Carnegie Hall

Total Page:16

File Type:pdf, Size:1020Kb

Carnegie Hall CARNEGIE HALL ARTUR RUBINSTEIN 211—2—!5E-*48 ALFRED SCOn • PUBLISHER • 156 FIFTH AVENUE. NEW YORK his great performances on RCA Victor Records Artur Rubinstein His masterly interpretations in their full brilliance and color are yours to summon at will ... on RCA Victor Red Seal Records! In the RCA Victor catalog and supplement you’ll find a wealth of Rubinstein re­ cordings of Chopin, Brahms, Grieg, Tchaikovsky and many others. Rubinstein records exclusively for RCA Victor. T IE Cres rwooo, superb new Victrola radio- phonograph with exclusive “Golden Throat” tone system. 3 broadcast bands include new RCA Victor FM. Radio chassis and auto­ matic record changer with “Silent Sapphire” pickup are in one convenient roll-out unit. THE WORLD’S GREATEST ARTISTS ARE ON rca Victor records @ CARNEGIE HALL PROGRAM 3 CARNEGIE HALL ANNOUNCEMENTS FEBRUARY Carnegie Hall s "Gallery Bar", located on Monday Eve., Feb. 16—Harold Rubens, Pianist the Parquet Floor, is open Before, During Tuesday Eve., Feb. 17—Joseph Szigeti, Violinist and After concerts for the service of food Wednesday Aft., Feb. 18—New York Youth Concerts and refreshments. Chesterfield Cigar­ Wednesday Eve., Feb. 18—Boston Symphony Orchestra ettes are on sale Thursday Eve., Feb. 19—The Philharmonic-Symphony Society Friday Aft., Feb. 20—The Philharmonic-Symphony Society Friday Eve., Feb. 20—Eugene Istomin, Pianist Saturday Morn., Feb. 21—The Philharmonic-Symphony Society 151 Saturday Aft., Feb. 21—Boston Symphony Orchestra, Inc. West 57th Saturday Early Eve., Feb. 21—National Music Festival OPPOSITE CARNEGIE HAIL Saturday Eve., Feb. 21—Festival of Jewish Arts IMITATED Sunday Aft., Feb. 22—The Philharmonic-Symphony Society BUT NEVER Sunday Eve., Feb. 22—Juilliard School of Music EQUALLED Monday Aft., Feb. 23—Missionary Training Institute Monday Eve., Feb. 23—Maurice Wilk, Violinist Tuesday Eve., Feb. 24—The Philadelphia Orchestra Wednesday Eve., Feb. 25—Whittemore & Lowe, Duo-Pianists id "Pictol £Rcc&tdiny Thursday Eve., Feb. 26—The Philharmonic-Symphony SCHUBERT—Symphony No. 8 in Society B minor, "Unfinished". Bost. Sym. Friday Aft., Feb. 27—The Philharmonic-Symphony Society Orch., Koussevifzky, Cond. DM-1039........................Price $4.20 Friday Eve., Feb. 27—Kensley Rosen, Violinist Saturday Aft., Feb. 28—Symphony Orchestra, Ferrucio LIBERTY MUSIC SHOPS iii S$ Be ¿u/ie fodtyfip ddiae/eA beer at its best ¡JU S CARNEGIE HALL PROGRAM 5 Nerv Piano Music ROY HARRIS, American Ballads..................................................1.25 Streets of Laredo, Wayfaring Stranger, The Bird, Black is the Color of My True Love’s Hair, Cod Liver He for the Finest Sodas — Fresh Fruit Drinks LOUISE TALMA Piano Sonata No. 1..................................... 1.50 ... in town Try us for Published by Breakfast, Luncheon Dinner, Cocktails Carl Fischer , INC. jijlicks¿¿ON INC. 119 W. 57th St., N. Y. 19 Cooper Square, N. Y. 3 30 W. 57 ST. (bet. 5 & 6 Aves.) Make Your Reservations to CANADA NOW No Service Charge Brong Travel Service Season 1947-1948 Established 1931 FIRE NOTICE—Look around now and choose the nearest exit to Suite 810 . 119 W. 57th St, New York your seat. In case of fire walk (not run) to that exit. Do not try to Phone: Circle 5-5829 beat your neighbor to the street. BY AIR or BY SEA FRANK J. QUAYLE, Fire Commissioner. "From Everywhere to Everywhere" Sunday Evening, February 15th, at 8:40 o’clock BERLIOZ—Romeo & Juliet (Op. 17, Dramatic Sym.) Toscanini and NBC Symphony Orchestra. S . H U R O K DM-1160 ..................... Price $4.20 Presents TY MUSIC SHOPS “> "a£i”o" **«| ARTUR RUBINSTEIN ]u$t around Pianist the corner. At the Park Central Hotel you’ll find • the service ’■allegro" and the atmos­ phere delightful and relaxing. You’ll enjoy your dinner in the Royal PROGRAM Restaurant,and a cocktail or supper in the famous Mermaid Room after the concert will touch off a perfect evening. Supper from 10 p.m. to 4 a.m. Or you I. might prefer a quick snack at our self- Prelude, Chorale and Fugue............................................ Pranck service cafeteria. All on the ground floor. Program Continued on Second Page Following PARK CENTRAL HOTEL 7th AVENUE ANO 56th STREET Baldwin is another way to say—"Superb tone, action, response!" Used exclusively by many of the world’s I greatest pianists, vocalists, The Baldwin Piano Co. instrumentalists and orchestral conductors. 20 East 54th St. • New York 22 • PLaza 3-7186 Also makers oj the Jcrosonic, Hamilton and Howard Pianos CARNEGIE HALL PROGRAM 7 Custom Select Radios rca Victor records for the deep down Music Lover .electees MAGGIE TEYTE: French Operatic Arias GARRARD Record Changer with the RCA Victor Orchestra, Jean Paul Morel, conducting. MO 1169. 3-10" rec­ ALTEC LANSING Speaker... ords ................... .......... -.................. $3.41 High Fidelity FM-AM Tuner KHATCHATURIAN: Masquerade Sym­ phonic Suite. Boston Pops" Orchestra. Arthur Fiedler, conducting. DM 1166. 2-12" records ..................................- . $3.15 CHOPIN: Etudes (Complete). Alexander Brailowsky. pianist. DM 1171. 8-12” rec­ ords . $9.45 ESCALES Ports of Call (Ibert). San Fran­ cisco Symphony Orchestra. Pierre Mon- teux. conductor. DM 1173. 2-12" records. $3.15. DV 10. 2-12" unbreakable rec­ ords $5.25 FIRST PIANO QUARTET: The music of Er­ nesto Lecuona, by Adam Garner, Edward Edson, Frank Mittler, Vladimir Padwa. CO 41. 3-12" records...................... $4.20 MOZART: "Haffner" Symphony No. 35 in D, Toscanini and the NBC Symphony Or­ PROGRAM CONTINUED chestra. DM 1172. 3-12" records...... $4.20 All Prices include Federal Tax. Sonata in F minor, Op. 5................................................ Brahms Allegro maestoso Andante (Occasionally, in the earlier pianoforte works of Brahms, Broadway at 65th Street the composer was inspired by poetry. This appears to be so in 31st & Sixth Ave. this Andante. Inscribed above the score are the following lines 2 Park Avenue by Sternau: “Day has gone and the moon has come; She sees two hearts in love made one That blissfully cling together.”) Scherzo Retrospect Allegro Intermission Program Continued on Second Page Following BERLIOZ—Romeo & Juliet (Op. 17, Dramatic Sym.) Toscanini and NBC Symphony Orchestra. DM-II60........................Price $4.20 LIBERTY MUSIC SHOPS & E’"o3 W SU,., VdLv Unusual new summer experience, for teen­ age boys and girls, in historic Berkshire set­ tlement. Mature work, cultural and recrea­ tional projects, such as building construc­ tion, farming, woodwork, ceramics, arts, music, dance, drama, athletics, riding, etc. Nearby Tanglewood symphonic festival at­ tended as part of program. For brochure: Shaker Village Work Camp, 285 Madison Avenue, New York City. CA 5-2133 CARNEGIE HALL PROGRAM 9 MOST FAMOUS NAME on'* overlook the record chaugert It V contributes to tone quality and reo IN RECORD CHANGERS AMONG ord wear. Phono-combinations that DISCRIMINATING MUSIC LOVERS BEFORE OR AFTER count themselves among the finest, should include the world's finest record changer THE CONCERT Garrard. Ask for it when you buy. It's GARRARD AUTOMATIC RECORD CHANGER 5cHrafft'5 COSTS A BIT MORE 220 West 57th Street BECAUSE IT'S THE FINEST Near Broadway GARRARD SALES CORP., 315 BROADWAY, NEW YORK 7, N.Y SLNU fOt rout FREE COPY OF: "DON'T OVERLOOK 1 All Schrafft's Stores Closed Sundays PROGRAM CONTINUED II. Carnaval, Op. 9........................................................... Schumann Préambule, Pierrot, Arlequin, Valse Noble, Eusebius, Florestan, Coquette, Répliqué, Papillons, Lettres Dansants, Chiarina, Chopin, Estrella, Reconnais­ sance, Pantalon et Colombine, Valse Allemande, Pa­ ganini, Aveu, Promenade, Pause, Marche des Da- vidsbuendler Contre les Philistins 1842—OUR 106th YEAR—1948 Funérailles ) r- Known the World over as Manufac­ Mephisto Valse j ................................................................ turers of Accurate, Distinctive Eye glasses and Spectacles. Let us fill your Oculist's Prescription. Latest Style Frames at Reasonable Prices. Steinway Piano RCA Victor Records Goff , Jtic- XZ Guild Opticians Exclusive Management-. 7 East 48th St.. New York. N. Y. HUROK ARTISTS, Inc. Volunteer 5-1680 711 Fifth Avenue New York, N. Y. Branch Store, 633 Park Ave., Plainfield, N. J. RECORDS NOW ON SALE IN MAIN LOBBY SCHUBERT—Symphony No. 8 in B minor, "Unfinished". Bost. Sym. Orch., Koussevitzky, Cond. iear music as you’ve never DM-1039___________ Price $4.20 ieard it before... LIBERTY MUSIC SHOPS Hi SiSilSS II.I EI' LANSING CHESTERFIELD CIGARETTES ask for a demonstration at : On sale in Buffet and Ladies’ Rooms ’AYNES-GRIFFINCO. • 391 MADISON AV. EHMAN RADIOSALON«985 MADISON AV. off of Parquet and First Tier Boxes IMORTIMER H. FOGEL • 92 LIBERTY ST. fSTEINWAY & SONS • 109 W. 57th ST. CARNEGIE HALL PROGRAM 11 innnnnnnnnnnnnr^ TOWN HALL Saturday Afternoon, MARCH 20 at 5:30 o'clock Third and Last Concert in Series "CREATORS OF MODERN PIANO MUSIC" ROBERT GOLDSAND Program: RACHMANINOFF-CORELLI VAR., BARTÓK, BARBER, SCHOENBERG, COWELL, POU­ LENC, MILHAUD, REGER-TELEMANN VAR. THE PHILHARMONIC-SYMPHONY SOCIETY N. Y. Herald Tribune, Jan. 25: "Mr. Gold- sand's programs are among the most enter­ OF NEW YORK prising the season has brought forth, and he 1947 — IO6th Seaton — 1948 demonstrated again yesterday his outstanding qualities as artist and virtuoso.” N. Y. Times, Under the Direction of Jan. 25: "A discerning audience listened with unusual intentness and applauded his perform­ BRUNO WALTER ance of so many uontemporary works. ' N. Y. Thursday Evening, February 19th, at 8:45 o'clock Sun,
Recommended publications
  • 220 Central Park South Garage Environmental
    220 Central Park South Garage Environmental Assessment Statement ULURP #: 170249ZSM, N170250ZCM CEQR #: 16DCP034M Prepared For: NYC Department of City Planning Prepared on Behalf of: VNO 225 West 58th Street LLC Prepared by: Philip Habib & Associates June 16, 2017 220 CENTRAL PARK SOUTH GARAGE ENVIRONMENTAL ASSESSMENT STATEMENT TABLE OF CONTENTS EAS Form……................................................................................................Form Attachment A......................................................................Project Description Attachment B..............................................Supplemental Screening Analyses Appendix I..................................................Residential Growth Parking Study Appendix II.................................................LPC Environmental Review Letter EAS Form EAS FULL FORM PAGE 1 City Environmental Quality Review ENVIRONMENTAL ASSESSMENT STATEMENT (EAS) FULL FORM Please fill out and submit to the appropriate agency (see instructions) Part I: GENERAL INFORMATION PROJECT NAME 220 Central Park South Parking Garage EAS 1. Reference Numbers CEQR REFERENCE NUMBER (to be assigned by lead agency) BSA REFERENCE NUMBER (if applicable) 16DCP034M ULURP REFERENCE NUMBER (if applicable) OTHER REFERENCE NUMBER(S) (if applicable) 170249ZSM, N170250ZCM (e.g., legislative intro, CAPA) 2a. Lead Agency Information 2b. Applicant Information NAME OF LEAD AGENCY NAME OF APPLICANT New York City Department of City Planning VNO 225 West 58th Street LLC NAME OF LEAD AGENCY CONTACT PERSON
    [Show full text]
  • Generously Supported by Jody & John Arnhold; the Andrew W. Mellon
    Generously supported by Jody & John Arnhold; the Andrew W. Mellon Foundation; and the Joseph W. Polisi Artist as Citizen President’s Fund. The future, today. Generously supported by Jody & John Arnhold; the Andrew W. Mellon Foundation; and the Joseph W. Polisi Artist as Citizen President’s Fund Restart Stages at Lincoln Center presents Juilliard NOW: Preparatory Division Saturday, May 29, 1pm ET Damrosch Park Pre-College Symphony: String Ensemble Adam Glaser, Conductor DOMINICK ARGENTO Valse Triste (1996) (1927–2019) WILLIAM GRANT STILL Mother and Child (1943) (1895–1978) DAVID DIAMOND Rounds (1944) (1915–2005) Pre-College Orchestra: String Ensemble Adam Glaser, Conductor ARNOLD SCHOENBERG Notturno for Strings and Harp (1895) (1874–1951) GABRIELA LENA FRANK Selections from Leyendas: An Andean Walkabout (b. 1972) (2001), arr. string orchestra Tarqueada Himno de Zampoñas Chasqui Coqueteos 1 Pre-College Symphony: String Ensemble Violin Cello Joshua Song (Pre-College ‘23), Katina Pantazopoulos (Pre-College ‘24), Concertmaster Principal Nami Nazar (Pre-College ‘23), Principal Joseph Darcourt (MAP ‘19, Pre-College ‘24) Dexter Doris (Pre-College ‘23) Shaw Edwards (Pre-College ‘24) Ella Eom (Pre-College ‘24) Ari Freed (Pre-College ‘23) Yui Hasagawa (Pre-College ‘23) Michelle Kwon (Pre-College ’24) Bernadette Kim (Pre-College ‘23) Miles Levine (Pre-College ‘24) Julie Kim (Pre-College ‘24) Katelyn Moon (Pre-College ‘23) Double Bass Iris Sung (Pre-College ‘23) Lauren Ugarte (Pre-College ‘21), Principal Nicholas Yoo (Pre-College ‘24) Athena Allen
    [Show full text]
  • The Brooklyn Delegation of the New York City Council for Its Vital Toric Visit to New York Gty
    Cbail'lllln Asher B. Edelman Brooklyn Academy of Music Preside at Harvey Lichtenstein Board of Trustees Vice Ck1irmen Neil D. Chrisman Rita Hillman I. Stanley Kriegel Franklin R. Weissberg Mem~ers Francis M. Austin, Jt Jenne K. Britell SPECIA L FUNDIN G FOR T HI S ANNU AL REPORT HAS BEEN Kevin Burke PROVIDED THROUGH THE GENEROUS SU PPORT OF Joanne L. Cossullo Warren B. Coburn MANUFACT U RERS HANOVER C O RPORATION . Beth DeWoody PRINTED B Y HARD ING Be H ARD ING GRAPHICS, INC. Charles M. Diker Brendan Duggan Choim Edelstein Mallory Foetor Ronald E. Feiner Alan H. Fishman Robert L. Forbes Michael Fuchs Faith G. Golding Morton Gottlieb Stephen R. Greenwald Sidney Kantor Stanley H. Kaplan Andrew K. Klink Bettina Bancroft Klink Robert A. Krasnow lngo Kretzschmar Edgar A. Lampert Eugene H. luntey laurie Mollet Martin F. Mertz Evelyn Ortner David L. Ramsay Bruce (. Ratner Richard M. Roson Jonathon F. P. Rose Robert (. Rosenberg Pippa Scott Mikki Shepard Vaughn (. Williams Ho10r1ry Chlirmen David N. Dinkins Officers Howa rd Go Iden Harvey Lichtenstein, IIHonry Tr11tees President and Executive Producer Seth Faison Koren Brooks Hopkins, leonard Garment Executive Vice President & Managing Director Paul lepercq Douglas W. Allan, Arne Vennemo Vice President for Marfceting and Promotion Ex-officii Jacques Brunswick, Mary Schmidt Campbell Vice President for Administration During the post yeo~ public funding of the arts weathered not only Fuchs and the Recording Industry Council chaired by Elelctro Entertoin­ Amidst a year of uncertainty at the National Endowment lor the intense challenges, but ever declining appropriation levels in the menrs Robert Krasnow, the Golo Committee organized a roving, post­ Arts, and a sense of growing unease with the country's economy, face of budget reductions of all levels of government.
    [Show full text]
  • Teaching Music Through Performance in Band
    Teaching Music through Performance in Band A Comprehensive Listing of All Volumes by Grade, 2018 Band, volumes 1 (2nd ed.)–11 Beginning Band, volumes 1–2 Middle School Band Marches GIA Publications, Inc. Contents Core Components . 4 Through the Years with the Teaching Music Series . 5 Band, volumes 1 (2nd ed .)–11 . .. 6 Beginning Band, volumes 1–2 . 30 Middle School Band . 33 Marches . .. 36 Core Components The Books Part I presents essays by the leading lights of instrumental music education, written specifically for the Teaching Music series to instruct, inform, enlighten, inspire, and encourage music directors in their daily tasks . Part II presents Teacher Resource Guides that provide practical, detailed reference to the best-known and foundational band compositions, Grades 2–6,* and their composers . In addition to historical background and analysis, music directors will find insight and practical guidance for streamlining and energizing rehearsals . The Recordings North Texas Wind Symphony Internationally acknowledged as one of the premier ensembles of its kind, the North Texas Wind Symphony is selected from the most outstanding musicians attending the North Texas College of Music . The ensemble pursues the highest pro- fessional standards and is determined to bring its audiences exemplary repertoire from all musical periods, cultures, and styles . Eugene Migliaro Corporon Conductor of the Wind Symphony and Regents Professor of Music at the University of North Texas, Eugene Corporon also serves as the Director of Wind Studies, guiding all aspects of the program . His performances have drawn praise from colleagues, composers, and critics alike . His ensembles have performed for numerous conventions and clinics across the world, and have recorded over 600 works featured on over 100 recordings .
    [Show full text]
  • Manhattan 2016 Mid-Year Sales Report by Ariel Property Advisors | Released July 2016
    MANHATTan 2016 Mid-Year SaleS REPORT by Ariel Property Advisors | Released July 2016 Join Our Network: e-mail [email protected] or visit arielpa.nyc 212.544.9500 I arielpa.nyc 122 East 42nd Street, Suite 2405, New York NY 10168 MANHATTan 2016 Mid-Year SaleS REPORT Dear Friends, 2016 Mid-Year SaleS REPORT From the continuation of low interest rates to the Brexit, the first half of 2016 has seen some remarkable economic events that have been having various effects on the Manhattan real estate market. Manhattan investment property sales saw a pullback in terms of dollar volume and, in a more pronounced way, transaction volume during 1H16, but several fac- Dollar Volume Transaction Volume Property Volume tors are contributing to a greater sense of stability in the market place. In 1H16, Manhattan saw 304 transactions consisting of 361 properties totaling approxi- $19.3 304 361 mately $19.35 billion in gross consideration in 1H16. The previous six months of 2H15, which saw 345 transactions for 477 properties with an aggregate dollar volume of $22.29 BILLION billion, capped off a banner year that included the $5.5 billion sale of Stuyvesant Town / Pe- 13% decrease 11% decrease 24% decrease ter Cooper Village. By excluding this outlier transaction from the aggregate dollar volume, 1H16 figures represent a 15% increase in total dollar volume compared to 2H15. Moreover, compared compared compared 1H16 dollar volume figures are well above the dollar volume seen in 1H14. to 2H 2015 to 2H 2015 to 2H 2015 Fewer transactions are taking place—the 1H16’s 304 sales is the lowest number of trans- actions to take place since 1H13—but properties that are selling demonstrate that strong demand remains for quality product.
    [Show full text]
  • DAVID DIAMOND: a LISTENER’S GUIDE by Alan Belkin
    Alan Belkin, composer THE SYMPHONIES OF DAVID DIAMOND: A LISTENER’S GUIDE by Alan Belkin David Diamond was my main composition teacher at Juilliard. This article was originally written for a Festschrift project, which was later abandoned. Note: This article may be distributed freely, but may NOT be posted elsewhere publicly without written permission from the author, who can be reached at: alanbelkinmusic_at_gmail.com (replace _at_ with @). A pdf version is available here. Introduction David Diamond was a major American symphonist, with eleven works in the genre. Despite a succession of musical fads, Diamond steadfastly developed a symphonic style in a contemporary romantic idiom all his own. Since many of Diamond's own program notes and much biographical information appear in the study by Victoria Kimberling1, I will here adopt a somewhat more analytical approach. This survey is done from my own point of view as a symphonic composer; it constitutes a guided tour of each symphony's architectural construction. I have been forced to limit detailed study to symphonies one through eight, since the last three are neither published nor recorded (apart from one movement from the eleventh symphony). First Symphony Diamond's First Symphony dates from 1940-41 (although an earlier symphony is now archived as a student work, according to Victoria Kimberling). It is for a moderate sized orchestra, including tubular bells. However the piano, a very frequent presence in Diamond's orchestral works, is absent. The work is in three movements, and lasts about twenty minutes. It is dedicated to Katherine Anne Porter. Dimitri Mitropoulos conducted the première.
    [Show full text]
  • NEA Chronology Final
    THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen­ Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic­ the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com­ strengthening the artistic life of this country – was created. panies as there were in 1965.
    [Show full text]
  • Boston Symphony Orchestra Is Exceptional Beauty, Depth and Richness of Tone
    More smokers every day are turning to Chesterfield 's happy combination of mild ripe Amer­ ican and aromatic Turkish to­ CHESTERF/ELOS baccos-the world's best ciga­ the H appy Combination rette tobaccos. for More Smoking Pleasure When you try them you wi/1 know why Chesterfields give millions of men and women more smoking pleasure •.. why THEY SATISFY ... the blend that can 't be copied ... the RIGHT COMBINATION of the world's best cigarette tobaccos Copyrighc 1939, LI GGEIT & MYERS ToBACCO Co. Copyright 1929 by ALFRED SCOTT, Publisher, 156 Fift h Ave., New York, N. Y. r CARNEGIE HALL PROGRAM 3 • •UA ,EA'Y.:E :t;;,y;;E"" R-A D 1:0,. ~ "I could sit through it ~ Y ours For Keeps ~ again!" ~ ~ How often have you remarked that after a li( ,,,.,~ Carnegie Hall concert. You can salisfy your ),; LI( heart's desire with a Lafayette Automatic ~ On Victor Records H Phono-Radio Combination You can hear the ~ f-4 beautiful symphonies that thrilled you to- .;. .,, night, in your own home .. faithfully, mag- .,.. ~ nificently reproduced on a Lafayette. Send · >! for our booklet, or cal! W Alker 5-8883. ;:1:1 c( )lo The Boston ~ LAFAYETTE RADIOS ~ -I JOO SIXTH AVE. • NEW YORK O Symphony Orchestra 11111 o 1 o v M , :!I .r ::r·xv ::1 v :1 liJ ORATORIO SOCIETY OF N. Y. Serge Koussevitzky, Conductor Carnegie Hall Announcements Sixty-Fifth Season JANUARY ALBERT STOESSEL, Conductor • One of the special characteristics of the Boston Symphony Orchestra is exceptional beauty, depth and richness of tone. Saturday Eve. Jan.
    [Show full text]
  • Rodin Studios Building, Built in 1916-17, Was Designed by Cass Gilbert Specifically for Artists
    I..andrnarks Preservation Commission February 16, 1988, Designation List 200 LP-1571 RODIN S'IUDIOS, 200 West 57th Street, Borough of Manhattan. Built 1916-17; architect cass Gilbert. Landmark site: Borough of Manhattan Tax Map Blcx::k 1028, lDt 33. on December 10, 1985, the landmarks Preservation Commission held a public hearing on the proposed designation of the Rodin Studios as a Landmark and the proposed designation of the related I..andrnark Site (Item No. 9). The hearing was continued to March 11, 1986 (Item No. 7) Both hearings had been duly advertised in accordance with the provisions of law. One witness spoke in favor of designation; three letters were received in support of designation. There were no speakers or letters in opposition to designation. DFSCRIPI'ION AND ANALYSIS summary The Rodin studios building, built in 1916-17, was designed by Cass Gilbert specifically for artists. Named for the most innovative living artist of the time, it represents a refinement on the earlier essays in what was a relatively new buildng type. '!he two principal elevations of this fourteen-story, reinforced concrete frame building, are sheathed in rough brick, polychromatic -- buff to gray, laid in American bond. The elaborate and extensive terra cotta and iron trim is molded and cast in the late Gothic-early Classical motifs which characterize the French Renaissance style, the style of the neighboring Arts Students League as well as a style Gilbert thought appropriate for artists. The studio windows on the West 57th Street elevation with their cast iron canopies are particularly noteworthy. '!he brickwork is remarkable also; the broad and narrow bay reveals, linking the buillding's base and cap, give this elevation a distinct visual coherence.
