduit, Paris 21 Chater and Son 91 McCabe, London 99, 101 Cole, Thomas 102 Mercer, London and St Albans 33 Cooper, W.D. 93 Moore and Sons, Clerkenwell 14 Corniquet · Challot 29 Moore, Cranley 55 D Mouton, Versailles 45 Dasson, Henry 63 Mudge, London 27 Delorme, Paris 23 P Denoyelle, Paris 32 Parkinson and Frodsham, London 34 Dent, Cockspur St, London 36 Patek Philippe, Geneve 87 DominicÈ, J.F. 22 Petit, G.F. 94 Drocourt 1, 4, 5 Prevost, Newcastle 53 Dunlop, London 88 Prime, London 76 F Q Fillion, Paris 61 Quare, London 66 Foucher, Musson 43 S Frodsham, Charles 100 S Smith, Trafalgar Square, London 95 Frodsham, London 97 Snow 77 Fromanteel, London 69 Speakman, London 73 G T Garnier, Paris 51 Taylor, London 9 Gregg, Francis 58 Thiemes, London 90 Guilmet 11, 12 Thiery, Paris 31 H Thuret, Paris 60 Hanset, Jean Joseph 7 Tompion, London 65, 71 Hatton and Harris, London 35 V Henderson, Scarborough 59 Vulliamy, London 25, 26, 103 Holloway, London 40 W Holloway, William 81 W. Hampson Junior. 28 Waylett, London 19 Weeks, London 89 Windmills, J 74 Wright, London 17

94 | Bonhams Fine European Furniture, Sculpture & Works of Art Thursday 4 July 2013 at 2pm New Bond Street, London

Viewing Saturday 29 June 12pm to 5pm Sunday 30 June 11am to 5pm Monday 1 July 9am to 4.30pm Tuesday 2 July 9am to 4.30pm Wednesday 3 July 9am to 4.30pm Thursday 4 July 9am to 12noon

+44 (0) 20 7468 8234 [email protected]

An impressive German late 19th century patinated bronze group of Hercules and the Hydra 96cm wide, 76cm deep, 170cm high (37.5” wide, 29.5” deep, 66.5” high). £30,000 - 50,000

International Auctioneers and Valuers - bonhams.com/furniture Fine Clocks | 95 Friday 12 July 2013

The ex-Works/Juan Manuel Fangio German and Swiss Grands Prix-winning 1954 2½-litre Mercedes-Benz W196 Formula 1 Grand-Prix Single-Seater The Spitzley/Monkhouse Collection © Chassis No. 00006/54

2 3

The Bonhams Goodwood Festival of Speed Sale is to offer some 1. The ex-John Lennon truly exceptional motor cars at auction. A limited number of 1965 Ferrari 330GT 2+2 further entries will be accepted. If you would like to sell your car in this prestigious auction, please contact the department. 2. The ex-Bill Spear/Sherwood Johnston 1955 Maserati 300S Sports-Racing Spider +44 (0) 20 7468 5801 Chassis No. 3053 [email protected] 3. ‘NOJ 392’ - The ex-Works/Le Mans/Mille Miglia 1953 Austin-Healey 100 Special Test Car

International Auctioneers and Valuers - bonhams.com/cars 96 | Bonhams Travel & Exploration Wednesday 4 December 2013 at 2pm Knightsbridge, London Entries now invited

The ex-Works/Juan Manuel Fangio German and Swiss Grands Prix-winning 1954 2½-litre Mercedes-Benz W196 Formula 1 Grand-Prix Single-Seater Chassis No. 00006/54

Closing date for entries Friday 4 October 2013

+44 (0) 20 7468 8371 [email protected]

A recently discovered and historically important two day marine chronometer by W.E. Frodsham, London No 2. 1825.

One of three known surviving marine chronometers used on the second voyage of HMS Beagle (1831-1836) with Captain Robert Fitzroy and .

Subsequently used on the 1841 North American Boundary expedition “For the purpose of tracing portions of the North Eastern Boundary, and for making a correct map of the whole line...” Estimate on request

International Auctioneers and Valuers - bonhams.com/travel Fine Clocks | 97 Fine Clocks Wednesday 11 December 2013 at 2pm New Bond Street, London Entries now invited

Closing date for entries Friday 11 October 2013

+44 (0) 20 7468 8364 [email protected]

Thomas Tompion, London, number 171 Estimate on request

International Auctioneers and Valuers - bonhams.com/clocks 98 | Bonhams Fine & Rare Wines & Whisky International Auction Calendar 2013

Fine & Rare Wines Thursday 11 July London Saturday 27 July New , Los Angeles & San Francisco Thursday 12 September London Saturday 14 September New York, Los Angeles & San Francisco Thursday 24 October London Wednesday 20 November Hong Kong Saturday 23 November New York, Los Angeles & San Francisco Thursday 5 December London

Whisky Wednesday 12 June Edinburgh Wednesday 2 October Edinburgh Sunday 13 October New York, Los Angeles & San Francisco Wednesday 20 November Hong Kong

Enquiries: +44 (0)207 468 5811 [email protected] Krug 1961 [email protected] Sold for £5,980 [email protected] (New Bond Street sale, [email protected] 6 December 2012)

