De Giuseppe Tornatore Avec Philippe Noiret, Jacques Perrin. Affiche De
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
JEANNE MOREAU: NOUVELLE VAGUE and BEYOND February 25 - March 18, 1994
The Museum of Modern Art For Immediate Release February 1994 JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND February 25 - March 18, 1994 A film retrospective of the legendary French actress Jeanne Moreau, spanning her remarkable forty-five year career, opens at The Museum of Modern Art on February 25, 1994. JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND traces the actress's steady rise from the French cinema of the 1950s and international renown as muse and icon of the New Wave movement to the present. On view through March 18, the exhibition shows Moreau to be one of the few performing artists who both epitomize and transcend their eras by the originality of their work. The retrospective comprises thirty films, including three that Moreau directed. Two films in the series are United States premieres: The Old Woman Mho Wades in the Sea (1991, Laurent Heynemann), and her most recent film, A Foreign Field (1993, Charles Sturridge), in which Moreau stars with Lauren Bacall and Alec Guinness. Other highlights include The Queen Margot (1953, Jean Dreville), which has not been shown in the United States since its original release; the uncut version of Eva (1962, Joseph Losey); the rarely seen Mata Hari, Agent H 21 (1964, Jean-Louis Richard), and Joanna Francesa (1973, Carlos Diegues). Alternately playful, seductive, or somber, Moreau brought something truly modern to the screen -- a compelling but ultimately elusive persona. After perfecting her craft as a principal member of the Comedie Frangaise and the Theatre National Populaire, she appeared in such films as Louis Malle's Elevator to the Gallows (1957) and The Lovers (1958), the latter of which she created a scandal with her portrayal of an adultress. -
Script Léo Bonneville and Maurice Elia
Document generated on 09/25/2021 1:18 p.m. Séquences La revue de cinéma Script Léo Bonneville and Maurice Elia Number 137, November 1988 URI: https://id.erudit.org/iderudit/50597ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Bonneville, L. & Elia, M. (1988). Review of [Script]. Séquences, (137), 6–9. Tous droits réservés © La revue Séquences Inc., 1988 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ SCRIPT d'un autre homme que son mari) NOUVEAUTES EN NOUVEAUTES EN PANORAMA DU tout comme Katharine Hepburn, qui FILM NOIR se trouve dans une situation à peu ANGLAIS FRANÇAIS près identique dans Summertime. AMERICAIN EI. (Steven Spielberg, 1981-1982). Les Lunettes d'or (Giuliano par Raymond Borde et L'événement de l'année, non Montaldo, 1987). Un peu mélo mais Etienne Chaumeton seulement parce que c'est un des attachant, avec de remarquables films les plus célèbres de l'histoire compositions de Philippe Noiret et FRITZ LANG du cinéma, mais aussi parce qu'il Rupert Everett. La montée du par Lotte H. Eisner est en vente à 26,95 $ ou 29,95 $, nazisme en Italie et l'ostracisme selon les endroits. -
DP 10 Jours 02-11
FRANCK DUBOSC 10 JOURS EN OR UN FILM DE NICOLAS BROSSETTE • Objet promotionnel. Ne peut être vendu. TROÏKA Textes : Pascale & Gilles • Design Fabrication Maison / Textes Xavier DELMAS et Jean-Louis LIVI présentent un film de Nicolas BROSSETTE 10 JOURS EN OR avec FRANCK DUBOSC CLAUDE RICH MARIE KREMER Et pour la première fois à l'écran Mathis TOURÉ Produit par Jean-Louis LIVI et Xavier DELMAS Co-produit par Samuel HADIDA et Victor HADIDA Durée : 1h35 SORTIE LE 11 JANVIER 2012 Matériel presse disponible sur : http://presse.metropolitan-films.com www.10joursenor.fr DISTRIBUTION RELATIONS PRESSE METROPOLITAN FILMEXPORT AS COMMUNICATION 29, rue Galilée - 75116 Paris PARTENARIATS & PROMOTION: Sandra Cornevaux & Karine de Haynin Tél. : 01 56 59 23 25 AGENCE CASABLANCA 11 bis, rue Magellan - 75008 Paris Fax : 01 53 57 84 02 Tél. : 01 47 01 39 90 Tél. : 01 47 23 00 02 [email protected] Fax : 01 47 01 07 32 [email protected] SYNOPSIS Marc Bajau sillonne le pays pour le compte d'une marque de vêtements. Il aime cette vie sur la route, libérée de toute contrainte et faite de rencontres d'un soir. Mais alors qu'il démarre une nouvelle tournée de promotion, sa dernière conquête s'en va en lui laissant son fils, Lucas, un petit métis de six ans… Commence alors une traversée de la France pas comme les autres, où Marc et Lucas vont croiser la route de Pierre, un retraité fantasque et envahissant, et celle de Julie, une jeune femme en errance. Au cours de cette odyssée, flanqué de son trio improbable, Marc Bajau va connaître « 10 jours en or » qui vont changer sa vie. -
