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Dream: a Brief Comparative Study of Nerval and Keats Safoora Torkladani, Pyeaam Abbasi University of Isfahan, Isfahan, Iran E-Mail: [email protected]
International Letters of Social and Humanistic Sciences Online: 2015-07-01 ISSN: 2300-2697, Vol. 55, pp 140-146 doi:10.18052/www.scipress.com/ILSHS.55.140 CC BY 4.0. Published by SciPress Ltd, Switzerland, 2015 Dream: A Brief Comparative Study of Nerval and Keats Safoora Torkladani, Pyeaam Abbasi University of Isfahan, Isfahan, Iran E-mail: [email protected] Keywords: Nerval; Keats; Dream; Reality; Poetry ABSTRACT. Dreams, as reflections of the subconscious, seem to be an essential ingredient of Nerval’s and Keats’s poetry. The two poets show that poetry is an apt place to explore the blurred boundary and continuity between dream and reality. This idea seems to be in close relation with both poets’ search for identity and inner self. The female figure that, also, appears in many of the two poets’ poms is closely related with the poets’ obsession with dreams in which they seek to ward off depression and find proof for imagination. Nerval and Keats use poetry to understand their dreams and give them shape and meaning. They create mysterious worlds in their poems where dreams and reality are intermingled. In both Nerval and Keats, the significance of dream lies in the fact that it plays the role of a safe haven for the poet who is afraid of the unstable reality and identity. Both seem to seek refuge in dream where a stable identity and a permanent beauty may be found. 1. INTRODUCTION Gérard de Nerval grew up with his uncle in Valois, the city that makes up the setting for most of his writings, including Les Filles du Feu. -
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The National Futuie Farmer Owned and Published by the Future Farmers of America Livestock Judging—Where skills are tested! October -November, 1960 In This issue: • Corner Your Fencing Problems • Mechanizing iVIanagement o A Farm Visit With Your Vice Presidents • How Would You Vote? ip X :>--f-"%.^<^' Doors are double-sealed against weather, cabs seat three passengers comfort- ably. Standard V-8 engines are true-truck designed . plenty of power for pulling, passing or any purpose. Specialized highway units transport any farm com- modity with dependable gas, diesel or LPG power. For family pleasure ...farm profit! International Trucks arc still ready to go, even when a full day's work is done. You'll find they're styled for easier, safer driving, across country and through town. Wide, fully-adjustable seat and more glass front and rear make this .so. These hard-working models range from INTERNATIONAE pickups with standard or Bonus-Load bodies to husky road haulers that handle big loads at least cost. So see your International Dealer TRUCKS or Internalional Harvester Co Branch now to learn how . ChicaRO International Motor Trucks • Crawler Tractors Construction • 5 Tnicks s i\ (' you money on every job. Equipment McCormick Farm Equipment ant] Farmall'i^ Tractors WORLD'S MOST COMPLETE LINE Raymond Hetherington. Ringtown, Pennsylvania Farmers you look to as leaders look to Firestone for farm tires Mountains and ridges in the heart of the Pennsylvania coal country are laced with level valleys. In Schuylkill County's Ringtown Valley, modern methods and irrigation help Raymond Hetherington wrest high yields of quality vegetables and other crops. -
Scapigliatura
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Baudelairism and Modernity in the Poetry of Scapigliatura Alessandro Cabiati PhD The University of Edinburgh 2017 Abstract In the 1860s, the Italian Scapigliati (literally ‘the dishevelled ones’) promoted a systematic refusal of traditional literary and artistic values, coupled with a nonconformist and rebellious lifestyle. The Scapigliatura movement is still under- studied, particularly outside Italy, but it plays a pivotal role in the transition from Italian Romanticism to Decadentism. One of the authors most frequently associated with Scapigliatura in terms of literary influence as well as eccentric Bohemianism is the French poet Charles Baudelaire, certainly amongst the most innovative and pioneering figures of nineteenth-century European poetry. Studies on the relationship between Baudelaire and Scapigliatura have commonly taken into account only the most explicit and superficial Baudelairian aspects of Scapigliatura’s poetry, such as the notion of aesthetic revolt against a conventional idea of beauty, which led the Scapigliati to introduce into their poetry morally shocking and unconventional subjects. -
A Feyhaven Roleplaying Game by Ilya Bossov Questions?
