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Sex Og Død: Kultur, Konflikt, Erkendelse (Version 16.10.2019)

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Sex Og Død: Kultur, Konflikt, Erkendelse (Version 16.10.2019) Kursusplan E19: Sex og død: kultur, konflikt, erkendelse (version 16.10.2019) Sex og død: kultur, konflikt, erkendelse Tidspunkt: torsdag 12:15-16:00 Sted: lokale 16.4.74 Undervisere: Rune Gade og Tore Tvarnø Lind med gæster Manchet: På dette kursus ser vi nærmere på kunst, musik og kulturelle udtryk, der skaber konflikt ved på forskellig vis at provokere, vække afsky eller virke krænkende. Det er et udgangspunkt for kurset, at konfliktpotentialet i kunst og kulturelle udtryk anskues i et relationelt perspektiv, dvs. som en dynamik mellem flere – forskellige eller oppositionelle – positioner, frem for en essentiel kvalitet. Vi vil derfor undersøge udsigelsespositioner og modtagerreaktioner i forskellige krydsfelter mellem kultur, aktivistisk kunst, religion, race, vold, sædelighed, censur og køns- og seksualpolitik. Kunst og kulturelle udtryk med konfliktpotentiale rummer imidlertid også potentialer for erkendelse. Kurset har derfor til formål at styrke kursusdeltagernes faglighed i mødet med provokerende og afskyvækkende kunst. På kurset spørger vi blandt andet: Hvad kan vi lære af kunst, der provokerer os? Hvordan kan vi etablere et sprog for udtryk, der er rystende, bevægende eller ligefrem kvalmende? Hvordan giver vi plads til de voldsomme følelser, som denne type udtryk vækker? Hvordan kan vi lade det affektive være en del af den akademiske diskurs på en konstruktiv måde? Hvordan kan vi som akademikere bedst bidrage til at kvalificere den offentlige debat omkring denne type udtryk? Cases på kurset inkluderer primært materiale fra samtidskulturen: samtidskunst, pornografi, dødsmetal, Pussy Riot, teaterstykket Sort/Hvid: Black Madonna m.m. Der vil dog også blive introduceret historiske cases, som kan medvirke til at perspektivere de aktuelle debatter, og pege på relevansen af en historisk kontekstualiserende forståelsesmodel for konflikter om kunst og kultur. Som studerende skal du også selv finde relevant materiale at fremlægge og diskutere, da kurset er baseret på aktiv deltagelse. Kursets undervisere er kunsthistoriker Rune Gade og musikantropolog Tore Tvarnø Lind, begge lektorer på IKK, samt en række spændende gæster med indblik i og erfaring med kunst og kulturelle udtryk med konfliktpotentialer. Om referencer i kursusplanen (fælles læsning): [KB] = kilden er tilgængelig via KB [.pdf] = kilden er tilgængelig i kursusrummet på Absalon (’Files’) [Link] = følg linket og find kilden på websitet 1 Kursusplan E19: Sex og død: kultur, konflikt, erkendelse (version 16.10.2019) Kursusplan 5. september │ Introduktion til kurset [Rune og Tore] Mithu Sanyal indleder sin bog om voldtægt med en trigger warning, som også er passende for dette kursus, så derfor kommer den her: Advarsel! Dette kursus handler om en række konflikt-potente og voldsomme emner, såsom vold, pornografi og kroppe i råd i kunst, film, teater og musik. Denne advarsel uddyber vi på kurset. Vi præsenterer ideen med kurset og dets formål, og vil efter en gennemgang af kursusplanen, efterårets aktiviteter og undervisningsformer, drage kursusdeltagerne