Kajagoogoo the Very Best of Kajagoogoo and Limahl Mp3, Flac, Wma

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Kajagoogoo The Very Best Of Kajagoogoo And Limahl mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: The Very Best Of Kajagoogoo And Limahl Country: UK & Europe Released: 2003 Style: Synth-pop MP3 version RAR size: 1311 mb FLAC version RAR size: 1459 mb WMA version RAR size: 1193 mb Rating: 4.4 Votes: 318 Other Formats: VQF RA AU WMA APE ASF AAC Tracklist 1 –Kajagoogoo Too Shy 3:45 2 –Kajagoogoo Ooh To Be Ah 3:35 3 –Kajagoogoo Hang On Now 3:22 4 –Kajagoogoo Big Apple 4:10 5 –Kajagoogoo The Lion's Mouth 3:32 6 –Kajagoogoo Turn Your Back On Me 4:01 7 –Kajagoogoo Shouldn't Do That 3:24 8 –Kajagoogoo Charm Of A Gun 4:27 9 –Limahl Only For Love 3:54 10 –Limahl Never Ending Story 3:29 11 –Limahl I Was A Fool 4:45 12 –Limahl Inside To Outside 3:43 13 –Kajagoogoo Monochromatic 4:09 14 –Kajagoogoo Take Another View 4:05 15 –Limahl Your Love 4:27 16 –Limahl Shock 4:28 17 –Limahl Love In Your Eyes 4:12 18 –Limahl Too Much Trouble 3:56 19 –Limahl Tar Beach 3:46 Companies, etc. Phonographic Copyright (p) – EMI Records Ltd. Copyright (c) – EMI Records Ltd. Pressed By – EMI Uden Marketed By – EMI Distributed By – EMI Credits Artwork – The RedRoom* Liner Notes – Martin Hutchinson Notes Jewel Case with 12 page colour booklet. Barcode and Other Identifiers Barcode (String): 724359539027 Barcode (Text): 7 24359 53902 7 Matrix / Runout (Variant 1): EMI UDEN 5953902 @ 1 1-1-5-NL Mastering SID Code (Variant 1): IFPI L047 Mould SID Code (Variant 1): ifpi 15C9 Matrix / Runout (Variant 2): EMI uDEN 5953902 @ 1 010106 Mastering SID Code (Variant 2): IFPI L047 Mould SID Code (Variant 2): IFPI AAHP5 Rights Society: bel BIEM Label Code: LC0542 Other (Distribution Code - F): PM 514 Other versions Category Artist Title (Format) Label Category Country Year Kajagoogoo And Limahl - 7243 5 24353 2 Kajagoogoo The Very Best EMI Gold, 7243 5 24353 2 UK & 1999 7, E524 2532 And Limahl Of Kajagoogoo EMI Gold 7, E524 2532 Europe And Limahl (CD, Comp) Kajagoogoo And Limahl - S.B.A./GALA Kajagoogoo The Very Best 5099952145223 RECORDS, 5099952145223 Russia Unknown And Limahl Of Kajagoogoo INC. And Limahl (CD, Comp) Kajagoogoo And Limahl - Kajagoogoo The Very Best Ivy Records , QIAG-11008 QIAG-11008 Japan 2010 And Limahl Of Kajagoogoo EMI And Limahl (CD, Comp) Related Music albums to The Very Best Of Kajagoogoo And Limahl by Kajagoogoo Kajagoogoo & Limahl - Premium Gold Collection Limahl - Never Ending Story Kajagoogoo & Limahl - Too Shy - The Singles And More Kajagoogoo - Too Shy (Hush Hush, Eye To Eye) Kajagoogoo - Ooh To Be Ah KajaGooGoo - White Feathers Limahl - Colour All My Days Kajagoogoo - Islas Kajagoogoo - Islands Limahl - Only For Love Kajagoogoo - Too Shy Bassline Featuring Limahl - Maybe This Time.

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LANCASTER UNIVERSITY Popular Music, the Christian Story, and The
LANCASTER UNIVERSITY Popular Music, the Christian Story, and the Quest for Ontological Security David John Gillard MA (Distinction) A Thesis Submitted to the Faculty of Graduate Studies In Fulfilment of the Requirements for The Degree of Doctor of Philosophy (PhD) DEPARTMENT OF POLITICS, PHILOSOPHY AND RELIGION OCTOBER 2019 Abstract Popular Music, the Christian Story, and the Quest for Ontological Security David John Gillard MA A Thesis Submitted to the Faculty of Graduate Studies In Fulfilment of the Requirements for The Degree of Doctor of Philosophy (PhD) October 2019 The crisis of socialisation into Christian belief is, in part, evidence of Western secularisation. Added to this, there is evidence of significant existential restlessness. Moreover, many individuals feel alienated from the Church, which has been the historic Western provider of a discourse offering ontological security. Such restlessness finds emotional expression within a popular music culture that frequently interrogates Christian belief. It is argued here that not only is there a hegemonic resistance to Christian discourse, but that the Church inadvertently colludes with these forces, favouring its historic, rationalistic methods of evangelism, the effectiveness of which is now limited. This thesis offers a model to redress aspects of this disconnect, arguing for the significance of affective spaces within which spiritual reflection is encouraged. Using Zygmunt Bauman’s sociology of liquid modernity the thesis considers the fluid nature of Western society. In particular, it explores the ways in which popular music articulates core themes in a society in which individuals are effectively bricoleurs, drawing from popular culture in order to tactically resist hegemony. Central to the discussion is the idea that humans are ‘hard wired’ to develop a sense of self in a proto-musical manner.
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