An Almost Complete Performance of Rossini's Mammoth Semiramide
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Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
LIEDER ALIVE! 2012 Overview
LIEDER ALIVE! MASTER WORKSHOP AND CONCERT SERIES MAXINE BERNSTEIN director MASTER ARTISTS A ground-breaking program in the teaching of German Lieder Thomas Hampson 2008 Marilyn Horne 2009 June Anderson 2011 Håkan Hagegård 2012 Program Overview AFFILIATED MASTER ARTIST LIEDER ALIVE! was founded in 2007 by Maxine Bernstein to re-invigorate the teaching and Christa Ludwig performance of German Lieder, songs mainly from the Romantic Era of music composed for a solo singer and piano, and frequently set to great poetry. Our “graduate level” program brings CONTRIBUTING ARTISTS outstanding master artists together with highly accomplished emerging and established Heidi Melton, soprano Eleazar Rodriquez, tenor professionals. Such a program, devoted exclusively to this important artistic genre, is unique in Kindra Scharich, mezzo-soprano America. All of our extraordinary master artists, and our supremely gifted workshop participants, Katherine Tier, mezzo-soprano are aiding in our purpose of keeping Lieder where it belongs—alive! Ji Young Yang, soprano ADVISORY BOARD Håkan Hagegård has graciously consented to bring his innovative Singers' Studio to us for an David Bernstein, Honorary Chair intensive five-day program that will be held in the Music Salon at Salle Pianos, and concluding Alison Pybus, Executive Chair with a public Master Class in the grand Concert Hall at the San Francisco Conservatory of Music, Vice President, IMG Artists on September 8, 2012. John Parr Collaborative Pianist, Master Coach We were honored to welcome June Anderson who sang a Benefit Concert on Friday, October 14, San Francisco Opera Center then taught The Art of Singing, opening with a public Master Class on Saturday, October 15, 2011, Assistant to Music Director and Casting Director and continuing with a three-day private teaching intensive. -
67 Gaetano Donizetti LES MARTYRS Grand Opera In
Gaetano Donizetti LES MARTYRS Grand opera in four acts Libretto by Eugène Scribe First performance: 10 April 1840, Paris Opéra ORIGINAL CAST Polyeucte Gilbert Duprez Pauline Julie Dorus-Gras Sévère Jean-Etienne-Auguste Massol Félix Prosper Dérivis Callisthènes Jacques-Emil Serda Néarque Pierre François Wartel Un Chrétien François Gély (stage name Molinier) The action takes place in Mélitène, capital of Armenia. By restoring various cuts made to the score of Les Martyrs before the first performances in Paris, the present recording allows us to hear several passages of music never before played in public, and to appreciate the opera in a version much closer to Donizetti’s original intentions. For ease of reading these restored cuts are shown here in blue. 67 CD1 77’21 ACT 1 [1] Overture CHORUS OF CHRISTIANS O Dieu tutélaire, Oh protecting God, O toi notre père Oh you our father Qui règne sur terre comme dans les cieux, Who reigns on earth as in heaven, Dieu tutélaire, Protecting God, Qui règne sur terre comme dans les cieux. Who reigns on earth as in heaven. SCENE I Néarque, Polyeucte, Chorus of Christians. The scene depicts some catacombs, accessed by a staircase cut into the rock. In the foreground, to the right of the audience, stand some Roman tombs, one of which is particularly magnificent. On the left, about three-quarters of the way back, is the entrance to a cave leading to other tombs. It is dark. Several groups of Christians have come down into the catacombs. One group is already in the underground passages; the other group is still at the top of the staircase. -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
572032 Bk Penderecki