ind i definitionen af kursets lærings- og debatrum. Vi finder det vigtigt, at tale om deltagernes forventninger til kurset og de overordnede rammer og ’spilleregler’ for de emner, temaer og diskussioner, vi kommer til at føre sammen. Vi åbner med temaet blasfemi. Etablering af læsegrupper. FÆLLES LÆSNING: Mitchel, W. J. T. (2005): What Do Pictures Want?: The Lives and Loves of Images. Chicago: University of Chicago Press (‘Offending Images’, s.125-144). [.pdf] Plate, S Brent (2006): Blasphemy: Art that Offends. London: Black Dog Publishing (‘Preface’ og ‘Introduction’, s.9-19; og ‘Defining and Delimiting Blasphemy’, s.32-51). [.pdf] Sanyal, Mithu M. (2017): Voldtægt: Aspekter af en forbrydelse. København: Tiderne Skifter (’Trigger Warning’, s.7-11). [.pdf] Stjernfelt, Frederik og Jens-Martin Eriksen (2008): Adskillelsens politik. Multikulturalisme – ideologi og virkelighed, København: Lindhart & Ringhof (’Mohammed og Fogh karikeret’, s.237-272). [.pdf] 12. september │ Pussy Riot’s ’Punk Prayer’ og blasfemi-balladen [Tore] Detaljeret gennemgang af Pussy Riot’s ’Punk Prayer’-video (2012) og den politisk-religiøse sammenhæng, den blev produceret i. På denne baggrund diskuterer vi forskellige forståelser af blasfemi-begrebet, samt reproduktionen af vestlige hierarkier i den massive støtte, Pussy Riot nød fra vestlige kunstnere og musikere. Forelæsning, gruppepræsentationer af tekster, diskussion. FÆLLES LÆSNING: Hare, Ivan (2010): ‘Blasphemy and the Incitement to Religious Hatred: Free Speech Dogma and Doctrine’, i Extreme Speech and Democracy, redigeret af Ivan Hare og James Weinstein, Oxford/New York: Oxford University Press: 289-310. [.pdf] Lind, Tore Tvarnø (2015): ‘Blasphemy Cries over Pussy Riot’s “Punk Prayer”’. Danish Musicology Online, special edition: Researching Music Censorship: 7-34. http://www.danishmusicologyonline.dk/arkiv/arkiv_dmo/dmo_saernummer_2015/dmo_saernu mmer_2015_musikcensur_01.pdf Pussy Riot (2012): ‘Punk Prayer’, find fx videoen her: https://www.youtube.com/watch?v=lPDkJbTQRCY Wiedlack, Katharine og Masha Neufeld (2014): ’Lost in Translation? Pussy Riot Solidarity Activism and the Danger of Perpetuating North/Western Hegemonies.’ Religion & Gender 4/2, 145-165. [KB] Woodyard, Kerith M. (2014): ’Pussy Riot and the Holy Foolishness of Punk’. Rock Music Studies 1/3: 268-286. [KB] 2 Kursusplan E19: Sex og død: kultur, konflikt, erkendelse (version 16.10.2019) 19. september │ Billedstride i 1980’erne [Rune] Kontroverser omkring blasfemi (Anders Serrano: Piss Christ) og børne- pornografi (Sally Man: Immediate Family) førte til vigtige debatter om kunststøtte og endda til retssager i USA i slutningen af 1980’erne. Som greb til erkendelse vil vi se nærmere på historiske og (billed-) politiske perspektiveringer ift. religion (billedopfattelser) og seksualmoral/sædelighed. FÆLLES LÆSNING: Parsons, Sarah (2008): ‘Public/Private Tensions in the Photography of Sally Mann’. History of Photography 32/2, s.123-136. [KB] Pultz, John (1995): ‘Photography Since 1975: Gender, Politics, and the Postmodern Body’, i Photography and the Body, London: The Everyman Art Library, s.142-169. [.pdf] Steiner, Wendy (1995): ‘The Perfect Moment’, i The Scandal of Pleasure: Art in an Age of Fundamentalism, Chicago: The University of Chicago