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PLUNGE #305 - William K
20--MANCHESTER HERALD, Friday, Oct. 1.^, 1989 READ YOUR AD: ClassiFed odvertlsoments a r t I qi^ cars I CARS [g^CARS I CARS W E D ELIVER taken by telephone os o conyenlence. The FOR SALE FOR SALE FOR SALE Manchester Herald Is responsible For only one FOR SALE For Horr>© Del: 'sry. Call Incorrect Insertion and then only tor the size oF 6 4 7 - 9 9 4 6 the original Insertion. E . rorswhichdonot lessen the yolue oF the advertisement will not be 1984 HONDA Civic Wagon CHEVROLET 1980 Ma O L D S M O B IL E 1981 R e CHEVROLET 1985 Celeb Monday to Friday. 9 to 6 - 646-0767 or 649-4554, libu - 4 door, good gency - Loaded, must rity wagon. Excellent corrected by on additional Insertion._____________ J o c k . ________ condition. $1,250. 643- sell. 643-1364.___________ condition. V-6 auto 1986 JEEP Wogoneer Li 5484. 1984 CELEBRITY-4door, matic, power steerlng- /brakes, air, cruise. CARS mited - Excellent con CHEVROLET 1974 Co Fully equipped, excel CARS CARS dition, 43,000 miles, moro - New point, new lent condition. $3,500. $4,500 or best otter. IQI i FOR SALE 647-8894. FOR SALE automatic, olr condl- vinvl top, 6 cylinder 1987 MUSTANG LX - 4 I^^H foR sale FOR SALE tlonlng, om/tm automatic, $1,750. Ne cylinder, hatchback, 5 cassette, leather Inte- gotiable. 649-8944, speed, $6,500. 646-2392. rlor. $10,900, 643-2938. leave message. TRUCKS/VANS 1984 FORD Escort Wagon C O R V E T T E 1971 S tlno STEAL It. -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
The Collaboration of Mileva Marić and Albert Einstein
Asian Journal of Physics Vol 24, No 4 (2015) March The collaboration of Mileva Marić and Albert Einstein Estelle Asmodelle University of Central Lancashire School of Computing, Engineering and Physical Sciences, Preston, Lancashire, UK PR1 2HE. e-mail: [email protected]; Phone: +61 418 676 586. _____________________________________________________________________________________ This is a contemporary review of the involvement of Mileva Marić, Albert Einstein’s first wife, in his theoretical work between the period of 1900 to 1905. Separate biographies are outlined for both Mileva and Einstein, prior to their attendance at the Swiss Federal Polytechnic in Zürich in 1896. Then, a combined journal is described, detailing significant events. In additional to a biographical sketch, comments by various authors are compared and contrasted concerning two narratives: firstly, the sequence of events that happened and the couple’s relationship at particular times. Secondly, the contents of letters from both Einstein and Mileva. Some interpretations of the usage of pronouns in those letters during 1899 and 1905 are re-examined, and a different hypothesis regarding the usage of those pronouns is introduced. Various papers are examined and the content of each subsequent paper is compared to the work that Mileva was performing. With a different take, this treatment further suggests that the couple continued to work together much longer than other authors have indicated. We also evaluate critics and supporters of the hypothesis that Mileva was involved in Einstein’s work, and refocus this within a historical context, in terms of women in science in the late 19th century. Finally, the definition of, collaboration (co-authorship, specifically) is outlined. -
Exporting Truth from Aboriginal Australia
TOBY MIu.ER EXPORTING TRUTH FROM ABORIGINAL AUSTRAUA IPORTIONS OF OUR PAST BECOME PRESENT AGAIN, WHERE ONLY THE MELANCHOLY LIGHT OF ORIGIN SHINES' J don't think there can be any doubt that unnecessarily. Of course, we could look for Aborigines have been the most important the global trace of contemporary Australia Australian exporters of social theory and by a form of desperate content analysis. cultural production to the northern Adding up references to it in the Manhanan hemisphere over the past century. How fiction of Jay Mcinerney, for example: eight could one come to such a conclusion? in Bright Lights, Big City (986) if you count When Jock Given approached me to write the 1984 New York Post, none if you don't; this paper, he referred to a recent essay of four in Ransom (] 987); ten in Story ofMy Life mine. It began like this: 'When Australia (989) if you count each mention of Nell's, became modem, it ceased to be interesting'. three if you don't; and none in Brightness I ran the argument there that Aboriginal Falls (992). Or we could turn to the 1995 Australia had provided Europe with a 'Down Under' episode of The Stmpsons, in 'photographic negative' of itself. The which a State Department representative essence of the north, s~creted by the briefs the family on bilateral relations: 'As blllowtng engines and disputatious I'm sure you remember, in the late 1980s the parliaments of the modern, could be US experienced a short-lived infatuation secreted by examining 'the prediarnarue with Australian culture (this is accompanied realities of the Antipodean primordial' by a cartoon-slide of Paul Hogan as (Miller T 1994. -