Gatekeepers A Feyhaven Roleplaying Game by Ilya Bossov Questions? Feedback? Please contact the author at [email protected], follow us on Twitter @Feyhaven or visit us at feyhaven.com. PREMISE ...................................................................... 4 Optional: Aerial Combat ...................................... 18 WHAT YOU’LL NEED TO PLAY ......................................... 4 HIDING AND REVEALING ............................................... 18 DEATH AND TAXES ...................................................... 18 CHARACTER CREATION ............................................... 5 TAKING A GEAS ........................................................... 19 1. PICK YOUR CARDS ..................................................... 5 Fomorian Shapeshifters ...................................... 20 2. GET FEY DUST OR LOOT ............................................. 5 Fairies and Fomorians ......................................... 20 3. PICK A CHARACTER CONCEPT ...................................... 5 PETS AND MOUNTS ..................................................... 20 4. NAME YOUR CHARACTER ........................................... 5 Pet Example ........................................................ 20 GROUPS AND BOSSES .................................................. 21 GAME PREPARATION ................................................... 6 The Game Master Is Cheating! .............................. 21 Optional: Make More Connections........................ 7 Cheating Bonus Example ..................................... -
Department of Russian and Slavonic Studies 2016-17 Module Name Chekhov Module Id (To Be Confirmed) RUS4?? Course Year JS
Department of Russian and Slavonic Studies 2016-17 Module Name Chekhov Module Id (to be confirmed) RUS4?? Course Year JS TSM,SH SS TSM, SH Optional/Mandatory Optional Semester(s) MT Contact hour per week 2 contact hours/week; total 22 hours Private study (hours per week) 100 hours Lecturer(s) Justin Doherty ECTs 10 ECTs Aims This module surveys Chekhov’s writing in both short-story and dramatic forms. While some texts from Chekhov’s early period will be included, the focus will be on works from the later 1880s, 1890s and early 1900s. Attention will be given to the social and historical circumstances which form the background to Chekhov’s writings, as well as to major influences on Chekhov’s writing, notably Tolstoy. In examining Chekhov’s major plays, we will also look closely at Chekhov’s involvement with the Moscow Arts Theatre and theatre director and actor Konstantin Stanislavsky. Set texts will include: 1. Short stories ‘Rural’ narratives: ‘Steppe’, ‘Peasants’, ‘In the Ravine’ Psychological stories: ‘Ward No 6’, ‘The Black Monk’, ‘The Bishop’, ‘A Boring Story’ Stories of gentry life: ‘House with a Mezzanine’, ‘The Duel’, ‘Ariadna’ Provincial stories: ‘My Life’, ‘Ionych’, ‘Anna on the Neck’, ‘The Man in a Case’ Late ‘optimistic’ stories: ‘The Lady with the Dog’, ‘The Bride’ 2. Plays The Seagull Uncle Vanya Three Sisters The Cherry Orchard Note on editions: for the stories, I recommend the Everyman edition, The Chekhov Omnibus: Selected Stories, tr. Constance Garnett, revised by Donald Rayfield, London: J. M. Dent, 1994. There are numerous other translations e.g. -
Baudelaire and the Rival of Nature: the Conflict Between Art and Nature in French Landscape Painting