Press, s.9-59. [.pdf] Vance, Carole S. (1990): ‘The Pleasures of Looking: The Attorney General’s Commission on Pornography versus Visual Images’, i The Critical Image: Essays on Contemporary Photography, London: Lawrence & Wishart, s.38-58. [.pdf] Young, Alison (2005): ‘Aesthetic Vertigo: Disgust and the Illegitimate Touchings of Art’, i Judging the Image: Art, Value, Law, London: Routledge, s.20-44. [KB] 26. september │ Dødsmetal-karneval [Tore] Dødsmetal og andre former for ekstremmetal handler ofte om amputerede, forvredne og rådnende kroppe. En subgenre som ’porngrind’ tilføjer en voldsseksuel dimension. Hvordan kommer det til udtryk? Hvad er meningen? Vi undersøger ekstremmetal-udtryk i musikkens klanglige, lyriske, visuelle og performative udtryk. Vi ser bl.a. nærmere på Mikhail Bakhtins ’carnevalesque’ som greb der kan åbne op for at forstå meningen med det groteske, obskøne og abjekte. Musikeksempler hentes fra bands som Undergang, Marylin Manson, Cannibal Corpse m.fl. FÆLLES LÆSNING: Bakhtin, Mikhail (1984): Rabelais and His World. Indiana: Indiana University Press. (‘Introduction’, s.1- 58; ‘The Grotesque Image of the Body’, s. 303-367). [.pdf] Baron, Lee (2011): ‘Dworkin’s Nightmare: Porngrind as the Sound of Feminist Fears’. Popular Music History 6/1-2, s.68-84. [KB] Dworkin, Andrea (1981): Pornography: Men Possessing Women, New York: Perigee Books (‘Whores’, s.203-224). [.pdf] Halnon, Karen Bettez (2006): ‘Heavy Metal Carnival and Dis-Alienation: The Politics of Grotesque Realism’. Symbolic Interaction 29/1: 33-48. [KB] 3 Kursusplan E19: Sex og død: kultur, konflikt, erkendelse (version 16.10.2019) Kristeva, Julia (1982): Powers of Horror: An Essay on Abjection. New York: Columbia University Press (‘1. Approaching Abjection’, s. 1-31). [.pdf fra bogen; eller via KB/JSTOR til en genudg. af kapitlet] Langman, Lauren (2008): ‘Punk, Porn and Resistance: Carnivalization and the Body in Popular Culture’. Current Sociology 56/4: 657-677. [KB] Phillipov, Michelle (2012): Death Metal and Music Criticism: Analysis at the Limits. Lanham: Lexington Books (‘The Pleasures of Horror’, s.89-105; ‘“Becoming Death”’, s.107-118; ‘“Bodies Prepared for Slaughter”: Death Metal’s “Technical” Appreciation’, s.119-132). [KB] Unger, Matthew P. (2016): Sound, Symbol, Sociality: The Aesthetic Experience of Extreme Metal Music. London: MacMillan/Palgrave (Chapter 3: ‘Defilement and Social Theory’, s.39-52 og Chapter 2: ‘A Genre of Paradoxes and Dichotomies’, s.17-37). [KB] 3. oktober │ Billedpornografi [Rune] Billedpornografi er eller kan være seksuelt udpenslende og eksplicit, blasfemisk, misogyn og stereotyp, fuld af problematiske magtrelationer. Vi forholder os analytisk med blik for kompleksiteten i seksuelle relationer, kønsrelationer og magtrelationer inden for genren, kompliceringer af magtrelationer via S/M- pornografi m.m. FÆLLES LÆSNING: Dworkin, Andrea (1981): Pornography: Men Possessing Women, New York: Perigee Books (‘Whores’, s.203-224). [.pdf] Kipnis, Laura (1999): ‘How to Look at Pornography’, i Bound and Gagged: Pornography and the Politics of Fantasy in America, Durham: Duke University Press, s.161-206. [.pdf] McNair, Brian (2002): ‘Striptease Culture: The Sexualization of the Public
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