12 Big Names from World Cinema in Conversation with Marrakech Audiences
The 18th edition of the Marrakech International Film Festival runs from 29 November to 7 December 2019 12 BIG NAMES FROM WORLD CINEMA IN CONVERSATION WITH MARRAKECH AUDIENCES Rabat, 14 November 2019. The “Conversation with” section is one of the highlights of the Marrakech International Film Festival and returns during the 18th edition for some fascinating exchanges with some of those who create the magic of cinema around the world. As its name suggests, “Conversation with” is a forum for free-flowing discussion with some of the great names in international filmmaking. These sessions are free and open to all: industry professionals, journalists, and the general public. During last year’s festival, the launch of this new section was a huge hit with Moroccan and internatiojnal film lovers. More than 3,000 people attended seven conversations with some legendary names of the big screen, offering some intense moments with artists, who generously shared their vision and their cinematic techniques and delivered some dazzling demonstrations and fascinating anecdotes to an audience of cinephiles. After the success of the previous edition, the Festival is recreating the experience and expanding from seven to 11 conversations at this year’s event. Once again, some of the biggest names in international filmmaking have confirmed their participation at this major FIFM event. They include US director, actor, producer, and all-around legend Robert Redford, along with Academy Award-winning French actor Marion Cotillard. Multi-award-winning Palestinian director Elia Suleiman will also be in attendance, along with independent British producer Jeremy Thomas (The Last Emperor, Only Lovers Left Alive) and celebrated US actor Harvey Keitel, star of some of the biggest hits in cinema history including Thelma and Louise, The Piano, and Pulp Fiction. -
INEMA INTERNATIONAL Students, Faculty, Staff and the Community Are Invited • ADMISSION IS FREE • Donations Welcome 7:30 P.M
MURRAY STATE UNIVERSITY • Spring 2017 INEMA INTERNATIONAL Students, faculty, staff and the community are invited • ADMISSION IS FREE • Donations Welcome 7:30 p.m. Thursday, Friday and Saturday evenings • Curris Center Theater JAN. 26-27-28 • USA, 1992 MARCH 2-3-4 • USA, 2013 • SHAKESPEARE FESTIVAL THUNDERHEART WARM BODIES Dir. Michael Apted With Val Kilmer, Sam Shephard, Graham Greene. Dir. Jonathan Levine, In English and Sioux with English subtitles. Rated R, 119 mins. With Nicholas Hoult, Dave Franco, Teresa Palmer, Analeigh Tipton, John Malkovich Thunderheart is a thriller loosely based on the South Dakota Sioux Indian In English, Rated PG-13, 98 mins. uprising at Wounded Knee in 1973. An FBI man has to come to terms with his mixed blood heritage when sent to investigate a murder involving FBI A romantic horror-comedy film based on Isaac Marion's novel of the same agents and the American Indian Movement. Thunderheart dispenses with name. It is a retelling of the Romeo and Juliet love story set in an apocalyptic clichés of Indian culture while respectfully showing the traditions kept alive era. The film focuses on the development of the relationship between Julie, a on the reservation and exposing conditions on the reservation, all within the still-living woman, and "R", a zombie…A funny new twist on a classic love story, conventions of an entertaining and involving Hollywood murder mystery with WARM BODIES is a poignant tale about the power of human connection. R a message. (Axmaker, Sean. Turner Classic Movies 1992). The story is a timely exploration of civil rights issues and Julie must find a way to bridge the differences of each side to fight for a that serves as a forceful indictment of on-going injustice. -
Films in Competition and Parallel Sections
