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DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
Breaking Bad and Cinematic Television
temp Breaking Bad and Cinematic Television ANGELO RESTIVO Breaking Bad and Cinematic Television A production of the Console- ing Passions book series Edited by Lynn Spigel Breaking Bad and Cinematic Television ANGELO RESTIVO DUKE UNIVERSITY PRESS Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Typeset in Warnock and News Gothic by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data Names: Restivo, Angelo, [date] author. Title: Breaking bad and cinematic television / Angelo Restivo. Description: Durham : Duke University Press, 2019. | Series: Spin offs : a production of the Console-ing Passions book series | Includes bibliographical references and index. Identifiers: LCCN 2018033898 (print) LCCN 2018043471 (ebook) ISBN 9781478003441 (ebook) ISBN 9781478001935 (hardcover : alk. paper) ISBN 9781478003083 (pbk. : alk. paper) Subjects: LCSH: Breaking bad (Television program : 2008–2013) | Television series— Social aspects—United States. | Television series—United States—History and criticism. | Popular culture—United States—History—21st century. Classification: LCC PN1992.77.B74 (ebook) | LCC PN1992.77.B74 R47 2019 (print) | DDC 791.45/72—dc23 LC record available at https: // lccn.loc.gov/2018033898 Cover art: Breaking Bad, episode 103 (2008). Duke University Press gratefully acknowledges the support of Georgia State University’s College of the Arts, School of Film, Media, and Theatre, and Creative Media Industries Institute, which provided funds toward the publication of this book. Not to mention that most terrible drug—ourselves— which we take in solitude. —WALTER BENJAMIN Contents note to the reader ix acknowledgments xi Introduction 1 1 The Cinematic 25 2 The House 54 3 The Puzzle 81 4 Just Gaming 116 5 Immanence: A Life 137 notes 159 bibliography 171 index 179 Note to the Reader While this is an academic study, I have tried to write the book in such a way that it will be accessible to the generally educated reader. -
Collection Adultes Et Jeunesse
bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal. -
Productions in Ontario 2006
2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P. -
How RTL Group Employees Worked up a Sweat for the 10 Years of Télévie Challenge
week 18 / 30 April 2014 PEDALLING FOR CHARITY How RTL Group employees worked up a sweat for the 10 years of Télévie Challenge Luxembourg Luxembourg United States One year anniversary RTL Group: A&E picks up FMNA of the RTL Group “Most attractive co-production, re-IPO employer in The Returned Luxembourg 2014” week 18 / 30 April 2014 PEDALLING FOR CHARITY How RTL Group employees worked up a sweat for the 10 years of Télévie Challenge Luxembourg Luxembourg United States One year anniversary RTL Group: A&E picks up FMNA of the RTL Group “Most attractive co-production, re-IPO employer in The Returned Luxembourg 2014” Cover Participants celebrating during the Télévie Challenge 2014 Publisher RTL Group 45, Bd Pierre Frieden L-1543 Luxembourg Editor, Design, Production RTL Group Corporate Communications & Marketing k before y hin ou T p r in t backstage.rtlgroup.com backstage.rtlgroup.fr backstage.rtlgroup.de QUICK VIEW Going public with teamwork – one year down the road RTL Group p.8–10 RTL Group named “Most attractive employer in Luxembourg 2014” RTL Group “Ten years of tireless p.11 dedication to a cause that is very dear to us” RTL Group A&E picks up p.4–7 The Returned FremantleMedia North America p.12 SHORT NEWS p.13 PEOPLE p.14 For the past ten years, “TEN YEARS helping to save lives has remained the clear focus of the Télévie Challenge, the OF TIRELESS Luxembourg site spinning event organised by RTL Group’s Corporate DEDICATION TO Centre in support of Télévie. To mark this milestone anniversary, the organisers A CAUSE THAT put together a special edition of the fundraising IS VERY DEAR event, which raised a record total of no less than €73,000. -
Act Resume.Pages
