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MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 Melbourne 'S Home of Theatre
MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 MElBOURNE 'S hOME OF ThEATRE MELBOURNE THEATRE COMPANY Media Release 28 AUGUST 2016 MTC Season 2017 Melbourne Theatre Company Artistic Director Brett Sheehy ao today revealed MTC’s 2017 Season – a collection of works from around the world that celebrate the art of great, live storytelling. ‘Season 2017 is one of our most exciting yet,’ Brett Sheehy said. ‘The year ahead draws together an enviable assortment of artists to present stories from France, Britain, Ireland, America, India, and, of course, Australia for a season that will bring laughter, empathy, debate and intrigue to all our lives.’ ‘In a season that celebrates and showcases live storytelling at its best, we are especially thrilled that four outstanding new Australian plays will have world premiere productions on our stages,’ Mr Sheehy said. Melbourne Theatre Company’s 2017 Season features eleven mainstage productions, an extensive Education Program and touring education production, plus a range of industry-leading initiatives including MTC’s Women in Theatre Program, NEON NEXT, MTC CONNECT and Cybec Electric. The season opens in grand period style with Garson Kanin’s 1940s Broadway classic Born Yesterday – a screwball romance directed by MTC Associate Director Dean Byrant, starring Christie Whelan Browne and Joel Jackson. The incomparable Helen Morse and Julia Blake return to the stage alongside Ursula Mills making her MTC debut in John, the latest highly acclaimed work from Pulitzer Prize-winning playwright Annie Baker, directed by MTC Associate Director Sarah Goodes. Judy Davis directs Brian Friel’s enduring work of art, Faith Healer – an extraordinary creation presented in four beautifully sculpted monologues – starring Colin Friels, Pip Miller and Alison Whyte. -
Australian Multicultural Policy and Television Drama in Comparative Contexts
Australian multicultural policy and television drama in comparative contexts Harvey May BA (Comm), BA, B Bus (Hons)(Comm), Post Grad Dip Ed A thesis submitted in 2003 for the award of Doctor of Philosophy Creative Industries Research and Applications Centre Creative Industries Faculty Queensland University of Technology Key Words Multiculturalism, Cultural Diversity, Television, Drama, Casting, Minorities, Australia, United Kingdom, New Zealand, United States. Abstract This thesis examines changes which have occurred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia’s multicultural population. The way in which these actors are portrayed on- screen has also shifted from one of a ‘performed’ ethnicity, to an ‘everyday’ portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming. -
2016Programs 2
2016PROGRAMS VOLUME 2 Welcome Contents ABC Commercial is delighted to present volume 2 of our Presales 4 2016 Program Catalogue. Our commitment to distinctive, high quality programs suitable for broadcast on all platforms Newton’s Law 4 is evident in the calibre and diversity of the programs Dream Gardens 5 showcased in this catalogue. Top Jobs for Dogs 5 Pulse 6 Spanning multiple genres, including drama, comedy, factual, children’s, lifestyle and entertainment, arts and music and 72 Dangerous Animals 7 Latin America news and current affairs – our programs are recognised and 72 Dangerous Animals Asia 7 rewarded worldwide. New Releases 8 ABC Kids is the Australian Broadcasting Corporation’s trusted The Wonder of Marsupials 8 children’s brand, providing an additional stamp of quality, You Can’t Ask That 9 innovation and edutainment. Upper Middle Bogan – Series 3 9 Our continued investment in new programs means an Ice Wars – The Meth Epidemic 9 increased depth and diversity for our content portfolio, ABC Comedy Showroom 10–11 ensuring that there is something for all schedule, Running Wild: Camels 12 programming and platform needs! Soul Mates – Series 2 12 Our team covers the globe, with offices in Sydney and London Conviction 12 along with agents who complement our territory reach. Cyber War 13 We represent many of Australia’s most talented producers who ABC Now 13 create ‘best in class’ content that resonates with international Australia’s Shame – Four Corners 13 audiences. We look forward to discussing with you our new National Film and Sound Archive 14 slate of wonderful programs. -
Illegal Holiday Lets in Byron Bay to Close