BAUDELAIRE AND THE RIVAL OF NATURE: THE CONFLICT BETWEEN ART AND NATURE IN FRENCH LANDSCAPE PAINTING _______________________________________________________________ A Thesis Submitted to the Temple University Graduate Board _______________________________________________________________ In Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS _______________________________________________________________ By Juliette Pegram January 2012 _______________________ Dr. Therese Dolan, Thesis Advisor, Department of Art History Tyler School of Art, Temple University ABSTRACT The rise of landscape painting as a dominant genre in nineteenth century France was closely tied to the ongoing debate between Art and Nature. This conflict permeates the writings of poet and art critic Charles Baudelaire. While Baudelaire scholarship has maintained the idea of the poet as a strict anti-naturalist and proponent of the artificial, this paper offers a revision of Baudelaire‟s relation to nature through a close reading across his critical and poetic texts. The Salon reviews of 1845, 1846 and 1859, as well as Baudelaire‟s Journaux Intimes, Les Paradis Artificiels and two poems that deal directly with the subject of landscape, are examined. The aim of this essay is to provoke new insights into the poet‟s complex attitudes toward nature and the art of landscape painting in France during the middle years of the nineteenth century. i ACKNOWLEDGEMENTS I am indebted to Dr. Therese Dolan for guiding me back to the subject and writings of Charles Baudelaire. Her patience and words of encouragement about the writing process were invaluable, and I am fortunate to have had the opportunity for such a wonderful writer to edit and review my work. I would like to thank Dr. -
Bulletin Baud Elairien
BULLETIN BAUD ELAIRIEN Avril 1998 Tome 33, n° 1 p q Comite de redaction: Marc Froment-Meurice, Luigi Monga, James S. Patty, Claude Pichois Directeur du Centre W. T. Bandy d'Etudes Baudelairiennes: Claude Pichois Assistante de recherche: Cecile Guillard Membres fondateurs: w. T. Bandyt, James S. Patty, Raymond P. Poggenburg Veuillez adresser toute correspondance au: BULLETIN BAUDELAIRIEN Vanderbilt University P. O. Box 6325, Station B Nashville, TN 37235, USA Abonnement annuel: Amerique du Nord - $10.00 Autres continents - $14.00 Le montant de I'abonnement doit et:re adresse, soit par cheque, soit par mandat, au Bulletin Baudelairien. Les fascicules des annees J989 a J998 sont en vente a 10 libroirie Jean Touzot. 38 rue SOint-Sulpice. 75006 Paris. & BULLETIN BAUDELAIRIEN Avril 1998 Tome 33, n° 1 SOMMAIRE RECENSEMENT BIBLIOORAPIDQUE: 1997 ......................... page 3 RECENSEMENT BIBLIOORAPIDQUE: 1996 (SUPPLEMENT) ............................................................... page 25 RECENSEMENT BIBLIOORAPIDQUE: 1995 (SUPPLEMENT) ............................................................... page 37 Sigles des periodiques et series: BB. Bullelin du Bibliophile BCFL Bullelin crilique du Livre /ran(;ais Buba Bullelin Baucklairien CAlEF Cahiers ck l'Association internationale des ttudcs [ranraiscs CH Cuadernos hispanoamericanos CL Comparalivt: Literature CLS Comparatil'e Literature Studies CRCL Canadian Review of Comparatil'e Literature I RCl'UC cana· dienne ck Litttrarure Compar~e DAI Dissertalion Abstracts International FF French Forum -
El Mito De Baudelaire En Emilio Praga: Interferencias Poéticas
EL MITO DE BAUDELAIRE EN EMILIO PRAGA: INTERFERENCIAS POÉTICAS Alfredo Luzi Universidad de Macerata, Italia [email protected] Resumen Este artículo analiza el uso que hace el poeta italiano Emilio Praga (1839-1875) del modelo ofrecido por la poesía del simbolista francés Charles Baudelaire (1821-1867). Sitúa la obra de Praga dentro del contexto histórico de los grandes cambios en el plano económico y comercial que precedieron la Primera Guerra Mundial y dentro de la corriente artística de la scapigliatura y propone que, para Praga, Baudelaire ofrece una alternativa a la vieja retórica de lo bueno y lo bello y una posibilidad de renovación estilística que contribuye a abrir la literatura italiana hacia perspectivas europeas. Palabras clave: Emilio Praga (1839-1875); Charles Baudelaire (1821-1867); scapigliatura ; simbolismo francés; modelos poéticos y culturales. Abstract The Myth of Baudelaire in