    [Show full text]
  • Student Ensemble: University Band and Symphonic Bands Martin H
    Illinois State University ISU ReD: Research and eData School of Music Programs Music 3-2-2016 Student Ensemble: University Band and Symphonic Bands Martin H. Seggelke, Conductor Shannon Schaffer, Conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Seggelke,, Martin H. Conductor and Schaffer,, Shannon Conductor, "Student Ensemble: University Band and Symphonic Bands" (2016). School of Music Programs. 174. https://ir.library.illinoisstate.edu/somp/174 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University College of Fine Arts School of Music ____________________________________________________________________________________________ University Band and Symphonic Band Gavin Smith, Conductor Shannon Shaffer, Conductor Center for the Performing Arts Wednesday Evening March 2, 2016 8:00 p.m. This is the one-hundred and twentieth program of the 2015-2016 season. Program Please silence all electronic devices for the duration of the concert. It is prohibited to record any video or audio footage of any portion of today’s performance. Thank you. University Band Fanfare for a Festive Day (1996) Roger Cichy (born 1956) 2:00 Balladair (1958) Frank Erickson (1923-1996) 3:00 Shannon Shaffer, conductor
    [Show full text]
  • News from the Library of Congress
    NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2012 The News from the Library of Congress this year includes reports from the major Library units concerned with music and sound recording materials: Music Division, National Audio-Visual Conservation Center/Packard Campus, the American Folklife Center, and the Policy and Standards Division. Reports from other Library units which may contain concerns of importance to the music library community (e.g., Copyright Office, Preservation Directorate, Technology Policy Directorate) may be found in the ALA Midwinter report on the Library’s website: http://www.loc.gov/ala/mw-2012-update.html MUSIC DIVISION………………………………………P. 1 PACKARD CAMPUS FOR AUDIO-VISUAL CONSERVATION, RECORDED SOUND SECTION…………………………………….P. 11 AMERICAN FOLKLIFE CENTER………………….P. 15 POLICY AND STANDARDS DIVISION, ACQUISITIONS & BIBLIOGRAPHIC ACCESS DIRECTORATE…….P. 27 MUSIC DIVISION --Reported by Sue Vita, Joe Bartl, Dan Boomhower, Denise Gallo, Mark Horowitz, Karen Lund, Anne McLean, and Steve Yusko This fiscal year, the Music Division’s first priority was to improve access to its vast collection of more than 20 million items, including scores, libretti, manuscripts, photographs, personal papers, instruments, and memorabilia. This was accomplished on a number of fronts: by processing and creating online finding aids for special collections; by creating new and improved existing bibliographic records; by digitizing items from collections and putting them online; and by publicizing the collections through the Performing Arts Encyclopedia, public programs, orientations, professional meetings, and social media. We 1 made significant progress on the Collections Analysis Project, which will result in improved physical and intellectual control over all of Music’s holdings.
    [Show full text]
  • The Cityrealty 100 Report 2020
    THE CITYREALTY 100 REPORT 2020 DECEMBER 2020 THE CityRealty is the website for NYC real estate, providing high-quality listings and tailored agent matching for pro- spective apartment buyers, as well as in-depth analysis of the New York real estate market. 1100 THE CITYREALTY 100 REPORT 2020 About The CityRealty 100 The CityRealty 100 is an index comprising the top 100 condominium buildings in Manhattan. Several factors—including a building’s sales history, prominence, and CityRealty’s rating for the property—are used to determine which buildings are included in the index. This report tracks the performance of those buildings for the one-year period ending September 30, 2020. CityRealty releases regular reports on the CityRealty 100 to track the change in prices of the top 100 Manhattan condo buildings. After falling in 2018 from all-time highs achieved in 2016 and 2017, the index’s average price / foot and total sales volumes were roughly flat in 2020 as compared to 2019, with the average price per square foot increasing 2% to $2,649. For the 12 months ending Sep 30, there were 846 sales which accounted for $4.94B in sales volume. Manhattan real estate, as viewed through the lens of this report, focuses on the city's top tier of buildings, which are seen as a relatively stable and good investment. The stagnation in prices and volume, especially in buildings not new to the market, reflects a market that has been saturated with high-end product, and prices in the 3rd quarter of 2020 reflect an overall downward trend.
    [Show full text]