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The Buyer will be the Bidder who on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at the Lot contained in a Condition Report will form part of the (converted into the currency of the Sale using the European out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you Contractual Description of the Lot under which it is sold to Central Bank Reference rate prevailing on the date of the Sale), 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise any Buyer. the Additional Premium will be payable to us by the Buyer to relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; Any dispute as to the highest acceptable bid will be settled by cover our Expenses relating to the payment of royalties under The Seller’s responsibility to you New Bidders must also provide proof of identity and address 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will the Artists Resale Right Regulations 2006. The Additional The Seller does not make or agree to make any representation when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased relate to the actual Lot number announced by the Auctioneer. Premium will be a percentage of the amount of the Hammer of fact or contractual promise, Guarantee or warranty and not being placed. by you at this Sale with travellers cheques, provided the total Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This Price calculated in accordance with the table below, and shall undertakes no obligation or duty, whether in contract or in amount payable by you in respect of all Lots purchased by you in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent not exceed €12,500 (converted into the currency of the Sale tort (other than to the eventual Buyer as set out above), in Bidding via the internet at the Sale does not exceed £3,000. We will need to see your below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept using the European Central Bank Reference rate prevailing on respect of the accuracy or completeness of any statement Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of the date of the Sale). or representation made by him or on his behalf, which is in details of how to bid via the internet. contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Address: PO Box 4RY Bonhams’ responsibility to you the agent’s authority to bid. Nevertheless, as the Bidding its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids 250 Regent Street You have the opportunity of examining the Lot if you want to Form explains, any person placing a bid as agent on behalf 8. VAT background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by London W1A 4RY and the Contract for Sale for a Lot is with the Seller and not of another (whether or not he has disclosed that fact or the roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any Account Name: Bonhams 1793 Limited Trust Account with Bonhams; Bonhams acts as the Seller’s agent only (unless identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Account Number: 25563009 Bonhams sells the Lot as principal). the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable to examine any Lot in which you are interested. It should be Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. remembered that the actual condition of a Lot may not be as 5. BIDDING IBAN Number: GB 33 NWBK 560027 25563009 Bonhams undertakes no obligation to you to examine, please let us know if you are acting on behalf of another good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not If paying by bank transfer, the amount received after the at all, on each Lot to establish the accuracy or otherwise of any the Hammer Price and Buyer’s Premium: be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, deduction of any bank fees and/or conversion of the currency Descriptions or opinions given by Bonhams, or by any person Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form of payment to pounds sterling must not be less than the on Bonhams’ behalf, whether in the Catalogue or elsewhere. person to bid on your behalf at the Sale unless this is to be Premium as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations Form that you have completed. If we do not approve the Price and Buyer’s Premium or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring Debit cards: there is no additional charge for purchases made or tests have occurred. agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit issued by an overseas bank, deferred and company debit cards Bonhams does not make or agree to make any representation own behalf. Accordingly, the person bidding at the Sale will should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry and all credit cards will be subject to a 2% surcharge; of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a be the Buyer and will be liable to pay the Hammer Price and contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. Buyer’s Premium and associated charges. If we approve the of any statement or representation made by Bonhams or on

NTB/MAIN/5.13 NTB/MAIN/5.13 NOTICE TO BIDDERS Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price). Buyers from outside the EU: VAT is Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS payable at the prevailing rate on both Hammer Price the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ is your number which is identified as the Buyer’s. You should and Buyer’s Premium. If a Buyer, having registered under Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for a non-EU address, decides that the item is not to be IMPORTANT: Additional information applicable to the Sale loss caused. writing before or during a Sale. to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and exported from the EU, then he should advise Bonhams may be set out in the Catalogue for the Sale, in an insert in the Buyer on the terms of the Contract for Sale set out in immediately. the Catalogue and/or in a notice displayed at the Sale venue 3. DESCRIPTIONS OF LOTS AND ESTIMATES THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST Form. Once an invoice is issued it will not be changed. If there Appendix 1 at the back of the Catalogue. You will be liable to and you should read them as well. Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE is any doubt as to the Hammer Price of, or whether you are the Contractual Description of a Lot pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT successful Bidder of, a particular Lot, you must draw this to the The Catalogue contains an Entry about each Lot. Each Lot Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s is sold by its respective Seller to the Buyer of the Lot as possibility of changes and ask in advance of bidding if there Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. corresponding only with that part of the Entry which is have been any. 4. CONDUCT OF THE SALE please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in printed in bold letters and (except for the colour, which may Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT be inaccurately reproduced) with any photograph of the Lot 1. OUR ROLE Our Sales are public auctions which persons may attend and Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained in the Catalogue. The remainder of the Entry, which is not you should take the opportunity to do so. We do reserve the low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily printed in bold letters, represents Bonhams’ opinion (given on In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s behalf of the Seller) about the Lot only and is not part of the in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) Contractual Description in accordance with which the Lot is the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful sold by the Seller. does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by Estimates statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in In most cases, an Estimate is printed beside the Entry. Estimates Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered are only an expression of Bonhams’ opinion made on behalf Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of of the Seller of the range where Bonhams thinks the Hammer the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to Price for the Lot is likely to fall; it is not an Estimate of value. advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the It does not take into account any VAT or Buyer’s Premium The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any bidding. Please contact us for further details. terms of payment at any time. payable. Lots can in fact sell for Hammer Prices below and on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, Under the Buyer’s Agreement, a premium (the Buyer’s above the Estimate. Any Estimate should not be relied on as an the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank indication of the actual selling price or value of a Lot. Estimates statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you are in the currency of the Sale. made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable Condition Reports between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide In respect of most Lots, you may ask for a Condition Report on sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the its physical condition from Bonhams. If you do so, this will be or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect provided by Bonhams on behalf of the Seller free of charge. Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; Bonhams is not entering into a contract with you in respect insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on Bidding Form carefully before returning it to us, fully completed of the Condition Report and accordingly does not assume 25% up to £25,000 of the Hammer Price behalf of the Seller. We are not responsible to you in respect of and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with responsibility to you in respect of it. Nor does the Seller owe or 20% from £25,001 of the Hammer Price Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which agree to owe you as a Bidder any obligation or duty in respect 12% from £500,001 of the Hammer Price or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided of this free report about a Lot, which is available for your own collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots inspection or for inspection by an expert instructed by you. On certain Lots, which will be marked “AR” in the Catalogue for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £3,000, or the However, any written Description of the physical condition of and which are sold for a Hammer Price of €1,000 or greater agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at the Lot contained in a Condition Report will form part of the (converted into the currency of the Sale using the European out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you Contractual Description of the Lot under which it is sold to Central Bank Reference rate prevailing on the date of the Sale), 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise any Buyer. the Additional Premium will be payable to us by the Buyer to relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; Any dispute as to the highest acceptable bid will be settled by cover our Expenses relating to the payment of royalties under The Seller’s responsibility to you New Bidders must also provide proof of identity and address 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will the Artists Resale Right Regulations 2006. The Additional The Seller does not make or agree to make any representation when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased relate to the actual Lot number announced by the Auctioneer. Premium will be a percentage of the amount of the Hammer of fact or contractual promise, Guarantee or warranty and not being placed. by you at this Sale with travellers cheques, provided the total Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This Price calculated in accordance with the table below, and shall undertakes no obligation or duty, whether in contract or in amount payable by you in respect of all Lots purchased by you in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent not exceed €12,500 (converted into the currency of the Sale tort (other than to the eventual Buyer as set out above), in Bidding via the internet at the Sale does not exceed £3,000. We will need to see your below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept using the European Central Bank Reference rate prevailing on respect of the accuracy or completeness of any statement Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of the date of the Sale). or representation made by him or on his behalf, which is in details of how to bid via the internet. contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Address: PO Box 4RY Bonhams’ responsibility to you the agent’s authority to bid. Nevertheless, as the Bidding its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids 250 Regent Street You have the opportunity of examining the Lot if you want to Form explains, any person placing a bid as agent on behalf 8. VAT background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by London W1A 4RY and the Contract for Sale for a Lot is with the Seller and not of another (whether or not he has disclosed that fact or the roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any Account Name: Bonhams 1793 Limited Trust Account with Bonhams; Bonhams acts as the Seller’s agent only (unless identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Account Number: 25563009 Bonhams sells the Lot as principal). the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable to examine any Lot in which you are interested. It should be Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. remembered that the actual condition of a Lot may not be as 5. BIDDING IBAN Number: GB 33 NWBK 560027 25563009 Bonhams undertakes no obligation to you to examine, please let us know if you are acting on behalf of another good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not If paying by bank transfer, the amount received after the at all, on each Lot to establish the accuracy or otherwise of any the Hammer Price and Buyer’s Premium: be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, deduction of any bank fees and/or conversion of the currency Descriptions or opinions given by Bonhams, or by any person Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form of payment to pounds sterling must not be less than the on Bonhams’ behalf, whether in the Catalogue or elsewhere. person to bid on your behalf at the Sale unless this is to be Premium as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations Form that you have completed. If we do not approve the Price and Buyer’s Premium or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring Debit cards: there is no additional charge for purchases made or tests have occurred. agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit issued by an overseas bank, deferred and company debit cards Bonhams does not make or agree to make any representation own behalf. Accordingly, the person bidding at the Sale will should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry and all credit cards will be subject to a 2% surcharge; of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a be the Buyer and will be liable to pay the Hammer Price and contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. Buyer’s Premium and associated charges. If we approve the of any statement or representation made by Bonhams or on