Emilio Praga: Poetic Interference This article offers an analysis of the use that Italian poet Emilio Praga (1839-1875) makes of the model presented by the poetry of the French symbolist Charles Baudelaire (1821-1867). It places Praga’s work in the context of the large economic and commercial changes that preceded World War I and in the context of the artistic movement known as scapigliatura , and it argues that, for Praga, Baudelaire offered an alternative to the old rhetoric of the good and the beautiful, as well as a possibility of Boletín de Literatura Comparada ISSN 0325-3775 Año XL, 2015, 93–116 Recibido: 05/12/2013 Aceptado: 24/04/2014 El mito de Baudelaire en Emilio Praga: Interferencias poéticas stylistic renovation that would help open Italian literature towards European perspectives. -
“Tutorial for Graduating Majors” French 3500
“TUTORIAL FOR GRADUATING MAJORS” FRENCH 3500 This course prepares majors for the completion of their requirements in the B.A. in French. through advising by a designated professor. The course concludes with the Written Exit Exam, a 2-hour long comprehensive exam written in French. 1 credit. Pass/Fail. The exam is made up of 3 parts: 1) Literature (40 minutes);2) Culture/Civilization (40 minutes); 3) Advanced Grammar/Phonetics (40 minutes). In literature and in civilization, the candidate receives 10 topics, to choose 6 of them, and to write a paragraph for each. In Advanced Grammar/Phonetics some choices also occur, according to specific instructions. Approximately one month prior to the Written Exit Exam (scheduled during final exams week), an oral mid-term exam occurs. Both the mid-term and the final exams are based on “The Topics Lists” (see attached), and the guidance given by the “designated professor”. A jury made up of three professors examines the candidate in both cases. If the candidate fails one of the 3 parts of the written exam, that part may be retaken within 7- 10 days of the initial exam in the same semester. Three parts: 1. French Literature a. Middle Ages to the Revolution b. 19th and 20th Centuries 2. French Civilization a. Through the 18th Century b. The 19th – 21st Centuries 3. French Language a. Advanced Grammar b. Phonetics Part 1a: French Literature Through the 18th Century Authors Chrétien de Troyes Marie de France Villon Charles d’Orléans Rabelais Clément Marot Montaigne Pétrarque Du Bellay Corneille Racine Molière Diderot André Chénier Works, Movements, etc. -
Gérard De Nerval En 1855
１７ Gérard de Nerval en 1855 Hisashi MIZUNO La mort appelle la commémoration ; d’autant plus si c’est une mort accidentelle ou tragique, comme ce fut le cas de celle de Gérard de Nerval. Dans une odelette, intitulée «La Grand’mère», le poète avait décrit ainsi sa réaction envers la mort : «quand on l’enterra (la grand-mère), / Pa- rents, amis, tout le monde pleura / D’une douleur bien vraie et bien amère ! / Pour moi, j’errais dans la maison surpris / Plus que chagrin [. .]1». Après sa propre mort survenue au petit matin du 26 janvier 1855, tout le monde pleura sans doute d’une tristesse plus ou moins sincère en pensant au bon Gérard, et chacun exprima ses souvenirs d’une manière ou d’une autre2, à tel point que Hippolypte Babou note le 17 février : «Un événe- ment déplorable, la mort de M. Gérard de Nerval, défraye encore la verve routinière des faiseurs de feuilletons. Ecoutez babiller toutes les plumes indiscrètes. Le premier venu broche sur ce thème, et s’écrie dans son pa- tois : «Gérard était mon ami intime.» Puis viennent par ricochet une multi- tude d’anecdotes où l’ami de Gérard a toujours le beau rôle. Il y a des va- nités si intraitables qu’elles n’hésitent même pas à prendre une tombe pour marche-pied. Chaque fois qu’une intelligence brillante s’éteint, dans ce monde si tourmenté de la littérature et des arts, rien ne peut empêcher le ──────────── 1 Gérard de Nerval, Œuvres complètes, t. I, Gallimard, «Bibliothèque de la Pléiade», 1989, p.340. -