ROSSINI Complete Overtures • 4 Il barbiere di Siviglia Il Turco in Italia • Armida Prague Sinfonia Orchestra • Christian Benda Complete Overtures • 4 Gioachino Rossini (1792-1868): matrimonio, for which it was adapted, to be used again, poem. Coming to his senses, he leaves Armida, who is Gioachino Antonio Rossini, one of the most successful Useless Precaution), to avoid confusion with Paisiello’s after further revision, as an overture for Adelaide di now torn between love and desire for revenge. The and popular operatic composers of his time, was born in work, Rossini’s opera deals with the plan by Count Borgogna in 1817. opening Sinfonia contrasts two elements, the steady Pesaro in 1792. His father, a brass-player, had a modest Almaviva to woo Rosina and win her hand in marriage. Ricciardo e Zoraide was first staged at the Teatro march of the crusaders and a rapid Vivace, the march career, disturbed by the political changes of the period as With the help of the barber and general factotum Figaro, San Carlo in Naples in 1818. Agorante, angry at the unexpectedly returning to interrupt the livelier section. the French replaced the Austrians in Northern Italy. he carries out his plan to outwit her guardian, Dr Bartolo, refusal of Ircano to give him his daughter Zoraide in Le Comte Ory, Rossini’s fourth opera for Paris, was Rossini’s mother was a singer and as a boy Rossini who has his eye on his ward’s fortune. The overture was marriage, ousts Ircano from his kingdom of Nubia and first staged at the Paris Opéra in August 1828. -
Boston Symphony Orchestra Concert Programs, Season 110, 1990-1991
June Anderson, soprano and Alfredo Kraus, tenor Julius Rudel, conductor Members of the Boston Symphony Orchestra Sn Presented by the BOSTON OPERA ASSOCIATION Monday, March 11, 1991, at 8:15 p.m. Symphony Hall, Boston t f Benefactors, Patrons, and Sponsors for the Boston Opera Association Opera Gala at Symphony Mrs. Weston W. Adams Mr. and Mrs. Richard I. Johnson Mr. A. Samuel Adler Mr. and Mrs. Bela T. Kalman Mrs. Frank G. Allen* Mr. and Mrs. John M. Kucharski Mr. Frank G. Allen, Jr.* Mr. and Mrs. R. Willis Leith, Jr. Prof, and Mrs. Rae D. Anderson Mr. and Mrs. J. Peter Lyons Mr. and Mrs. David B. Arnold, Jr.| Hon. Charles Francis Mahoneyt Bierly-Drake Associates, Inc. Mr. Donald M. Manzelli 1 Mrs. Mary Louise Cabot Mrs. Barbara M. Marshall Mrs. Angelica Lloyd Clagett Merrill Lynch, Pierce, Fenner & Smith Inc. Mr. David C. Crockett* Miss Les J. Miller* Mr. and Mrs. William R. Cuming Mr. and Mrs. Wells Morss Selectman and Mrs. Luster Delany Mr. and Mrs. Albert L. Nickerson Dr. and Mrs. Charles C. Dickinsonf Miss Mary-Catherine O'Neill* Miss Catherine-Mary Donovan Hon. and Mrs. Lawrence T. Perera Dr. Richard W. Dwight Mr. and Mrs. William J. Poorvu Dynatech Corporation* Ms. Mattina R. Proctor Dr. and Mrs. Dean S. Edmonds, Jr.* Mr. and Mrs. Jerome Rosenfeld Mr. and Mrs. George Ellison Dr. and Mrs. Russell J. Rowell* Mrs. Harris Fahnestockt Mr. and Mrs. James D. St. Clair Ms. Anna E. Finnertyt Mrs. George Lee Sargent Mr. Raymond C. Foster Dr. and Mrs. Lawrence T. Shields Mr. -
Roger Parker: Curriculum Vitae
1 Roger Parker Publications I Books 1. Giacomo Puccini: La bohème (Cambridge, 1986). With Arthur Groos 2. Studies in Early Verdi (1832-1844) (New York, 1989) 3. Leonora’s Last Act: Essays in Verdian Discourse (Princeton, 1997) 4. “Arpa d’or”: The Verdian Patriotic Chorus (Parma, 1997) 5. Remaking the Song: Operatic Visions and Revisions from Handel to Berio (Berkeley, 2006) 6. New Grove Guide to Verdi and his Operas (Oxford, 2007); revised entries from The New Grove Dictionaries (see VIII/2 and VIII/5 below) 7. Opera’s Last Four Hundred Years (in preparation, to be published by Penguin Books/Norton). With Carolyn Abbate II Books (edited/translated) 1. Gabriele Baldini, The Story of Giuseppe Verdi (Cambridge, 1980); trans. and ed. 2. Reading Opera (Princeton, 1988); ed. with Arthur Groos 3. Analyzing Opera: Verdi and Wagner (Berkeley, 1989); ed. with Carolyn Abbate 4. Pierluigi Petrobelli, Music in the Theater: Essays on Verdi and Other Composers (Princeton, 1994); trans. 5. The Oxford Illustrated History of Opera (Oxford, 1994); translated into German (Stuttgart. 1998), Italian (Milan, 1998), Spanish (Barcelona, 1998), Japanese (Tokyo, 1999); repr. (slightly revised) as The Oxford History of Opera (1996); repr. paperback (2001); ed. 6. Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 (Oxford, 2001); ed. with Mary Ann Smart 7. Verdi in Performance (Oxford, 2001); ed. with Alison Latham 8. Pensieri per un maestro: Studi in onore di Pierluigi Petrobelli (Turin, 2002); ed. with Stefano La Via 9. Puccini: Manon Lescaut, special issue of The Opera Quarterly, 24/1-2 (2008); ed. -