NTB/MAIN/5.13 NTB/MAIN/5.13 Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. be aware that the importation of watches such as Rolex, Frank 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or Please be aware that all Lots marked with the symbol Y are imported personally. import licence. subject to CITES regulations when exporting these items outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 be requested from: Authority or import licence. Proof of Firearms Animal Health and Veterinary Laboratories Agency (AHVLA) The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 Firearms proved for Black Powder should not be used with smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Department should you have any queries. The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply liable (whether in negligence or otherwise) for any error or such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to misdescription or omission in any Description of a Lot or any inform themselves of all such regulations and should expect Estimate in respect of it, whether contained in the Catalogue Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether Barrels of guns sold as parts will only be made available for given before or during the Sale. Neither we nor the Seller will sleeving and measurements once rendered unserviceable 18. FURNITURE be liable for any loss of Business, profits, revenue or income, or according to the Gun Barrel Proof Act of 1968 to 1978 and the for loss of reputation, or for disruption to Business or wasted Rules of Proof. Upholstered Furniture time on the part of management or staff, or for indirect losses Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Condition of Firearms been upholstered we offer no Guarantee as to the originality case of the nature, volume or source of the loss or damage Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or

NTB/MAIN/5.13 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE further date is given, this indicates that the photographic ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm that Bonhams has been given or has obtained certificates expressed than in the preceding category; for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the stated weight is a statement of our opinion only. This of the artist; Wines in Bond information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless been added by another hand. the wines are to remain under Bond. Buyers requiring their Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks For your guidance, in our Catalogues we detail, as far as of the Sale. 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. have not been mentioned. Bidders should satisfy themselves 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: repolished, in our Catalogues reference is only made to visible CB – Château bottled 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled or otherwise. EstB – Estate bottled Explanation of Catalogue Terms BB – Bordeaux bottled • “Bill Brandt”: in our opinion a work by the artist. 23. VEHICLES BE – Belgian bottled • “Attributed to Bill Brandt”: in our opinion probably a work FB – French bottled by the artist, but less certainty to authorship is expressed The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. OB – Oporto bottled • “Signed and/or titled and/or dated and/or inscribed”: in Dating Plates and Certificates UK – United Kingdom bottled our opinion the signature and/or title and/or date and/or When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case inscription are in the artist’s hand. Dating Certificate in thisCatalogue , it should be borne in mind iwc – individual wooden case • “Signed and/or titled and/or dated and/or inscribed in that the Veteran Car Club of Great Britain using the services of oc – original carton another hand”: in our opinion the signature and/or title Veteran Car Company Ltd, does from time to time, review cars and/or date and/or inscription have been added by already dated and, in some instances, where fresh evidence another hand. becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

NTB/MAIN/5.13 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose. Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. otherwise have an economic interest. import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) 6 PAYMENT •, †, *, G, Ω, a see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by any Condition Report which has been provided to not later than 4.30pm on the second working day APPENDIX 1 the Buyer. following the Sale and you must ensure that the funds are cleared by the seventh working day after CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT advance of bidding if there have been any. part of the Contractual Description upon which the Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. of it before you buy it. writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot. 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own for Sale and a separate copy can also be provided or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or by Bonhams on request. Where words and phrases obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance are used which are in the List of Definitions, they are of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. printed in italics. any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling 1.3 The Seller sells the Lot as the principal to the Description or Estimate which may have been made and transport of the Lot on collection and for Contract for Sale, such contract being made between by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in the Seller and you through Bonhams which acts in No such Description or Estimate is incorporated into connection with the Lot. the sole capacity as the Seller’s agent and not as this Contract for Sale. an additional principal. However, if the Catalogue 7.5 You will be wholly responsible for any removal, states that Bonhams sells the Lot as principal, or such 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred a statement is made by an announcement by the QUALITY by the Seller if you do not remove the Lot in Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.