1 Introduction the Empire at the End of Decadence the Social, Scientific
1 Introduction The Empire at the End of Decadence The social, scientific and industrial revolutions of the later nineteenth century brought with them a ferment of new artistic visions. An emphasis on scientific determinism and the depiction of reality led to the aesthetic movement known as Naturalism, which allowed the human condition to be presented in detached, objective terms, often with a minimum of moral judgment. This in turn was counterbalanced by more metaphorical modes of expression such as Symbolism, Decadence, and Aestheticism, which flourished in both literature and the visual arts, and tended to exalt subjective individual experience at the expense of straightforward depictions of nature and reality. Dismay at the fast pace of social and technological innovation led many adherents of these less realistic movements to reject faith in the new beginnings proclaimed by the voices of progress, and instead focus in an almost perverse way on the imagery of degeneration, artificiality, and ruin. By the 1890s, the provocative, anti-traditionalist attitudes of those writers and artists who had come to be called Decadents, combined with their often bizarre personal habits, had inspired the name for an age that was fascinated by the contemplation of both sumptuousness and demise: the fin de siècle. These artistic and social visions of degeneration and death derived from a variety of inspirations. The pessimistic philosophy of Arthur Schopenhauer (1788-1860), who had envisioned human existence as a miserable round of unsatisfied needs and desires that might only be alleviated by the contemplation of works of art or the annihilation of the self, contributed much to fin-de-siècle consciousness.1 Another significant influence may be found in the numerous writers and artists whose works served to link the themes and imagery of Romanticism 2 with those of Symbolism and the fin-de-siècle evocations of Decadence, such as William Blake, Edgar Allen Poe, Eugène Delacroix, the Pre-Raphaelite Brotherhood, Charles Baudelaire, and Gustave Flaubert. -
ANTON TCHEKHOV a RESUME of HIS WORKS and of HIS CAREER by B
ANTON TCHEKHOV A RESUME OF HIS WORKS AND OF HIS CAREER By B. BARKER BEESON, M.D. CHICAGO, ILL. ANTON PAVELOVITCH laborers, artisans and sailors. An / TCHEKHOV was born at ignorant and brutal Greek acted as Taganrog, a port on the Sea the schoolmaster. He used the whip **"■ of Azov, Southern Russia, freely. In the lower grades Anton January 17, i860. He was one of six was a dull, lazy scholar and the butt children. His parents were of peasant of many practical jokes. With the stock, the paternal grandfather hav- advent of manhood and his entrance ing been a serf who by the most rigid into the College of Taganrog a radical economy had saved enough to pur- change took place in him. He became chase the freedom of his family and a clever student and kept his fellows himself in 1841 or almost twenty roaring with laughter at his jokes years before the general liberation and witty retorts. Tchekhov aided in of the serfs by Alexander 11. This editing a school paper called the cost him about 3500 roubles then Little Star and also worked on a equal to about $1750.00. Tchekhov’s humorous journal. About that same father while employed in a Taganrog time he wrote a farce “The Little commercial house had saved up a Chickens Do Not Sing In Vain” modest sum with which he opened a and also a piece called “The Orphan.” store devoted to the sale of colonial After the departure of his family for products. Adverse conditions resulted Moscow he was forced to take up in the failure of this enterprise in tutoring which continued until 1879 1876.