Marrakech Unveils Its Official Selection: Films in Competition and Parallel Sections • 14 films in Official Competition • 7 Moroccan films screened in the framework of a dedicated section • The 11th Continent, a new section to discover sharp and bold cinema • Gala screenings, Special Screenings, and general public screenings round out the programme Rabat, November 14, 2018, the Marrakech International Film Festival (FIFM) unveils the official selection. From November 30 to December 8, 2018, festival-goers and cinema-lovers alike will discover no fewer than 80 films coming from 29 different countries. The line-up is divided into several sections, the main ones including the Official Competition; Gala Screenings; Special Screenings; The 11th Continent; Moroccan Panorama; Jamaa El-Fna Square Screenings; Audio-described Cinema; and a Tribute section. Fourteen (14) films are thus in the running to win the Marrakech Etoile d’Or (or, the Gold Star), in the framework of the Official Competition of the 17th Edition of FIFM. In selecting these first or second feature-length films, the Festival grants priority to the discovery and consecration of new talents in world cinema. The selection is eclectic, its purpose being to showcase several cinematic universes developed in different regions of the world, with four (4) European films (from Austria, Bulgaria, Germany, and Serbia); three (3) films from Latin America (Argentina and Mexico); one (1) US film; two (2) Asian films (China and Japan); and four (4) films from the MENA region (Egypt, Morocco, Sudan, and Tunisia). Of the 14 films in competition, six are directed by women. Six great auteur films, with first-rate distribution, will be shown on the Festival’s gala evenings. -
Centre Chopin
Centre Social Chopin Mercredi 22 juillet 2020 Bonjour à toutes et à tous, nous vous présentons aujourd’hui le dernier programme d’activités. En effet, chacune notre tour nous partons en congé courant mois d’août. Nous espérons donc vous revoir très vite. En attendant notre retour, nous vous souhaitons un bel été ! Audrey, Liliane, Patricia, Roxane et Caroline Solution « Les départements » A Ain, Aisne, Allier, Alpes-de-Haute-Provence, N Nièvre, Nord Alpes-Maritimes, Ardèche, Ardennes, Ariège, Aube, Aude, Aveyron B Bas-Rhin, Bouches-du-Rhone O Oise, Orne C Calvados, Cantal, Charente-Maritime, Cher, P Paris, Pas-de-Calais, Puy-de-Dôme, Pyrénées- Corrèze, Corse-du-Sud, Côte-d’Or, Côtes- Atlantiques, Pyrénées-Orientales d’Armor, Creuse D Deux-Sèvres, Dordogne, Doubs, Drôme Q E Essone, Eure, Eure-et-Loir R Rhône F Finistère S Saône-et-Loire, Sarthe, Savoie… G Gard, Gers, Gironde, Guadeloupe, Guyane T Tarn, Tarn-et-Garonne, Territoire-de-Belfort H Haut-Rhin, Haute-Corse, Hautes-Alpes, U Haute-Garonne, Haute-Loire, Haute-Marne… I Ille-et-Vilaine, Indre, Indre-et-Loire, Isère V Val-de-Marne, Val-d’Oise, Var, Vaucluse… J Jura W K X L Landes, La Réunion, Loir-et-Cher, Lozère… Y Yonne, Yvelines M Manche, Marne, Martinique, Mayotte… Z Solution « L’enquête » Rappel : Retrouvez le drapeau mystère en procédant par élimination à l’aide des indices suivants lus dans l’ordre : 1. Le format du drapeau mystère n’est pas carré. 2. Il n’est pas composé exactement de cinq couleurs, le blanc étant considéré comme une couleur. 3. -
Ricordi, Fortune E Rimpianti Del Capo Della Miramax, Che Ha Rinnovato Il
22 lunedì 4 marzo 2002 AMÉLIE NON SBANCA AGLI OSCAR FRANCESI, DELUSIONE PER MORETTI (E PER L’ITALIA) UN GALA PER RAFFAELLO LUCIANI Bocciato agli Oscar, «La stanza del figlio» di Nanni che aveva collezionato ben 13 nominations, si atten- Delusione, invece, per l'Italia e Nanni Moretti: l'ul- del defunto presidente della Repubblica Francois Lo scorso 23 dicembre è morto Moretti ha collezionato ieri sera un'altra delusione deva un trionfo e in molti prevedevano una decina timo italiano ad aggiudicarsi il César resta Roberto Mitterrand e responsabile del principale organismo Raffaello Luciani,editore di ai «César», i premi del cinema francese: «La stanza di statuette, sulle orme di «Cyrano de Bergerac» del Benigni, con «La vita è bella», nel 1999. Prima di di sovvenzione al cinema francese. Chiamato sul Danzasì, mensile di informazione del figlio» è stato battuto come miglior figlio stranie- 1991 e «L'ultimo metro» di Francois Truffaut, del lui, l'alloro francese aveva onorato l'Italia soltanto - palco a consegnare una statuetta, Frederic Mitter- della danza e promotore di ro da «Mulholland drive »di David Lynch. Niente 1981. Invece, al film sulla ragazzina di Montmar- e consecutivamente - nelle sue prime quattro edizio- rand ha criticato la politica italiana nel campo del innumerevoli iniziative per la danza. trionfo per il superfavorito «Il favoloso mondo di tre, oltre ai due premi principali sono andati solo ni: nel 1976, primo anno dei Cesar, vinse «Profumo cinema: «L'uomo che ha comprato l'Italia - ha Luciani e la sua «devozione» alla Amelie Poulain», che ha raccolto soltanto quattro quello per la miglior colonna sonora (Yann Tier- di donna» di Dino Risi; l'anno seguente, nel 1977, dichiarato - è anche quello che più ha contribuito a danza erano noti a tutti quelli che statuette. -
Classic French Film Festival 2013
FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series Webster University’s Winifred Moore Auditorium, 470 E. Lockwood Avenue June 13-16, 20-23, and 27-30, 2013 www.cinemastlouis.org Less a glass, more a display cabinet. Always Enjoy Responsibly. ©2013 Anheuser-Busch InBev S.A., Stella Artois® Beer, Imported by Import Brands Alliance, St. Louis, MO Brand: Stella Artois Chalice 2.0 Closing Date: 5/15/13 Trim: 7.75" x 10.25" Item #:PSA201310421 QC: CS Bleed: none Job/Order #: 251048 Publication: 2013 Cinema St. Louis Live: 7.25" x 9.75" FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series The Earrings of Madame de... When: June 13-16, 20-23, and 27-30 Where: Winifred Moore Auditorium, Webster University’s Webster Hall, 470 E. Lockwood Ave. How much: $12 general admission; $10 for students, Cinema St. Louis members, and Alliance Française members; free for Webster U. students with valid and current photo ID; advance tickets for all shows are available through Brown Paper Tickets at www.brownpapertickets.com (search for Classic French) More info: www.cinemastlouis.org, 314-289-4150 The Fifth Annual Classic French Film Festival celebrates St. Four programs feature newly struck 35mm prints: the restora- Louis’ Gallic heritage and France’s cinematic legacy. The fea- tions of “A Man and a Woman” and “Max and the Junkmen,” tured films span the decades from the 1920s through the Jacques Rivette’s “Le Pont du Nord” (available in the U.S. -
L'académie Des César Rend Hommage À Jean-Pierre
COMMUNIQUÉ DE PRESSE Paris, le 25 avril 2019 L’ACADÉMIE DES CÉSAR REND HOMMAGE À JEAN-PIERRE MARIELLE Un monument du cinéma français vient de nous quitter. Cette carrure massive et ce franc-parler, au travers d’une voix chaude et grave, avaient fait de lui l’un des acteurs les plus populaires du cinéma français. Jean-Pierre Marielle était aussi et surtout un formidable interprète, qui incarnait ses rôles avec cet humour piquant et un certain cynisme qui lui étaient si propres. Jean-Pierre Marielle s’est retrouvé dès son plus Jeune âge parmi les futurs grands noms du cinéma, s’inscrivant lui-même au sein de cette incroyable génération : Jean-Paul Belmondo, Annie Girardot, Claude Rich, Françoise Fabian ou Jean Rochefort, font partie de ses camarades de classe au Conservatoire de Paris. Il se tourne tout d’abord vers le théâtre, avec un premier rôle dans une pièce de Molière, Le Mariage forcé, en 1953. Au cinéma, en 1964, il est aux côtés de Louis de Funès dans Faites sauter la banque de Jean Girault, et de Jean-Paul Belmondo dans Week-end à Zuydcoote d’Henri Verneuil. En 1969, il est auprès d’Yves Montand dans Le diable par la queue de Philippe de Broca. La décennie suivante le consacre comme un acteur incontournable des films populaires : Sex-shop de Claude Berri, La Valise de Georges Lautner, Comment réussir quand on est con et pleurnichard de Michel Audiard, Calmos de Bertrand Blier, Cause toujours… tu m’intéresses ! d’Edouard Molinaro, … Jean-Pierre Marielle ne cesse de tourner tandis que des rôles plus dramatiques s’offrent à lui, avec notamment Que la fête commence en 1975 et Coup de Torchon en 1981 de Bertrand Tavernier, Les Galettes de Pont-Aven de Joël Séria en 1975 pour lequel il est nommé pour le César du Meilleur Acteur lors de la toute première Cérémonie, Quelques jours avec moi de Claude Sautet en 1988, Uranus de Claude Berri ou encore l’inoubliable Tous les matins du monde réalisé par Alain Corneau en 1991, un rôle magnifique qui lui vaudra l’année suivante une nouvelle nomination pour le César du Meilleur Acteur.