Hair: S&P • Height: 5’ 10” www.jetalent.com Eyes: Hazel • Weight: 165 lbs LOL LEVY P. 415.395.9475 | F. 415.395.9301 SAG-AFTRA / AEA 155 Montgomery St., SF, CA 94104 FILM FOUR FREEDOMS IN VR EXHIBIT Co-Star Norman Rockwell Museum/Tour Melissa Sydeman, Dir. CULT FICTION Star Dead Set Films Digant Kasundra, Dir. SHAKER Star Encounters On Earth Terry Lamb, Dir. TRACKDOWN Co-Star Tracfilm Works MONDAY MORNING Featured Monday Morning Productions Don Murphy, Dir. HOWARD THE DUCK Featured Lucasfilms Willard Huyck, Dir. TELEVISION NASH BRIDGES Co-Star CBS-TV Deran Sarafian, Dir. NOT NECESSARILY THE NEWS Co-Star Moffitt-Lee Productions John Moffitt, Dir. THIRTYSOMETHING Featured MGM-UA/Bedford Falls Prods. Scott Winant, Dir. GENERAL HOSPITAL Co-Star ABC-TV BULLS & BEARS Featured West Productions (pilot) John Kroll, Dir. THEATRE (partial list) THE LOVER Richard Phantom Theatre, Warren, VT Pamela Rickard, Dir SPEAKEASY SF Vaudevillian Boxcar Theatre/SpeakeasySF Leah C. Gardner, Dir. TRIBES Christopher Capital Stage, Sacramento Jonathan Williams, Dir. THE RIGHT THING Dave Heller 3Girls/The Thick House, S.F. Suze Allen, Dir. SHEAR MADNESS Eddie Lawrence C.M.T, Sacramento Bob Lohrmann, Dir. ASHES TO ASHES Devlin Second Wind Theatre, S.F. Ian Walker, Dir. AFTERLIFE OF THE MIND Father Jerome Virago Theatre, S.F./Berkeley Laura Lundy-Paine, Dir. DIRTY LITTLE SECRET Vaudevillian The Plush Room, S.F. Nancy Gold, Dir. COOKING WITH ELVIS Dad Phoenix Theatre, S.F. Robert Hamm, Dir. GLENGARRY GLEN ROSS Moss Exit Theatre, S.F. David Gassner, Dir. KVETCH Hal Exit Theatre, S.F. David Gassner, Dir. -
Zora Dehorter CASTING DIRECTOR May 2018
Zora DeHorter Office: + 1.323.487.9266 Agent: Theo Caesar, 90210 Talent – 1.818.738.3663 Email: [email protected] Website: http://dehortercasting.com/ http://www.imdb.com/name/nm0215008/ Casting Director FEATURE FILMS (Current) The GOSPEL TRUTH Gold Coast Productions Producers: Patrick G. Ingram, Larry Flash Jenkins, Bob Johnston Director: Larry Flash Jenkins Cast: Jazsmin Lewis, Chaz Lamar Shepherd, Kim Yarbrough, Ernest Thomas NIGHTMARE CITY Mivera Pictures / Monstaworx Entertainment Producer: Heinz Treschnitzer Director: Tom Savini Cast: Kristanna Loken, Lou Ferrigno, Ray Wise, Tony Todd TEQUILA ROSE Gin Lilly LLC Producers: Jason Smith, Michael David Lean Director: Jason Smith Cast: Tom Sizemore, Loretta Devine, John Cho, Djimon Hounsou BECKER’S FARM Noble House Entertainment Pictures Producers: Debi Roemmich, Don Driftmier Director: Mark Roemmich Cast: Jeffrey Pierce, Rachel Blanchard, Chad Lindberg, Jack Scalia FEATURE FILMS (Past Films) MICHAEL VEY Caedmon Entertainment Producers: McKay Daines, Tom Reeve Director: McKay Daines Cast: Rhys Matthew Bond, Karina Lombard, John Shea WHAT IS AND WHAT LIMS, Casket Lake Productions SHOULD NEVER BE Producers: Jimmy LIfton, Philip Martlet Directors: Jimmy Lifton, Dennis Ogle Cast: Nichelle Nichols, Thomasina Gross, Jameelah Nuriddin, Monquie Cash RED SNEAKERS LIMS, Casket Lake Productions Producers: Jimmy LIfton, Mike Tarzian Director: Dennis Ogle Cast: Kathryn Taylor, Ashford J. Thomas, Kevin Dobson ARMED If We Do Our Part LLC (co-casting director Producer: Justin Nesbitt Anissa Williams) -
My Friend Dahmer
presents MY FRIEND DAHMER Written and Directed By Marc Meyers Starring Ross Lynch, Anne Heche, Alex Wolff, Dallas Roberts, Miles Robbins, Tommy Nelson, Vincent Kartheiser 107 minutes – Rated R Official Selection Tribeca Film Festival 2017 *World Premiere* Los Angeles Film Festival 2017 Frameline Film Festival 2017 Fantasia Film Festival 2017 BFI London Film Festival 2017 Deauville American Film Festival 2017 Sitges Film Festival 2017 Press Contact: ID PR [email protected] 212-334-0333 For downloadable publicity materials, go to: www.filmrise.com/film/my-friend-dahmer - press-kit MY FRIEND DAHMER Short Synopsis Jeffrey Dahmer murdered 17 men and boys in the American Midwest, becoming one of history’s most infamous serial killers. This is the story before that story. Jeff (Disney Channel’s Ross Lynch) is an awkward teenager struggling to make it through high school with a family life in ruins. His bizarre behavior at school attracts unexpected friends, a group of band-nerds who form The Dahmer Fan Club, headed by Derf Backderf (Alex Wolff, PATRIOTS DAY). But as they near graduation, Jeff’s depravity continues to take hold, and he spirals further out of control. Based on Backderf’s critically acclaimed 2012 graphic novel and written for the screen and directed by Marc Meyers, MY FRIEND DAHMER is the haunting, sad, funny, true story of Jeffrey Dahmer in high school. Long Synopsis Jeffrey Dahmer murdered 17 men and boys in the Midwest United States between 1978 and 1991 before being captured and incarcerated. He would become one of America’s most infamous serial killers. -
Creative Rights Handbook Is to Help Raise TABLE of CONTENTS Awareness of Your Rights, Which Span All Phases of Production
DIRECTORS GUILD OF AMERICA CREATIVE 2 RIGHTS 2 HANDBOOK 0 2014 - 2017 10 41 7 Dear Colleague, The purpose of this Creative Rights Handbook is to help raise TABLE OF CONTENTS awareness of your rights, which span all phases of production. Whether you are a veteran director or new to the guild, we encourage you to take a few moments and acquaint yourself CREATIVE RIGHTS CHECKLISTS with these provisions, several of which have changed since the previous publication of this handbook. Checklists of DGA Directors’ creative rights, codified in this handbook .…...........….…….…….…….…….….6 We achieved a number of significant improvements in Creative Rights in the last round of negotiations, both in features and in television. SUMMARY OF CREATIVE RIGHTS In features, we secured much needed updates to the pseudonym A summary of a Director’s creative rights under the Directors process (8-211) and negotiated a new procedure that applies Guild of America Basic Agreement of 2014 for feature film, when an Employer want to replace an editor (7-209). In long-form television and television series .....................11 addition, we enhanced the notice provisions and your right to request a label indicating the running time or aspect ratio of a theatrical motion picture has been changed for any domestic ancillary exploitation of the film. BASIC AGREEMENT, ARTICLE 7 Directors’ minimum conditions, preparation, production In television, we engaged in serious discussions with the studios and post-production for feature film, long-form television regarding the Director’s participation in casting, which resulted in a commitment from the studios to encourage “in-person” and television series ..................….......…......….....…..27 casting sessions with the talent. -
2009 Annual Report
2009 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs PALEYDOCEVENTS ..................................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................15 PALEYDOCFEST .......................................................................................................................................19 PALEYFEST: Fall TV Preview Parties ..........................................................................................................20 PALEYFEST: William S. Paley Television Festival ..........................................................................................21 Robert M. -
SFU Thesis Template Files
“To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes by Brett Pardy B.A., The University of the Fraser Valley, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Brett Pardy 2016 SIMON FRASER UNIVERSITY Summer 2016 Approval Name: Brett Pardy Degree: Master of Arts Title: “To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes Examining Committee: Chair: Frederik Lesage Assistant Professor Zoë Druick Senior Supervisor Associate Professor Adel Iskander Supervisor Assistant Professor Michael Ma External Examiner Faculty Member Department of Criminology Kwantlen Polytechnic University Date Defended/Approved: June 16, 2016 ii Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that a hegemonic American model of militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2012), and demonstrate the significant reorientation of the film franchise towards the American military’s “War on Terror”. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. -
The Confusion of Conditions a Sociological Look at the Television Series E.R.*
The Confusion of Conditions A Sociological Look at the Television Series E.R.* By Sabine Chalvon-Demersay Translated from the French by Teresa Lavender Fagan E.R. is an American television series that portrays the daily activities of a medical team in the emergency room of a hospital located in Chicago. The pilot episode was broadcast on NBC in September 1994. The series was bought by France 2, which aired the first episodes in July 1996, and has presented a new season every fall. Michael Crichton created E.R. He wrote the pilot episode, which was produced by John Wells and directed by Rod Holcomb; he continues to supervise the writing of subsequent episodes which are directed by different people. A graduate of Harvard, the author of 22 best-selling books, he has a medical degree, but has never practiced medicine. It was during medical school that Crichton thought of the original screenplay for E.R., which was produced twenty years later. He needed the authority that was granted to him by the success of his books and his film scripts (notably Disclosure, Jurassic Park, Congo, Rising Sun), as well as the support of Steven Spielberg, in order to be in a position to propose an original screenplay that in many respects went against much of what people expected in a television series, and concerning which he was not willing to make any concessions. The Research What is most striking when one questions viewers of the series is their sense of a true powerful relationship that is immediately established between the series and its audience and which develops throughout the seasons: violent rejection, strong enthusiasm, disgust, expectation, impatience, frustration, irritation, habit, weariness, (relief).