NTB/MAIN/5.13 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances agreement of Bonhams but without further notice to give rise to a significantly increased financial you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. Lot for your breach of contract; Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing other means on giving seven days’ written notice to and may be delivered by hand or sent by first class you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. in relation to the Lot made by or on behalf of 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or calculated on a daily basis from the date upon which the remainder of the relevant term. such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. not become your property, and for this purpose management or staff or, for any indirect losses or (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. himself and to his servants or agents to enter upon of whether the said loss or damage is caused by all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. the Lot or part thereof; claim or otherwise; 10.9 References to the singular will include reference to 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. private treaty until all sums due under the Contract or representation in respect of it, or this agreement for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit of Bonhams, contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and (after as well as before judgement or order) at the construed in accordance with the laws of that part rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints his behalf in respect of the Lot, after the payment of procedure in place. all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

NTB/MAIN/5.13 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due that arrangement, in which case we will address the under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/5.13 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or any rights we may exercise on behalf of the Seller): 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was this paragraph 7 after the payment of all sums due to published or by means of a process which it was 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have all such sums paid to us. employed. 7.1.3 to remove, and/or store the Lot at your expense; 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. contract; is the subject of a claim by someone other than you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, we may: Buyer’s Premium, VAT and Expenses paid by you in 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will thereof; 8.1.3 commence interpleader proceedings or seek any cease. other order of any court, mediator, arbitrator or 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps return for pursuing a course of action agreed to by or a Book or Books. 7.1.8 to retain possession of any of your other property in you. our possession for any purpose (including, without 10 OUR LIABILITY limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate arbitrator or government body; and in respect of it, made by us or on our behalf or by 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior any monies due to you as a result of such Sale in to or during the Sale. payment or part payment of any amounts owed to 9 FORGERIES us; 10.2 Our duty to you while the Lot is at your risk and/or 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other you to pay a deposit before any bid is accepted by us persons or things caused by: at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or the Lot and that invoice has been paid; and 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: not court proceedings will have been issued) incurred practicable after you have become aware that the Lot by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. of the Sale and Lot number sufficient to identify the Lot.

NTB/MAIN/5.13 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are Business profits, revenue or income or for loss of reflected the then accepted general opinion of for convenience only and will not affect its Business reputation or for disruption to Business or scholars and experts or fairly indicated that there was interpretation. wasted time on the part of the Buyer’s management a conflict of such opinion; or or staff or, if you are buying the Lot in the course of 12.8 In this agreement “including” means “including, a Business, for any indirect losses or consequential it can be established that the Lot is a non-conforming without limitation”. damages of any kind, irrespective in any case of Lot only by means of a process not generally the nature, volume or source of the loss or damage accepted for use until after the date on which the 12.9 References to the singular will include reference to alleged to be suffered, and irrespective of whether Catalogue was published or by means of a process the plural (and vice versa) and reference to any one the said loss or damage is caused by or claimed which it was unreasonable in all the circumstances gender will include reference to the other genders. in respect of any negligence, other tort, breach of for us to have employed; or contract, statutory duty, bailee’s duty, a restitutionary 12.10 Reference to a numbered paragraph is to a claim or otherwise. the Lot comprises atlases, maps, autographs, paragraph of this agreement. manuscripts, extra illustrated books, music or 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or 12.11 Save as expressly provided in paragraph 12.12 circumstances where we are liable to you in nothing in this agreement confers (or purports to respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under confer) on any person who is not a party to this representation in respect of it, or this agreement “collections” or “collections and various” or the Lot agreement any benefit conferred by, or the right to or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain enforce any term of, this agreement. an indemnity or contribution or for a restitutionary a collection, issue or Books which are undescribed or remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the 12.12 Where this agreement confers an immunity from, limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles and/or an exclusion or restriction of, the responsibility by way of maximum the amount of the Purchase or advertisements. and/or liability of Bonhams, it will also operate in Price of the Lot plus Buyer’s Premium (less any sum favour and for the benefit of Bonhams’ holding you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- company and the subsidiaries of such holding irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the company and the successors and assigns of Bonhams source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot and of such companies and of any officer, employee or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from and agent of Bonhams and such companies, each the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse claims of whom will be entitled to rely on the relevant breach of contract, statutory duty, bailee’s duty, a and we will pay to you an amount equal to the sum immunity and/or exclusion and/or restriction within restitutionary claim or otherwise. of the Purchase Price and Buyer’s Premium paid by and for the purposes of Contracts (Rights of Third you in respect of the Lot. Parties) Act 1999, which enables the benefit of a You may wish to protect yourself against loss by contract to be extended to a person who is not a obtaining insurance. The benefit of paragraph 10 is personal to, and party to the contract, and generally at law. incapable of assignment by, you and if you sell or 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all 13 GOVERNING LAW or restricting (whether directly or indirectly) any rights and benefits under this paragraph will cease. person’s liability or excluding or restricting any All transactions to which this agreement applies person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS and all connected matters will be governed by and (ii) death or personal injury caused by our negligence construed in accordance with the laws of that part (or any person under our control or for whom we are 12.1 You may not assign either the benefit or burden of of the United Kingdom where the Sale takes (or legally responsible), or (iii) acts or omissions for which this agreement. is to take) place and we and you each submit to we are liable under the Occupiers Liability Act 1957, the exclusive jurisdiction of the courts of that part or (iv) any other liability to the extent the same may 12.2 Our failure or delay in enforcing or exercising any of the United Kingdom, save that we may bring not be excluded or restricted as a matter of law, or power or right under this agreement will not operate proceedings against you in any other court of (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights competent jurisdiction to the extent permitted by conditions. under it except to the extent of any express waiver the laws of the relevant jurisdiction. Bonhams has a given to you in writing. Any such waiver will not complaints procedure in place. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS affect our ability subsequently to enforce any right arising under this agreement. DATA PROTECTION – USE OF YOUR INFORMATION Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from Where we obtain any personal information about you, we shall either case referred to as a “non-conforming Lot”), performing that party’s respective obligations only use it in accordance with the terms of our Privacy Policy we undertake a personal responsibility for such a under this agreement by circumstances beyond (subject to any additional specific consent(s) you may have non-conforming Lot in accordance with the terms of its reasonable control or if performance of its given at the time your information was disclosed). A copy of this paragraph, if: obligations would by reason of such circumstances our Privacy Policy can be found on our Website www.bonhams. give rise to a significantly increased financial com or requested by post from Customer Services Department, the original invoice was made out by us to you in cost to it, that party will not, for so long as such 101 New Bond Street, London W1S 1SR, United Kingdom or respect of the Lot and that invoice has been paid; circumstances prevail, be required to perform such by email from [email protected]. and obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3. APPENDIX 3 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot 12.4 Any notice or other communication to be given DEFINITIONS AND GLOSSARY is or may be a non-conforming Lot, and in any event under this agreement must be in writing and may within 20 days after the Sale (or such longer period be delivered by hand or sent by first class post or Where these Definitions and Glossary are incorporated, the as we may agree in writing) that the Lot is a non- air mail or fax transmission (if to Bonhams marked following words and phrases used have (unless the context conforming Lot; and for the attention of the Company Secretary), to the otherwise requires) the meanings given to them below. The address or fax number of the relevant party given Glossary is to assist you to understand words and phrases within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change which have a specific legal meaning with which you may not such longer period as we may agree in writing) you of address is given in writing). It is the responsibility be familiar. return the Lot to us in the same condition as it was of the sender of the notice or communication to at the time of the Sale, accompanied by written ensure that it is received in a legible form within any LIST OF DEFINITIONS evidence that the Lot is a non-conforming Lot and applicable time period. details of the Sale and Lot number sufficient to “Additional Premium” a premium, calculated in accordance identify the Lot. 12.5 If any term or any part of any term of this agreement with the Notice to Bidders, to cover Bonhams’ Expenses is held to be unenforceable or invalid, such relating to the payment of royalties under the Artists Resale but not if: unenforceability or invalidity will not affect the Right Regulations 2006 which is payable by the Buyer to enforceability and validity of the remaining terms or Bonhams on any Lot marked [AR] which sells for a Hammer the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. Price which together with the Buyer’s Premium (but excluding indicates that the rights given by this paragraph do any VAT) equals or exceeds 1000 euros (converted into not apply to it; or 12.6 References in this agreement to Bonhams will, where the currency of the Sale using the European Central Bank appropriate, include reference to Bonhams’ officers, Reference rate prevailing on the date of the Sale). employees and agents. “Auctioneer” the representative of Bonhams conducting the Sale.

