Fine British Pottery & Porcelain
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Leeds Pottery
Leeds Art Library Research Guide Leeds Pottery Our Art Research Guides list some of the most unique and interesting items at Leeds Central Library, including items from our Special Collections, reference materials and books available for loan. Other items are listed in our online catalogues. Call: 0113 378 7017 Email: [email protected] Visit: www.leeds.gov.uk/libraries leedslibraries leedslibraries Pottery in Leeds - a brief introduction Leeds has a long association with pottery production. The 18th and 19th centuries are often regarded as the creative zenith of the industry, with potteries producing many superb quality pieces to rival the country’s finest. The foremost manufacturer in this period was the Leeds Pottery Company, established around 1770 in Hunslet. The company are best known for their creamware made from Cornish clay and given a translucent glaze. Although other potteries in the country made creamware, the Leeds product was of such a high quality that all creamware became popularly known as ‘Leedsware’. The company’s other products included blackware and drabware. The Leeds Pottery was perhaps the largest pottery in Yorkshire. In the early 1800s it used over 9000 tonnes of coal a year and exported to places such as Russia and Brazil. Business suffered in the later 1800s due to increased competition and the company closed in 1881. Production was restarted in 1888 by a ‘revivalist’ company which used old Leeds Pottery designs and labelled their products ‘Leeds Pottery’. The revivalist company closed in 1957. Another key manufacturer was Burmantofts Pottery, established around 1845 in the Burmantofts district of Leeds. -
'A Mind to Copy': Inspired by Meissen
‘A Mind to Copy’: Inspired by Meissen Anton Gabszewicz Independent Ceramic Historian, London Figure 1. Sir Charles Hanbury Williams by John Giles Eccardt. 1746 (National Portrait Gallery, London.) 20 he association between Nicholas Sprimont, part owner of the Chelsea Porcelain Manufactory, Sir Everard Fawkener, private sec- retary to William Augustus, Duke of Cumberland, the second son of King George II, and Sir Charles Hanbury Williams, diplomat and Tsometime British Envoy to the Saxon Court at Dresden was one that had far-reaching effects on the development and history of the ceramic industry in England. The well-known and oft cited letter of 9th June 1751 from Han- bury Williams (fig. 1) to his friend Henry Fox at Holland House, Kensington, where his china was stored, sets the scene. Fawkener had asked Hanbury Williams ‘…to send over models for different Pieces from hence, in order to furnish the Undertakers with good designs... But I thought it better and cheaper for the manufacturers to give them leave to take away any of my china from Holland House, and to copy what they like.’ Thus allowing Fawkener ‘… and anybody He brings with him, to see my China & to take away such pieces as they have a mind to Copy.’ The result of this exchange of correspondence and Hanbury Williams’ generous offer led to an almost instant influx of Meissen designs at Chelsea, a tremendous impetus to the nascent porcelain industry that was to influ- ence the course of events across the industry in England. Just in taking a ca- sual look through the products of most English porcelain factories during Figure 2. -
No. 書 名 1 0 to 10
No. 書 名 1 0 to 10. 2 1,2,3 to the zoo : a counting book. 3 10 cut-ups. 4 10 in the bed 5 1001 things to spot on the farm. 6 101 dalmatians : Walt Disney's classic. 7 101 dalmatians : Walt Disney's classic. 8 101 ways to get your child to read. 9 25 Terrific art projects : based on favorite picture books. 10 366 and more Animal Stories. 11 A bad case of stripes. 12 A ball for Daisy. 13 A bear called paddington. 14 A Bear-y good neighbor. 15 A big ball of string. 16 A book of sleep. 17 A bug, a bear, and a boy paint a picture. 18 A busy day at the factory. 19 A cake all for me! 20 A cake all for me! 21 A cat in the tree. 22 A chair for my mother. 23 A child's garden of verses. 24 A Civil action. 25 A color of his own. 26 A dark dark tale. 27 A day at the beach. 28 A day in the woods. 29 A fine balance. 30 A fox : the sound of x. 31 A friend for dragon. 32 A good trick. 33 A Halloween happening. 34 A Halloween mask for monster. 35 A handful of quiet : happiness in four pebbles. 36 A house for hermit crab. 37 A house is a house for me. 38 A is for aloha : a Hawaii alphabet. 39 A kiss for Cleo. 40 A little bit of winter. 41 A million little pieces. 42 A monkey grows up. -
Fast Fossils Carbon-Film Transfer on Saggar-Fired Porcelain by Dick Lehman