THE BYRON SHIRE ECHO Advertising & news enquiries: Mullumbimby 02 6684 1777 Byron Bay 02 6685 5222 Fax 02 6684 1719 [email protected] [email protected] http://www.echo.net.au VOLUME 20 #10 TUESDAY, JULY 26, 2005 22,300 copies every week $1 at newsagents only TO BOLDLY SPLIT INFINITIVES Illegal holiday lets in Such a Splendiforous outing Byron Bay to close Fears are circulating among Barham. She points out that, workshop to work out more the tourism industry that the if approved, the new Local sensible regulation of the holiday rental market will be Environment Plan for Byron industry. We’re developing a ‘closed down’ if Council Bay will permit holiday serv- range of options. We need to enforces its policy on holiday iced apartments in medium slow everything down and letting. Advice from Coun- density areas such as Law- have a sensible discussion of cil’s lawyers and the Depart- son Street and parts of the issues.’ ment of Planning have con- Shirley Street. While admitting that the fi rmed that the permanent Asked what action Coun- industry does need some letting of properties to holi- cil is likely to take next, and regulation he said he was not day makers in the residential whether it will close down all ready to disclose details of zone is illegal. holiday rental properties the options. Tourism Byron have esti- which are located in residen- ‘Some combination of mated that 600 out of 700 tial areas, Jan Barham replied, zones and much tougher rental properties could be ‘ We will get a report on com- noise regulation are some of affected, however a tourism pliance and we will certainly the initial thoughts,’ Mr audit produced by Southern be putting forward that we Hawkins explained. -
Georgina Naidu
G E ORGINA NAIDU TRAINING 1994 Graduate VCA 1991 Prahran College of Performing Arts 1984 – 1991 St. Martin’s Youth Theatre THEATRE Feather in the Web Various Red Stitch Dir: Declan Greene Dance Nation Connie Red Stitch Dir. Maude Davey Minnie & Liraz Norma Melbourne Theatre Company Dir: Anne Louise Sarks Ganesh Versus The Third Reich Pavarti Back To Back Theatre Dir: Bruce Gladwin Yet to Ascertain The Nature Of The Crime Co- Devisor Melbourne Workers Theatre Dir: Gorkem Acaroglu A Narrow Time For Angels Bliss The Store Room Dir: Lucy Freeman Attract Repel Georgina Naidu The Store Room Dir: Ming Zhu Hii Fearless N M Director Theatre Kantanka Inc Dir: Carlos Gomes Roulette Tara Dir: Greg Ulfan The Habib Show Maha Habib Auspicious Arts Projects Dir: Gorkem Acaroglu Yellowfeather Yellowfeather Hong Kong Fringe Festival ‘06 Yellowfeather Yellowfeather Theatre 4A Inc | SOH Studio The Perfumed Garden Elephanta Theatre Company Macbeth Second Witch/Lady McDuff Theatreworks Dir: Fiona Blair The Saints Play Various Melbourne Theatre Company -Multicultural Workshop 2 Dir: Kate Cherry Run Rabbit Run Various Belvoir St Theatre The Saint Plays Various Melbourne Theatre Company -Multicultural Workshop 1 Dir: Kate Cherry The Book Keeper Various Sidetrack | Carnivàle ‘03 Titania’s Boy Various Riverina Theatre Company Daphne Massacres Various Parramatta Riverside Theatre Alkestis Various Sidetrack Performance Group Citizen X Nurse/Various Sidetrack Performance Group The Book Keeper Various Sidetrack Performance Group A Midsummer Night’s Dream Titania Hothouse Theatre Dir: Charles Parkerson G E ORGINA NAIDU P a g e | 2 THEATRE (continued) The Vagina Monologues Lead Athenaeum Theatre One plus One Various Malthouse Theatre Cosmic Genie (Script Workshop) Ayah Playbox Theatre Mr Ionesco & The Bald Rhinoceros Co Lead Adelaide Fringe Festival Three Weird Sisters Sister Artrage Festival –Perth Dangerous Le Asians Various Asian Thtre Fest. -
Minnie & Liraz
MINNIE & LIRAZ by Lally Katz Welcome At the beginning of every play’s rehearsal period we feel a great sense of excitement, but never more so than when it’s a world premiere of a new Australian work. In the case of Minnie & Liraz, it’s both a new Australian play and a truly Melbourne story, and I am thrilled that it’s Melbourne’s audiences who get to see its first presentation in the world. Minnie & Liraz has humour, honesty, warmth and imagination in spades, taking its audience on a wild and unpredictable ride. So strap yourselves in for some delicious twists and turns! Written by the inimitable Lally Katz and directed by Anne-Louise Sarks, this production brings together a wonderful team of actors and creative artists along with a little slice of Caulfield to MTC’s home in the Arts Centre – the Fairfax Studio. Throughout May, MTC’s stages are filled with three brand new Australian plays – Three Little Words, Melbourne Talam and Minnie & Liraz. They are three very different stories, but each a wonderful example of the work of the unique and talented writers we have in this country. MTC has a long history of working with and supporting local writers and our commitment remains as steadfast as ever. It fills me with immense pride that Melbourne audiences continue to echo this support by being such great advocates for new works, so thank you and I hope you enjoy this world premiere production. See you at the theatre! Brett Sheehy ao Artistic Director GET SOCIAL WITH MTC MelbourneTheatreCompany melbtheatreco melbtheatreco MTC.COM.AU Melbourne Theatre Company acknowledges the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which Southbank Theatre and MTC HQ stand, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future.