NTB/MAIN/5.13 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has words “we”, “us” and “our”. include, unless the context otherwise requires, reference to the benefit of the indemnity in the same position in which “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items he would have been, had the circumstances giving rise to Sale. offered for Sale as one Lot). the indemnity not arisen and the expression “indemnify” is “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to construed accordingly. “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong our Website. calculated according to the formula set out in the Conditions doer has a duty of care. “Commission” the Commission payable by the Seller to of Business. Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: of the Seller. the Reserve applicable to the Lot. “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Buyer’s Agreement and Definitions and Glossary. our Catalogues. “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and VAT (1) In a contract of sale, other than one to which subsection calculated at rates set out in the Conditions of Business. on the Hammer Price. (3) below applies, there is an implied term on the part of “Consumer” a natural person who is acting for the relevant “Reserve” the minimum price at which a Lot may be sold the seller that in the case of a sale he has a right to sell purpose outside his trade, Business or profession. (whether at auction or by private treaty). the goods, and in the case of an agreement to sell he “Contract Form” the Contract Form, or vehicle Entry form, as “Sale” the auction Sale at which a Lot is to be offered for Sale will have such a right at the time when the property is to applicable, signed by or on behalf of the Seller listing the Lots by Bonhams. pass. to be offered for Sale by Bonhams. “Sale Proceeds” the net amount due to the Seller from the “Contract for Sale” the Sale contract entered into by the Sale of a Lot, being the Hammer Price less the Commission, any (2) In a contract of sale, other than one to which subsection Seller with the Buyer (see Appendix 1 in the Catalogue). VAT chargeable thereon, Expenses and any other amount due (3) below applies, there is also an implied term that- “Contractual Description” the only Description of the Lot to us in whatever capacity and howsoever arising. (being that part of the Entry about the Lot in the Catalogue “Seller” the person who offers the Lot for Sale named on (a) the goods are free, and will remain free until which is in bold letters, any photograph (except for the colour) the Contract Form. Where the person so named identifies on the time when the property is to pass, from any and the contents of any Condition Report) to which the Seller the form another person as acting as his agent, or where the charge or encumbrance not disclosed or known undertakes in the Contract of Sale the Lot corresponds. person named on the Contract Form acts as an agent for a to the buyer before the contract is made, and “Description” any statement or representation in any principal (whether such agency is disclosed to Bonhams or not), way descriptive of the Lot, including any statement or “Seller” includes both the agent and the principal who shall be (b) the buyer will enjoy quiet possession of the goods representation relating to its authorship, attribution, condition, jointly and severally liable as such. The Seller is also referred to except in so far as it may be disturbed by the provenance, authenticity, style, period, age, suitability, quality, in the Conditions of Business by the words “you” and “your”. owner or other person entitled to the benefit origin, value, estimated selling price (including the Hammer “Specialist Examination” a visual examination of a Lot by a of any charge or encumbrance so disclosed or Price). specialist on the Lot. known. “Entry” a written statement in the Catalogue identifying the “Stamp” means a postage Stamp offered for Sale at a Lot and its Lot number which may contain a Description and Specialist Stamp Sale. (3) This subsection applies to a contract of sale in the case illustration(s) relating to the Lot. “Standard Examination” a visual examination of a Lot by a of which there appears from the contract or is to be “Estimate” a statement of our opinion of the range within non-specialist member of Bonhams’ staff. inferred from its circumstances an intention that the which the hammer is likely to fall. “Storage Contract” means the contract described in seller should transfer only such title as he or a third “Expenses” charges and Expenses paid or payable by paragraph 8.3.3 of the Conditions of Business or paragraph person may have. Bonhams in respect of the Lot including legal Expenses, 4.4 of the Buyer’s Agreement (as appropriate). banking charges and Expenses incurred as a result of an “Storage Contractor” means the company identified as such (4) In a contract to which subsection (3) above applies there electronic transfer of money, charges and Expenses for loss and in the Catalogue. is an implied term that all charges or encumbrances damage cover, insurance, Catalogue and other reproductions “Terrorism” means any act or threatened act of terrorism, known to the seller and not known to the buyer have and illustrations, any customs duties, advertising, packing or whether any person is acting alone or on behalf of or in been disclosed to the buyer before the contract is made. shipping costs, reproductions rights’ fees, taxes, levies, costs of connection with any organisation(s) and/or government(s), testing, searches or enquiries, preparation of the Lot for Sale, committed for political, religious or ideological or similar (5) In a contract to which subsection (3) above applies storage charges, removal charges, removal charges or costs purposes including, but not limited to, the intention to there is also an implied term that none of the following of collection from the Seller as the Seller’s agents or from a influence any government and/or put the public or any section will disturb the buyer’s quiet possession of the goods, defaulting Buyer, plus VAT if applicable. of the public into fear. namely: “Forgery” an imitation intended by the maker or any other “Trust Account” the bank account of Bonhams into which all person to deceive as to authorship, attribution, origin, sums received in respect of the Purchase Price of any (a) the seller; authenticity, style, date, age, period, provenance, culture, Lot will be paid, such account to be a distinct and separate source or composition, which at the date of the Sale had a account to Bonhams’ normal business bank account. (b) in a case where the parties to the contract intend value materially less than it would have had if the Lot had not “VAT” value added tax at the prevailing rate at the date of the that the seller should transfer only such title as a been such an imitation, and which is not stated to be such Sale in the United Kingdom. third person may have, that person; an imitation in any description of the Lot. A Lot will not be a “Website” Bonhams Website at www.bonhams.com Forgery by reason of any damage to, and/or restoration and/ “Withdrawal Notice” the Seller’s written notice to Bonhams (c) anyone claiming through or under the seller or or modification work (including repainting or over painting) revoking Bonhams’ instructions to sell a Lot. that third person otherwise than under a charge having been carried out on the Lot, where that damage, “Without Reserve” where there is no minimum price at or encumbrance disclosed or known to the buyer restoration or modification work (as the case may be) does not which a Lot may be sold (whether at auction or by private before the contract is made. substantially affect the identity of the Lot as one conforming to treaty). the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above case of specialist Stamp Sales and/or specialist Book Sales, a Lot The following expressions have specific legal meanings with are warranties.” made up of a Stamp or Stamps or a Book or Books as set out which you may not be familiar. The following glossary is in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/5.13 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom)