Beach Party Ci Nd Erella Study Guide
BEACH PARTY CI ND ERELLA STUDY GUIDE NASHVILLE OPERA CINDERELLA by Gioachino Rossini JUNE 12, 2021 The Ann & Frank Bumstead Production Special 90-minute Adaptation Ascend Amphitheater Directed by John Hoomes Conducted by Dean Williamson Featuring the Nashville Opera Orchestra CAST & CHARACTERS Cinderella (Angelina) Emily Fons* The Prince Matthew Grills* Dandini Jonathan Beyer* Don Magnifico Stefano de Peppo* Alidoro Christopher Curcuruto*† Tisbe Emilyl Cottam*† Clorinda Bryn Holdsworth* Brian Russell Jonas Grumby * Nashville Opera debut † 2021 Mary Ragland Emerging Artist TICKETS & INFORMATION Contact Nashville Opera at 615.832.5242 or visit nashvilleopera.org/cinderella SPONSORED BY ANN MARIE AND MARTIN M cNAMARA III NASHVILLE WITH SUPPORT FROM THE JUDY & NOAH SUE & EARL OPERA LIFF FOUNDATION SWENSSON THE STORY Rossini composed his version of the CINDERELLA folk tale in a staggering three weeks during 1817. He was only twenty-four years old at the time. Based on Charles Perrault’s CENDRILLON of 1697, La Cenerentola follows a common girl who dreams of a happier life and a prince who seeks to marry the most beautiful girl he can find. Rossini’s plot diverges from the fairy-tale tradition and takes a more realistic approach, with an endearing and sensible central character. Director John Hoomes brings some of the magic spirit back by setting the farcical tale by the sea in his BEACH BLANKET BINGO -inspired staging. THIS SYNOPSIS HAS BEEN UPDATED TO REFLECT JOHN HOOMES’S BEACH-PARTY STAGING It’s morning in the broken-down surf shop owned by Don and tells him to search for the young woman wearing the Magnifico. -
Mauro GIULIANI Le Rossiniane Goran Krivokapić, Guitar Mauro Giuliani (1781–1829) Giuliani’S Six Rossiniane for Solo Guitar Are Fantasias Rossiniana No
Mauro GIULIANI Le Rossiniane Goran Krivokapić, Guitar Mauro Giuliani (1781–1829) Giuliani’s six Rossiniane for solo guitar are fantasias Rossiniana No. 1, Op. 119 (c. 1820 –23) Le Rossiniane or potpourris (i.e. medleys) on themes taken from (Le Rossiniane, Part 1, Op. 119) Rossini’s operas. The first five are dated around 1820–23 Introduction (Andantino) – Otello , Act III. Scene e Mauro Giuliani, one of the great masters of the early 19th Seville , was written within three weeks. Nearly 40 stage during Giuliani’s time in Rome, and the last was published Romanza: Assisa a piè d’un salice (Desdemona) century, wrote a vast quantity of guitar music including works constitute his ultimate output, as well as sacred in 1827/28. At the time of composition the public would Andante grazioso – L’Italiana in Algeri , Act I, Scene 3. variations, sonatas, concertos, duets and studies. An music, cantatas, incidental music, hymns, choruses, have been well aware of the themes of Rossini’s music Cavatina: Languir per una bella (Lindoro) important part of his career was spent in Vienna where he miscellaneous vocal pieces and instrumental works, but nowadays only the more popular may be immediately Maestoso – L’Italiana in Algeri , Act I, Scene 5. Duetto: was well acquainted with Beethoven, Moscheles, among others. recognisable to an audience. However, the tunes are so Ai capricci della sorte (Isabella, Taddeo) Hummel, Mayseder, Spohr and other leading musicians Giuliani’s music was largely neglected by the leading strong and vivid that a first acquaintance with such Moderato – L’Italiana in Algeri , Act II. -
03-10-2018 Semiramide Mat.Indd
GIOACHINO ROSSINI semiramide conductor Opera in two acts Maurizio Benini Libretto by Gaetano Rossi, based on production John Copley the play Sémiramis by Voltaire set designer Saturday, March 10, 2018 John Conklin 1:00–4:40 PM costume designer Michael Stennett lighting designer John Froelich revival stage director The production of Semiramide was Roy Rallo made possible by a generous gift from the Lila Acheson and DeWitt Wallace Fund for Lincoln Center, established by the founders of The Reader’s Digest Association, Inc. The revival of this production is made possible by a gift from Ekkehart Hassels-Weiler general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON The 34th Metropolitan Opera performance of