March 2000 1 2 CERAMICS MONTHLY March 2000 Volume 48 Number 3 “Leaves in Love,” 10 inches in height, handbuilt stoneware with abraded glaze, by Michael Sherrill, Hendersonville, North FEATURES Carolina. 34 Fast Fossils 40 Carbon-Film Transfer on Saggar-Fired Porcelain by Dick Lehman 38 Steven Montgomery The wood-firing kiln at Buck Industrial imagery with rich texture and surface detail Pottery, Gruene, Texas. 40 Michael Sherrill 62 Highly refined organic forms in porcelain 42 Rasa and Juozas Saldaitis by Charles Shilas Lithuanian couple emigrate for arts opportunities 45 The Poetry of Punchong Slip-Decorated Ware by Byoung-Ho Yoo, Soo-Jong Ree and Sung-Jae Choi by Meghen Jones 49 No More Gersdey Borateby JejfZamek Why, how and what to do about it 51 Energy and Care Pit Firing Burnished Pots on the Beach by Carol Molly Prier 55 NitsaYaffe Israeli artist explores minimalist abstraction in vessel forms “Teapot,” approximately 9 inches in height, white 56 A Female Perspectiveby Alan Naslund earthenware with under Female form portrayed by Amy Kephart glazes and glazes, by Juozas and Rasa Saldaitis, 58 Endurance of Spirit St. Petersburg, Florida. The Work of Joanne Hayakawa by Mark Messenger 62 Buck Pottery 42 17 Years of Turnin’ and Burnin’ by David Hendley 67 Redware: Tradition and Beyond Contemporary and historical work at the Clay Studio “Bottle,” 7 inches in height, wheel-thrown porcelain, saggar 68 California Contemporary Clay fired with ferns and sumac, by The cover:“Echolalia,” San Francisco invitational exhibition Dick Lehman, Goshen, Indiana. 29½ inches in height, press molded and assembled, 115 Conquering Higher Ground 34 by Steven Montgomery, NCECA 2000 Conference Preview New York City; see page 38. -
Philippa H Deeley Ltd Catalogue 17 Oct 2015
Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - -
Preliminary Pages
! ! UNIVERSITY OF CALIFORNIA ! RIVERSIDE! ! ! ! ! Tiny Revolutions: ! Lessons From a Marriage, a Funeral,! and a Trip Around the World! ! ! ! A Thesis submitted in partial satisfaction ! of the requirements! for the degree of ! ! Master of !Fine Arts ! in!! Creative Writing ! and Writing for the! Performing Arts! by!! Margaret! Downs! ! June !2014! ! ! ! ! ! ! ! Thesis Committee: ! ! Professor Emily Rapp, Co-Chairperson! ! Professor Andrew Winer, Co-Chairperson! ! Professor David L. Ulin ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Copyright by ! Margaret Downs! 2014! ! ! The Thesis of Margaret Downs is approved:! ! !!_____________________________________________________! !!! !!_____________________________________________________! ! Committee Co-Chairperson!! !!_____________________________________________________! Committee Co-Chairperson!!! ! ! ! University of California, Riverside!! ! !Acknowledgements ! ! Thank you, coffee and online banking and MacBook Air.! Thank you, professors, for cracking me open and putting me back together again: Elizabeth Crane, Jill Alexander Essbaum, Mary Otis, Emily Rapp, Rob Roberge, Deanne Stillman, David L. Ulin, and Mary Yukari Waters. ! Thank you, Spotify and meditation, sushi and friendship, Rancho Las Palmas and hot running water, Agam Patel and UCR, rejection and grief and that really great tea I always steal at the breakfast buffet. ! Thank you, Joshua Mohr and Paul Tremblay and Mark Haskell Smith and all the other writers who have been exactly where I am and are willing to help. ! And thank you, Tod Goldberg, for never being satisfied with what I write. !Dedication! ! ! For Misty. Because I promised my first book would be for you. ! For my hygges. Because your friendship inspires me and motivates me. ! For Jason. Because every day you give me the world.! For Everest. Because. !Table of Contents! ! ! !You are braver than you think !! ! ! ! ! ! 5! !When you feel defeated, stop to catch your breath !! ! ! 26! !Push yourself until you can’t turn back !! ! ! ! ! 40! !You’re not lost. -
Leeds Arts Calendar LEEDS ARTS CALENDAR MICROFILMED Starting with the First Issue Published in 1947, the Entire Leeds Art Calendar Is Now Available on Micro- Film
Leeds Arts Calendar LEEDS ARTS CALENDAR MICROFILMED Starting with the first issue published in 1947, the entire Leeds Art Calendar is now available on micro- film. Write for information or send orders direct to: University Microfilms, Inc., 300N Zeeb Road, Ann Arbor, Michigan 48106, U.S.A. Leeds Art Collections Fund This is an appeal to all who are interested in the Arts. The Leeds Art Collections Fund is the source of regular funds for buying works of art for the Leeds collection. We want more subscribing members to give one and a half guineas or upwards each year. Why not identify yourself with the Art Gallery and Temple Newsam; receive your Arts Calendar free, receive invitations to all functions, private views and organised visits to places ot Cover Design interest, by writing for an application form to the Detail of a Staffordshire salt-glaze stoneware mug Hon Treasurer, E. M. Arnold Butterley Street, Leeds 10 with "Scratch Blue" decoration of a cattle auction Esq., scene; inscribed "John Cope 1749 Hear goes". From the Hollings Collection, Leeds. LEEDS ARTS CALENDAR No. 67 1970 THE AMENITIES COMMITTEE The Lord Mayor Alderman J. T. V. Watson, t.t..s (Chairman) Alderman T. W. Kirkby Contents Alderman A. S. Pedley, D.p.c. Alderman S. Symmonds Councillor P. N. H. Clokie Councillor R. I. Ellis, A.R.A.M. Councillor H. Farrell Editorial 2 J. Councillor Mrs. E. Haughton Councillor Mrs. Collector's Notebook D. E. Jenkins A Leeds 4 Councillor Mrs. A. Malcolm Councillor Miss C. A. Mathers Some Trifles from Leeds 12 Councillor D. -
2 Day Derbyshire Fine
Auction - 2 day Derbyshire Fine Art Auction Including 2 private estates contents - Webcast Only - Postage and Safe Click/Collect Only NO ONLINE FEES ON HANSONSLIVE.CO.UK 02/07/2020 10:30 AM GMT+1 Lot Title/Description Lot Title/Description 1 A Continental porcelain plaque by G. Fremont, Dated 1877, of oval form 8 Two pairs of German porcelain figures, circa 1900, the first Sitzendorf and painted with a scene of a neoclassical maiden in flowing robes and modelled as a shepherd and shepherdess playing pipes, 22cm carrying a water jar, framed. high, the second Volkstedt and modelled as a rustic maid and man, she 25cm (frame 36cm x 39cm) carrying a basket, he carrying a downed doe, 20cm high. (4) Condition: negligible signs of age only. Condition: Sitzendorf - losses to pipes, chips to leaves, oxidation to A Continental porcelain plaque by G. Fremont, Dated 1877, of oval form man's jacket. Volkstedt - minor rubbing to gilt, tiny chips to flower and painted with a scene of a neoclassical maiden in flowing robes petals. carrying a water jar, framed. 25cm (frame 36cm x 39cm) Condition: Two pairs of German porcelain figures, circa 1900, the first Sitzendorf negligible signs of age only. and modelled as a shepherd and shepherdess playing pipes, 22cm Est. 200 - 300 high, the second Volkstedt and modelled as a rustic maid and man, she 2 A George III mahogany and inlaid serpentine writing table, circa 1790, carrying a basket, he carrying a downed doe, 20cm high. (4) Condition: the moulded top above three cock-beaded frieze drawers, raised on Sitzendorf - losses to pipes, chips to leaves, oxidation to man's jacket. -
Oriental & European Ceramics & Glass
THIRD DAY’S SALE WEDNESDAY 24th JANUARY 2018 ORIENTAL & EUROPEAN CERAMICS & GLASS Commencing at 10.00am Oriental and European Ceramics and Glass will be on view on: Friday 19th January 9.00am to 5.15pm Saturday 20th January 9.00am to 1.00pm Sunday 21st January 2.00pm to 4.00pm Monday 22nd January 9.00am to 5.15pm Tuesday 23rd January 9.00am to 5.15pm Limited viewing on sale day Measurements are approximate guidelines only unless stated to the contrary Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 661 662 A large presentation wine glass and a pair of wine glasses Two late 18th century English wine glasses, one similar the former with bell shaped bowl engraved with the arms of and an early 19th century barrel-shaped tumbler the first Weston, set on a hollow knopped stem and domed fold over two with plain bowls and faceted stems, 13.5 cm; the third foot, 27 cm high, the pair each with rounded funnel shaped engraved with floral sprays and on faceted stem, 14 cm; the bowl engraved with an eagle’s head set on a double knopped tumbler engraved with urns, paterae and swags with the stem and conical foot, 23 cm high. initials ‘GS’,11 cm (4). *£200 - 250 *£120 - 180 663 A George Bacchus close pack glass paperweight set with various multi coloured canes and four Victoria Head silhouettes, circa 1850, 8 cm diameter, [top polished]. *£300 - 500 664 665 A Loetz Phanomen glass vase of A Moser amber crackled glass vase of twelve lobed form with waisted neck shaped globular form, enamelled with and flared rim, decorated overall with a a crab, a lobster and fish swimming trailed and combed wave design, circa amongst seaweed and seagrass, circa 1900-05, unmarked, 19 cm high. -
Clay: Form, Function and Fantasy
4 Ceramics Monthly Letters to the Editor................................................................................. 7 Answers to Questions............................................................................... 9 Where to Show.........................................................................................11 Suggestions ..............................................................................................15 Itinerary ...................................................................................................17 Comment by Don Pilcher....................................................................... 23 Delhi Blue Art Pottery by Carol Ridker...............................................31 The Adena-Hopewell Earthworks by Alan Fomorin..................36 A Gas Kiln for the Urban Potter by Bob Bixler..................................39 Clay: Form, Function and Fantasy.......................................................43 Computer Glazes for Stoneware by Harold J. McWhinnie ...................................................................46 The Three Kilns of Ken Ferguson by Clary Illian.............................. 47 Marietta Crafts National........................................................................ 52 Latex Tile Molds by Nancy Skreko Martin..........................................58 Three English Exhibitions...................................................................... 61 News & Retrospect...................................................................................73 -
Saint Louis Zoo Records (S0194)
PRELIMINARY INVENTORY S0194 (SA2686, SA2914, SA2993, SA2994, SA3409, SA3495, SA3537, SA3640, SA3701, SA3791, SA3936, SA3942, SA3952, SA4080, SA4117, SA4279, SA4299, SA4304, SA4310) SAINT LOUIS ZOO RECORDS This collection is available at The State Historical Society of Missouri Research Center- St. Louis. If you would like more information, please contact us at [email protected]. Introduction Approximately 30 cubic feet, 9 microfilm rolls The Saint Louis Zoo Records document the evolution of Zoo's philosophy from providing entertainment to educating the public and preserving animal species. The collection contains annual reports, meeting minutes, photographs, films, and scrapbooks. Topics of interest include animal acquisitions, as well as birth and deaths, and construction of new zoo buildings. Donor Information The records were donated to the University of Missouri by Charles H. Hoessle on April 8, 1985 (Accession No. SA2686). An addition was made on February 28, 1989 by Charles H. Hoessle (Accession No. SA2914). An addition was made on April 18, 1991 by Charles H. Hoessle (Accession No. SA2993). An addition was made on April 18, 1991 by Caroline Loughlin (Accession No. SA2994). An addition was made on May 15 1991 by Jill Gordon (Accession No. SA3409). An addition was made on September 17, 2002 by Sean M. Fisher (Accession No. SA3495). An addition was made on August 5, 2003 by Jill Gordon (Accession No. SA3537). An addition was made on November 14, 2005 by Jill Gordon (Accession No. SA3640). An addition was made on November 10, 2006 by Jill Gordon (Accession No. SA3701). An addition was made on May 6, 2008 by Jill Gordon (Accession No. -
Signature Redacted for Privacy. Abstract Approved: David Brauner
A1' ABSTRACT OF THE THESIS OF Jeffrey Max LaLande for the degree of Master of Arts in Interdisciplinary Studies in Archaeo1ogy/History/ArChi- tectural History presented on March 18, 1981 Title: Sojourners in the Oregon Siskiyous: Adaptation and Acculturation of the Chinese Miners in the Applegate Valley, Ca. 1855-1900. Signature redacted for privacy. Abstract approved: David Brauner The study examines the acculturation and environmental adaptation of nineteenth century Chinese miners in a por- tion of southwestern Oregon. The problem concerns the varieties of culture change whichresultedwhen this ethnic group found itself required to subsist in a newsocial and physical environment. The study focuses on the archaeo- logical data recovered from several Chinese sites in south- western Oregon as well as the records of Chinese purchases from a local Euro-American mercantile establishment. Through the use of ethnographic, archaeological and archival evidence, three Chinese behavioral patterns are investigated. The subsistence pattern includes dietary habits, wearing apparel, personal grooming and drug use. The settlement pattern includes characteristic locations of Chinese habitation sites as well as their architecture. The technological pattern involves the economic activities of the Chinese, in this case hy6raulic placer mining. The subsistence pattern of the Chinese sojourners exhibits little acculturation in food habits, personal grooming or drug use, but substantial adoption of Euro- American clothing and footwear. Environmental adaptations include the utilization of wild plants and animal foods on a limited basis. Generally, the day-to-day subsistence activities of the Chinese showed very little acculturative behavior. The settlement pattern shows a willingness to adapt some Euro-American construction techniques.