UNITED KINGDOM Representatives: Channel Islands Italy - NOrTH AMErICA SOUTH AMErICA Dorset Via Boccaccio 22 London Bill Allan Jersey 20123 Milano USA Argentina 101 New Bond Street • +44 1935 815 271 39 Don Street +39 (0)2 4953 9020 Daniel Claramunt London W1S 1SR St.Helier +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil Bury St. Edmunds +44 1534 759 354 fax Italy - rome CA 94103 Thomaz Oscar Saavedra Montpelier Street • 21 Churchgate Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 London SW7 1HH Bury St Edmunds Representative: 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)6 48 5900 +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)6 482 0479 fax Los Angeles • +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA South East Scotland Los Angeles England Norfolk Netherlands - Amsterdam CA 90046 Hong Kong The Market Place Edinburgh • De Lairessestraat 154 +1 (323) 850 7500 Carson Chan Brighton & Hove Reepham 22 Queen Street 1075 HL Amsterdam +1 (323) 850 6090 fax Suite 1122 19 Palmeira Square Norfolk NR10 4JJ Edinburgh +31 20 67 09 701 Two Pacific Place Hove, East Sussex +44 1603 871 443 EH2 1JX +31 20 67 09 702 fax New York • 88 Queensway BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Admiralty +44 1273 220 000 +44 131 220 2547 fax New York, NY Hong Kong +44 1273 220 335 fax Midlands Spain - Madrid 10022 +852 2918 4321 Glasgow Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax Guildford Knowle 176 St. Vincent Street, Madrid +1 (212) 644 9007 fax [email protected] Millmead, The Old House Glasgow 28001 Guildford, Station Road G2 5SG +34 91 578 17 27 Representatives: Beijing Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Hongyu Yu +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Room A515 +44 1483 450 205 fax B93 0HT Switzerland - Geneva +1 (480) 994 5362 F/5 CDB International +44 1564 776 151 Representatives: Rue Etienne-Dumont 10 Mansion Tunbridge Wells +44 1564 778 069 fax Wine & Spirits 1204 Geneva California No. 16 Yongan Dongli Ground Floor Tom Gilbey Switzerland Central Valley Chaoyang District Royal Victoria House Oxford • +44 1382 330 256 +41 76 379 9230 David Daniel Beijing 100022 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +86(0) 10 6563 7799 Tunbridge Wells, Kent Shipton on Cherwell Wales +86(0) 10 6563 7788 fax TN2 5TE Kidlington OX5 1JH Representatives: District of Columbia/ [email protected] +44 1892 546 818 +44 1865 853 640 Cardiff Greece Mid-Atlantic +44 1892 518 077 fax +44 1865 372 722 fax 7-8 Park Place, Art Expertise Martin Gammon Japan Cardiff CF10 3DP +30 210 3636 404 +1 (202) 333 1696 Level 14 Hibiya Central Building Isle of Wight Yorkshire & North East +44 2920 727 980 1-2-9 Nishi-Shimbashi +44 1983 282 228 England +44 2920 727 989 fax Marbella Southern California Minato-ku James Roberts Christine Eisenberg Tokyo 105-0003 Representative: Leeds +34 952 90 62 50 +1 (949) 646 6560 +81 (0) 3 5532 8636 West Sussex 30 Park Square West EUrOpE [email protected] +81 (0) 3 5532 8637 fax Jeff Burfield Leeds LS1 2PF Florida [email protected] +44 1243 787 548 +44 113 234 5755 Austria - Vienna portugal +1 (305) 228 6600 +44 113 244 3910 fax Garnisongasse 4 Filipa Rebelo de Andrade Taiwan South West 1090 Vienna +351 91 921 4778 Georgia 37th Floor, Taipei 101 Tower England North West England +43 (0)1 403 00 01 [email protected] Mary Moore Bethea Nor 7 Xinyi Road, Section 5 [email protected] +1 (404) 842 1500 Taipei, 100 Bath Chester • russia +886 2 8758 2898 Queen Square House New House Belgium - Brussels Marina Jacobson Illinois +886 2 8757 2897 fax Charlotte Street 150 Christleton Road Boulevard +7 921 555 2302 Ricki Blumberg Harris [email protected] Bath BA1 2LL Chester, Cheshire Saint-Michel 101 [email protected] +1 (312) 475 3922 +44 1225 788 988 CH3 5TD 1040 Brussels +1 (773) 267 3300 +44 1225 446 675 fax +44 1244 313 936 +32 (0)2 736 5076 +44 1244 340 028 fax +32 (0)2 732 5501 fax Massachusetts Cornwall – Truro [email protected] Boston/New England Sydney 36 Lemon Street Carlisle Amy Corcoran 76 Paddington Street Truro 48 Cecil Street France - paris +1 (617) 742 0909 Paddington NSW 2021 Cornwall Carlisle, Cumbria 4 rue de la Paix Australia TR1 2NR CA1 1NT 75002 Paris Nevada +61 (0) 2 8412 2222 +44 1872 250 170 +44 1228 542 422 +33 (0)1 42 61 1010 David Daniel +61 (0) 2 9475 4110 fax +44 1872 250 179 fax +44 1228 590 106 fax +33 (0)1 42 61 1015 fax +1 (775) 831 0330 [email protected] [email protected] Manchester New Mexico Melbourne The Lodge The Stables Germany - Cologne Leslie Trilling Ormond Hall Southernhay West Exeter, 213 Ashley Road Albertusstrasse 26 +1 (505) 820 0701 557 St Kilda Rd Devon Hale WA15 9TB 50667 Cologne Melbourne VIC 3004 EX1 1JG +44 161 927 3822 +49 (0)221 2779 9650 Oregon +61 (0) 3 8640 4088 +44 1392 425 264 +44 161 927 3824 fax +49 (0)221 2779 9652 fax Sheryl Acheson +44 1392 494 561 fax [email protected] +1(503) 312 6023 Representative: Southport Adelaide Winchester 33 Botanic Road Germany - Texas James Bruce The Red House Churchtown Maximilianstrasse 52 Amy Lawch +61 (0) 8 8232 2860 Hyde Street Southport 80538 Munich +1 (713) 621 5988 Winchester Merseyside PR9 7NE +49 (0) 89 2420 5812 Hants SO23 7DX +44 1704 507 875 +49 (0) 89 2420 7523 fax Washington AFrICA +44 1962 862 515 +44 1704 507 877 fax [email protected] Heather O’Mahony +44 1962 865 166 fax +1 (206) 218 5011 South Africa - Johannesburg Ireland - Dublin Penny Culverwell Tetbury 31 Molesworth Street CANADA +27 (0)71 342 2670 22a Long Street Dublin 2 [email protected] Tetbury +353 (0)1 602 0990 Toronto, Ontario • Gloucestershire +353 (0)1 4004 140 fax Jack Kerr-Wilson GL8 8AQ [email protected] 20 Hazelton Avenue +44 1666 502 200 Toronto, ONT +44 1666 505 107 fax M5R 2E2 +1 (416) 462 9004 [email protected]

Montreal, Quebec David Kelsey +1 (514) 341 9238 [email protected]

G-NET/3/13 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) To e-mail any of the below use the first name dot second UNITED KINGDOM Representatives: Channel Islands Italy - Milan NOrTH AMErICA SOUTH AMErICA Bonhams Specialist Departments name @bonhams.com eg. [email protected] Dorset Via Boccaccio 22 London Bill Allan Jersey 20123 Milano USA Argentina 101 New Bond Street • +44 1935 815 271 39 Don Street +39 (0)2 4953 9020 Daniel Claramunt 19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments London W1S 1SR St.Helier +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 UK Porcelain & Pottery Memorabilia UK Jon Baddeley +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. Bury St. Edmunds +44 1534 759 354 fax Italy - rome CA 94103 Thomaz Oscar Saavedra U.S.A +44 20 7468 8244 U.S.A Jonathan Snellenburg Montpelier Street • 21 Churchgate Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 London SW7 1HH Bury St Edmunds Representative: 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)6 48 5900 +1 212 644 9108 Peter Scott UK +1 415 503 3353 +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)6 482 0479 fax Los Angeles • +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley South East Scotland Los Angeles Matthew Bradbury California & U.S.A +32 476 879 471 +44 131 240 2297 England Norfolk Netherlands - Amsterdam CA 90046 Hong Kong +44 20 7468 8295 American Paintings Jeffrey Smith AUSTRALIA The Market Place Edinburgh • De Lairessestraat 154 +1 (323) 850 7500 Carson Chan Scot Levitt +1 415 503 3413 Damien Duigan Silver & Gold Boxes Reepham 22 Queen Street 1075 HL Amsterdam Brighton & Hove +1 (323) 850 6090 fax Suite 1122 Aboriginal Art +1 323 436 5425 +61 2 8412 2232 UK 19 Palmeira Square Norfolk NR10 4JJ Edinburgh +31 20 67 09 701 Two Pacific Place Hove, East Sussex +44 1603 871 443 EH2 1JX +31 20 67 09 702 fax New York • 88 Queensway Greer Adams Greek Art Automobilia Michael Moorcroft BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Admiralty +61 2 8412 2222 Carpets Olympia Pappa UK +44 20 7468 8241 +44 1273 220 000 +44 131 220 2547 fax New York, NY Hong Kong UK +44 20 7468 8314 Toby Wilson U.S.A +44 1273 220 335 fax Midlands Spain - Madrid 10022 +852 2918 4321 African and Oceanic Art Mark Dance +44 8700 273 619 Aileen Ward Glasgow Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax UK +44 8700 27361 Golf Sporting U.S.A +1 800 223 5463 Guildford Knowle 176 St. Vincent Street, Madrid +1 (212) 644 9007 fax [email protected] Philip Keith U.S.A. Memorabilia Kurt Forry Millmead, The Old House Glasgow 28001 Guildford, Station Road G2 5SG +34 91 578 17 27 Representatives: Beijing +44 2920 727 980 Hadji Rahimipour Kevin Mcgimpsey +1 415 391 4000 South African Art Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Hongyu Yu U.S.A +1 415 503 3392 +44 1244 353123 Giles Peppiatt +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Room A515 Fred Baklar Motorcycles +44 20 7468 8355 +44 1483 450 205 fax B93 0HT Switzerland - Geneva +1 (480) 994 5362 F/5 CDB International +1 323 436 5416 Chinese & Asian Art Irish Art Ben Walker +44 1564 776 151 Representatives: Rue Etienne-Dumont 10 Mansion UK Penny Day +44 8700 273616 Sporting Guns Tunbridge Wells +44 1564 778 069 fax Wine & Spirits 1204 Geneva California No. 16 Yongan Dongli American Paintings Asaph Hyman +44 20 7468 8366 Automobilia Patrick Hawes Tom Gilbey Switzerland Ground Floor Central Valley Chaoyang District Alan Fausel +44 20 7468 5888 Adrian Pipiros +44 20 7393 3815 Royal Victoria House Oxford • +44 1382 330 256 +41 76 379 9230 David Daniel Beijing 100022 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +86(0) 10 6563 7799 +1 212 644 9039 U.S.A Impressionist & +44 8700 273621 Tunbridge Wells, Kent Shipton on Cherwell Wales +86(0) 10 6563 7788 fax Dessa Goddard Modern Art Toys, Dolls & Chess TN2 5TE Kidlington OX5 1JH Representatives: District of Columbia/ [email protected] Antiquities +1 415 503 3333 UK Musical Instruments Leigh Gotch +44 1892 546 818 +44 1865 853 640 Cardiff Greece Mid-Atlantic Madeleine Perridge HONG KONG Deborah Allan Philip Scott +44 20 8963 2839 +44 1892 518 077 fax +44 1865 372 722 fax 7-8 Park Place, Art Expertise Martin Gammon Japan +44 20 7468 8226 Julian King +44 20 7468 8276 +44 20 7393 3855 Cardiff CF10 3DP +30 210 3636 404 +1 (202) 333 1696 Level 14 Hibiya Central Building +852 2918 4321 U.S.A Travel Pictures Isle of Wight Yorkshire & North East +44 2920 727 980 1-2-9 Nishi-Shimbashi +44 1983 282 228 England +44 2920 727 989 fax Marbella Southern California Minato-ku Antique Arms & Armour Tanya Wells Natural History Veronique Scorer James Roberts Christine Eisenberg Tokyo 105-0003 UK Clocks +1 917 206 1685 U.S.A +44 20 7393 3962 Representative: Leeds +34 952 90 62 50 +1 (949) 646 6560 +81 (0) 3 5532 8636 David Williams UK Claudia Florian West Sussex 30 Park Square West EUrOpE [email protected] +81 (0) 3 5532 8637 fax +44 20 7393 3807 James Stratton Islamic & Indian Art +1 323 436 5437 Urban Art Jeff Burfield Leeds LS1 2PF Florida [email protected] U.S.A +44 20 7468 8364 Alice Bailey Gareth Williams +44 1243 787 548 +44 113 234 5755 Austria - Vienna portugal +1 (305) 228 6600 Paul Carella U.S.A +44 20 7468 8268 Old Master Pictures +44 20 7468 5879 +44 113 244 3910 fax Garnisongasse 4 Filipa Rebelo de Andrade Taiwan +1 415 503 3360 Jonathan Snellenburg South West 1090 Vienna +351 91 921 4778 Georgia 37th Floor, Taipei 101 Tower UK England North West England +43 (0)1 403 00 01 [email protected] Mary Moore Bethea Nor 7 Xinyi Road, Section 5 +1 212 461 6530 Japanese Art Andrew Mckenzie Watches & [email protected] +1 (404) 842 1500 Taipei, 100 Art Collections, UK +44 20 7468 8261 Wristwatches Bath Chester • russia +886 2 8758 2898 Estates & Valuations Coins & Medals Suzannah Yip U.S.A UK Queen Square House New House Belgium - Brussels Marina Jacobson Illinois +886 2 8757 2897 fax Harvey Cammell UK +44 20 7468 8368 Mark Fisher Paul Maudsley Charlotte Street 150 Christleton Road Boulevard +7 921 555 2302 Ricki Blumberg Harris [email protected] +44 (0) 20 7468 8340 John Millensted U.S.A +1 323 436 5488 +44 20 7447 7412 Bath BA1 2LL Chester, Cheshire Saint-Michel 101 [email protected] +1 (312) 475 3922 +44 20 7393 3914 Jeff Olson U.S.A. +44 1225 788 988 CH3 5TD 1040 Brussels +1 (773) 267 3300 +44 1225 446 675 fax +44 1244 313 936 +32 (0)2 736 5076 AUSTrALIA Art Nouveau & Decorative U.S.A +1 212 461 6516 Orientalist Art Jonathan Snellenburg +44 1244 340 028 fax +32 (0)2 732 5501 fax Massachusetts Art & Design Paul Song Charles O’Brien +1 212 461 6530 Cornwall – Truro [email protected] Boston/New England Sydney UK +1 323 436 5455 Jewellery +44 20 7468 8360 HONG KONG 36 Lemon Street Carlisle Amy Corcoran 76 Paddington Street Mark Oliver UK Carson Chan Truro 48 Cecil Street France - paris +1 (617) 742 0909 Paddington NSW 2021 +44 20 7393 3856 Contemporary Art Jean Ghika Photography +852 2918 4321 Cornwall Carlisle, Cumbria 4 rue de la Paix Australia U.S.A UK +44 20 7468 8282 U.S.A TR1 2NR CA1 1NT 75002 Paris Nevada +61 (0) 2 8412 2222 +44 1872 250 170 +44 1228 542 422 +33 (0)1 42 61 1010 David Daniel +61 (0) 2 9475 4110 fax Frank Maraschiello Gareth Williams U.S.A Judith Eurich Whisky +44 1872 250 179 fax +44 1228 590 106 fax +33 (0)1 42 61 1015 fax +1 (775) 831 0330 [email protected] +1 212 644 9059 +44 20 7468 5879 Susan Abeles +1 415 503 3259 UK [email protected] U.S.A +1 212 461 6525 Martin Green Exeter Manchester New Mexico Melbourne Australian Art Jeremy Goldsmith AUSTRALIA Portrait Miniatures +44 1292 520000 The Lodge The Stables Germany - Cologne Leslie Trilling Ormond Hall Litsa Veldekis +1 917 206 1656 Patti Sedgwick Camilla Lombardi U.S.A Southernhay West Exeter, 213 Ashley Road Albertusstrasse 26 +1 (505) 820 0701 557 St Kilda Rd +61 2 8412 2222 +61 2 8412 2222 +44 20 7393 3985 Joseph Hyman Hale WA15 9TB Devon 50667 Cologne Melbourne VIC 3004 Costume & Textiles +1 917 206 1661 EX1 1JG +44 161 927 3822 +49 (0)221 2779 9650 Oregon +61 (0) 3 8640 4088 +44 1392 425 264 +44 161 927 3824 fax +49 (0)221 2779 9652 fax Sheryl Acheson Australian Colonial Claire Browne Marine Art Prints HONG KONG +44 1392 494 561 fax [email protected] +1(503) 312 6023 Representative: Furniture and Australiana +44 1564 732969 UK UK Daniel Lam Southport Adelaide James Hendy Veronique Scorer Rupert Worrall +852 3607 0004 Winchester 33 Botanic Road Germany - 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G-NET/3/13

SD05/2013-06 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Fine Clocks Sale date: Tuesday 9 July 2013

Sale no. 21045 Sale venue: New Bond Street Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. I am registering to bid as a private client I am registering to bid as a trade client If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/04/13 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. Fine Clocks | 113 Bonhams 101 New Bond Street London W1S 1SR +44 (0) 20 7447 7447 +44 (0) 20 7447 7400 fax

114 | Bonhams