GIOACHINO ROSSINI’S This performance semiramide is being broadcast live over The Toll Brothers– Metropolitan Opera conductor International Radio Maurizio Benini Network, sponsored in order of vocal appearance by Toll Brothers, America’s luxury oroe, high priest of the magi ® homebuilder , with Ryan Speedo Green* generous long-term support from idreno, an indian prince The Annenberg Javier Camarena Foundation, The Neubauer Family assur, a prince Foundation, the Ildar Abdrazakov Vincent A. Stabile Endowment for semir amide, queen of babylon Broadcast Media, Angela Meade and contributions from listeners arsace, commander of the assyrian army worldwide. Elizabeth DeShong There is no Toll Brothers– a zema, a princess Metropolitan Sarah Shafer Opera Quiz in List Hall today. mitr ane, captain of the guard Kang Wang** This performance is also being broadcast ghost of king nino live on Metropolitan Jeremy Galyon Opera Radio on SiriusXM channel 75. -
Section 2 Stage Works Operas Ballets Teil 2 Bühnenwerke
SECTION 2 STAGE WORKS OPERAS BALLETS TEIL 2 BÜHNENWERKE BALLETTE 267 268 Bergh d’Albert, Eugen (1864–1932) Amram, David (b. 1930) Mister Wu The Final Ingredient Oper in drei Akten. Text von M. Karlev nach dem gleichnamigen Drama Opera in One Act, adapted from the play by Reginald Rose. Libretto by von Harry M. Vernon und Harald Owen. (Deutsch) Arnold Weinstein. (English) Opera in Three Acts. Text by M. Karlev based on the play of the same 12 Solo Voices—SATB Chorus—2.2.2.2—4.2.3.0—Timp—2Perc—Str / name by Harry M. Vernon and Harald Owen. (German) 57' Voices—3.3(III=Ca).2(II=ClEb).B-cl(Cl).3—4.3.3.1—Timp—Perc— C F Peters Corporation Hp/Cel—Str—Off-stage: 1.0.Ca.0.1—0.0.0.0—Perc(Tamb)—2Gtr—Vc / 150' Twelfth Night Heinrichshofen Opera. Text adapted from Shakespeare’s play by Joseph Papp. (English) _________________________________________________________ 13 Solo Voices—SATB Chorus—1.1.1.1—2.1.1.0—Timp—2Perc—Str C F Peters Corporation [Vocal Score/Klavierauszug EP 6691] Alberga, Eleanor (b. 1949) _________________________________________________________ Roald Dahl’s Snow White and the Seven Dwarfs Text by Roald Dahl (English) Becker, John (1886–1961) Narrator(s)—2(II=Picc).2.2(II=B-cl).1.Cbsn—4.2.2.B-tbn.1—5Perc— A Marriage with Space (Stagework No. 3) Hp—Pf—Str / 37' A Drama in colour, light and sound for solo and mass dramatisation, Peters Edition/Hinrichsen [Score/Partitur EP 7566] solo and dance group and orchestra. -
D'una Féirfeiabionda Gastronomia • Ballo -Paninoteca Pesca Egiochi Vari Sorpresa Tedesca Al 41* Festival Di Locamo
CULTURA E SPETTACOLI Si inaugura martedì con l'edizione critica Il festival A Torre del Lago dell'opera di Rossini il festival di Pesaro. Sul podio John Pritchard, regia di Pizzi, Com'è lunare con June Anderson i tenori Merritt e Blake questo Puccini ALBERTO PALOSCIA •• TORRE DEL UGO. Pucci dedicato alle liriche da came ni e dintorni: questa potrebbe ra di Catalani, Mascagni e essere la sigla delle ultime edi Puccini: i tre esponenti tosca » zioni del Festival pucclniano, ni della Giovane Scuota - due che da qualche anno sta pro lucchesi contro un livornese - gressivamente ampliando l saranno uniti per la prima vol propri orizzonti ad altri musi ta in un unico programma. cisti, quasi tutti contempora C'è state anche una serate bielle* inaugura martedì 16 il Rossini Opera Festi re tutto più agevole. I cantanti rebbe da presuntuosi e da le variazioni integralmente nei o in qualche modo debito di teatro musicale da camera, val, ormai tradotto ih Ror. mentre il 20 agosto ci sono ormai degli habitué, Pier sciocchi. Però vorremmo of sulla partitura. Secondo altri ri di Puccini. Nell'85 toccò al intitolata Al Pierrot Lunoire, sarà la ripresa de // signor Bruschino. Un altro Luigi Pizzi non ha saltato un frire, come abbiamo fatto per le note che si possono leggere Britten del Ciro di vite, l'anno con cui il festiva! ha concimo debutto il 2 settembre con l'edizione critica de La anno, o quasi; solo II maestro il passato, criteri interpretativi sui suoi manoscritti non sono scorso il Ravel di Heurt espa felicemente la serie degli spet John Pritchard che dirigerà che possono anche essere in tutte quelle che poi i fortunati gnole lece compagnia al Puc tacoli.