The Spiral Dynamics of Cinema Studies Provisionally Drafted by Alex Burns ([email protected])
1 The Spiral Dynamics of Cinema Studies Provisionally Drafted by Alex Burns ([email protected]). Version 0.1 (December 1998) Comment (8th November 2007) I wrote this as a course proposal outline whilst in the Cinema Studies undergraduate program at Australia’s La Trobe University in 1998. I had been studying the Spiral Dynamics® psychological model of levels of human existence for about 18 months, and had also been corresponding with Howard Bloom and Richard Metzger. This represented a first attempt to codify the SD model using film content as examples of the models and dynamics. The artefact is from my ‘early stage’ exploration of the SD model, written with good intent but a novice’s understanding. This document has several limitations. It relied on the SD colour scheme, and prioritised breadth and span over situated depth. The selected films and sequences reflected several personal theories about media analysis and the scientific debate on memetics and were heavily influenced by the pre-millennial sub-currents of the mid- to-late 1990s. I hadn’t taken the SD practitioner training I and II at the time. My knowledge of Cinema Studies frameworks and models also varied. Thus, today I wouldn’t necessarily endorse the films or their SD codification now as correct or representative of the Beck & Cowan model or Clare W. Graves’ original research. This is provided for historical interest and self-research purposes only. I subsequently developed a more precise methodology in 2003 whilst in the Strategic Foresight masters program at Swinburne University. I trialled it in workshops at SD practitioner training and the Australian festival This Is Not Art in 2003 and 2004. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Young Einstein Tail Credits
(There are a number of corrections and variations between the VHS and DVD tail credits - a few are noted below). Closing titles: The End This film is dedicated to a genius, a rebel, a pacifist, an eccentric with a clowning sense of humour who once remarked about his own theories "... I never thought that others would take them so much more seriously than I did ..." Albert Einstein 1879-1955 CAST Albert Einstein Yahoo Serious Marie Curie Odile Le Clezio Preston Preston John Howard Mr. Einstein Peewee Wilson Mrs. Einstein Su Cruickshank LONELY ST. HOTEL The Blonde Lulu Pinkus The Brunette Kaarin Fairfax Manager Michael Lake BAVARIAN BREWERY Wolfgang Bavarian Jonathan Coleman Rudy Bavarian Johnny McCall PATENT OFFICE Desk Clerk Michael Blaxland Bright Clerk Ray Fogo Inventor Couple Terry & Alice Pead Nihilist Frank McDonald SYDNEY UNIVERSITY Bursar Tony Harvey Lecturer Tim Elliot Droving Student Ray Winslade Randy Student Ian 'Danno' Rogerson Prudish Student Wendy de Waal Chinese Student P. J. Voeten THE KIDS Peter Zakrzewski Sally Zakrzewski Zanzi Mann Conky Heygate Shannen de Villermont Mark Bell Dogs Albert Heygate Wombat LUNATIC ASYLUM Lunatic Professor Warren Coleman Ernest Rutherford Glenn Butcher Brian Asprin Steve Abbott Nurse Russell Cheek Gate Guard Warwick Irwin Scientists Guard Keith Heygate Cat Pie Cook Roger Ward Asylum Guard Ted Reid Crazed Lunatic Martin Raphael Dangerous Lunatics The Film Crew CURIE ESTATE Mr. Curie Max Meldrum Mrs. Curie Rose Jackson SCIENCE ACADEMY AWARDS Charles Darwin Basil Clarke Marconi Adam Bowen Wilbur -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
SCORING ESSINGTON: Composition, Comprovisation
Screen Sound n2, 2011 SCORING ESSINGTON Composition, Comprovisation, Collaboration Michael Hannan Abstract New music technologies have increasingly enabled elements of improvised score to be incorporated into screen music tracks, even where a score is devised for performance by orchestral ensembles. This article focuses on the music construction for a film produced for (colour) television in the first decade of the Australian cinema revival period. In 1974 the author collaborated with composers Peter Sculthorpe and David Matthews on the production of the music score for the Australian feature-length drama, Essington (Julian Pringle, 1974). This reflective practice article outlines the creative ideas behind the composition of the Essington score and focuses on comprovisation (composition involving improvisation) as distinct from then-common practice in film scoring of fully notating the underscore. In scoring Essington’s music, comprovised cues, produced mostly using unconventional piano ‘interior’ sounds (where the sounds are produced by direct contact with the strings rather than using the keyboard), were used to sonically contrast with fully notated cues written in a conventional way for the piano. This study analyses a collaborative approach that offers a useful model for contemporary (Australian) film composition practices. Keywords Australian film music, Peter Sculthorpe, improvisation, comprovisation, piano interior Introduction Essington, a television feature film made by the Australian Broadcasting Corporation (ABC) for the introduction of colour television1, is an historical drama written by well- established historical novelist Thomas Keneally, directed by Julian Pringle and produced by Brian Burke. Essington’s storyline centres on the difficulties faced by British colonial settlers in coping with the harshness and strangeness of the Australian continent in the 1840s. -
THE MICHIGAN REVIEW Volume 19, Number 3 the Campus Affairs Journal of the University of Michigan September 27
i · THE MICHIGAN REVIEW Volume 19, Number 3 The Campus Affairs Journal of the University of Michigan September 27. 2000 Nike Ditches U of M Over of WRC --Instead ojrecieving $24 millionjrom Nike, school to pay $760,0001.....-- By MATTHEW FRANCZAK will be used to pay the $760,000 necessary U of M's contract to the level of any other has signed a contract with Michigan State to purchase the equipment Nike would Nike-sponsored university that negotiated University for sponsorship. Nike still must IKE MANY MAJOR universities, the have provided. a better deal, and a "living wage" condition pay some royalties on U ofM merchandise University of Michigan's high profile Originally, Nike was prepared to sign which the University itself might have it sells, but these are not nearly as lucrative L athletics are capable of drawing a a contract worth $24 million over the trouble meeting. The open-ended nature as the proposed contract. lucrative sponsorship contract from athletic course ofsix years. This enormous contract of these cwo provisions combined with the One of the key factors in the apparel companies and up was expected to be closed despite some University's membership in the Worker's breakdown of negotiations, the "living until this year, had received custom service problems and objections by Rights Coalition (WRC) proved to be too wage" requirement and WRC exactly such an arrangement membership, can be traced to political from Nike. With a 6-year $8 pressure applied by the anti-sweatshop million dollar contract movement. The University group most coming to an end, the University was in actively involved in this cause is Students the process of negotiating another 6-year Organizing for Labor and Economic contract in which it would receive $24 Equality (SOLE). -
Young Einstein Music Credits
Original Music Score William Motzing Martin Armiger Tommy Tycho Bavarian Band Sylvester's Sextet Music Engineers Robin Gray Mike Stavrou Nick Launay Richard Lush Rock Session Musicians Ken Francis Kirk L'Orange Roger Mason Rick Chadwick Sunil Da Silva Nick Lyons Jason Morphett Orchestra Leaders Ron Leighton Robert Ingram Harmonies The Song Company Fat Opera Voice Jocelyn Pinkus Orchestral Music Performed by Victorian Philharmonic Orchestra Additional Score Maurie Sheldon Simon Walker Music Editor David Roach SONGS 'Great Southern Land’ Composed by Iva Davies Performed by ‘Icehouse’ Published by Catsongs Pty Ltd. Courtesy of Chrysalis Records Inc. & Regular Records Pty. Ltd. 'Hungry Town’* Composed by Oleh Witer and ‘Big Pig’ Performed by ‘Big Pig’ Produced by Nick Launay Etienne Conod & ‘Big Pig’ Mixed by Nick Launay Published by Mushroom Music Pty. Ltd. & Big Pig Music Courtesy of A & M Records, Inc. 'I Hear Motion’* Composed by Sean Kelly, Andrew Duffield, James Freud & Barton Price Performed by ‘Models’ Produced by Nick Launay Published by Mushroom Music Pty. Ltd. 'The Music Goes Round My Head’* Composed by Harry Vanda & George Young Performed by ‘The Saints’ Published by J. Albert & Son Pty. Ltd. 'At First Sight’* Composed by Domenic Mariani Performed by ‘The Stems’ Produced by Alan Thorne, Domenic Mariani & Guy Gray Published by Mushroom Music Pty. Ltd. 'Weirdo Libido' Composed by Mick Blood & Daryl Mather Performed by ‘The Lime Spiders’ Produced by Cameron Allan Published by Virgin Music Aust. Pty. Ltd. Courtesy of Virgin Records Aust. Pty. Ltd. 'Great Big Brain' Lyrics by Serious & Roach Music arranged by William Motzing 'The Good, The Bad & The Ugly' Composed by Ennio Morricone 'Dumb Things’* Composed by Paul Kelly Performed by Paul Kelly & The Messengers Produced by Martin Armiger & Paul Kelly Re-mixed by Alan Thorne & Paul Kelly Published by Mushroom Music Pty. -
Einstein, Mileva Maric
ffirs.qrk 5/13/04 7:34 AM Page i Einstein A to Z Karen C. Fox Aries Keck John Wiley & Sons, Inc. ffirs.qrk 5/13/04 7:34 AM Page ii For Mykl and Noah Copyright © 2004 by Karen C. Fox and Aries Keck. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008. Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation.